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Gig ReviewsReviews

[Review] Bear McCreary @ Forum Theatre, Melbourne, 23/07/2025

For the past 20 years we’ve witnessed a rich stream of pop culture spectacles from acclaimed tv shows, box office busting movies, and captivating interactive experiences found in video games. And for the past 20 years, it’s a good chance that the scores for many of these spectacles that provided that atmospheric audio stimuli  that bring characters and stories to life were written, produced, and masterfully assembled by man whose name is so cool that it certainly would have caught many eyes during credit rolls: Bear McCreary. With an ensemble of tremendously talented virtuosi, including his very own brother Brendan on vocals, McCreary brought his world class Themes and Variations tour down under, taking up on an unforgettable journey throughout his career.

Warming us up for the night was the Sydney-born artist Portair, whose talent and sound greatly exceeds that of a mere warm up act. The solo troubadour blended an appealing mix of electronic and earthy melodies that were delicate and moving, the kind of music that could provide a soundtrack in itself to one’s daily adventures growing up. 

The interval between the two acts did not leave us tapping our feet in anxious anticipation for long, and I’m sure a few drinks were spilled as patrons ran back to the stage as the lights dimmed and Bear, alongside his band, entered the fray to an orchestral overture right into one opening tune of his recent album, The Singularity: Incinerator. The electrifying energy from the first note played was as palpable as a fiery dance of dragons. Omer Ben-Zvi shreds the lead guitar like Barry Allen himself. Pete Griffin slaps and plucks the bass like a tire Lord of Low End. Paul Cartwright makes the violin sing as if he’s possessed Paganini. Gene ‘The Atomic Clock’ Hoglan smacked and rattle the drum kit like a thunder god. Brendan McCreary is an incredible vocalist with a style akin to say M. Shadows of Avenged Sevenfold for example, with an incredible vocal range fitting for anything from slower melodic tunes to heavy and fast metal. And Bear McCreary, the master composer who has put all this talent and music together, lead the entire performance with the presence of a true maestro….and perhaps a rock n’ roll legend.

The night was, as mentioned above, a versatile and diverse journey across many projects in McCreary’s career, playing famous and masterful themes from cinematic masterpieces such as God of War, Rings of Power, Outlander, Black Sails Battlestar Galactica, many with that slight metal variation mixed in, to independent compositions made by Bear seperate from any projects written throughout his life and career. And this piece would be excruciatingly bereft had I made no mention of the legendary composer’s amazing versatility. Raeb The Dwarven  Bard utilised such a variety of instruments like a fine art, from guitars to keys to a giant drum, even the accordion and (my personal favourite instrument of all time) the famous Hurdy-Gurdy, a musical tool so unique, historical, and even versatile itself that it would make Apollo himself swoon. 

I left this experience upon its conclusion with a whole new level of appreciation for composition. Whether it’s for film, tv, video games, theatre, or even a concept album, it is such a beautiful thing to be able to make storytelling so much more audible and captivating, having a creative outlet that involves figuring out what notes and chords should be weaved into a character’s arc, a significant event, or even a conversation. And Bear McCreary is one to absolutely consider as one of the Gods of this art form,  starting off as a protégé of the iconic Elmer Bernstein and then proceeding to weave a decades long thread of incredible works, and will continue to do so. Seeing his talent live and watching an artist so immersed in their love of music and performing it is an unforgettable experience, and just further shows the importance of the soundtrack in any aspect of art and entertainment….and even life itself. 

BEAR McCREARY AUSTRALIAN TOUR DATES
Wednesday 23 July Forum Melbourne
Thursday 24 July Enmore Theatre Sydney
Friday 25 July Eatons Hill Hotel Brisbane
Monday 28 July Astor Theatre Perth

https://www.destroyalllines.com/tours/bear-mccreary

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Gig ReviewsReviews

[Review] Wallows @ Margaret Court Arena, Melbourne, 9/12/2024

Local Australian artist Grentperez opened the night, and what better way to warm up the young, already energetic and enthusiastic crowd than a lovable goofball whose fresh music was not only a tremendous enjoyment, but also an example or great local Australian indie music. His set was nothing short of fun and friendly, with no shortage of tomfoolery, that made the whole environment feel less like a concert and more of a house party hangout, with juicy grooves to help us love our feet, and banter in between tracks that always included audience participation allowed us to decompress with joy. 

