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Cloud Nothings Release New Album

CLOUD NOTHINGS
RELEASE NEW ALBUM
FINAL SUMMER OUT NOW

SHARE COMMON MISTAKE MUSIC VIDEO

“…the kind of melodic, hard-hitting, no-bullsh*t indie rock that has become Cloud Nothings’ calling card — a sound that has helped them endure through several hype cycles to become one of the most consistently rewarding bands in their scene.” – Stereogum

“Whenever there’s a new Cloud Nothings record, you can rest assured that it will be great.” – Uproxx

“…at their most anthemic.” – BrooklynVegan

“The band’s energy level never slackens throughout Final Summer, and the entirety of the record’s half-hour run time sounds massive…” – FLOOD Magazine

Cloud Nothings‘ highly anticipated new album, Final Summer, is out now from Pure Noise Records! The record has already garnered attention from the likes of Pitchfork, NPR, Stereogum, Rolling Stone, Paste, BrooklynVegan, Uproxx, FLOOD Magazine, and more, and continues the band’s nearly 15 year streak of unimpeachably fantastic guitar rock music.

Final Summer is the kind of album that’s so assured, so instantly satisfying, that it forces you to pause and realize you’re listening to one of the great American rock bands in their prime. Now listeners can hear the record in full and experience the inventive riffing, effortless hooks, and earthshaking guitar tones that prove exactly why every Cloud Nothings release is downright essential. To celebrate, the band have shared their new music video for Final Summer‘s triumphant closer, Common Mistake.

Cloud Nothings – made up of vocalist/guitarist Dylan Baldi, drummer Jayson Gerycz and bassist Chris Brown – have evolved from scrappy lofi upstarts into a guitar music institution, churning out incredible songs at a rate and level of quality that few can compare to. Recorded with Jeff Zeigler (Kurt Vile, The War On Drugs, Torres, Purling Hiss), mixed by Sarah Tudzin (boygenius, Tim Heidecker, Pom Pom Squad), and mastered by Jack Callahan (Ryley Walker, Merchandise, Wolf Eyes), Final Summer offers their finest set of songs to date, perfectly capturing the mix of melody and noise that makes Cloud Nothings so special. Clocking in at a lean 29 minutes, the album is bursting with the unbridled joy that comes from playing guitars and drums loudly. This is not the work of a scrappy new band cramming all of their ideas into a debut album or grizzled veterans grinding through another release: it’s one of the tightest and most invigorating rock bands active today, driven to make the best version of themselves. 

Cloud Nothings will be touring extensively in support of Final Summer, starting with a lengthy North American headlining tour in May.

Stream Final Summer here
Order Final Summer here

FINAL SUMMER TRACK LISTING:
01. Final Summer
02. Daggers of Light
03. I’d Get Along
04. Mouse Policy
05. Silence
06. Running Through The Campus
07. The Golden Halo
08. Thank Me For Playing
09. On The Chain
10. Common Mistake

 

ABOUT CLOUD NOTHINGS:
Some bands never miss. This rare breed consistently puts out great records every couple years, avoiding the lengthy hiatuses or egregious sonic missteps that often come with achieving longevity. It’s an often unsung reliability, as few realize how truly remarkable it is to put art into the world at this rate without letting the quality slip. For nearly 15 years, Cloud Nothings have continued to hit the target, steadily becoming a part of the fabric of modern indie rock as we know it with a run of fantastic albums. This streak continues unabated with their latest full-length, Final Summer–an album that’s so assured, so instantly satisfying, that it forces you to pause and realize you’re listening to one of the great American rock bands in their prime. 

Formed in 2009 by guitarist/vocalist Dylan BaldiCloud Nothings evolved over the years from a one-man lo-fi project into a finely tuned unit also composed of drummer Jayson Gerycz and bassist Chris BrownCloud Nothings, over so many years and so many records (nine or ten “depending on how you look at it,” laughs Baldi), have existed long enough to witness all sorts of musical moments come and go, but the secret to their endurance isn’t about savvily navigating trends. “We’ve just never felt inclined to stop,” Baldi explains. “It’s not like this makes us millions of dollars, but it’s a great gig, it’s what we love to do.” Gerycz adds, “It’s just still so fun every time we do it, every time we go get in the basement and start writing.” 

And it shows. Recorded with Jeff Zeigler (Kurt Vile, The War On Drugs, Torres, Purling Hiss), mixed by Sarah Tudzin (boygenius, Tim Hiedecker, Pom Pom Squad), and mastered by Jack Callahan (Ryley Walker, Merchandise, Wolf Eyes), Final Summer is bursting with the unbridled joy that only comes from playing guitars and drums loudly. This is not the work of a scrappy new band cramming all of their ideas into a debut album or grizzled veterans grinding through another release: it’s one of the tightest and most invigorating rock bands active today, driven to make the best version of themselves. “I just like making things,” says Baldi. “I love having something that I’ve made by the end of the day, even if it’s just one song. It’s like proof that my day happened. I’m just always trying to refine the thing we do, which is to make songs that take you from one place to another.” 

