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DORO Unleashes Animated Video From Balázs Gróf For ‘Lean Mean Rock Machine’

DORO Unleashes Animated Video From
Balázs Gróf ForLean Mean Rock Machine’

Legendary heavy metal icon DORO is back with a thunderous new single, ´Lean Mean Rock Machine,´ which comes accompanied by an electrifying animated video crafted by acclaimed visual artist Balázs Gróf.

This adrenaline-fueled anthem, taken from her latest album Conqueress- Forever Strong and Proud, perfectly captures the spirit of heavy metal and the freedom of the open road.

Embark on a thrilling journey with DORO as she rides her awesome tuned motorbike through a landscape pulsating with raw energy and the essence of rock ‘n’ roll.

Gróf‘s masterful animation brings to life the intense power of DOROs music, creating a visual spectacle that immerses fans in the heart-pounding world of heavy metal and motorbikes.

“I had the idea of making an animated video years ago, and when I recorded ‘Lean Mean Rock Machine’ I knew it was the perfect song for it. I’ve liked Balázs Gróf‘s work for a long time. He is really incredibly talented. I was totally impressed by how he was able to empathize with the vibe of the song, the lyrics and me as an artist in order to implement ‘Lean Mean Rock Machine’ absolutely perfectly: exciting, funny and world-class craftsmanship. There are so many details in the video that you always discover something new. I’m super happy with the clip!” – Doro

Follow DORO on social media:
www.doro.us
www.doromusic.com
www.instagram.com/dorometalqueen
www.facebook.com/DoroPeschOfficial
www.patreon.com/doropesch
www.tiktok.com/@doropeschofficial
www.twitter.com/DoroOfficial

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Parkway Drive Sell Out Brisbane, Melbourne & Perth 20 Year Anniversary Tour Shows. Sydney & Adelaide Selling Fast!

PARKWAY DRIVE
SELL OUT BRISBANE, MELBOURNE & PERTH SHOWS!
SYDNEY + ADELAIDE SELLING FAST,
LIMITED TICKETS REMAIN.

20 YEAR ANNIVERSARY TOUR
WITH SPECIAL GUESTS I PREVAIL (USA)
THE GHOST INSIDE (USA) + VOID OF VISION

Australian metal juggernauts PARKWAY DRIVE continue their domination with their upcoming 20 Year Anniversary Tour shows in Brisbane, Melbourne and Perth sold out within 1 hour. Fans who missed out can sign up to the official waitlist for each city for further ticket updates.

Marking the Byron Bay band’s biggest shows of their careers to date, PARKWAY DRIVE‘s shows in Sydney and Adelaide are also now over 90% sold, and remaining tickets definitely won’t last long for some history-making PARKWAY DRIVE performances this September, alongside very special guests I PREVAIL (USA), THE GHOST INSIDE (USA) and VOID OF VISION.

“Australia, I’m stunned. I’d like to play it cool and say we expected this response, but what the hell? Selling out the biggest gigs of our lives in just a couple of hours is mind melting to a whole new degree and the rest will be gone soon after you read this statement. Thank you so much to everyone that has purchased tickets. We’re doing our best to get second dates in sell out cities, so keep ’em coming. This is going to be monumental. We can’t wait, bring it on.”
– Winston McCall, Parkway Drive

Two decades ago, a band that would go on to pioneer and dominate the landscape of heavy music was born on the sunny shores of Byron Bay. Now in 2024, Australian metal titans PARKWAY DRIVE will triumphantly return to home soil this September to celebrate their 20th anniversary with their biggest headline tour to date, with the 20 Year Anniversary Tour set to ignite stadiums and arenas across the country.

A world-first experience and 20 unforgettable years in the making, Australia will play home in 2024 to PARKWAY DRIVE‘s brand new production; the band’s biggest show they have ever produced fittingly set to christen in their own backyard as part of the 20 Year Anniversary Tour.

Wielding an incomparable legacy lined with boundless innovation, the juggernaut journey for PARKWAY DRIVE from teenage metal underdogs into becoming an unstoppable global force is one most could only dream of. With seven full-length albums in their wake, PARKWAY DRIVE have also scored three consecutive #1 releases on the ARIA Albums Chart courtesy of 2015’s Ire, 2018’s Reverence and, most recently, 2022’s Darker Still. With six of their albums certified Gold in Australia and multiple ARIA wins under their belts, the five-piece have also garnered worldwide chart success, cementing their status as a festival-headlining behemoth alongside three documentaries, a live album, millions of streams and thousands of live performances.