Wallows had the entirety of Margaret Court Arena in a grip of enthusiasm, as their intro rapidly built anticipation later by layer with large sheet casting shadows of the group opening with the slow somber Do Not Wait, all before the classic opening riff of Your Apartment ripped through the venue as the band was revealed. The boys’ laid back energy , as well as the seamless chemistry between them during in their performance was immediately apparent, through this energy delivering a sound that is both nostalgic and fresh simultaneously with a set list of tracks that can resonate with everyone.

Despite the venue being a large arena filled with hundreds and hundreds of screaming fans, the performance felt very intimate, similar to Grentperez in the sense that it felt like hanging out with friends watching mutual mates perform onstage. The charismatic yet chill interaction with the audience showed this enough, yet it skyrocketed when during She’s An Actress, Dylan slowly made his way through the crowd, taking time to high 5 fans in GA and connect with the audience, this followed shortly by Cole and Braeden, waded through the crowd to a smaller stage at the back of the GA, decorated with lamps providing mood lighting, where they performed a short acoustic set of three songs, Pictures of Girls, 1980s Horror Film and OK. Their fans singing along with them and sharing hilarious banter amongst all.

After the childhood mates made their way back to the main stage, after Braeden ran up and down the reserved sections of the arena screaming the lyrics of Calling After Me passionately, even though you could barely hear the band over the crowd screaming their adoration. Wallows provided an explosive encore to the show that was fuelled by the final volume of energy that the audience had been giving all night. It felt emotional and personal, hearing the boys turning their instruments and vocals both to 11, clearly showing their love of one of thier biggest hits Are You Bored Yet?, and Remember When to cap off the night.  

As I’ve previously stated, in one emotional and triumphant night, Wallows had brought their indie LA sound to a city in which is perfectly fits the grunginess of Melbourne, and for any and all fans of indie rock, of all ages, the three childhood mates are a quintessential ensemble that perfectly captures why the genre is so beloved and relatable. 

Wallows third studio album, Model is available now. They finish their Australian run in Brisbane on the 14th.

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InterviewsTour Interview

Interview with Dryden Mitchell (Alien Ant Farm)

ALIEN ANT FARM & CKY ANNOUNCE AUSTRALIAN CO-HEADLINE TOUR

Two decades after ALIEN ANT FARM topped the charts worldwide with their singles Movies and Smooth Criminal (#3 and #1 on Australian Charts, respectively), you still cannot visit a rock club or turn on rock radio without hearing those songs blasted; evoking joyful memories of a better time when rock music ruled the world and auto-tuned garbage was far off in the distant future.

As great as chart success may be, however, Alien Ant Farm's enduring legacy derives from the seemingly endless catalogue of incredibly crafted and equally worthy alt metal anthems such as Yellow Pages, Homage, Godlike, Glow, Forgive & Forget, Last dAntz, etc. and of course, the energy, ferocity and dedication with which they deliver those songs in a live setting.

2025 will see Alien Ant farm make their very long-awaited return to Australia for a co-headline tour with the equally iconic CKY, fresh off of their successful North American and European “CKY 25 Years” celebration touring.

CKY hoists the flag high for big, raw, authentic, earth-shaking music liberated from useless pretence. They burned it all down, with a raucous, anarchic rock sound soaked in the skate-punk culture that birthed them; and a hard-partying lifestyle onstage and off that left decimated relationships and reputations in its wake. CKY's music is a huge part of the infamous Jackass TV series as well as just about every skate and surf compilation of the era. CKY has toured the world with the likes of Metallica, Guns N' Roses and Deftones; and have seen artists ranging from The Dead South to Polyphia and Dillon Francis cover their iconic songs.

