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Interview with Josh & Hazel Meyer (Those Who Dream)

​Those Who Dream are an Australian alternative rock duo and multifaceted creative project of siblings Josh and Hazel Meyer. Their captivating energy and revealing lyrics has not only earned them the acclaim of Pop Buzz, Rock Sound and Alternative Press; but more importantly, a cult-like following across the world. The Meyer siblings are as DIY as it gets, citing “YouTube tutorials” as their teachers of filmmaking, 3D animation, design, songwriting and production. The sum of these talents can be best seen in the duo’s extravagant music video for their breakout single #Violet, featuring surreal and eerie visuals reminiscent of psychological-horror films. Growing up perpetually fascinated by art in all of its forms; the siblings quickly learnt to channel their own struggles and emotional turmoil into creative expression. After creating individually and experimenting in bands, it quickly became apparent that their best work was created together. Now, it seems their hard work is paying off, with the group touring this year with Mayday Parade, Real Friends and Short Stack, and set to perform at all three Good Things Festival events in Melbourne, Sydney and Brisbane in December.

GOOD THINGS FESTIVAL LINE UP:
 
Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira | ONE OK ROCK

 
In Alphabetical Order:
 
3OH!3 | Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Fever 333 | Jinjer | JXDN | Kisschasy (Performing ‘United Paper People’ In Full)
Lacuna Coil | Millencolin | Nova Twins | Polaris | RedHook | Regurgitator
Sabaton | Sleeping With Sirens | Soulfly | The Story So Far | Thornhill
 

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Early Bird pre-sale tickets on sale Tuesday 21 June @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au
 
General Public tickets on sale Thursday 23 June @ 10am AEST Time
https://www.oztix.com.au/

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

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Deftones @ Thebarton Theatre, Adelaide 30/11/2022

Wednesday night saw Adelaide’s Thebarton Theatre packed to the rafters as the Deftones came to town. Fans lined up for hours prior to doors opening to get the much sought-after barrier position. In Australia for Good Things Festival, which starts in Melbourne tomorrow, Adelaide scored their only sideshow which was sold out impressively quickly.

Getting our night underway was Australian ‘Death-pop’ duo Vowws. Standing on opposite ends of the stage and shrouded in smoke Matt James (vocalist/guitarist) and Rizz (vocalist/keyboards) radiated an aura of mystery which was only amplified by their music. Chaotically beautiful comes to mind when trying to describe the performance that followed. Weighty guitar riffs, haunting synth notes and some extraordinary time signatures wrapped around us. Vowws live are a sonic experience to immerse yourself in and I am sure they scored some new followers from this set. The Season, Prague, One by One and Symbol System reverberated around the room as we watched in awe. If you get the chance, I highly recommend checking out a Vowws live show.

The anticipation in the air was palpable as we waited for the Deftones to grace the stage. Tightly wound bodies of all ages swayed then erupted as the band appeared. Frontman Chino Mareno made his way centre of the stage to the opening notes of Genesis from their 2020 album Ohms.  Chino’s alluring vocals wash over us. “We’re climbing out of the ashes” sums up the feeling as live music and international acts return.

Moving swiftly into Diamond Eyes, the melodic beat of the drums instinctively sees the crowd pendulate. An impressive discography provides magical moments but the opening riff for My Own Summer (Shove It) sends the crowd into a frenzy. Airborne bodies floated across the crowd, horned hands raised into the air and the crowd became a choir.

Digital Bath allows us to take a moment to appreciate the musicianship Deftones have in spades and the punters turn the notch back up to eleven as bodies crash and bounce against each other.

Sextape grants a reprieve as we catch our breath albeit for a moment. Rosemary, Be Quiet and Drive (Far Awa) and Change, Chino and the boys didn’t let up with providing something for every fan. Closing with Headup the crowd took the lyrics ‘Fly high, So fly, Fly free’ literally and once again the air was filled with flailing bodies.

