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ULI JON ROTH Announces His First Ever Australian Tour for Sept 2025

Hardline Media are proud to announce for his first time in Australia, the legendary, iconic, internationally influential and multi million record-selling artist, ULI JON ROTH, on his “PICTURES OF DESTINY” world tour. Uli will be performing a best of the SCORPIONS set, amongst other songs from his extraordinary catalogue.

More than 50 years into his amazing career, German guitar innovator ULI JON ROTH will perform 3 shows in Australia in September. SYDNEY, ADELAIDE, MELBOURNE, get ready for a very special night of Classic Hard Rock.

Uli, of course, was an extremely important member in the history of one of the biggest selling bands of all time, SCORPIONS. After replacing MICHAEL SCHENKER in 1973, SCORPIONS released four studio albums during ULI’s tenure as lead guitarist, main songwriter and occasional lead singer between 1974 and 1977. These albums include “Fly To The Rainbow“, “In Trance“, “Virgin Killer“, “Taken By Force” as well as their Gold selling double live album, “Tokyo Tapes“, in 1978. These albums are all heralded in the history of Rock and Metal, with “Tokyo Tapes” being touted as one of the greatest live albums of all time.

Since his time in SCORPIONS, Uli has had a very colourful career, with most of the 1980’s filled up with his band ELECTRIC SUN, followed by a long line of varied projects – from G3 at Wembley Arena with JOE SATRIANI, MICHAEL SCHENKER and BRIAN MAY, to composing four symphonies, two concertos and performing with symphony orchestras throughout Europe. Let’s not forget June 2007 in Germany, when Roth joined THE SMASHING PUMPKINS on-stage for their epic closing song “Gossamer.” He made another appearance with the Pumpkins upon their return to Germany on 26 February 2008, and a short documentary was made called “Corgan und Uli Jon Roth”.

Don’t miss out on this rare occasion to experience ULI JON ROTH performing such classics as “In Trance“, “We’ll Burn The Sky“, “Fly To The Rainbow“, “The Sails Of Charon“, “Pictured Life“, “Catch Your Train“, and many, many more.

Come along and see why guitar heroes such as KIRK HAMMETT (METALLICA), MARTY FRIEDMAN (MEGADETH), YNGWIE MALMSTEEN and a long list of others, cite ULI as one of their major influences. A guitar player’s dream set!!!

DO NOT MISS THESE SHOWS! – THEY WILL SELL OUT!

AUSTRALIAN TOUR DATES:
Wednesday 3 Sep: Manning, Sydney
Thursday 4 Sep: The Gov, Adelaide
Friday 5 Sep: Croxton, Melbourne

EARLY BIRD TICKETS (Cheaper, Pre-Sale) ON SALE THURSDAY 19TH JUNE 10am AEST
These are strictly limited, and there is no booking fee… so save some bucks and get in early.

GENERAL PUBLIC TICKETS ON SALE:
TUESDAY 24TH JUNE @ 10AM AEST

TICKETS & INFO: 
www.hardlinemedia.net

*LIMITED VIP MEET & GREET INCLUDES:
– Early access to the show and merch stand**
– Get a photo on your phone/device with ULI JON ROTH
– Australian tour poster to get signed
– Exclusive VIP lanyard/laminate
– Bring along 3 personal items to get signed – GET YOUR SCORPIONS SIGNED
**VIP TICKET INCLUDES ENTRY TO THE SHOW

* PAYPAL PAY BY FOUR & AFTERPAY accepted

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TESTAMENT: 5 Essential Thrash Metal Anthems To Mosh To Ahead Of Their Australian Tour!

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Bay Area legends TESTAMENT return to Australia this week for their first headline tour since 2010.

Since emerging from the San Francsico Bay Area TESTAMENT have delivered some of the greatest metal anthems of all time.  ‘Over The Wall’, ‘Practice What You Preach’, ‘Rise Up’, ‘Into The Pit’, ‘Brotherhood Of The Snake’, ‘Low’, ‘The New Order’, ‘First Strike Is Deadly’...  The list of absolute classics seems endless as they unleashed one crushing album after another.