Very few bands take listeners on that kind of journey within a hooky rock song as effectively as Cloud Nothings, and the album’s opening title track proves exactly why. A wash of crackling synths sets the scene before the band roars to life with a cutting riff and Gerycz’s driving beat. From there, it’s layer after layer of interlocking melodies and guitar lines, all rising action while Baldi lays out the album’s overarching lyrical ideas. “It’s about feeling alright in the moment,” Baldi says. “A lot of these songs sort of ended up being about getting by or trying to keep improving despite everything.”

His lyrics often take on a mantra-like quality, using repetition and a one-of-a-kind delivery to dig something deeper out of observations about the mundane or frustrating parts of life. On early Final Summer standout I’d Get AlongBaldi repeats “if something would happen with me…” over and over, each time adding to the tension before the track’s truly massive chorus explodes with a cacophony of fuzzed-out guitars and a howling “I’d get along.” Throughout the record, Cloud Nothings strike their trademark balance of inventiveness and accessibility, with every track full of hooks but also the kinds of details and twists that reward repeat listens. The Golden Halo feels like a two-minute-long chorus, hook after hook careening forward with a motorik beat and ever-growing sea of voices, while elsewhere songs like Mouse Policy or Running Through The Campus take very literal ideas and spin them into something else through walls of thick bass and thunderous distortion. 

On Final Summer closer Common MistakeBaldi sings, “This is your life, it’s a common mistake. We’ll be alright, just give more than you take.” It’s the kind of deceptively direct lyric that he excels at, a clear and real sentiment filtered through a melody that’s stuck in your head before the end of the first chorus. The line could almost be an accidental mission statement for the band itself: a group that creates with a workman-like commitment, providing listeners with something authentic and artful at an unflinching pace. Cloud Nothings don’t miss, and you won’t want to miss them either. 

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ESKIMO JOE ANNOUNCE NOSTALGIC NEW SINGLE ‘THE FIRST TIME’

A buoyant yet bittersweet ode to nostalgia, Australian alternative rock icons Eskimo Joe return today armed with The First Time; the band’s first new music since 2021’s 99 Ways. Set to appear at Lookout Festival alongside Live and Incubus before embarking on their National Acoustic Theatre Tour starting this April, The First Time feels familiar yet fresh, with Eskimo Joe capturing the essence of their stadium rock-ready triumph, 2008’s Black Fingernails, Red Wine, alongside some sharp 2024 vigour.

Drawing inspiration from long-time Eskimo Joe creative influences as well as the band’s unshakeable bond, the core of The First Time also evolved following a stacked 2023, with multiple festival appearances sparking the trio to harness the energy of a giant crowd setting into their 2024-penned new track. “We really look up to bands like the Rolling Stones and U2 – those guys who keep touring and creating music over and over again,” shares bass player and vocalist Kav Temperley. “It makes us proud of our musical journey and the people who have taken our songs into their lives. Eskimo Joe is still the three core members. It just wouldn’t be the Eskies without the three of us in a studio or on stage making music together – our friendship is as much a part of the band as the music itself. After an amazing 2023 of playing some huge festivals, there’s this indescribable energy when a massive crowd is singing your songs back at you. We wanted to capture that energy and infuse it into our recording. So, in the first week of January this year, over five days we wrote and recorded The First Time at my studio in Fremantle.”

Opening with Temperley musing “I found myself looking for you, I wonder if you’re looking for me” over glimmering instrumentation and a driving beat, The First Time simultaneously tugs at your heartstrings while charming with creamy melodics and soaring choruses. An undeniable instant Eskimo Joe classic, The First Time ultimately delves into upbeat sentimentality, as Temperley elaborates, “We wanted to write something that set out to encapsulate the bittersweet feeling of nostalgia, that looks back through rose coloured glasses conveniently forgetting the heartache and sleepless nights that came with a certain place and time in our lives. It’s easy in the loneliest moments to look back and take comfort in those memories secretly holding onto that feeling like an addict. The song is also a realisation that holding onto the past might also be holding you back from the present. The subject is nostalgic but so is the sound of this song, it sounds like it could have sat perfectly on the Black Fingernails album.”

Lead guitarist Stu MacLeod says, “You put so much energy into each song, you build it up, tear it down, build it back up again until it matches the band’s vision. I love the energy in this song and the sentiment, and I’m stoked that we get to release it out into the world.” Drummer and guitarist Joel Quartermain adds, “Once it’s out in the world, a song truly exists. Hopefully people connect with it.”

The accompanying music video beautifully documents Eskimo Joe’s many years as a band, with nostalgic footage of their many achievements over the years.