Complimenting the night’s performance, an intricate and perfectly orchestrated light show surrounded the band. Beams of light crisscrossed the stage in perfect time whilst shapes faded in and out around the band as the stage backdrop continually changed.

Two hours of music heaven draw to a close as the fans make it known that we do want the night to end. Silhouettes returned to the stage to cheers, as guitars grind the opening riff to Ohms. The words ‘This is our time’ ring true as we forget the world and let ourselves get lost to the moment. Fittingly, for a school night, the band take us home with Back To School. A wall of grinning people, moving to the sounds of one of the best bands around, was a sight to see and an amazing way to end the evening. This was not just a gig but a Deftones experience

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Interview with Joel Vanderuit (Kisschasy)

Kisschasy are an Australian rock band whose music varies from catchy pop to emo-tinged ballads to hard rock. A fateful meeting took place between Darren Cordeux (vocals, guitar) and Joel Vanderuit (bass) in the crowd at the 2002 Warped Tour. The two youths had both been tinkering with bands of their own, but inspired by the world-class music all around them, they decided to start fresh with a new band: Kisschasy. Two of Vanderuit's friends joined them — Sean Thomas (guitar) and Karl Ammitzboll (drums). Their first recordings were the 2004 EPs Darkside/Stay Awake and Cara Sposa, released on indie label Below Par Records. A year later, they recorded their debut album, United Paper People, a gentle pop/rock record. Over the next two years, songwriter Cordeux worked on two albums' worth of songs for their next release. One set was made of country-tinged songs that he described as “Lemonheads-y,” with the rest being heavier rock numbers. The band decided to go with the louder songs and released Hymns for the Nonbeliever in 2007.

Recently Joel had a chat with STMs Kynan about what we might expect from their appearenne at Good Things Festival next weekend. 

GOOD THINGS FESTIVAL LINE UP:
 
Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira | ONE OK ROCK

 
In Alphabetical Order:
 
3OH!3 | Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Fever 333 | Jinjer | JXDN | Kisschasy (Performing ‘United Paper People’ In Full)
Lacuna Coil | Millencolin | Nova Twins | Polaris | RedHook | Regurgitator
Sabaton | Sleeping With Sirens | Soulfly | The Story So Far | Thornhill
 

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Early Bird pre-sale tickets on sale Tuesday 21 June @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au
 
General Public tickets on sale Thursday 23 June @ 10am AEST Time
https://www.oztix.com.au/

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

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Interview with Rich “The Duke” Ward (Fozzy)

It has been a two years for Australian rock fans with no new international tour announcements but that changes now. With borders finally open and restrictions lifted Silverback Touring is saying “f**k it” and giving fans a 1,2,3 count of unashamed rock n roll with two of the hottest live bands on the planet, BUCKCHERRY and FOZZY. 

BUCKCHERRY recently dropped their incredible new and possibly best yet, album Hellbound and just this past week a frantic new video and single ‘5,4,3,2,1’. Whilst FOZZY have been tearing up the U.S. Billboard charts with their latest single ‘Sane’ whilst their anthemic track ‘Judas’ continues to amass huge numbers. 

Multi-Platinum selling rockers BUCKCHERRY return to Australia armed with a new album Hellbound. BUCKCHERRY staunchly uphold the commandments of rock music with an arsenal of anthems primed to explode on impact live on stage and teeming with riotous energy, sexy swagger, and primal chops intact.  It’s something that the boys have done since day one, but it’s more necessary now than ever. With an array of classic such ‘Lit Up’, ‘Crazy Bit*h’, ‘Sorry’, ‘Say F*ck It’ and ‘All Night Long’, BUCKCHERRY are ready to once again party down under. 