Also armed with an unforgettable live prowess which has sold out arenas and stupefied festival crowds worldwide, PARKWAY DRIVE‘s formidable reputation in a live setting doesn’t merely live up to the hype; it sets the hype on fire, literally. Transcending their metalcore foundations into another stratosphere, the spectacle of a PARKWAY DRIVE performance is one that stays with you well after the stage has emptied, with the band previously headlining the likes of Wacken, Good Things Festival in Australia and So What?! Festival amongst countless shows with some of the biggest names in metal, including Lamb Of God, Soulfly and Killswitch Engage.

Platinum-certified and twice Grammy-nominated Michigan rock powerhouse I PREVAIL will return down under this September to unleash their towering wares Australia-wide. An arena-level band, I PREVAIL have racked up billions of streams, close to 400 million views on YouTube, and toured the globe extensively. Catch I PREVAIL playing hits from across their entire catalogue this September.

Forming in California, THE GHOST INSIDE have survived and thrived against unimaginable odds since erupting onto the scene with their 2008 debut album Fury and the Fallen Ones. Blending the new wave of metalcore with driving punk hues, THE GHOST INSIDE cleave aggressive sounds with thoughtful thematics and melodics, and are set to release their sixth album Searching for Solace this April.

The Melbourne entity known as VOID OF VISION have solidified their standing as one of the most innovative and sonically explosive acts in the modern heavy scene for over a decade. From performing at Australia’s first ever Knotfest in 2024 alongside Slipknot, Parkway Drive and Megadeth through to their most recent groundbreaking single Angel Of Darkness, VOID OF VISION ceaselessly astonish.

Don’t delay and definitely do not miss your chance to witness PARKWAY DRIVE‘s biggest headline tour to date this September, this will absolutely be one for the ages. Final tickets for Sydney on Saturday 21 September at Qudos Bank Arena and Perth on Sunday 29 September at HBF Stadium are on sale now. Fans in Brisbane, Melbourne and Perth can join the waitlists below for further ticket updates.

Join The Waitlists For Brisbane, Melbourne & Perth shows
Brisbane -> https://daltours.cc/PWD_Briswaitlist
Melbourne -> https://daltours.cc/PWD_Melwaitlist
Perth -> https://daltours.cc/PWD_Perthwaitlist

Tickets for Sydney and Adelaide are on sale now
Tickets from destroyalllines.com

Destroy All Lines Presents

PARKWAY DRIVE
20 YEAR ANNIVERSARY TOUR

WITH SPECIAL GUESTS
I PREVAIL (USA)
THE GHOST INSIDE (USA) + VOID OF VISION

FRIDAY 20 SEPTEMBER – BRISBANE ENTERTAINMENT CENTRE, BRISBANE SOLD OUT
SATURDAY 21 SEPTEMBER – QUDOS BANK ARENA, SYDNEY FINAL TICKETS
SUNDAY 22 SEPTEMBER – JOHN CAIN ARENA, MELBOURNE SOLD OUT
FRIDAY 27 SEPTEMBER – AEC ARENA, ADELAIDE FINAL TICKETS
SUNDAY 29 SEPTEMBER – HBF STADIUM, PERTH SOLD OUT

Tickets on sale now
Tickets from destroyalllines.com

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Gig ReviewsReviews

[Review] Knotfest @ Flemington Racecourse, Melbourne 21/03/24

Metal Tee piece on; check! Hot ticket for Knotfest; Check! Hours away from seeing Phil & what’s left of the boys, swig of the goose and I’m amped and out the door to knock down the Cemetery Gates at Flemington Racecourse.

It is a perfect sunny Melbourne afternoon to squash down some cans, extend my middle finger to the working man & get shoulder to shoulder with my metal comrades. My brothers and sisters cladded in heavy duty boots, battle jackets and the mainstream defiant alike, all psyched to latch onto the assault of double bass drums & distortion city.