Forming in 1997, Eskimo Joe would go on to become one of Australia’s most enduring acts, with six studio albums and ongoing commercial success in their wake, including 2004’s A Song Is A City and 2006’s Black Fingernails, Red Wine reaching Platinum status, and the latter dominating the ARIA Top 50 Chart for 62 weeks. The Eskimo Joe journey from Fremantle indie rock darlings to an international success story has also seen the band’s impact expand well beyond the studio, with ongoing chart success, 35 ARIA nominations and eight wins, two APRA Awards, countless appearances at major festivals and events across the globe, and frequent appearances in triple j’s Hottest 100 countdown, including their single Black Fingernails, Red Wine taking out the #2 spot in the Hottest 100 of 2006. With performances spanning Sound Relief, Live Earth, at the Sundance Film Festival or, closer to home, at Big Day Out, Splendour In The Grass and, most recently, Good Things Festival, Eskimo Joe’s craftsmanship is only amplified by their swaggering live prowess; and it’s this very fact that inspired the band’s newest sonic output while also firmly showcasing Eskimo Joe’s ever-present vitality in the music scene decades into their career.

“It feels great releasing some new music with Eskimo Joe,” Temperley says. “We had such an amazing year last year, playing all different kinds of shows, and ending the year with Good Things Festival that saw us playing in front of crowds of 30,000. We left 2023 feeling so connected with our audiences that we felt that now is the right time to write a new tune.”

Kicking off in April, we take to the road for the Lookout Festival, unveiling our new single with icons like Incubus and Live,” Temperley concludes. Straight off the back of the festival – April through August, we embark on a 22-show acoustic journey across Australia. This tour allows us to present our music in a more intimate setting, strengthening our connection with our audience. Each performance is crafted to deepen the musical experience, blending the high energy of festival shows with the personal touch of our acoustic sessions.”

The First Time is out today.

Listen: THE FIRST TIME

ESKIMO JOE – THE FIRST TIME – Official single artwork

ESKIMO JOE – UPCOMING SHOWS

SAT 06 APR | LOOKOUT FESTIVAL, SANDSTONE POINT, QLD | 18+
Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SUN 07 APR | LOOKOUT FESTIVAL, SOUTHPORT, QLD | 18+
Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SAT 13 APR | LOOKOUT FESTIVAL, MORNINGTON VIC | 18+
Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SAT 20 APR | LOOKOUT FESTIVAL, WHITFORDS WA | 18+
Tickets available from www.ticketmaster.com.au I All Ticketmaster outlets

SAT 27 APR | CIVIC HALL, BALLARAT VIC
Tickets available from www.eskimojoe.net/tours | Via Box Office 03 5333 5888

SUN 28 APR | WYNDHAM CULTURAL CENTRE, WERRIBEE VIC
Tickets available from www.eskimojoe.net/tours | Via Box Office (03) 8734 6000

SAT 25 MAY | CASULA POWERHOUSE, LIVERPOOL NSW
Tickets available from www.eskimojoe.net/tours | Via Box Office 02 8711 7123

SUN 26 MAY | THE CONCOURSE LOUNGE, WILLOUGHBY NSW
Tickets available from www.eskimojoe.net/tours | Via Box Office 02 8075 8111

FRI 31 MAY | LOGAN ENTERTAINMENT CENTRE, LOGAN QLD
Tickets available from www.eskimojoe.net/tours

SAT 1 JUN | PROSERPINE ENTERTAINMENT CENTRE, PROSERPINE QLD
Tickets available from www.eskimojoe.net/tours | Via Box Office(07) 4945 0405

FRI 21 JUN | RED EARTH ARTS PRECINCT, KARRATHA WA
Tickets available from www.eskimojoe.net/tours (no contact on venue)

SAT 22 JUN | CARNARVON CIVIC CENTRE, CARNARVON WA
Tickets available from www.eskimojoe.net/tours

FRI 28 JUN | ALBANY ENTERTAINMENT CENTRE, ALBANY WA
Tickets available from www.eskimojoe.net/tours | Via Box Office (08) 6212 9292

SUN 30 JUN | ESPERANCE CIVIC CENTRE, ESPERANCE WA
Tickets available from www.eskimojoe.net/tours

FRI 5 JUL | THE WEDGE, SALE VIC
Tickets available from www.eskimojoe.net/tours | Via Box Office 03 5143 3200

SAT 6 JUL | KINGSTON CITY HALL, MOORABBIN VIC
Tickets available from www.eskimojoe.net/tours | Via Box Office (03) 9556 4440.