With no shortage of critical acclaim, Testament remain one of the select few bands with 2 albums, (both The Legacy and The New Order) inducted into Decibel Magazine’s prestigious Hall Of Fame, alongside Metallica, Black Sabbath, and Motörhead.

Revolver Magazine included The New Order on their list of 14 Thrash Albums You Need to Own. Guitar World recognized Practice What You Preach as one of the Top 10 Shred Albums of all time. Guitar World called Low as one of the Iconic Albums That Defined 1994.  The Formation of Damnation won Best Album at Metal Hammer’s Golden Gods Awards. And released nearly 30 years after the band’s formation, Dark Roots of Earth became their highest-charting album yet!

Get Your Tickets Fromhttps://metropolistouring.com/testament-2025/ or https://thephoenix.au/testament/

We Reveal The 5 Essential Thrash Metal Anthems To Mosh To Ahead Of Their Australian Tour!

1. Rise Up: is a high-energy thrash metal anthem that captures the spirit of rebellion and empowerment. The song bursts with aggressive riffs, pounding drums, and commanding vocals as it urges listeners to rise against oppression and stand strong in the face of adversity. Fuelled by defiance, it embodies the band’s signature style, delivering both raw intensity and a powerful message of resilience. As part of Testament’s discography, Rise Up exemplifies their ability to fuse technical mastery with deeply motivational themes. It’s a rallying cry for strength, unity, and resistance.

2. Practice What You Preach: is the standout track from Testament’s 1989 album of the same name, embodying the raw energy and melodic craftsmanship that defined the thrash metal movement of the late 1980s. The song delves deep into themes of hypocrisy and moral accountability, urging listeners to align their actions with their words — a timeless message wrapped in relentless riffs and powerful vocals. The lyrical narrative is sharp and thought-provoking, questioning the integrity of individuals who fail to live up to their proclamations and ideals. Testament uses the song not merely as a critique but as a rallying call for authenticity in both personal and societal realms.

3. Native Blood: is a powerful thrash metal anthem that delves into themes of cultural pride and resilience. The song speaks to the struggles faced by indigenous people, emphasizing their strength in preserving their traditions and identity despite oppression. Through intense guitar riffs and commanding vocals, the track also serves as a rallying cry, urging listeners to embrace their roots and stand firm against societal challenges. Testament’s lyrical and musical delivery creates a visceral experience, highlighting the deep connection between heritage and the fight for recognition and justice. The song reflects frontman Chuck Billy’s Native American heritage

4. Into the Pit: one of Testament’s iconic tracks, serves as a thunderous testament to the power of thrash metal. Featured on the band’s second album The New Order, released in 1988, this song captures the raw intensity, aggression, and technical prowess that defined the burgeoning thrash metal movement of the 1980s. It remains a quintessential thrash metal anthem, embodying the genre’s spirit of intensity, musical virtuosity, and unyielding rebellion. Testament’s ability to channel raw power into their music ensures that this track continues to inspire and energize metal fans worldwide. Whether in the mosh pit or through headphones, Into the Pit is a timeless testament to the ferocity of thrash metal.

4. Low: is the title track from Testament’s 1994 album Low, marking a stylistic shift for the band. Moving away from their traditional thrash roots, the song embraces a heavier, groove-oriented sound with elements of death metal. Lyrically, Low deals with emotional turmoil, betrayal, and inner rage, expressing a sense of personal darkness and frustration. Chuck Billy’s vocals alternate between aggressive growls and melodic passages, complementing the song’s brooding, down-tuned guitar riffs. As a defining track of Testament’s mid-’90s evolution, Low showcases their willingness to experiment while maintaining their trademark intensity.

TESTAMENT June 2025 Australian Tour Dates
Wednesday 18th June – BRISBANE, The Tivoli
Friday 20th June – SYDNEY, The Metro – SOLD OUT

Saturday 21st June – MELBOURNE, Northcote Theatre – SOLD OUT

Sunday 22nd June – ADELAIDE – The Gov

Tuesday 24th June – PERTH, Metropolis Fremantle

“This night was pure thrash metal from Testament. Just one damn good song after another. This band is one of the all-time greats” – This Day In Metal

“A mind-blowing 1 hr 40 min show” – Loud Flash Magazine

“TESTAMENT are still as deadly as they ever were”.