That working man that scored the bird didn’t cut the leash until 3:30pm so I can only review from The Hu onwards. I made my way to the two stages and settled into The Hu.  Now I’ve never seen The Hu before and I was immediately sucked right in. Fuck me, I was not expecting see a jaw harp at this gig. A Fkn Jaw Harp!! Then counting them off, yep 8 members, ok, a drummer and a percussionist, ok both my balls are in.

This is Mongol rolled out first. A hypnotic march paced folk / metal infusion. At first I was like WTF!! In my head I’m like is that a fiddle?!! I’m looking at this 2 stringer with bright white strings, are they cat gut strings??  With my undivided attention The Hu blasted me with next few numbers like Black Thunder, Wolf Totem, Bil Biyelgee, Yuve Yuve Yu and finished a Metallica cover Through the Never. Could’ve done without the cover, lost me a bit there. I mean if you’re going to cover a Metallica cover at Knotfest maybe go a bit more old school metal but each to their own.

Overall I rate them and I am even  listening to them as I write this. They are a great stage spectacle, almost has that trance like spiritual Mongolian vibe to it except they bash you in the face with it. Prepare for Mongolian battle music.

The sun is still pounding us from above but it’s a good pounding exit stage left shuffle 50 paces off your right shoulder and look its stage 2. Nice! Didn’t have to bolt 1km to the next stage, oh look BEEER Tent!!

Halestorm are up next and jeeze has Lizzy got a set of lungs on her! I mean Lizzy Hale can wail!!

Kicking off with I Miss the Misery the four piece rock outfit were pretty keen to grab our attention. Didn’t matter whether you were sprawled out on the grass or on your feet, Halestorm had you mildly moving at least one body part. Not sure they fit into the whole Knotfest scenario though.

I’d say they’re borderline hard rock and the only thing metal is the hardware on their instruments. Not saying they’re bad, just probs better off touring with The Baby Animals.

Enter stage left, its 6:15, the last of the sun for the day but the first of Lamb of God!

It was getting pretty thick with the flesh of humans now as we got pummelled with Memento Mori.   And Ihave to admit and it was a discussion point with a couple of my fellow musician mates that the guitaring mix was hard to hear over drum & bass. At points my T-shirt was vibrating from double kick drum mayhem. Ahhh outside air gigs are tough to mix!! We found ourselves moving closer to the sound booth to catch the clearer sound.  However, the circle work from the mosh gave no indication of the mix as the punters slapped flesh with the best of them. It was a fierce pit from the opening song and there was no relenting for the duration of their set.

With Morton & Adler locking it away tight with filthy good riffing that is punishingly brilliant but can also pull back into melodic interludes when its time. While Lamb of God aren’t my go to, its songs like Hourglass especially towards the back end of that track that sucks me in.

Lamb Of God had a ripper set giving the patriots Walk With Me In Hell, Hourglass & Now You’ve Got Something To Die For finishing on Redneck. It was bloody epic and was pretty well received for those that got through the mix.

JD can in one hand JD can in the other. Oh, fuck me Bro look its Disturbed! Hey You……was the first song that Dan & John kicked off with followed by Mike and then Dave with his renowned vocal sound. Thankfully back to stage right for Disturbed the mix was clear again and all instruments could be distinguished.

The crowd was slightly thicker again and as this set got further along the I started to see more inverted body parts poking out of crowd in front me. Dave kept them moving with Stupify rolling into seeing Ten Thousand Fists. It’s hard to stand still when a full tom intro from Mike kicks that song off and that distinctive guitar sound from Dan delivers a solid blow to your ear pieces.

Another killer set inclusive of Bad Man, The Game, The Light, Unstoppable, of course Down With The Sickness & Inside of Fire. Yes dickheads, they played The Sound of Silence!! I’m not a fan of the revitalised classic but it did have an atmospheric aura about it as our Aussie sun was done and the crowd drank it in albeit on a patch of grass and only too far from the cobbled stones but no one dared Disturb the sound of silence.

Stage Left Mother Fuckers!!!!!!!

Full Choad moment, let me prefix this with when I was a wee pissant teenager, my alarm clock would go off to the sound of Mouth for War!! Out on the stage walks Phil, crowd goes nuts need I say anymore?? OK, as follows.