BUCKCHERRY is unique, complex, simple, passionate, explosive, original, and always a good time. BC has been my love, my pain, my passion and I'm so proud of what we have accomplished. I never knew when I started this that dedicating myself to music would be taking on so much responsibility. For a guy who never thought he was going to live past 30 this has been an incredible journey. Our ninth record Hellbound marks 22 years since our debut self-titled release and what an amazing roller coaster we have been on. From hit songs to platinum and gold records and millions of fans worldwide – all during a time period when traditional sounding hard rock bands didn't exist – except for BUCKCHERRY. We beat the odds and built our reputation on the live shows, and our “one of a kind” approach to every opportunity. – Josh Todd

After touring the world with the likes of Metallica, Kiss, Iron Maiden, Avenged Sevenfold, Shinedown and building a loyal fanbase for the better part of twenty years, FOZZY is the epitome of what a great rock n roll band should be: catchy, groovy, hooky, sweaty and most importantly, an AWESOME F**KIN TIME! With five consecutive TOP 30 singles, FOZZY is steadily becoming one of the most successful bands on Modern Rock Radio with one of the most electric live shows.

Buckcherry Tour Dates

NOV 30
Tivoli
Brisbane
 
DEC 2
Max Watts
Melbourne
 
DEC 3
Manning Bar
Sydney
 
DEC 4
Lion Arts Factory
Adelaide
 
 

Ticket link here: https://www.silverbacktouring.com.au/buckcherry-fozzy-australia-2022/

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Crowded House @ Rod Laver Arena, Melbourne 22/11/2022

Crowded House dried off after a wet and muddy A Day On The Green performance in Geelong over the weekend, to deliver a showstopping career celebration.

Following stunning sets from openers Grecian acoustic four-piece Maistrato and ‘Sea of Love’ songstress Cat Power, Mitchell Froom, Liam Finn, Elroy Finn, a kilt wearing Nick Seymour and a blue velvet blazered Neil Finn emerged on the Rod Laver stage for a two and a half hour exploration of their own legendary, and adopted, catalogue.

Purple and golden hues lit up the stage as they launched into ‘Distant Sun’ from their 1993 Together Alone, opening the evening in style. By way of introductions bassist Nick Seymour exclaimed his excitement for being back in his hometown of Melbourne, with Neil continuing to introduce each band member from where they hail from; ‘Now you know about the world where we live, and here is ‘World Where You Live’’, he says before the band jump into the track from their self-titled debut. This would trigger a location theme that continued throughout each song, as the band entered down memory lane (or street), pinning each song to its birthplace address, mapping out Melbourne’s Crowded Houses.

Whilst the arena was seating only, the energy was palpable for the Australian darlings, a sentiment duly noted by Mr Finn. With a quick guitar change to bare an acoustic, he commented ‘Get your singing voices ready Melbourne’, before acknowledging an audience members’ “polite but stern” ‘Go Neil’ heckle. It was time for a stunning rendition of ‘Fall At Your Feet’, as written at 11 Osborne Street. ‘I can sense Melbourne has beautiful voices’, Finn comments, leading the audience in an acapella chorus of heavenly proportions. 

Joining the stage with his sons Elroy Finn on drums and Liam Finn on guitar and backing vocals turned the house into a home. The chemistry amongst the musicians was undeniable and their sound was crisp and impeccably tight. It also allowed for quality banter between Neil and Liam, with discussion around birth stories and delirium being shared around the conception of ‘Pineapple Head’

Following ‘Show Me The Way’ and ‘Goodnight Everyone’, the upright piano discreetly tucked into the corner of the stage became the centre of attention. A spotlight illuminated the frontman as he sat at the antique instrument to undertake his Split Enz composition ‘Message To My Girl’. Finn’s vocals did not waver throughout the entire 2 and a half hour performance, and on this ballad it was evident that nearly 40 years post formation, his pipes are as strong as ever.

Jumping back to the centre of the stage with his guitar, the band re-emerged to take on ‘Nails in My Feet’ and ‘When You Come’, before being joined by support act Maistrato for an instrumental jam, ‘Private Universe’, ‘Some Greater Plan’ and ‘Four Seasons In One Day’ with Elroy Finn up front on brushes. A stage left exit of the four piece, meant for a stage right entry of Noel Crombie who brought back the artform of playing the spoons in a solo and for ‘Sister Madly’. “He’ll have a bruise on this knee tomorrow,” joked the frontman.         