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LOVE/HATE Announces January 2026 First-Ever Australian Tour

LOVE/HATE ANNOUNCES FIRST-EVER AUSTRALIAN TOUR

Celebrating 35 Years of Blackout in the Red Room with a Full Album Performance, plus material from the entire Love/Hate catalogue.

For the first time in their storied career, LOVE/HATE is set to ignite Australian stages with an electrifying tour celebrating the 35th anniversary of their seminal debut album, Blackout in the Red Room. This landmark event will feature the album performed in its entirety, alongside selections from the entire Love/Hate catalogue.

Released in 1990, Blackout in the Red Room captured the raw energy of the Sunset Strip with tracks like ‘Why Do You Think They Call It Dope?’, ‘Rock Queen’, and the title track. Whilst the band stood out aesthetically and sonically from their LA counterparts at the time, the albums influence resonated deeply within the glam, sleaze, hard rock and metal communities, becoming a cult classic celebrated for its rebellious spirit and unforgettable hooks.

Love/Hate is fronted by Jizzy Pearl, a name that needs no introduction given Jizzy stands as a luminary of the Los Angeles metal scene with a career spanning over four decades.

As the frontman of Love/Hate, Jizzy delivered the bands critically acclaimed debut, and then its brilliant follow up Wasted In America. The band has continued to release albums, with the only constant being its frontman, since 1993 and capped by their latest 2025 release, Punk Rock Fiesta! which has been lauded for its infectious energy and unapologetic sound.

Beyond Love/Hate, Pearl’s dynamic vocals have graced bands like L.A. Guns, Ratt and for the past twelve years, he has been the frontman of Quiet Riot and their relentless touring schedule. Pearl has certainly solidified his legacy in hard rock history.

This tour promises an unparalleled experience for fans of glam, sleaze, and hard rock. Witnessing Jizzy Pearl’s powerhouse vocals and the band’s relentless performance is a rare opportunity for Australian audiences.

As Get Ready To Rock noted during the bands recent UK tour, “Love/Hate frontman Jizzy Pearl led his current incarnation of the band through a decade-defying gig that was reminiscent of the original band back in the day

With limited tickets available, fans are encouraged to secure their spots promptly to avoid missing this rare chance to see and hear one of the most recognisable voices in hard rock on our shores.

Watch ‘Blackout In The Red Room’: https://www.youtube.com/watch?v=pc68TjfsfMU

OVE/HATE January 2026 Australian Tour Dates

Thursday 15th January – MELBOURNE, The Prince

Friday 16th January – SYDNEY, Crowbar

Saturday 17th January – BRISBANE, Crowbar

Tickets on sale now from: https://www.silverbacktouring.com/lovehate

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ZEBRAHEAD – Orange County Pop Punk Icons Announce October 2025 Australian Tour

“Zebrahead deserve their place amongst the likes of Blink-182, Sum 41 and Green Day as pop punk royalty. Theyhave every aspect of being a great live band absolutely nailed down: stage presence, stunning musicality, and great between-song banter that all converge to make their live show a true musical marvel” – Distorted Sound Magazine

THE ORANGE COUNTY POP PUNK ICONS, ZEBRAHEAD RETURN!

After a 7-year absence, SoCal Pop Punk/rapcore legends ZEBRAHEAD are returning this November to light up lives and stages across Australia.

Formed in 1996 in La Habra, California, Zebrahead carved a unique niche in the punk rock scene, fusing pop-punk, hip-hop, and raw energy. With hits like ‘All My Friends Are Nobodies’, ‘Playmate of the Year,’ ‘Anthem,’ ‘Falling Apart’. ‘The Perfect Crime’ and ‘Hell Yeah’, they have amassed a dedicated worldwide following that has seen them sell out tour after tour and deliver killer festival sets at the likes of Warped, Summersonic, Download, Reading, Slam Dunk, When We Were Young and so many others.

