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Good Things Festival Kicks Off Next Week! Alex Lahey Joins, Battle Of The Bands Winners & Local Acts Announced And More!

GOOD THINGS FESTIVAL
ALEX LAHEY JOINS GOOD THINGS 2024 LINEUP

BATTLE OF THE BANDS WINNERS & LOCAL ACTS ANNOUNCED

MAPS & TIMETABLES ARE HERE

STAGE 666 RETURNS WITH CIRCUS PERFORMERS,
KILL YOUR POP STARS LIVE KARAOKE BAND & MORE

KEEP UP TO DATE WITH REGULAR ALL THE GOOD THINGS &
GOOD THINGS BRINGS EPISODES

FESTIVAL ARTWORK | ARTIST PRESS ASSETS | EVENT MAPS & TIMETABLES

Prepare yourselves, the madcap chaos of Australia’s largest travelling music festival is nearly upon us; yes, Good Things Festival season will officially kick off next week, with three East Coast festival dates, a horde of headline sideshows and a stacked bill of international heavyweights, old favourites, hungry up-and-comers, and Aussie staples all ready to make 2024’s Good Things Festival one for the ages.

Originally set to perform on Stage 5 alongside some headline sideshow performances, Sacramento’s DESTROY BOYS are devastated to announce today that they will no longer be performing at Good Things this year:

Due to unforeseen circumstances, we will have to cancel our appearance at Good Things and Australia shows. To our Aussie fans – we are sorry we can’t make it this time, and we can’t wait to meet you in the future! ♥ ” – Destroy Boys

In leiu of DESTROY BOYS performing, the band’s co-headliner for their previously planned headline sideshows, ALEX LAHEY, joins the festival lineup for 2024 in their place, with the beloved Aussie alt-rock singer-songwriter and multi-instrumentalist set to bring her melodically-charged and endlessly relatable anthems to a festival setting for Melbourne, Sydney and Brisbane.

From her debut 2017 album, I Love You Like A Brother, through to her 2023 third full-length, The Answer Is Always Yes, ALEX LAHEY‘s ability to find comfort in the discomfort, while also crafting earworms that touch the soul, has seen her in hot demand touring globally while also receiving two ARIA Award nominations and securing pop culture infamy appearing on the soundtrack for Tony Hawk’s Pro Skater1+2 and on Sony Picture Animation’s The Mitchells vs. the Machines.

Also set to add local flavour to Good Things Festival next week will be the winners of the official Battle Of The Bands competition, with BODY PRISON winning in Melbourne, PYREFLY in Sydney, and COSMICA in Brisbane. With over 220 bands and over 20 thousand votes in the pre-heat round, the competition spanned three local heats before the final battles this week. Each winning band from Melbourne, Sydney and Brisbane will open their respective hometown events on Stage 5, and will also take home consultations with some of the best in the biz, from booking agents and promoters, through to publicists, managers, social media and more to help them thrive beyond their Good Things experience.

And witness some extra Aussie talent at Good Things Festival this December, with the addition of some stellar local talent in each city, we are pleased to welcome BELLE HAVEN in Melbourne, INERTIA in Sydney, and BAD NEIGHBOUR in Brisbane.

Ahead of next week, you can already start planning your Good Things day, with maps and timetables for all three festival events now available, as well as the official Good Things Festival app offering event maps and a personal timetable ‘My Planner’ so you don’t miss a single moment. The Good Things Festival app is available for download for both Android and Apple devices.

In 2023, Good Things Festival saw the launch of a brand new stage, with Stage 666 featuring a karaoke band, circus performers, AM/PM DJs and more. In 2024, the colourful Stage 666 is back to level up the entertainment factor yet again, with the Freak Lounge playing home to some very special guests, including Berlin’s princess of pain, Princess Tweedle Needle, and the world’s strangest strongman, The Great Gordo Gamsby, hosted by Australia’s own punk-rock daredevil Captain Ruin. And if you’ve hanging to unleash your inner Rock Demon next week, Stage 666 will also see the return of KILL YOUR POPSTARS, with a hardcore live karaoke band experience waiting for you, led by some of Australia’s best musicians with over 150 bangers to choose from. Whether punk, heavy, emo, indie, metal or classic rock is your jam, you can tell all of your mates that you performed at Good Things on Stage 666.