After a gorgeous version of ‘Whatever You Want’ as dedicated to Dr Claire, it was time for a trio of hits and massive crowd singalongs. ‘It’s Only Natural’ got the ball rolling feeding into the crowd’s energy. Dun di, dun dun di, dun dun di… the phone torches start to illuminate the arena for a captivating, showstopping performance of ‘Don’t Dream It’s Over’. Melbourne definitely had their singing voices ready for this number, with Finn playing into the powerful acoustics for singalongs and harmonisations. A moving moment from a well-rounded set that would conclude on a high note with ‘Something So Strong’.

A quick fakeout before a full encore saw the band return to play brother Tim Finn co-write, Split Enz power-piece, ‘I Got You’. In a night of family affairs, memory lanes and Australian anthems being celebrated, it was only fitting for Nick Seymour to be reunited onstage by brother Mark Seymour of Hunters and Collectors for an angelic Finn/Seymour duet on ‘Throw Your Arms Around Me’

For a third time that evening Maistrato appeared on the stage to help close out the night. ‘Weather With You’ was simply delightful, with Finn again leaning into the singalong setting supplied by the Melbourne crowd. The crowd engagement was a major player in the evenings proceedings, and helped to shape the setlist with Finn warranting a request from an audience member “because she asked nicely” to play ‘She Goes On’; resurrected for the first time live since 2010 with Finn commenting “I’m glad I remembered it!”.

What better way to send a crowd home after an epic evening of classic songs than with the Temple of Low Men star, ‘Better Be Home Soon’. The stunning harmonies, the gelling of guitars and drums, the vocal offering of the crowd, the Grecian twists from Maistrato elevating it, the final silent pause before the legendary frontman drove us home on the prolonged ‘soon’; a perfect send off.

Crowded House invited us into their many homes last night across Melbourne and we left as part of their family with full bellies from the 24 courses they served. We can’t wait to visit again! 

Crowded House final 3 shows

Kings Park & Botanic Garden, PERTH

November 25th, 26th and 27th 

Tickets here

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Keshi @ Palace Foreshore, Melbourne 22/11/2022

Fresh off a show being moved from the new Palace Foreshore venue, the storm clouds forming over St Kilda didn’t seem to bode well for another outdoor show at the new space, but luckily, Keshi’s fans had better luck than The Black Crowes. The weather may have been chilly, but the mood was electric as the evening’s entertainment began.

Rei Brown, Japanese born and New York based R&B singer opened the show, with a brilliant display of his talents as a musician and performer. Often, a support act for a pop or hip-hop artist can struggle to wow a crowd, due to not being given the full access to a venue’s features, such as lights and screens, but that didn’t stop the young artist from showing his true colours.

Brown played a short, tight set, highlighted by the killer track Haunt Me from his most recent record Xeno, released earlier this year. The song acted as the emotional centrepiece for a passionate and spacey decent into’s Brown’s melancholia. Honest was also a fan favourite, garnering immediate applause from keen audience, who sang along to every word. The icy crowd was truly warmed up by Rei Brown, a well selected opener for a fantastic crooning headliner.

When it came time for Keshi to finally take the stage, the crowd were so excited that they would all raise their phones whenever an engineer or technician crossed the huge festival-style stage, expecting their idol to have finally commenced his performance, so the clear passion for the music on display was clear before I heard a note of the music.

Keshi took to the stage on time and wowed me immediately. He opened with a fresh banger, GET IT, the first track from his new album GABRIEL. The song had the crowd jumping, and initially gave me major Brockhampton vibes, but grew into something bigger. The inspiration of the boy band, especially that of Kevin Abstract, Bearface and Joba was clear, but the depth and quality of the song writing was something entirely further than that the band missed when I’d seen them live years before.