Alien Ant Farm and CKY February 2025 Australian Tour Dates:

Friday 7th February BRISBANE, Princess Theatre

Saturday 8th February SYDNEY, Metro Theatre

Sunday 9th February MELBOURNE, Northcote Theatre

Tuesday 11th February ADELAIDE, Lion Arts Factory

Wednesday 12th February PERTH, Magnet House

PRESALE: Friday July 25 – 9:00am (Local)

GENERAL PUBLIC ON SALE: Tuesday July 29 – 9:00am (Local)

TICKETS FROM: https://thephoenix.au

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FeaturedNews

GHOST ‘RITE HERE RITE NOW’ Original Motion Picture Soundtrack Is Out Now

GHOST
RITE HERE RITE NOW
ORIGINAL MOTION PICTURE SOUNDTRACK TO HIGHEST-GROSSING HARD ROCK CINEMATIC EVENT IN NORTH AMERICAN HISTORY

NOW AVAILABLE VIA LOMA VISTA RECORDINGS

MARY ON A CROSS/THE FUTURE IS A FOREIGN LAND
ANIMATED DOUBLE FEATURE HOSTED BY GHOST LIVE NOW

“As far as live acts go, they’re one of the best in the business — and now they have the movie to prove it.”
—THE LOS ANGELES TIMES

Following a record-smashing Top 10 worldwide box office performance and rapturously received global streaming premiere, GHOST now unleashes theRITE HERE RITE NOWoriginal motion picture soundtrack, released today via Loma Vista Recordings. This collectible double LP and CD includes a 16-page photo book, official film poster and 18 songs from the band’s debut feature film, recorded live at GHOST’s now-legendary pair of sold out shows at Los Angeles’ Kia Forum. In addition to live versions of classics and deep cuts spanning the GRAMMY-winning theatrical rock ensemble’s vaunted catalog, theRITE HERE RITE NOWsoundtrack features the film’s previously unreleased end credits anthem, the unearthed third Papa Nihil 1969 era single The Future Is A Foreign Land. The RITE HERE RITE NOW soundtrack is available worldwide on all digital services, 2xLP, 2XCD and cassette (UK exclusive) now.

In keeping with shocking events depicted in RITE HERE RITE NOW, memorials for the dearly departed Sister Imperator have been announced. To find one of the sacred locations where fans can pay their respects and leave personal offerings in her honor, please visit here.

Finally, the eve of the RITE HERE RITE NOW release has been heralded by an animated double feature via the GHOST YouTube channel: The wide release of the much adored Mary On A Cross animated video pulled directly from the film and the much anticipated music video for soundtrack exclusive The Future Is A Foreign Land are out now.

RITE HERE RITE NOW – OUT NOW
https://i.ghost-official.com/RiteHereRiteNow

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FeaturedNews

V Boys: Swedish absurdist punks return to Australia – November 2024

“V Boys completely steal the show… The energy is pure chaos’ – The Music
‘Hopefully V Boys are already in your life. If not, it’s time to get onboard’ – Double J
‘A bongo-fuelled punk send-up of hyper masculinity’ – Broadsheet

Celebrated as one of Europe’s best live bands, punk-rock satirists Viagra Boys last touched down in 2019. Now, the unruly Swedish outfit is thrilled to announce The Australia Shrimp Grand Prix tour – with three headline shows this November in Melbourne, Sydney, and Brisbane.

V Boys are a band that weaponizes absurdity – tossing firecrackers into the middle of the room and standing around to see the reaction. Led by frontman Sebastian Murphy (‘equal parts Iggy Pop and Hank Williams’), whose voice is a compelling blend of impish smirk and smoker’s rasp, the band is known for its seething satire and darkly comic edge, encapsulating a unique blend of grit and sleaze.

Murphy’s lyrics often reflect on the absurdity and backwardness of the modern world, though he avoids prescribing beliefs or taking sides. Therefore, the band’s music is marked by a playful yet incisive critique of societal follies and contradictions, set to heavy-weight, explosive production.

Tickets for the November tour will go on sale Friday 28 June at 11am AEST via frontiertouring.com/vboys. Frontier and Penny Drop members can get early access through promoter presales starting Wednesday 26 June at 11am AEST. Visit the Frontier website for full details.

Watch: V Boys – Sports

V Boys have unleashed three critically acclaimed albums to date: Street Worms (2018), Welfare Jazz (2021), and Cave World (2022). Their electrifying mix of no-holds-barred attitude, electronically laced riffs, dark sax, and dynamic sound bursts forth in singles like ‘Sports’, ‘Troglodyte’, ‘Ain’t No Thief’ and ‘Punk Rock Loser’. Another highlight is their audacious cover of John Prine’s ‘In Spite Of Ourselves’, featuring Amy Taylor (Amyl and the Sniffers).