“Zebrahead were amazing. It’s such a pleasure to see a band have so much fun on stage and it is wonderful to see them care about their fans. They brought the party and the energy” – Genre Is Dead

“One of the most entertaining bands I’ve seen live. Tonight was no different” – Punk News

ZEBRAHEAD October 2025 Australian Tour Dates

Tuesday 7th October – PERTH, Amplifier

Thursday 9th October – ADELAIDE, Lion Arts Factory

Friday 10th October – MELBOURNE, Max Watts

Saturday 11th October – SYDNEY, Crowbar

Sunday 12th October – BRISBANE, Crowbar

Tickets:

Pre-sale: Monday 19th May at 9:00am local

General Public On Sale: Thursday 22nd May at 9:00am local

From: https://thephoenix.au

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THE ORIGINAL WAILERS Feat. Al Anderson Announce November 2025 Australian Tour – Performing LEGEND In Full

Jamaica’s, The Original Wailers Return to Celebrate the 40th Anniversary of Legend – The Best of Bob Marley and the Wailers Album

“My music will go on forever.” – Bob Marley

BOB MARLEY’s music transcends time, and his impact on global culture remains unmatched. To celebrate the 40th anniversary of the most iconic album in reggae history, Legend – The Best of Bob Marley and the Wailers, THE ORIGINAL WAILERS will take the stage for a special tour, performing the beloved hits from this album. Legend is a compilation of Marley’s greatest songs, capturing the soul of reggae and delivering messages of love, freedom, and unity. It holds the distinction of being the highest-selling reggae album of all time, a testament to the power and enduring appeal of Marley’s music.

The Legend album features Bob Marley’s most classic and influential tracks. From the hopeful ‘Is This Love’ and the uplifting ‘Three Little Birds’ to the powerful social message of ‘Buffalo Soldier’ and ‘I Shot the Sheriff,’ the compilation exemplifies the spirit of reggae and the revolutionary message of Marley’s music. Timeless anthems such as ‘Could You Be Loved,’ ‘No Woman, No Cry,’ ‘Get Up, Stand Up,’ ‘Jamming,’ and ‘Redemption Song’ continue to inspire audiences worldwide. These songs speak to the heart of humanity, bringing people together with their messages of peace, resistance, and love.

As Reggae Royalty, The Original Wailers, hit the stage to perform these unforgettable classics live, the audience will be immersed in the joy and energy that only reggae music can provide. The groove, the melodies and the unmistakable spirit of Marley’s legacy will fill the air, creating a surreal, serene yet festive atmosphere.

“One good thing about music, when it hits you, you feel no pain” – Bob Marley

THE ORIGINAL WAILERS November 2025 Australian Tour Dates

Friday 7th November – FREMANTLE, Freo.Social

Saturday 8th November – PERTH, Rosemount Hotel

Wednesday 12th November – ADELAIDE, The Gov

Friday 14th November – MELBOURNE, Northcote Theatre

Saturday 15th November – SYDNEY, Metro Theatre

Thursday 20th November – BRISBANE, The Tivoli

Tickets

Presale: Friday 16th May, 10am Local –

General Public On Sale: Monday 19th May, 10am Local

From: https://metropolistouring.com/the-original-wailers-2025/

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Hans Zimmer Live – Australian Tour 2025

Award winning film composer Hans Zimmer today announces his first live dates in Australia since 2019, the multiple Academy Award® and Grammy winner bringing his smash-hit tour Hans Zimmer Live to arenas in Brisbane, Sydney and Melbourne in April 2025.

A groundbreaking audio and visual show, Zimmer’s upcoming tour marks the Down Under return of the legendary composer, who rocked Coachella in 2017 and sold out over 20 shows across 17 cities across the US and Canada in 2024. With the support of his outstanding 19-piece live band and a full orchestra, Australian fans will be swept away from the sound of the first note and journey through a selection of the composer’s well-loved scores from some of cinema’s biggest films. Joining Zimmer onstage as part of the Hans Zimmer Live tour is acclaimed Australian singer Lisa Gerrard, who will perform a selection of the most popular songs she co-wrote with Zimmer, such as Mission: Impossible, King Arthur, Black Hawk Down, Tears of the Sun and Gladiator – which won her a Golden Globe and Oscar nomination.

The newly arranged concert suites include music from Gladiator, Pirates of the Caribbean, The Dark Knight, Interstellar, The Lion King, The Last Samurai and Dune, for which Zimmer received his second Academy Award®.