And all that rock’n’roll is bound to make anyone hungry, but luckily 2024 will see the return of BBQ City to Good Things Festival, with plenty of mouth-watering delights set to send your taste buds into a breakdown worthy of any mosh pit.

At the heart of the Good Things Festival Brisbane lies the Garage Stage, a hidden gem for fans craving a raw, unfiltered music experience. This secret gorilla stage strips away the grandeur of massive production, taking the festival back to its roots—a place where riffs echo off concrete walls and passion fuels the performance. Tucked away from the main buzz, it captures the essence of garage jams, celebrating the grit and soul that birthed alternative, rock, and metal. Here, the energy is pure, the connection is visceral, and the music feels as authentic as when it first roared to life. Its not on the map, but go walking trough tunnels and follow the noise to see the garage rumbling with the sounds of Perpanic, Whoroboros, Snake Mountain, Hard Luck Champions, The Silver Spurs and Deadheat.

The final tickets for Good Things Festival are on sale now, but don’t say we didn’t warn you – these tix won’t last long! Secure your spot today and come soak up the beautiful madness in 2024!

General tickets are on sale now: www.goodthingsfestival.com.au

GOOD THINGS FESTIVAL 2024 LINE UP:

Sum 41
Violent Femmes
Electric Callboy | Billy Corgan | Mastodon | Kerry King
The Gaslight Anthem | Jet | The Living End | L7 | Northlane
Bowling For Soup | Alpha Wolf | Sleeping With Sirens | The Butterfly Effect | 311

In Alphabetical Order:
Alex Lahey | AViVA | Dragon | Frank Turner And The Sleeping Souls
From Ashes To New | Grandson | Highly Suspect | Imminence
Killing Heidi (Performing ‘Reflector’ In Full) | Loathe | Reliqa | Taylor Acorn
Plus the return of Stage 666!

DATES AND VENUES:
Friday 6 December – Flemington Racecourse, Melbourne (15+)
Saturday 7 December – Centennial Park, Sydney (16+)
Sunday 8 December – Brisbane Showgrounds, Brisbane (15+)

Tickets on sale now at http://goodthings.oztix.com.au/

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

ave you checked out the official Good Things FestivalAll The Good Things‘and ‘Good Things Brings’ series? ‘All The Good Things’ is your #1 place for all news relating to Good Things Festival, where host Tiana Speter rounds up all competition info, new releases from our artists and much, much more. The latest episode covers all the timetable and map updates, a special BILLY CORGAN deep dive, band competition news, new music from NORTHLANE, a MASTODON feature and more.

Also in the lead up, ‘Good Things Brings’ is your official pre-festival interview series, with bands from across the lineup joining host Tiana Speter for a one-on-one chat before the festivities commence next week! Recent guests include BOWLING FOR SOUP, NORTHLANE, MASTODON, 311 and IMMINENCE.

Catch up on both series via the official Good Things Festival YouTube channel here, or via the festival’s official social media pages.

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OPETH New Album: The last WILL and TESTAMENT Out Now

The wait is finally over and OPETH‘s highly anticipated 14th studio album, The last WILL and TESTAMENT is now available worldwide via Moderbolaget / Reigning Phoenix Music!

To celebrate this release, the Swedish prog legends are now sharing a lyric video for the song ‘§4,’ which can be found here: https://youtu.be/kIH7sx4QuPU

Opeth frontman Mikael Åkerfeldt comments on the track, “‘§4’ is an oddball song, just written by instinct. I’m not a clever guy when it comes to writing music. People call us ‘thinking man’s metal,’ I think that’s laughable. I listen to music from so many different genres, it’s impossible to me to stick to one genre. I find the idea boring to try and belong somewhere, we’re a bit all over the place, and I think this song shows our diversity. For ‘§4’ I was inspired by something called ‘twelve note music,’ which I think is a classical term, where you’re supposed to play twelve notes und you cannot repeat a note twice. I heard some of that music by classical pianists playing, and it sounds wicked, it sounds evil, it sounds really strange – so that inspired the initial guitar theme. There’s a mellotron theme in the beginning, it just sounds odd, like it doesn’t fit in, almost like a free-form jazz solo or something like that. But it quickly kind of lands in an almost traditional metal theme with a common response type death metal vocal that has a stereo double-tracked normal vocal response.