Live on stage, V Boys have garnered significant success and acclaim, performing sold-out shows worldwide, including prestigious festival sets at Coachella, Glastonbury, Lowlands, Outside Lands, Reading & Leeds, Meredith, and more. 2023 saw them tour the US with Queens of The Stone Age. The band’s impact extends to the Swedish music scene, where they’ve won awards such as Album of the Year and Best Live Act at the Swedish Grammis & P3 Guld Awards, highlighting their widespread appeal and influence.

The Australia Shrimp Grand Prix rolls through town this November! Don’t miss V Boys – tickets go on sale Friday.

V BOYS
+ special guests tba
AUSTRALIA
NOVEMBER 2024
Presented by Frontier Touring, Penny Drop, Wasserman & YEAR0001

FRONTIER MEMBERS PRESALE
via frontiertouring.com/vboys
Runs 47 hours from: Wednesday 26 June (11am AEST)
or until presale allocation exhausted

PENNY DROP MEMBERS PRESALE
Runs 47 hours from: Wednesday 26 June (11am AEST)
or until presale allocation exhausted

GENERAL PUBLIC ON SALE
Begins: Friday 28 June (11am AEST)

ALL SHOWS 18+

Saturday 2 November
Forum Melbourne, Melbourne, VIC
ticketek.com.au

Tuesday 5 November
Enmore Theatre, Sydney, NSW
ticketek.com.au

Thursday 7 November
The Tivoli, Brisbane, QLD
ticketmaster.com.au

Patrons are advised to purchase tickets only through authorised ticket sellers.

We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

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HAMMERFALL Announce First Ever Australian Tour

THE MIGHT! THE POWER! THE GLORY!

ANNOUNCE FIRST EVER AUSTRALIAN TOUR

‘’It’s a spectacular show and encapsulates just how and why HammerFall have become such a beloved band across the world.’’ Headbanging Life

The GODS have listened, and they have heeded your call, Sweden’s Power Metal overlords, the mighty HammerFall will set sail for Australia in January 2025 for their first ever Australian tour.

‘’We all agreed that one measly show in 27 years is not nearly enough. So we’re coming in full force next year. Brace yourselves for a Heavy Metal celebration the likes of which you have never seen!’’ – Oscar Dronjak

‘’We are very excited to bring our particular brand of Heavy Metal to Australia for the first time, and we can’t wait to show you what HammerFall Anno 2025 sounds like!’’ – Joacim Cans

No matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads. Since forming in Gothenburg, Sweden and releasing their debut album Glory To The Brave in 1997, HammerFall have stormed the gates of heavy music’s pantheon and waved the genre’s flag higher and higher with every subsequent release. With multiple international number ones, gold certifications, sold out tours, and over 100 million+ streams and 100 million+ YouTube views, the group upholds a venerable legacy.

But it is in a live setting where they outshine their peers and imitators. In true HammerFall fashion, every element becomes dangerously and dramatically amplified. The riffs hit harder. The rhythms thunder louder. The choruses soar closer to the clouds.

 

The Hammer will strike with force in Australia as HammerFall unleash a setlist full of power drenched anthems such as ‘Heart’s on Fire’, ‘Last Man Standing’, ‘Brotherhood’, ‘Heeding the Call’, ‘Any Means Necessary’, ‘Hail to the King’ and so many more.

Donning their brightest shining armour, HammerFall will leave their mark on Australia forever by delivering an unforgettable live experience for metalheads across the continent.

 

HAMMERFALL January 2025 Australian Tour Dates

Tuesday 14th January PERTH, Metro Fremantle

Wednesday 15th January ADELAIDE, Lion Arts

Friday 17th January MELBOURNE, Northcote Theatre

Saturday 18th January SYDNEY, Manning Bar

Sunday 19th January BRISBANE, The Triffid

Tickets:

On Sale: Friday 14th June 9:00am local

From: https://thephoenix.au/

New Album Avenge The Fallen Out on 9th August via Nuclear Blast Records

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