Keshi’s band was something beyond any of his peers I’ve seen before. Many hip-hop artists perform with nothing more than a DJ, and many can do so much with this, but many also fall flat, especially when performing at festivals and outdoor venues. Keshi throughs this idea completely out the window, with one of the best hip-hop R&B bands I’ve ever seen. His drummer balanced traditional flashy drumming with trap-style hip-hop flow, mixing acoustic drums and sample pads like bread and butter. His guitarists and keyboards flawed me further, with an almost orchestral use of layering, and dynamics on display.

The 28 himself also took to the guitar and piano for a few tracks, singing beautiful ballads such as less of you, and the fan favourite drunk, which he called for the new-school phone torch filled crowd for, creating a seriously intimate experience for a show with almost five thousand people in attendance.

He also took a page out of the artists of yesteryear and chose a few sweet stories to share as part of his performance. These included stories about sharing the first song he wrote for the new record, touch, with his manager, and receiving radio silence only to find out it was his favourite. These tales added to the charming demeanour of the artist, who only once missed a cue and apologised to humbly begin the song again perfectly.  Keshi teased the crowd, taking off and putting back on his jacket, to show a little skin, only to hide again when quote “my nipples are standing to attention!”, showing his cheeky sense of humour and love for his fans. Ending with a scream for an encore, and satisfying the fans with one last track, Keshi left the fans ecstatic.

With his humble beginnings as a Soundcloud rapper, many would assume lesser of a musician such as Keshi, but this show proved that he is more than just a rapper or R&B singer – he is a true showman, and a real rockstar, with a hell of a legacy on the way.

You can still catch Keshi with limited Tickets remaining

BRISBANE, November 23rd – Eatons Hill Hotel

SYDNEY, November 24th – The Roadhouse

Tickets here

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Interview with Josh Todd (Buckcherry)

It has been a two years for Australian rock fans with no new international tour announcements but that changes now. With borders finally open and restrictions lifted Silverback Touring is saying “f**k it” and giving fans a 1,2,3 count of unashamed rock n roll with two of the hottest live bands on the planet, BUCKCHERRY and FOZZY. 

 

BUCKCHERRY recently dropped their incredible new and possibly best yet, album Hellbound and just this past week a frantic new video and single ‘5,4,3,2,1’. Whilst FOZZY have been tearing up the U.S. Billboard charts with their latest single ‘Sane’ whilst their anthemic track ‘Judas’ continues to amass huge numbers. 

Multi-Platinum selling rockers BUCKCHERRY return to Australia armed with a new album Hellbound. BUCKCHERRY staunchly uphold the commandments of rock music with an arsenal of anthems primed to explode on impact live on stage and teeming with riotous energy, sexy swagger, and primal chops intact.  It’s something that the boys have done since day one, but it’s more necessary now than ever. With an array of classic such ‘Lit Up’, ‘Crazy Bit*h’, ‘Sorry’, ‘Say F*ck It’ and ‘All Night Long’, BUCKCHERRY are ready to once again party down under. 

 

BUCKCHERRY is unique, complex, simple, passionate, explosive, original, and always a good time. BC has been my love, my pain, my passion and I’m so proud of what we have accomplished. I never knew when I started this that dedicating myself to music would be taking on so much responsibility. For a guy who never thought he was going to live past 30 this has been an incredible journey. Our ninth record Hellbound marks 22 years since our debut self-titled release and what an amazing roller coaster we have been on. From hit songs to platinum and gold records and millions of fans worldwide – all during a time period when traditional sounding hard rock bands didn’t exist – except for BUCKCHERRY. We beat the odds and built our reputation on the live shows, and our “one of a kind” approach to every opportunity. – Josh Todd

 

After touring the world with the likes of Metallica, Kiss, Iron Maiden, Avenged Sevenfold, Shinedown and building a loyal fanbase for the better part of twenty years, FOZZY is the epitome of what a great rock n roll band should be: catchy, groovy, hooky, sweaty and most importantly, an AWESOME F**KIN TIME! With five consecutive TOP 30 singles, FOZZY is steadily becoming one of the most successful bands on Modern Rock Radio with one of the most electric live shows.