“I can’t remember what happened during the writing process, but I reached a point where I just stopped and felt, ‘OK, time for something strange!’ We ended up with a flute solo by Ian Anderson of Jethro Tull, which was kind of an accident in a way, because I asked him to do a narration, not flute. As he was doing the spoken word bits, he asked me ‘do you need a flute solo?’ I was like, ‘yes, please!‘, while I didn’t really have a part for a flute solo! I had to shuffle through the songs quickly in my head before he would change his mind. I had him on the hook, of course I was gonna find a piece! So, he played almost like a common response type flute solo in ‘§4.’

“This is a great song with the ending piece being one of the more evil pieces of music I’ve written in a long time: it sounds really menacing, sick almost!’’

Order The last WILL and TESTAMENT here: http://opeth.rpm.link/lastwillPR

Opeth’s fourteenth album was written by Åkerfeldt, with lyrics conferred with Klara Rönnqvist Fors (The Heard, ex-Crucified Barbara). ‘The Last Will & Testament’ was co-produced by Åkerfeldt and Stefan Boman (Ghost, The Hellacopters), engineered by Boman, Joe Jones (Killing Joke, Robert Plant), and Opeth, with Boman, Åkerfeldt, and the rest of Opeth mixing at Atlantis and Hammerthorpe Studios in Stockholm. The strings on ‘The Last Will & Testament’ were arranged by Åkerfeldt and returning prog friend Dave Stewart (Egg, Khan) and conducted by Stewart at Angel Studios in London. Not one to miss a beat, visual artist Travis Smith returns to the fold, crafting his 11th cover, a haunting “photograph” reminiscent of Stanley Kubrick’s infamous “Overlook Hotel” photograph. Miles Showell (ABBA, Queen) also revisits mastering and vinyl lacquer cutting at Abbey Road Studios in London.

Åkerfeldt rolls out the red carpet for storied flautist and Jethro Tull main man Ian Anderson. Not only do Anderson’s signature notes fly on “§4” and “§7”, he narrates on “§1”, “§2”, “§4”, and “§7”. Joining Anderson, Europe’s Joey Tempest lends a backing vocal hand on “§2”, while Åkerfeldt’s youngest daughter, Mirjam Åkerfeldt, is the disembodied voice in “§1”.

‘The Last Will & Testament ‘is gripping from start to finish, jaw-dropping inside and out, representing some of Opeth’s finest material to date. Just as Opeth welcomed many into its distressed arms over the years, the Swedes again deliver on the promise that great music always tells a compelling story—this time with growls.

Moreover, OPETH has landed the cover story for Decibel Magazine’s current December 2024 issue! The in-depth interview with the band was conducted by journalist Chris Dick while the photos were shot by Ester Segarra. The issue can be found HERE.

The cover artwork can be found below along with the track listing!

The last WILL and TESTAMENT Track list:

01 – §1 [LISTEN]

02 – §2

03 – §3 [LISTEN]

04 – §4 [LISTEN]

05 – §5

06 – §6

07 – §7

08 – A Story Never Told

After conquering North America this past October, OPETH will head to Australia and New Zealand in November of next year!

The full itinerary can be found below.