SUN 7 JUL | QUEANBEYAN PAC, QUEANBEYAN NSW | ALL AGES
Tickets available from www.eskimojoe.net/tours | Via Box Office (02) 6285 6290

TUE 9 JUL | HORSHAM TOWN HALL THEATRE, HORSHAM VIC
Tickets available from www.eskimojoe.net/tours | Via Box Office 03 5382 9555

FRI 12 JUL | SWAN HILL TOWN HALL PACC, SWAN HILL VIC
Tickets available from www.eskimojoe.net/tours

SAT 13 JUL | THE ART HOUSE, WYONG NSW
Tickets available from www.eskimojoe.net/tours | Via Box Office 02 4335 1485

FRI 26 JUL | MOUNT ISA CIVIC CENTRE, MOUNT ISA QLD
Tickets available from www.eskimojoe.net/tours

SUN 28 JUL | ROCKHAMPTON RIVER FESTIVAL, ROCKHAMPTON QLD | ALL AGES
Tickets available from www.eskimojoe.net/tours

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ORGY and COLD Announce 2024 Australian Tour

ORGY Celebrating 25 Years Of CANDYASS

COLD Celebrating 20 Years Of YEAR OF THE SPIDER

Korn's Jonathan Davis was so excited by ORGY that he created his own record label in order to sign them and fund their debut album. Not to be outdone, Limp Bizkit's Fred Durst discovered a very young COLD and threw his considerable weight behind them.

Both Nu Metal giants' intuitions were well vindicated when Orgy's groundbreaking and revolutionary Candyass and Cold's incredible 13 Ways To Bleed and Year Of The Spider albums all became absolute classics of the era, going on to collectively sell five million copies worldwide and putting a few more Platinum and Gold records on the walls of Mr. Davis & Mr. Durst!

Led by charismatic front man Jay Gordon, Orgy earned a well-deserved reputation as one of alt-rock's most forward-thinking and dynamic bands. With a sound defined by catchy hooks, powerful guitar riffs and throbbing electronic beats, Orgy have cultivated a devoted fanbase and remain a major force thanks to their electrifying live performances and irresistible intensity.

Cold achieved major success with the album 13 Ways To Bleed On Stage and the follow up album Year Of The Spider only picked up the pace spawning smash singles ‘Stupid Girl’ and ‘Suffocate’. They are renowned for their emotionally charged lyrics and deep connection with their fans, who are dubbed the “Cold Army’’.

The dynamic collaboration of the two highly influential bands will see them perform in Australia for the first time for three unforgettable shows.

ORGY AND COLD AUSTRALIAN TOUR 2024

MAX WATTS, MELBOURNE

Friday October 25

METRO THEATRE, SYDNEY

Saturday October 26

THE TRIFFID, BRISBANE

Sunday October 27


TICKETS ON SALE FRIDAY APRIL 26 AT 9AM

Pre-sale: Tuesday April 23 at 9am

ThePhoenix.au

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Tones And I headline tour of Australia and NZ: Adelaide show added

Hearing the call from fans after strong pre-sales, Tones And I has added an Adelaide Entertainment Centre Theatre show on Saturday August 17 to kick off her headline tour of Australia and New Zealand, as well as adding second shows in Fremantle and Townsville.

Tickets for the Adelaide Entertainment Centre Theatre show go on sale at 12pm local time today. All other shows are on sale now.

The Melbourne show, along with the first Fremantle and both Townsville shows have all sold out!

For complete tour and ticket information, visit: livenation.com.au and livenation.co.nz

The news today comes as Tones And I launches her ‘I Get High’ video clip. You can view it here

It’s been three years since Tones And I’s last headline tour, and she has received global acclaim for her electric live performances and masterful song writing.

Tones And I recently completed a 20-date stadium tour supporting P!nk across Australia and New Zealand.

TONES AND I
AUSTRALIA & NEW ZEALAND TOUR 2024

ADELAIDE ENTERTAINMENT CENTRE THEATRE – NEW SHOW
SATURDAY AUGUST 17

HORDERN PAVILION, SYDNEY – SELLING FASTFRIDAY 23 AUGUST

NEWCASTLE ENTERTAINMENT CENTRE, NEWCASTLE – FINAL TICKETSSATURDAY 24 AUGUST

TOWN HALL, AUCKLAND – SELLING FASTWEDNESDAY 28 AUGUST

RIVERSTAGE, BRISBANE – SELLING FASTFRIDAY 30 AUGUST

TOWNSVILLE ENTERTAINMENT & CONVENTION CENTRE, TOWNSVILLE – SOLD OUTSATURDAY 31 AUGUST

TOWNSVILLE ENTERTAINMENT AND CONVENTION CENTRE, TOWNSVILLE – SOLD OUTSUNDAY SEPTEMBER 1

FREMANTLE ARTS CENTRE, FREMANTLE – NEW SHOW
WEDNESDAY 4 SEPTEMBER

FREMANTLE ARTS CENTRE, FREMANTLE – SOLD OUTTHURSDAY 5 SEPTEMBER

MARGARET COURT ARENA, MELBOURNE – SOLD OUTSATURDAY 7 SEPTEMBER

ADELAIDE ENTERTAINMENT CENTRE THEATRE TICKETS ON SALE TODAY AT 12PM LOCAL
Tickets for all other shows are on sale now
For complete tour and ticket information, visit:
livenation.com.au or livenation.co.nz