“I’m thrilled to return to Australia with my wonderful band and excited to share this phenomenal show,” said Zimmer. “I love this feeling of uniting my family of extraordinary musicians with you, the audience. Just an unbelievable family of talents that – to me – makes them the best supergroup of musicians in the world. But nothing would have meaning without the good grace and support of you, the other part of the family – the audience. Ultimately, the music connects us all, and I promise you this: we will always play our best, straight from the heart.”

Hans Zimmer’s extraordinary melodies and modern compositions captivate a huge worldwide fanbase across generations. He has already energized countless international cinema blockbusters, in addition to the above: James Bond – No Time to Die, Inception, Dunkirk, Man of Steel, The Dark Knight trilogy, Wonder Woman, Kung Fu Panda, 12 Years A Slave, Top Gun: Maverick, and Dune: Part Two.

Hans Zimmer has scored more than 500 projects across all mediums, which combined have grossed more than $28 billion dollars at the worldwide box office. Zimmer has been honored with two Academy Awards, three Golden Globes, five Grammys, an American Music Award, and a Tony Award.

Frontier Members can get early access to tickets via their presale starting Tuesday 11 February at 11am (local time) – see website for information. Tickets for all cities will go on sale Wednesday 12 February at 12pm (local time) via HansZimmerLive.com or frontiertouring/hanszimmerlive. Visit @hanszimmerlive on social media for more details.

About Hans Zimmer
Hans Zimmer has scored more than 500 projects across all mediums, which combined, have grossed more than 28 billion dollars at the worldwide box office. Zimmer has been honored with two Academy Awards®, three Golden Globes®, four Grammys, an American Music Award, and a Tony® Award. His work highlights include Dune: Part One, Top Gun: Maverick, No Time to Die, Gladiator, The Thin Red Line, As Good as It Gets, Rain Man, The Dark Knight trilogy, Inception, Thelma and Louise, The Last Samurai, 12 Years A Slave, Blade Runner 2049 (co-scored w/ Benjamin Wallfisch) and Dunkirk, as well as David Attenborough’s Prehistoric Planet, and Denis Villeneuve’s Dune: Part Two, the follow-up to his Academy Award®-winning score for Dune: Part One. Zimmer most recently created the score for Steve McQueen’s Blitz, which premiered at the BFI London Film Festival. Starring Saoirse Ronan and Harris Dickinson, the film released in theaters on November 1, 2024. Upcoming, he scored Joseph Kosinski’s F1, which is set to premiere on June 27 from Warner Bros. Beyond his award-winning compositions, Zimmer is a remarkably successful touring artist, having recently concluded his first North American “Hans Zimmer Live” tour, after the tour’s second round in Europe. He has also performed in the Middle East at Dubai’s renowned Coca-Cola Arena for two consecutive nights as well as Formula 1’s Singapore Grand Prix.

 

HANS ZIMMER LIVE ​
AUSTRALIA  ​
APRIL 2025 ​
​Presented by Frontier Touring, Semmel Concerts and RCI Global 

HANS ZIMMER + FRONTIER MEMBER PRESALE ​  ​
via frontiertouring/hanszimmerlive  ​
Runs 24 hours from: Tuesday 11 February, 11am (local time) ​
or until pre-sale allocation exhausted ​ 

TICKETS ON SALE  ​
​Begins: Wednesday 12 February, 12pm (local time)  


ALL SHOWS ALL AGES 


Thursday 24 April 
​Brisbane Entertainment Centre | Brisbane, QLD ​
ticketek.com.au 

Saturday 26 April 
​Qudos Bank Arena | Sydney, NSW ​
ticketek.com.au 

Tuesday 29 April 
​Rod Laver Arena | Melbourne, VIC ​
ticketek.com.au ​ 

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[Review] The Killers @ Rod Laver Arena, Melbourne, 12/12/2024

Somebody Told Me… The Killers were in town, so I thought it was about time I go and check out the Las Vegas rock outfit in the flesh for myself. Following a recent trend of bands who want to make their fans feel like we did ‘When We Were Young’, the band have embarked on a tour to celebrate the 20th anniversary of the release of their chart-topping debut album, Hot Fuss. This is an anniversary tour with a twist, however, as the band are touring with 2 different shows on alternating nights. One show celebrates Hot Fuss and they play it in its entirety, whereas the alternate Rebel Diamonds show offers fans a variety of their monster hits across all 7 of their studio albums. Both shows are bound to be as brilliant as one another, but I was lucky enough to catch them on a Rebel Diamonds night.