Tickets on sale now here: https://metropolistouring.com/opeth-2025/

OPETH Tour Dates 2025:

14.11.2025 NZ Auckland – Town Hall

17.11.2025 AU Sydney – Opera House

18.11.2025 AU Sydney – Opera House

20.11.2025 AU Brisbane – The Fortitude Music Hall

21.11.2025 AU Melbourne – Palais Theatre

22.11.2025 AU Adelaide – Hindley Street Music Hall

24.11.2025 AU Perth – Astor Theatre

Lineup:

Mikael Åkerfeldt – Vocals, guitars

Fredrik Åkesson – Guitars, backing vocals

Martin Mendez – Bass guitar

Waltteri Väyrynen – Drums and percussion

Joakim Svalberg – Keyboards, backing vocals

Special Guests:

Ian Anderson (Jethro Tull) – spoken word (tracks 1, 2, 4, 7) // flute (tracks 4, 7)

Joey Tempest (Europe) – backing vocals (track 2)

Mirjam Åkerfeldt – spoken word (track 1)

All Music and Lyrics written by Mikael Åkerfeldt

Lyrical concept by Mikael Åkerfeldt, dramatic consultation by Klara Rönnqvist Fors

Produced by Mikael Åkerfeldt

Co-produced by Opeth and Stefan Boman

Engineered by Stefan Boman, Joe Jones and Opeth

Mixing by Stefan Boman and Mikael Åkerfeldt and Opeth at Atlantis and Hammerthorpe, Stockholm, Sweden

Mastering and vinyl lacquer cut by Miles Showell at Abbey Road studios, London, UK

Artwork by Travis Smith with directions from Mikael Åkerfeldt

Follow Opeth:

Facebook | X | Instagram | Youtube | Spotify | Apple Music

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Gig ReviewsReviews

[Review] James Blunt @ Rod Laver Arena, Melbourne, 24/11/2024

A sticky, humid Sunday night didn’t deter crowds from flocking to the city to soak up some live music, to fight off those Sunday Scaries we all tend to suffer from. Tramming my way to Rod Laver Arena, a bunch of people stopped off to go and check out The Offspring, but the rest of the tram crowd and I were headed over the bridge for a completely different experience, to be serenaded by the sweet dulcet tones of James Blunt. The UK singer-songwriter is currently touring the country to promote his latest album, Who We Used To Be. This is the superstar’s first trip back to Australia in 6 years, and it appears we have welcomed him back with open arms that might just never want to let him go again… or maybe that’s just me.

Settling into our seats for the night, my excitement levels hit a giddying high when I realised that we were sitting just 4 rows from the front. So many thoughts were running through my head:

“Am I close enough to reach out and grab his hand?”

“Will he remember me from that 15 second encounter we had 10 years ago where he shook my hand and said hello?”

“Is this the night he asks me to join him on stage to sing?”

Once I stopped living out these ridiculous fantasies in my head and landed back in reality, the lights had gone down and entering the stage was the support act of the evening, Pierce Brothers.

This was my second time seeing the Melbourne based brothers, and their set was absolute FIRE!!! The stage presence and energy alone that these 2 brothers emanate is next level, not to mention their incredible talent and sound. Playing and seamlessly interchanging between no less than 6 instruments between them: including, guitar, mandolin, percussion, didgeridoo and harmonica, this powerhouse folk duo really got the room pumping for the night ahead. Their upbeat set included It’s Alright, Genevieve and my personal favourite, Amsterdam, and there was not a body in the house that wasn’t moving along to their infectious beat and energy. From humble beginnings busking in Bourke Street Mall, it was evident how genuinely grateful and overwhelmed the pair were to be playing to a hometown crowd on a stage as big as Rod Laver. Their hearts were on their sleeve as they thanked not only James Blunt, but also the crowd for turning up and showing their support. Pierce Brothers finished their set off to a well-deserved standing ovation before calling it a night to allow us to prepare for the main event.

It was a quick break before the arena was once again drenched in darkness, and the man of the hour was set to take the stage. Ringing out around us was the soundtrack of a heartbeat with the visual of a heart rate monitor on screen, and as the beat was vibrating throughout my entire body, I could feel my own heart rate rising with excitement and I started to wonder if I was going to flatline at any second. I didn’t have time to entertain the thought for much longer as a 4-piece band entered the stage with Mr James Blunt in tow, full of his own excitement and guitar in hand opening his set with ‘Beside You’, a track from his latest album. We were encouraged to get up off our seats and feeding off Blunt’s contagious energy we all moved and sang along. Wisemen from his debut album, Back to Bedlam, was another early song in the set that was a crowd favourite and provided another sing along.