 

Buckcherry Tour Dates

NOV 30
Tivoli
Brisbane
 
DEC 2
Max Watts
Melbourne
 
DEC 3
Manning Bar
Sydney
 
DEC 4
Lion Arts Factory
Adelaide
 
 

Ticket link here: https://www.silverbacktouring.com.au/buckcherry-fozzy-australia-2022/

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The Black Crowes @ Palais Theatre, Melbourne 20/11/2022

The evening began with a last minute decision to move the the gig from the Palace foreshore into the Palais theatre. Probably due to Melbourne’s laissez faire attitude towards adhering to weather forecasts. A decision that I enthusiastically applauded and was most pleased with.

I arrived at 6:15pm as the doors were about to open and a long line had already snaked its way around the front of the venue. This crowd had waited a long time for the much overdue reunion of The Black Crowes.

Taking the stage promptly at 6:45pm was Full Flower Moon Band, a five-piece outfit hailing from sunny Brisbane. Comprising of Babyshakes Dillon (Vocals & Guitar), Christian Driscoll (Guitar), Caleb Widener (Guitar), Marli Smales (Bass & Backing Vocals) and Luke Hanson (Drums)

Right out of the gate their drummer was like hearing a bomb go off. Every hit of the skins had intentionality and ferocity yet he had a good understanding of utilising dynamics when the song required a softer touch. The bass held a consistent groove that you felt in your stomach and the three guitars made up of an SG, a Telecaster and a Stratocaster formed an unholy trio of tone. Together they weaved a rugged and lipstick stained tapestry of rhythm and melody. Crushing riffs juxtaposed with haunting vocals. Babyshakes Dillon’s vocals reminded me of Shirley Manson of Garbage. She had a swagger and filth in her delivery that said not only can I throw down with the boys but I can beat you.

My favourite song that they performed was, Come and be my baby. Ironically it is the only song from their set that isn’t available online at the moment. All in all Full Flower Moon Band are a great example that the future of Aussie rock is not just alive but absolutely thriving. You just have to look and listen a little closer.

Filling the main support spot was Australian icons You Am I fronted by eccentric frontman Tim Rogers. Dressed lavishly in his trademark look of bellbottoms and a red shirt Tim oozed vintage chic as they took the stage to a hearty applause. Opening the set with Rumble they were off and running after a few small sound issues which didn’t seem to slow them down. The Waterboy, Who Put The Devil in You? and Cathy’s Clown all made an appearance keeping the fans happy. 

Tim was up and about with his cheeky banter keeping the punters entertained as Mr Milk and How Much is Enough rang out. While I don’t believe it was their strongest performance there was plenty of crowd support as they finished off with their huge hit Berlin Chair. Tim ever supportive of the local music industry inviting people to go out and sample some of the live music scene and support our musicians. So get to it people, there is so much live music to see in Melbourne you will be glad you did!

James Brown’s Get Up (I Feel Like Being a) Sex Machine played over the PA as we starred into the darkness as silhouettes moved across the stage and you could feel the anticipation in the atmosphere change. Then a single light illuminated Rich Robinson and his guitar as he began playing the intro to Twice as hard and the crowd simultaneously exploded with rock and roll as frontman. Chris Robinson’s entrance was greeted with deafening screams. Chris was dressed in a gold sparkle shirt and shiny silver shoes. But even an outfit this loud was barely able to contain the infectious energy he exuded.

The Black Crowes didn’t give a performance you’d expect of seasoned veterans, but they played with the vigour of a new band hungry to prove themselves. As I watched from the balcony I couldn’t see a single person that wasn’t on their feet, despite the Palais being a seated venue. The third song of the night was Sister Luck. You could feel the nostalgia in the air and for a brief moment all of us were transported back to 1990. Such is the magic of good music. Seeing Things showcased the band’s soul and gospel influences as Chris Robinson didn’t merely sing the lyrics but managed to engage the crowd in an unspoken dialogue. Following this was their cover of Otis Redding’s Hard to handle. The crowd exploded once more to an even higher level that literally made the floor and walls of the Palais theatre shake. As the chorus came around The Black Crowes didn’t have two back up singers in the band but a couple thousand new ones.