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GRETA VAN FLEET Announce Australia & NZ Tour

Grammy Award Winning U.S. Rock act GRETA VAN FLEET are set to make their highly anticipated return to Australian and New Zealand shores this August for the first time since 2019. GRETA VAN FLEET will open their tour at Fortitude Music Hall in Brisbane on August 21st before heading to Sydney’s Hordern Pavilion on August 24th and the Margaret Court Arena in Melbourne on August 27th before jumping over the ditch to Auckland to play Spark Arena on August 30th.

Tickets for all shows go on sale on Friday April 19 at 1pm.  

Artist Fan Club pre-sale begins Tuesday April 16 at 12pm.

My Live Nation members can secure tickets first during the exclusive pre-sale beginning Wednesday April 17 at 12pm.

Australia and New Zealand are directly in the firing line of the hugely successful Starcatcher World Tour! The tour, produced by Live Nation, saw the band hit the iconic Madison Square Garden in New York, The Forum in Los Angeles as well as London’s OVO Arena Wembley. The tour has seen them roll through the U.S., Europe and U.K. before heading back to the U.S. then on to the festival scene in Europe and Japan before landing in Australia.

The Frankenmuth, Michigan natives formed in 2012, consisting of brothers – vocalist Josh Kiszka, guitarist Jake Kiszka and bassist/keyboardist Sam Kiszka – who were then joined by drummer Danny Wagner. The band announced their arrival on the scene in a massive way in 2017 with their EP From The Fires, which won Best Rock Album at the 61st Grammy Awards.

Their meteoric rise continued with the release of their critically acclaimed sophomore album The Battle at Garden’s Gate which was released in 2021 and debuted at #1 Billboard Rock Album, #1 Billboard Hard Rock Album, #1 Billboard Vinyl Album, #2 Billboard Top Album Sales and in the Top 10 on the Billboard 200. 2023’s Starcatcher album also crashed into the Billboard Top 200 chart at #8 which has seen GRETA VAN FLEET entrenched as a fully-fledged Rock Powerhouse!

Starcatcher was written and recorded by the band – alongside Grammy-winning producer Dave Cobb (Chris Stapleton, Brandi Carlile). Recorded at the legendary RCA Studios in Nashville, the band utilized the large recording room to capture the pure energy of their world-renowned live performances.

Throughout the ten-song collection the band explores the duality of fantasy versus reality and the contrast between light and darkness. “We had this idea that we wanted to tell these stories to build a universe,” says Danny Wagner. “We wanted to introduce characters and motifs and these ideas that would come about here and there throughout our careers through this world.”

The band took multiple concepts from critically acclaimed sophomore album The Battle at Garden’s Gate and brought them into Starcatcher, although Sam Kiszka’s take on the new record’s big ideas hint instead at new beginnings. “When I imagine the world of Starcatcher, I think of the cosmos,” he says. “It makes me ask a lot of questions, like ‘Where did we come from?’ or ‘What are we doing here?’ But it’s also questions like, ‘What is this consciousness that we have, and where did it come from?’”

With Starcatcher the band has definitely managed to capture their live energy in the recording studio.

They have performed across multiple continents, sold over 3.5 million records, one million tickets worldwide and amassed well over 2 billion streams! They have performed on late night television shows such as “Saturday Night Live,” “The Late Show with Stephen Colbert” and “Jimmy Kimmel Live!” whilst dazzling live audiences at major festivals such as Lollapalooza, Coachella, Pinkpop and Rock Werchter.

GRETA VAN FLEET AUSTRALIA AND NEW ZEALAND 2024

FORTITUDE MUSIC HALL, BRISBANE
WEDNESDAY AUGUST 21

HORDERN PAVILION, SYDNEY
SATURDAY AUGUST 24

MARGARET COURT ARENA, MELBOURNE
TUESDAY AUGUST 27

SPARK ARENA, AUCKLAND
FRIDAY AUGUST 30

TICKETS ON SALE FRIDAY APRIL 19 AT 1PM
Live Nation pre-sale: Wednesday April 17 at 12pm

For complete tour and ticket information, visit: gretavanfleet.com & livenation.com.au & livenation.co.nz

Follow Greta Van Fleet
Official | Instagram | YouTube | Twitter | TikTok

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BLEED FROM WITHIN Release Video For ‘Killing Time’

BLEED FROM WITHIN Release Video For ‘Killing Time’

Bleed From Within have had an extraordinary couple of years. In April they’ll be hitting the road for a month-long USA and Canada tour with The Ghost Inside, Paleface and Great American Ghost, and are also looking ahead to a string of summer festival appearances including their Hellfest debut, Download Festival and Graspop, plus a couple of German shows with Shadow Of Intent, The Acacia Strain and Fuming Mouth. Not to mention that they’ll be capping off this year in the finest way by playing as special guests to Slipknot across the UK and Europe, for Slipknot‘s ‘Here Comes The Pain‘ tour celebrating the Iowan’s 25th anniversary.