A New Level was the first biscuit from the Cowboys from Hell. Couldn’t tell you what anyone else was doing as I was fixated on what was unfolding. Again, slightly annoyed at the mix, maybe it was something to do with stage left, Fuck You stage left!! So I found myself moving around a bit.  But wasn’t going to let that get in the way.

Next song…….wait is that my alarm….am I dreaming, oh wait nup that’d be Mouth for War.

“REVENGE!!!!!” “My ears can’t hear what you say to me!!!” Fuck me, it’s sooooo good!

Honestly, I’ve always kicked myself for not seeing them when Dimebag & Vinnie were still with us but this was better than nothing and if you’re throwing in Zakk then if not like for like then you’re getting value right? Not to forget Charle Benante who walks amongst the innovators of blast beating (I’m not talking about rapid pounding of your flesh puppet), any drummers will know and he carries his own. 

The setlist was Strength Beyond Strength, Becoming, I’m Broken, Suicide Note Pt 2, This Love, Floods, Walk, Domination / Hollow, Cowboys from Hell, Fucking Hostile. A few little intros or outros with By Demons Be Driven and Throes of Rejection.

Overall I walked out of there slaughtered and Goddamn Electric!! There was plenty of noise about the lineup this year not stacking up and even though I wasn’t there for all of it what was good was fucking ace and the substandard parts were still rocking. I rate 2024 Knotfest a ripping success and Pantera well, even at 5am in the morning, I’ll always have a Mouth For War!!!

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Album InterviewsInterviews

Interview with Chuck Garric & Calico Cooper

The formidable powerhouse Beasto Blanco are back in 2024 with new single ‘Run For Your Life,’ produced by Chris Harms / Lord of the Lost. It’s the first taste of their forthcoming new album, KINETICA, coming later this year via COP International Records that aspires to capture the visuals, energy, love, sex, sweat, robots, and raw animalistic essence that defines the band.

This adrenaline-fueled track ‘Run For Your Life” kicks things off with a sonic and lyrical call to face fears and trust bestial instincts. In the accompanying music video, Beasto Blanco charges full force into life amid intergalactic chaos, pursuing their cybernetic “Machine Girl” warrior Queen. The epic hunt unfolds, with the band's sound leading the charge. Beasto Blanco refuses to run, embodying the spirit of the less than perfect, the flawed, and the free.

Calico Cooper says of the track, “’Run For Your Life’ is a track about stamina. The sheer force of will it takes to dig deep and run from any black holes sucking you in. To not be crushed by the destruction. But to run hard and fast… for your life. You have the power to save yourself. And it’s worth it.

Beasto Blanco features the electrifying collaboration of Nashville-based shock rockers Chuck Garric (Alice Cooper) and high priestess Calico Cooper, delivering an instant knockout blow. With an explosive sound and captivating visuals, ‘Run For Your Life’ is the perfect balance of raw power and infectious melodies that showcases Beasto Blanco’s refreshing authenticity as a beacon of genuine, unapologetic rock ‘n’ roll.

Adds Christian Petke, founder of COP International Records, “I have been working in the industry for over 30 years and I have never represented a band that is this focused and driven. Beasto Blanco’s musicianship and professionalism is just mind-blowing. I am absolutely in love with their sound and energy; here is a band that effortlessly combines deep rock ‘n’ roll roots with 21st century attitude and technology. The icing on the cake is the fact that they are totally fun to work with.”

In addition to the new music, Beasto Blanco has been confirmed for appearances at several European festivals this summer, including Wacken, Ur Rock, and Plague Noir with more dates coming soon.

About Beasto Blanco

Rock and Roll born in the Mountain Mud and the Desert Sun … Beasto Blanco was formed by Chuck Garric and Chris Latham. They set out to create a raw, powerful, rock ‘n’ roll band with a searing, theatrical live experience. Enter Calico Cooper, rock vixen and the spawn of Garric’s boss, legendary shock rocker Alice Cooper and a renegade German rhythm section and Beasto Blanco’s inimitable sound and image emerged. Blood, sweat, and gasoline are fueling Beasto Blanco’s explosive rock sound and captivating visuals. A band and an audience united in one inseparable union of musical thunder and sensational spectacle. Welcome to the world of Beasto Blanco. Whether illuminated in the spotlights of cavernous arenas or headlining packed theaters and clubs, the band’s mission is unwavering: To create an immersive experience where everyone is welcome to join an extended family whose support is unconditional and authentic.

