Pixies’ reputation as alt-rock trailblazers has been reignited in recent months. Their singles ‘Dregs of the Wine’, ‘There’s A Moon On’ and ‘Vault of Heaven’ have reconnected with long-standing fans and inspired newcomers too, a blend reiterated by a series of outdoor headline shows as well as a huge Hyde Park gig as guests to Pearl Jam. Today, Pixies release their new album ‘Doggerel’ on Infectious Music / BMG Australia, their first studio set since 2019’s ‘Beneath The Eyrie’.

In addition to the recent singles, ‘Doggerel’ is full of new material which lives up to their iconic status. It’s a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.

Produced by Tom Dalgety (Royal Blood, Ghost), ‘Doggerel’ represents an evolution for Pixies, one that you wouldn’t always associate with a band deep into a storied career. Their famously off-kilter streak is still present, but it’s channeled into songs which are bigger, more orchestrated and in some aspects a little more direct. Black Francis’s lyrics have also altered, his surrealist phrasing playing upon myths, legends, pop culture and a little nostalgia.

A congregation between darkness and beauty consistently emerges throughout the record. Opener and new focus track ‘Nomatterday’ sets the tone, lurching and grinding with an ominous intensity before unfolding into a breezy, power-pop rush. The ‘50s-tinged ‘Haunted House’ is possessed by the spirit of ghosts both literal and metaphoric, while ‘The Lord Has Come Back’ will be familiar to fans who have attended Pixies’ recent shows. Later on, beguiling folk-rock melodies propel ‘Pagan Man’ and then ‘Who’s More Sorry Now?’ asks questions about recriminations while carrying elements that recall guitarist Joey Santiago’s admiration for Ennio Morricone.

Santiago recently had his first Pixies songwriting credit for ‘Dregs of the Wine’, while his second follows with the album’s title track (both alongside Francis). Loosely styled and irregular in measure, it’s a slowburning song which is ‘Doggerel’ both in name and nature.

Pixies’ official store includes album bundles, new merch and exclusive formats available HERE

‘Doggerel’ tracklist:

‘Vault of Heaven’
Dregs of the Wine’
‘Haunted House’
‘Get Simulated’
‘The Lord Has Come Back Today’
‘Thunder & Lightning’
‘There’s A Moon On’
‘Pagan Man’
‘Who’s More Sorry Now?’
‘You’re Such A Sadducee’

Australia is set to be one of the first countries to hear songs from ‘Doggerel’ live with Pixies returning in 2022 for their mammoth – Come On Pilgrim… It’s Surfer Rosa tour. The tour will bear witness to both seminal albums being performed in full – plus new and old tracks spanning their extensive catalogue.

Fans had better get in quick with most shows sold out and only a handful of tickets remaining for Sydney Opera House Forecourt, Sunday 4th December and Freemantle Arts Centre, Sunday 11th December.

Come On Pilgrim… It’s Surfer Rosa
Australia 2022

Presented by Live Nation

BRISBANE       Fortitude Music Hall, Friday 2nd December SOLD OUT

SYDNEY          Sydney Opera House Forecourt, Saturday 3rd December SOLD OUT

SYDNEY          Sydney Opera House Forecourt, Sunday 4th December

MELBOURNE   Forum, Tuesday 6th December SOLD OUT

MELBOURNE   Forum, Wednesday 7th December SOLD OUT

ADELAIDE       Thebarton Theatre, Thursday 8th December SOLD OUT

PERTH             Fremantle Arts Centre, Saturday 10th December SOLD OUT

PERTH             Fremantle Arts Centre, Sunday 11th December 

For complete tour and ticket information, visit: pixiesmusic.com & livenation.com.au