Today, Bleed From Within have released an immense, high-energy video for their track ‘Killing Time‘ made up of some touring highlights from the past few months. ‘Killing Time‘ has become a set-list favourite throughout their recent runs, the track coming from their latest studio album Shrine.

Watch the video for ‘Killing Time‘ here: https://youtu.be/390LnQOz3MY

Stream/order the Shrine Deluxe Edition:

https://bleedfromwithin.bfan.link/shrine-deluxe.ema

Get the local physical versions of ‘Shine’ here:https://shorturl.at/pwPY2

Ali Richardson stated:
“As we approach the end of the Shrine cycle, we’ve been looking back at everything that we’ve achieved with this release. It has been a truly amazing couple of years, taking us thousands of miles around the world. The perfect set up to the next chapter of our band. The lyrics for Killing Time are personal, but I hope that the clear message about making the most of the time we have left will resonate with those reading them. The song always stood out to us and our fans, so it has been great to give it a place in our live set and celebrate it with this video. Shot and edited by our close friend and long-time videographer/photographer Tom Armstrong, we hope you enjoy this montage as much as we do. A true celebration of the bands journey over the last couple of years!”

Bleed From Within racked up some impressive tour dates last year, including the Lamb Of God Headbangers Boat cruise, following on from a colossal summer run which took in both headline shows, performances with Heaven Shall Burn and festival appearances at the likes of Brutal Assault (Czech Republic), Summer Breeze (Germany) and Alcatraz (Belgium), finishing up with a 13-date tour supporting Trivium across the UK. This was allon top of a hugely successful debut American tour earlier in the year with August Burns Red and The Devil Wears Prada.

In November of last year Bleed From Within released the Shrine Deluxe Edition. Their stunning latest studio album Shrinewasreleased in summer 2022, marking the band’s most groundbreaking work to-date and staking out Bleed From Within‘s bold intent. The Scottish 5-piece claimed their position as the most exciting prospect in modern metal.

Stream/order the Shrine Deluxe Edition:

https://bleedfromwithin.bfan.link/shrine-deluxe.ema

Get the physical versions of ‘Shine’ here:https://shorturl.at/pwPY2

Watch the ‘Overthrone‘ lyric video: https://youtu.be/BfauvGS5FaU

Watch the visualizer for ‘The Will to Resist‘:https://youtu.be/YqKPB4bvyL8

Steven Jones from the bandstated,
”Upon releasing ‘Shrine’ in June 2022, it’s safe to say that none of us expected what the following months would bring. It’s been a hell of a year, with our most rigorous touring schedule yet putting us in places we’ve dreamed of since we started the band. This era of Bleed From Within is something we have worked so hard toward, and in this moment we are extremely grateful to all those who have made it possible. To all of our fans who fill the rooms and sing the words, to the team behind the scenes who keep the cogs moving on tour, in the studio and everywhere between, and to the creative minds that help us bring our music to life – thank you. 17 months since its original release, we are so proud to now present this limited and deluxe edition of ‘Shrine’, featuring all of the songs that were recorded during the sessions. Here’s to the months and years ahead!”

More from Shrine:
Temple Of Lunacy‘ visualizer: https://youtu.be/dB4arT5XN_Y
Flesh And Stone’ official music video: https://youtu.be/NF6tw5XQFSM
‘Stand Down’ official music video: https://youtu.be/kJDMOvGYVqE
‘Levitate’ official music video: https://youtu.be/BGKS3mW2XPM
‘I Am Damnation‘ official music video: https://youtu.be/swF5fiPdONo
Killing Time‘ official music video: https://youtu.be/390LnQOz3MY

Bleed From Within have been to hell and back, but they are no strangers to enduring hardship. When a global pandemic threatened to shut down their plans, the Glaswegians collectively raised five middle fingers and pressed on. It’s no surprise that this unstoppable riff machine continues to crush forward at such a frantic pace – there’s no putting the breaks on the heaviest band to ever emerge from Scotland.

The band’s reputation as one of the most formidable forces in modern metal has earned them tour slots with Megadeth, Lamb Of God, Testament and Heaven Shall Burn, to name just a few. The last few years has seen them dominate the UK live scene and take Europe and America by storm.