Lineup:

Chuck Garric (long time Alice Cooper bassist) on guitars and vocals

Calico Cooper on vocals

Brother Latham on guitars

Jan LeGrow on bass

Sean Sellers on drums

Find Beasto Blanco online:

Website: https://www.beastoblanco.com/

Facebook: https://www.facebook.com/BeastoBlanco/?pnref=lhc

Instagram: https://www.instagram.com/beastoblanco/

Twitter: https://twitter.com/BeastoBlanco

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Album ReviewReviews

[Album Review] Amaranthe – The Catalyst

Amaranthe, they are modern metal meets pop! It’s heavy, it’s catchy as all hell and I’m 100% sure your metal elitists would hate every second of it, but love them or hate them, they have proved again that they are here to stay. Amaranthe are back with their 7th studio album, The Catalyst and once again they have unleashed the hooks and melodies that will get under your skin and dig into your mind, where you will be singing them all day.

Three years on since the previous album Manifest, which gained them some new fans with the likes of the single Viral, The Catalyst will do that again and more! The old fans will be back for more of what they already love about this band, the 3 different vocal styles, the incredible melodies, and the killer rhythms. While I think newer fans will find these latest singles flavorful, then go and taste their back catalogue full of delectable hooks and sing alongs, always a tasty dish that one.

The singles released are some of the catchiest tunes on the album, but with an Amaranthe album, they still have more hooks and riffs to get stuck in your head, its pop music, it’s part of the charm. They have some killer film clips to go with these singles, Damnation Flame is a Vampire movie and as usual, we head to the future with Insatiable and The Catalyst. I have always enjoyed their art and effects. Outside of the singles, Amaranthe has given us, Interference, probably the heaviest Amaranthe riff I’ve heard. It has this chunky low opening/verse riff with an ever-talented Elize Ryd bringing in some low toned vocals, the girls got some range!

This is the first album featuring new Heavy Vocalist Mikael Sehlin, who has worked with Engel in the past, he comes in keeping the vocals pretty damn close to Hendrik Englund’s style, so it’s a smooth transition for the fans. You can’t go past the vocal dynamics of this band, Clean Female, Clean Male and Heavy Male, it’s part of the key identity for Amaranthe. They utilise it well for The Catalyst with songs like Damnation Flame, Liberated and Resistance, usually keeping a pattern when it comes to their vocal lines but that’s where the Pop element of their song writing comes into it, there’s a formula you use that works and you run with it.

As is tradition, there is at least one clean, slower paced song on the album that lets the clean vocals of Elize Ryd and Nils Molin shine and this time around it comes in the form of, Stay a Little While. This track shows that they work incredibly well together when it comes to vocal prowess and letting them show off their respective range to the full extent in the slower musical pieces. Amaranthe have always had a more positive approach when it comes to their lyrics, Love, Happiness, Strength, Self Confidence, those types of uplifting words, then they can also put out simple tracks like That Song, from the Maximalism album that is just so simple that it then gets stuck in your head for days, good track though!

The Catalyst is nothing overly new from Amaranthe in the ways of song writing, this is still a step in the right direction to becoming more known worldwide. I hope that this is the album that they eventually come to Australia for, it would be unreal to see them live and sing these songs. I am a sucker for catchy choruses and hooks. Go and have a listen for yourself, you will be singing them as well soon enough!

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Album ReviewReviews

[Album Review] Claire Anne Taylor – Giving It Away

What do you get when you mix the raw talent & raspiness of Janis Joplin, the melodic sweetness of Eva Cassidy, and the rock grit of Melissa Etheridge? Claire Anne Taylor, that’s what you get. Despite the many musicians that come to mind when listening to Claire, she still has her own uniquely distinct sound. The Tasmanian-born singer/songwriter released her third album Giving It Away on 16th February, and my god what an incredible piece of work it is. 