In the middle of performing Stare it Cold, an over enthusiastic fan climbed up on stage and charged towards the band. Two members of security rushed over to apprehend him but he grabbed one of them and threw him into the audience. The second security personnel managed to grab a hold of him while Chris Robinson pushed him away with his mic stand. As security struggled to subdue him Rich Robinson didn’t miss a beat and ran over to strike the misfit with the butt of his guitar. As the assailant was brought under control Rich grabbed the mic and yelled: “Get this mother fucker out of here.” Which was met with applause and approval from the fans. Chris then took the mic and decided to restart the song. Nonchalantly brushing off the incident and getting right back to the music.

The guitar nerd in me noticed that both Rich Robinson and lead guitarist Isaiah Mitchell were using three amplifiers each. An educated guess leads me to believe that this was to have their guitar signal panned in stereo and have one signal straight down the middle. Keyboard player Joel Robinow had a vintage Leslie speaker in his setup, something I’ve never seen a band do in a live setting. These little details show a lot about who The Black Crowes are as artists and how much care and attention they place on their sound. Something often overlooked in our modern digital age where such analog efforts are deemed too costly and unnecessary.

The set was closed with the fan favourite, Remedy. The crowd gave all they had and sang at the top of their lungs and the band graced them with a breath taking performance. At the end the lights went down but the crowd could not be quelled and for their passion they were rewarded with an encore of Rock & Roll by The Velvet Underground.

This was a a night of passion, joy and drama. Much like the things that make up life and to me the very essence of what Rock and Roll is all about. The Black Crowes embody this and show us that they are just as important and relevant today as they were when they debuted Shake Your Money Maker in 1990.

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Hanson @ Forum Theatre, Melbourne 16/11/2022

It was a cold and rainy Wednesday night and The Forum Theatre was already three quarters full thirty minutes before the opening act took to the stage. There had to be something special that drew the masses out of their warm homes in the middle of the week and Hanson was it.

The opening act was John Calvin Abney. A solo singer songwriter from Tulsa, Oklahoma. He played a combination of country and folk music with a bit of the blues in it.

The venue was surprisingly full at this point and most of the crowd were supportive and involved throughout his set. The first thing that stood out to me was John’s fantastic harmonica skills. I’ve never heard solos executed so well on a harmonica. As a solo performer he sounded very full as his acoustic guitar laid down the rhythms and his harmonica took the place of the lead melodies.

His slower songs had a nice story telling element to them and invoked images of floating down the Mississippi on a lazy Sunday afternoon.

Hanson took to the stage shortly after 9pm. The Forum Theatre was packed at this point. You could feel the anticipation of the crowd and knew that these were hardcore fans of the band. They opened the show with Waiting for this from their 2010 album Shout it out. The crowd exploded with screams and dancing soon as they took to the stage and this level of enthusiasm continued throughout the set.

They followed this up with Dont Let Me Down from their new album, Red Green Blue. The new material has a slightly stronger rock edge to it and you can hear how the brothers have matured as musicians and songwriters.

I had wrongly expected most of the crowd to have come just to hear the hits like MMMBop and I Will Come To You.

Boy was I wrong. The crowd knew the words and sang along to almost every single song from Hansons huge 25 song set (even including a Bass solo and Drum solo), spanning their 27 year career.

Often times being even louder than the band. Despite that the sound on the night was fantastic. The sound engineer ensured the mix from the band was incredibly balanced and every musician was clearly heard.

From the beginning of their career Hanson were unfairly lumped in with the boy bands of that era and many people have a preconceived notion of who and what they are as artist. However, what I witnessed on the night was not a formulaic pop band but a band of highly skilled musicians who understand how to write and perform to serve a song.

This is a new Hanson that has left their boyish image behind and is honestly a bad ass rock band.

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