Shrine has taken the most graft to put together of any record in their catalogue, challenging their self-perception on both personal and technical levels – the culmination of two years hard work that embodies their artistic might. Armed with the learnings of evolving their sound over the last decade without ever losing sight of their DIY roots, this is Bleed From Within at their very best. There’s no denying the band’s inevitable next steps are world domination, with Shrinea turning point moment.

Bleed From Within are:
Scott Kennedy – Vocals
Craig Gowans – Lead Guitar
Steven Jones – Rhythm Guitar & Vocals
David Provan – Bass
Ali Richardson – Drums

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MUNICIPAL WASTE Announce ”Wasted” July 2024 Australian Tour

MUNICIPAL WASTE finally announce their triumphant and probably somewhat inebriated return to Australia shores for the first time since 2013!

Formed in Richmond, Virginia, the homeland of the American Civil War, Thrash Metal Crossover party dudes Municipal Waste rose from the salty remains of a New Years Eve Keg Party in 2000/2001, in which they were later blamed for inciting a minor riot. MUNICIPAL WASTE have uncompromisingly stuck to their guns for over 20 years as the hard-partying and even harder-hitting torchbearers of 21st Century Crossover Thrash Metal. After staggering on to the scene with their 2003 debut album Waste ‘Em All, MUNICIPAL WASTEhave transformed from a cult favourite into metal mainstays for a generation by reviving the Thrash scene.

MUNICIPAL WASTE are 7 albums (and a string of EP’s) deep into a career that shows no slowing down, no matter how hard they party, in fact if anything their career is on an upward trajectory! Metal Hammer christened 2007’s The Art of Partying one of “The 50 Greatest Thrash Metal Albums Ever,” whilst 2017’s Slime and Punishment crashed in the Top 3 of the Billboard Heatseekers Albums Chart, while they have also sold-out countless shows on multiple continents and piled up tens of millions of streams in the process.

Tony Foresta [vocals], Ryan Waste [guitar], Philip “Landphil” Hall [bass], Dave Witte [drums], and Nick Poulos [guitar] promise to deliver an uncompromising, beer drenched, sweat inducing, high-octane audio-visual extravaganza while their relentless riffage, infectious energy will ensure the pit is whipped into a frenzy!

“We hope you walk away with some bloody ears, blown speakers, pi*sed off parents, black eyes, and a healthy distrust of authority,” says Tony.

Australian fans will be able to shake off the Winter blues and jump head-first into one of the year’s biggest parties as MUNICPAL WASTE heat up Australia in July! Cheers!

MUNICIPAL WASTE July 2024 Australian Tour Dates

Friday 5th July MELBOURNE, Northcote Theatre

Saturday 6th July SYDNEY, Liberty Hall

Sunday 7th July CANBERRA, The Baso

Wednesday 10th July BRISBANE, The Triffid

Friday 12th July ADELAIDE, Lion Arts Centre

Saturday 13th July PERTH, The Rosemount

Tickets On Sale: Friday 5th April @ 10:00am Local

From: https://troubadourpresents.com/events/municipal-waste/

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GLENN HUGHES Announces 50th Anniversary of the album BURN Australian Tour

Hardline Media are thrilled to present 'Glenn Hughes Performs Classic Deep Purple Live – Celebrating the 50th Anniversary of the album BURN’, set for a run of shows in Australia in October 2024.

Glenn Hughes, the former bassist, and singer of Deep Purple, known to millions as the ‘Voice of Rock’, Rock and Roll Hall of Fame inductee will perform songs from Deep Purple’s legendary rock album “BURN” along with Deep Purple MKIII and MKIV songs.

'It was 50 years ago, in the summer of 1973, that the BURN album by Deep Purple was written at Clearwell castle in The Forrest of Dean, Gloucestershire,” reminisces Glenn. “It was recorded in October in Montreux, Switzerland.”

Continues Hughes, “We all became one in this centuries old castle in the UK countryside, it felt like Deep were a new band, with David (Coverdale) and I as new members, we couldn’t wait to start working on new songs. The atmosphere was electric, in such amazing surroundings.

“All the songs on Burn were written in the crypt/dungeon, underneath the great hall. We worked on a new song every day, and we were in the flow. Musically we would play, and work out ideas, and David and I would come up with vocal melodies that would later have lyrics. I remember it like it was yesterday.”

“As you could imagine, Ritchie Blackmore was in full prankster mode, Jon had warned me, and he rigged my room one night with a speaker that was hidden, and had ghostly voices delivered to my bedside.”

“The title track was the last song to be written. We came back from the pub, and went down into the crypt, and magic happened.”

Concludes Hughes, “It’s time to celebrate BURN, and I’m really looking forward to seeing you.”

Burn is the eighth studio album by the English rock band Deep Purple, written and recorded in 1973, and released in February 1974. The album was the first to feature then- unknown David Coverdale on vocals and Glenn Hughes, from Trapeze, on bass and vocals.