I’m always interested to see the type of demographic an artist attracts, but this was one show where it was impossible to pick given the mixed bag of people there. Blunt joked throughout the night that the only reason there were any men there was because they’d been dragged along begrudgingly by their partners, but I can tell you now from my observations that some of these blokes were bigger James Blunt fans than their partners, belting out his songs louder and prouder.

Despite being a fan and being familiar with his repertoire, I had expected to sit there in a melancholic daze listening to his soul-destroying tracks that have been the soundtrack to many a breakup. WRONG!! Right from the get-go, Blunt emanated this fierce energy in which he demanded that every person be up and clapping, dancing, or doing whatever the hell you wanted. This was the perfect way to emotionally recover from those moments where we were sitting there with tears streaming down our faces as we reminisced about past romances and loved ones no longer earth side. One of those songs that put my heart in my throat with its raw emotion and gut-wrenching lyrics was Dark Thought, another track from his latest album. A fun fact Blunt shared before singing this song was that he was good friends with actress Carrie Fisher (Princess Leia) and had even lived with her for years, and he’d written this about her after she passed. He even went on to explain that Goodbye My Lover – which was next on the setlist – was recorded on the piano that resided in her bathroom (celebrities, huh!). Both these songs brought a poignant stillness over the crowd, with the latter providing all the feels and goosebumps as the crowd once again took over the vocals and sang along to every single word.

Never one to shy away from taking the piss out of himself, before singing his hit High he joked that his singing voice sounds like a dolphin, but he’s the best sounding dolphin I’ve ever heard with his soaring falsetto that kicks in during the chorus. To accompany this song the crowd were instructed to do a Mexican wave when the chorus hit, and damn it was a cool sight to behold. Throughout the set Blunt floated between his guitar, piano, and even ukulele for the upbeat track Postcards, with all instruments appearing to be a comfortable extension of his body. At one point during a cover of Slade’s Cos I Luv You, my heart stopped as he jumped down into the crowd and I thought this was the moment he’d grab me and pull me up on stage. It wasn’t to be, and he opted to run a quick lap of the arena instead, much to everyone’s elated delight. You’re Beautiful was another that put the crowd in a frenzy, and by this stage with the numerous moments of direct eye contact we shared, I just knew he was singing this song directly to me. (Leave me alone, a girl can dream, OK?).

Rounding out his set with OK, he was back in no time to fulfill his encore duties. Now this, I was not emotionally ready for. The encore opened with his song Monsters, which he wrote as an almost eulogy to his sick father whilst he was (and is) still alive. Some may recall the viral film clip of a vulnerable and openly emotional James Blunt singing into to the camera through tears, only for the camera to pan out and have his father sitting right there next to him in the video. Somebody was cutting onions somewhere because my eyes were profusely leaking all over the place and fogging up my glasses as this song played out. Thank God he then lifted the mood again and followed up with 2 absolute bangers in Bonfire Heart and 1973, that had everyone up dancing and singing once again.

Love him or not, there’s no doubt that James Blunt is an incredible artist, and I think anyone who was here this night would agree that they didn’t want the night to end. His instantly recognisable vocals, heartbreaking melodies, and songwriting wizardry has the ability to make even the blackest of hearts break down in tears, and to me that’s a magical element to possess and one that many artists don’t. He did hint that he would be back to tour next year, in what I suspect will be a Back to Bedlam anniversary tour. You can bet your arse that I will be there front and centre. But for now…

Goodbye James. You have been the one, you have been the one for me.

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FEEDER Announce April 2025 Australian Tour – Their First in 14 Years

FEEDER Announce April 2025 Australian Tour

“The performance tonight was one of the finest I have EVER seen… truly incredible from first song to last and long may Feeder continue because they are one of the last true great bands from their era… their discography is flawless and their live performance is honest, passionate and enthralling.” – ALT CORNER

“Feeder’s performance was a testament to their timeless appeal. With their infectious energy and undeniable stage presence, they proved once again why they are one of Britain’s most beloved rock bands.” – Razor’s Edge

Much celebrated, multi-platinum selling indie rock icons, FEEDER, announce their triumphant return to Australia – their first in 14 years.