The opening track Swallowing Stones is a slow ballad with a warm accordion intro and lyrics that really hit hard, which is followed up by the tale of the child forced to grow up too fast in You Were Just a Kid. This particular song is a prime example of Claire’s exceptional storytelling talents. With it’s funky saloon-style piano intro, Dance With Death gets your toes tapping and really showcases Claire’s raw powerful vocals. 

For Old Times Sake picks up the pace and combined with its catchy chorus, you’ll be bopping along with a smile on your face. Stuck Around is a nostalgic tale of what could have been and the subtle organ under the track provides a joyful layer to fill the song. 

Claire’s opening vocals in Before evoke deep emotions, whilst If You Should See Sunshine is a gutsy rock track that packs a huge punch. Its thumping drum intro and meaty guitar sound completely encompass your whole body to move along as the song builds to its crescendo. 

Lay You Down in the Cold Hard Ground is my absolute favourite track on the album. It’s a brilliantly dirty, gritty, blues-rock track that just builds and builds, and transports you to the famous blues bars of the Deep South. I’ve found myself singing and/or humming this tune nearly every day since it first entered my radar. 

Keep On Truckin’ has an upbeat country feel and is the perfect road trip anthem with a dose of wise advice in its chorus for good measure. 

The highly emotive title track Giving It Away has Claire completely baring her soul, and sharing her deeply personal journey of grief. I managed to catch Claire’s Melbourne show recently, and seeing her perform this song live with just her piano was one of the most incredibly moving performances I’ve ever seen. The goosebumps still haven’t disappeared. 

Rounding out this brilliant album is The River Song that floats weightlessly around you before settling comfortably within your space. 

It’s one thing to be a talented singer, songwriter and musician, but Claire has the added superpower of being a gifted storyteller, whose stories have a special way of infiltrating your psyche and opening up every emotion laying dormant within you. If there is one homegrown artist you need to get around RIGHT NOW, it’s Claire Anne Taylor. 

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Album ReviewReviews

[Album Review] Nothing But Thieves – Dead Club City Deluxe

The release of their #1 UK charting fourth LP Dead Club City last June not only welcomed in the new financial year but a new era of Nothing But Thieves, marking their ten year anniversary.

Whilst it sits rather far removed from the prog styling of Broken Machine, and their titular debut, the Dead Club City Deluxe release further cements their transition, offering five more pieces to make up the concept album, tail-ended with three new tracks and two stripped back versions of Overcome and Tomorrow Is Closed. Set for release on 15th March via RCA/Sony, the additions extend the 80’s synth, crisp lines and heightened falsetto of Conor Mason that make up the Dead Club City landscape.

Dead Club City is positioned as an exclusive members-only club with each corner of the room a snapshot into a different character’s story as represented by each individual track, played by the fictional band Zzzeros. Each story is laced with a different theme including personal relationships, analysis of the current world climate, a dissection of the media and, naturally, the makeup of the music industry. From the bold Welcome to the DCC start, the Pop The Balloon full stop at the end of the original release felt like more of a comma with more story to tell. They complete it here.

The cinematic edge of the album is continued with the Deluxe versions lead single Oh No He : Said What. A galactic showering, Oh No He : Said What explodes with laser synths, rocketing riffs and a keyboard light show. It’s Mad Max meets Xanadu, Muse’s Drones meets Client Liaison’s Diplomatic Immunity in sonic stature with glimmers of nostalgia but as a fresh take. Mason flexes his falsetto, creating memorable hooks.  

Time : Fate : Karma : God is the biggest nod to the band’s history on the album, still littered with 80’s inspiration with the inclusion of synths, but the rock elements outweigh the disco, particularly notable in the chorus’ steady ascent and refrain. The title lyrics recited in the bridge are impactful, almost anthemic, made for the live setting.

Three new songs and three very different tones; Pure You is climactic, the end that the album originally deserved. A love song dripping with 60’s lust and romance heightened by the simplicity of keys, synths and soaring guitars. Mason’s vocals are electrifying and transcendent in the final crescendo. The final refrain “until my heart explodes” reflects the single title; pure, delicate and piercing. 

Stripped versions of Overcome and Tomorrow Is Closed balance the heightened production of the top of the album to offer a new perspective of the two fan favourite tracks, in a sense continuing and closing out the Pure You love story. 

The five tracks are welcome additions to Dead Club City and offer clarity to the album’s overall concept.  

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