The album was recorded in Montreux, Switzerland, in November 1973, with the Rolling Stones Mobile Studio. With the addition of David Coverdale and Glenn Hughes, Purple's hard rock sound became more boogie-oriented, incorporating elements of soul and funk, which would become much more prominent on the follow-up album, Stormbringer.

Burn hit #3 on the UK Albums Chart, #9 on the US Billboard 200, and #1 in Austria, Denmark, Germany, and Norway.

In 2004 Burn was remastered and released with bonus tracks. Coronarias Redig was recorded during the Burn recording sessions, used only as a B-side for the Might Just Take Your Life single in 1974. It appears as a bonus track (in remixed form) on the anniversary edition re-release. The 2004 remix version of Burn was later used in Guitar Hero: Warriors of Rock.

In 2005 an unauthorised documentary about the album was produced as part of “The Ultimate Critical Review” series. It featured brand new interview with the original Deep Purple Mk III bassist and vocalist Glenn Hughes.

Lead single Might Just Take Your Life, released 4 March, was Deep Purple's first UK single in two years.

The phenomenal title track started things off at full throttle and challenged the seminal Highway Star for the honour of best opener to any Deep Purple album, while showcasing the always impressive drumming of Ian Paice. The fantastic slow-boiling blues of Mistreated's greatness qualifies it for the highest echelons of hard rock achievement, and therefore ranks as an essential item in the discography of any self-respecting music fan.

WATCH DEEP PURPLE – BURN – CALIFORNIA JAM – 1974 WITH GLENN HUGHES & DAVID COVERDALE:

AND 50 YEARS LATER…

GLENN HUGHES – BURN – LIVE BEVERLY HILLS – W CHAD SMITH (RED HOT CHILI PEPPERS) & JOE BONAMASSA:

Early Bird Cheaper Pre-Sale Tickets On Sale This Friday 5th April At

10AM AEDT. These are strictly limited, and there is no booking fee… so save some bucks, get in early.

TICKETS & INFO: www.hardlinemedia.net

LIMITED VIP MEET & GREET AVAILABLE* PAYPAL PAY BY FOUR & AFTERPAY accepted.

*LIMITED VIP MEET & GREET INCLUDES:

Early access to the show and merch stand

Get a photo on your phone/device with Glenn

Australian tour poster to get signed by Glenn

Exclusive VIP lanyard/laminate

Bring along 3 personal items to get signed

VIP TICKET INCLUDES ENTRY TO THE SHOW

GLENN HUGHES Australian Tour Dates

Sat 5th October – Canberra – The Baso

Sun 6th October – Brisbane – The Zoo

Thur 10th October – Sydney – Factory Theatre

Sat 12th October – Melbourne – Croxton

Sun 13th October – Adelaide – The Gov

Earlybird Tickets On Sale Friday 5th April

AT 10AM AEDT VIA: www.hardlinemedia.net

GENERAL PUBLIC TICKETS ON SALE: Tuesday 9th April @ 10AM AEDT

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YNGWIE MALMSTEEN Announces May 2024 Australian Tour

 Legendary Guitar Virtuoso Yngwie Malmsteen to Embark on Highly Anticipated Australian Tour in May 2024

Australian fans of guitar virtuoso YNGWIE MALMSTEEN are in for an electrifying treat as the maestro announces his long-awaited return to Australia for a series of shows in Melbourne, Brisbane and Sydney.

This marks Malmsteen's first tour of Australia since 2015.

Renowned for his unparalleled mastery of the guitar, Malmsteen has carved out a legendary career spanning over four decades. With his jaw-dropping technique, innovative style, and unparalleled showmanship, Malmsteen has become an icon in the world of rock and metal music and an influence on generations of guitar players.

Throughout his illustrious career, Malmsteen has garnered numerous accolades, including a Grammy, solidifying his status as one of the greatest guitarists of all time.

As one of the pioneers of neo-classical rock and metal, his virtuosic playing has earned him widespread acclaim from both fans and critics alike, and his influence on the world of guitar music is immeasurable.

Malmsteen's upcoming tour of Australia is set to be a retrospective of his incredible legacy, with a particular celebration of his ground-breaking debut solo album, Yngwie J. Malmsteen’s Rising Force which celebrates its 40th anniversary in 2024.

Audiences can expect an unforgettable evening of blistering guitar solos, virtuosic performances, and timeless classics that have solidified Malmsteen's place in music history. Don't miss your chance to witness a true guitar legend in action.

YNGWIE MALMSTEEN May 2024 Australian Tour Dates

Thursday 16 May – Melbourne, Northcote Theatre

Saturday 18 May – Brisbane, Princess Theatre

Sunday 19 May – Sydney, Liberty Hall

Tickets On Sale – Tuesday 2nd April at 9am local

From: https://www.silverbacktouring.com.au/yngwie-malmsteen-australian-tour-2024/

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