Feeder delivered two monster albums in a row 2001’s Echo Park and 2002’s Comfort In Sound establishing themselves as one of the UK’s biggest and most loved rock acts. But that was merely the beginning. While most of their peers faded away, Feeder cemented their place as one of the most enduring acts in modern rock with over 20 million albums sold, multiple number 1 albums in the UK charts, and a legacy of unforgettable live performances.

Always masters of marrying the light and the dark, illuminating the shadowy corners of their world to uncover something poignant and uplifting, their anthemic alt-rock songs packed with emotional depth and intensity have earned a devoted fanbase around the globe.

Feeder continue to cement their legacy with their latest release Black/Red a double album, which is he final instalment of a trilogy of albums with and the final 2 parts to Torpedo. ‘’ if you’re looking for a band to keep it real in a world of fakes, you could do a lot worse than to put it all on Feeder.’’ – Kerrang

Equipped with an unrelenting barrage of rock anthems such as ‘Buck Rogers’, ‘Feeling a Moment’, ‘Just a Day’, ‘Just the Way I’m Feeling’, ‘Come Back Around’ and ‘High’ Australian fans are set for an incredible treat when the Feeder juggernaut rolls across the country in April.

Watch ‘Buck Rogers’: https://www.youtube.com/watch?v=GKMbjxOnymk

“I walked out with a renewed zest. They had totally surpassed my expectations for live music. A fantastic night!” – Joyzine

“The show was everything you could hope for. Feeder’s personality, musicianship and ability to recreate the studio sound of their songs have made them a great live band for such a long time” – Red Brick

“Atmospheric, powerful and intense” – Cult Following

FEEDER April 2025 Australian Tour Dates

Saturday 5th April – PERTH, The Rosemount

Sunday 6th April – ADELAIDE, Lion Arts Factory

Wednesday 9th April – MELBOURNE, 170 Russell

Thursday 10th April – SYDNEY, Manning Bar

Friday 11th April – BRISBANE, The Triffid

Tickets:

Pre-sale: Thursday 21st November @ 9:00am AEDT

General Public On Sale: Tuesday 26th November @ 9:00am AEDT

From: https://thephoenix.au/

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ERRA Announce CURE 2025 Australian Tour With Special Guests Silent Planet (USA) & Resolve (FRA)

ERRA
ANNOUNCE CURE 2025 AUSTRALIAN TOUR

WITH SPECIAL GUESTS
SILENT PLANET (USA) & RESOLVE (FRA)

Fresh off the release of their sixth studio album CURE, prolific metalcore progressives ERRA are set to bring all of their blistering light and shade to Australian stages again next March for their first ever national Australian headline tour, taking their massive CURE run across the country joined by special guests SILENT PLANET (USA) and RESOLVE (FRA).

Opening on Thursday 6 March in Perth, the CURE Australian Tour will journey to Adelaide, Melbourne, Hobart, Wollongong, Central Coast and Sydney, before closing out on Sunday 16 March in Brisbane

Hailing from Alabama and forming back in 2009, ERRA have continuously enamoured with titanic riffs, enchanting melodics and immersive soundscapes, storming their way to #1 on the Billboard Heatseekers Albums chart via their 2014 EP Moments of Clarity, and also taking out the honour once again in 2016 courtesy of their third full-length album Drift. Crystallising their now-trademark sonic complexity and punchy delivery alongside the addition of vocalist J.T. Cavey on Drift, ERRA have unleashed six full length albums to date, including their most recent opus: 2024’s CURE.

Celebrated for its immersive lyricism, cohesion, moody grooves, atmospherics and driving dynamics, CURE also saw ERRA boldly step beyond their own creative confines into a brand new era, expanding on their earlier releases without sacrificing their signature traits. And whether they’re wowing crowds on a festival stage, touring alongside Bad Omens, TesseracT, Ice Nine Kills and Dance Gavin Dance, or headlining their own shows, an ERRA live experience is like no other; and one as explosive and enigmatic as their own mesmerising musical creations.

Renowned heavy luminaries, California’s SILENT PLANET have transfixed a diehard global fanbase via their blend of hypnotic hooks, lush yet raw soundscapes and an irresistible mingling of hardcore, post rock, metal and ambient textures. Taking home Best Underground Band at the 2017 Alternative Press Music Awards, SILENT PLANET have also toured the globe with the likes of Dayseeker, Fit For A King and The Plot In You, generated tens of millions of streams and released five acclaimed full length albums, including 2023’s SUPERBLOOM which was conjured against the odds amid band’s harrowing snowstorm crash in late 2022, and garnered praise for its balanced beauty and brutality.

French metalcore quartet RESOLVE have staunchly embodied the firm determination of their namesake since announcing themselves to the world back in 2017 with their debut single Exposed. Going on to release their debut EP, 2017’s Rêverie, RESOLVE ultimately solidified their sonic direction with 2019’s Pendulum; a collection of three songs that perfectly balanced bludgeoning with alluring and expansive soundscapes. Having gone on to surpass over 3.3. million streams and release two full length albums, 2021’s Between Me and The Machine and 2023’s Human, RESOLVE have also previously shared stages with Architects, Every Time I Die, Underoath and many more.

Early bird pre-sale tickets on sale: Tuesday 26 November @ 5pm AEDT time

To Gain Early Ticket Access Register Here ->https://daltours.cc/25ERRAsignup

General tickets on sale: Thursday 28 November @ 11am local time
Tickets from
destroyalllines.com

Destroy All Lines & UNFD Present

ERRA
CURE 2025 AUSTRALIAN TOUR

WITH SPECIAL GUESTS
SILENT PLANET (USA) + RESOLVE (FRA)

TOUR DATES:

THURSDAY 6 MARCH 2025 – ASTOR THEATRE, PERTH (LIC AA)
SATURDAY 8 MARCH 2025 – LION ARTS FACTORY, ADELAIDE (LIC AA)
SUNDAY 9 MARCH 2025 – FORUM, MELBOURNE (18+)
TUESDAY 11 MARCH 2025 – ALTAR, HOBART (18+)
THURSDAY 13 MARCH 2025 – UNI BAR, WOLLONGONG (18+)
FRIDAY 14 MARCH 2025 – DRIFTERS WHARF, CENTRAL COAST (18+)
SATURDAY 15 MARCH 2025 – METRO THEATRE, SYDNEY (LIC AA)
SUNDAY 16 MARCH 2025 – THE TIVOLI, BRISBANE (18+)

General tickets on sale: Thursday 28 November @ 11am local time
Tickets from destroyalllines.com

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TIM ‘RIPPER’ OWENS Announces February 2025 Australian Tour

Hardline Media are proud to announce one of the vocal Greats of Heavy Metal to our Southern shores, the formidable TIM RIPPER OWENS!

EARLY BIRD TICKETS (Cheaper, Pre-Sale) ON SALE MONDAY 25TH NOVEMBER AT 10AM AEDT – HARDLINEMEDIA.NET

AUSTRALIA! In February 2025 – join us to witness the power, the presence, and the uninhibited, inhuman vocal range of the one and only Tim ‘RIPPER’ Owens. We know you are all eagerly awaiting the return of Ripper, as he brings some of the wildest moments in Metal to life, all-across Australia.

Joined by the Metallic luminary of brothers Joel & Jordan McDonald, Andrew Hudson and Voya Mulitinovic, Ripper’s live assault will be molten as hell… And if you crave anything less – You’ve Got Another Thing Coming

Ripper’s unique skills tore open a fairytale career, fronting iconic acts including Judas Priest, Iced Earth, Yngwie Malmsteen, Dio’s Disciples, The Three Tremors, and the incredibly ferocious RIPPER – a collaborative project spearheaded by Hatebreed’s Jamey Jasta. And most recently powering KK’s PRIEST across the biggest stages in the world.

This run of shows will showcase the absolute, toughest cuts from Ripper’s world of Heavy Metal. Expect huge hits, deep dives, virtuosic shred, and a heap of fists in the air, full cavalry style, head-banging glory!

DO NOT MISS THESE SHOWS!

EARLY BIRD TICKETS (Cheaper, Pre-Sale) ON SALE MONDAY 25TH NOVEMBER AT

10AM AEDT – These are strictly limited, and there is no booking fee… so save some

bucks, get in early.

TICKETS & INFO: http://www.hardlinemedia.net

AUSTRALIAN TOUR DATES:

FRI 14 FEB – MELBOURNE – THE CORNER

THUR 20 FEB – SYDNEY – CROWBAR

SAT 22 FEB – BRISBANE – CROWBAR

SUN 23 FEB – ADELAIDE – THE GOV

MON 24 FEB – PERTH – AMPLIFIER

*LIMITED VIP MEET & GREET INCLUDES:

– Early access to the show and merch stand**

– Get a photo on your phone/device with THE Tim ‘RIPPER’ Owens

– Australian tour poster to get signed

– Exclusive VIP lanyard/laminate

– Bring along 3 personal items to get signed

**VIP TICKET INCLUDES ENTRY TO THE SHOW

* PAYPAL PAY BY FOUR & AFTERPAY accepted.

GENERAL PUBLIC TICKETS ON SALE: WED 27th NOV @ 10AM AEDT

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KREATOR Release Digital Album LIVE IN CHILE + Full Show Filmed April 23, 2023 Streaming On The Band’s YouTube Channel

Today, the mighty KREATOR have released a digital album and full video stream of their monumental live performance at Movistar Arena in Santiago, Chile, which was held and recorded on April 23rd, 2023.

Fans can relive the mayhem and massive circle pits that erupted throughout the night, showcasing the raw energy that only KREATOR and their Chilean Hordes can command.

With Live In Chile you can experience one of the world’s most renowned extreme metal bands rip through a breathtaking, career-spanning set full of fan favourites and songs from their most recent album, Hate Über Alles, proving that they’re still at the very top of their game.

LISTEN TO KREATOR – LIVE IN CHILE:
https://kreator.bfan.link/liclp

WATCH KREATOR – LIVE IN CHILE:
https://youtu.be/r714qvYD0K8

ABOUT KREATOR

Decades into their game-changing career, German metal legends Kreator find themselves more successful and influential than ever. They’ve stuck to their guns, weathered the trends and outlasted their peers – never once wavering from the ferocious noise that excited them as teens. If anything, that thirst for sonic warfare is just as strong, if not stronger, today. Where others have suffered from creative malnourishment and artistic uncertainty, something which even metal’s biggest and best are prone to, Kreator have always charged full steam ahead – thanks to the red-eyed conviction and fearless determination of founding singer and guitarist Miland ‘Mille’ Petrozza. On 1985 debut Endless Pain, the Essen innovators created the template for extreme noise to come, fusing elements of thrash and black metal in ways that had never been heard before. Their sophomore album of the following year, Pleasure To Kill, became one of the landmark albums of 1986 – making metal history alongside key releases from Metallica, Slayer and Megadeth. And onwards they marched, bringing hellish anthems to the masses in every album that followed, with a track record few could ever rival.

The last decade has been a particularly exciting time for the group, with 2012’s Phantom Antichrist proving how they could embrace modern production techniques and move with the times without forsaking the underground spirit and defiance which made them a household name in the first place. Its successor, 2017’s Gods Of Violence, saw them topping the German charts for the very first time in their career, a feat virtually unheard for a band of such thunderous intensity.

They returned in 2022 with fifteenth opus Hate Über Alles – which marked their first studio album with Frédéric Leclercq (ex-Dragonforce, Sinsaenum) on bass, joining Mille, guitarist Sami Yli-Sirniö and drummer Jürgen ‘Ventor’ Reil – the metal titans are once again channelling an unholy heaviness strong enough to tilt the earth off-axis.

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