I was breaking my back just to get in there, so after the Melbourne summer heat called for refreshments at the brewery next door, it was time to join the hordes shuffling into Rod Laver Arena to settle into their positions for the night. Kicking the night off was Australian band Radio Free Alice, and whilst I hadn’t personally heard of them, they certainly had some hardcore fans around me who were singing and dancing along to their upbeat tracks. By this stage the arena was packed wall to wall, and whilst the crowd was predominately millennial and older, it was refreshing to see people bringing their young children along to ensure they were receiving a well-rounded musical education. School was now in as the lights went down, the music fired up, and The Killers appeared on stage with frontman Brandon Flowers appearing in all his messiah-like glory, strutting around the stage adorned in a black sequinned pin stripe suit asking us, can you ‘Read My Mind’.

The distinct fiery intro of ‘Somebody Told Me’ had the crowd going mental, and I was transported back to my 16 year old self as I screamed along the lyrics with the 10,000 others around me. Flowers was on absolute fire with his smooth and powerful vocals blessing my ears, and his intoxicating energy that infiltrated every single cell in my body. ‘Spaceman’, ‘Jenny Was A Friend of Mine’ and ‘Smile Like You Mean It’ had the whole place jumping, and the confetti guns and visually spectacular laser light show that accompanied the entire set could only be described as seizure inducing but was incredibly mesmerising and just really topped off the vibe in the place. One lucky audience member had incidentally bumped into the band at breakfast that morning, and after chatting they discovered it was this guy’s birthday and that he’d be at the show. So that all being said, Flowers kindly dedicated ‘My God’ to the birthday boy who seemed bloody stoked with his 5 minutes of fame.

It was refreshing to look around the arena to see only a handful of mobile phones out during the show in comparison to a Gen Z-heavy gig I went to a few weeks ago where the number of phone screens in hands lit up the entire place up. Each generation thinks they are the most superior generation, but sorry I think us millennials win this round in terms of losing ourselves in the moment of a brilliant live show and not worrying about the little handheld devices that rule our life.

At times during the night, Flowers took on the persona of a passionate gospel preacher at a tent revival trying to ‘devil be gone’ his patrons (you know the ones), demanding responses to questions like “Did you order a good time tonight”? You bet your ageless rock star arse we did, and that’s exactly what was being delivered. Now, I’m not a religious woman by any means, but I would do anything and everything that this man with the gorgeous face and knee weakening smile told me to do. ‘A Dustland Fairytale’ with its intimate piano in the opening verse was just another on the setlist the crowd gobbled up as quickly as the band could dish it out. The emotive melody of ‘Be Still’ temporarily brought the mood to a sombre tone and had everyone’s emotions running high, whilst also showcasing Flowers’ vocal ability as his pipes effortlessly soared over the music. The crowd took over lead vocals for the first verse of ‘Runaways’, before one of my personal favourites from the Hot Fuss album, ‘All These Things That I’ve Done’. Flowers jokingly pointed out that they’ve just been ripping off U2 this whole time, and the gospel chords in ‘I Still Haven’t Found What I’m Looking For’ inspired this track from their debut album. During the bridge the crowd once again took over and were singing the chant, “I’ve got soul, but I’m not a soldier”, and it was honestly one of those spine-tingling moments that nearly gave me an outer body experience and had the goosebumps popping up on every inch of my skin.

Just to tease us the band looked like they were going to leave us in the lurch as they bowed and thanked us, but they didn’t depart the stage and instead flew straight into another hit from Hot Fuss, ‘When You Were Young’. Whilst Flowers was trying to convince us that “he doesn’t look a thing like Jesus”, I was thinking to myself “Mr Brandon Flowers looks pretty bloody god-like to me”. We were now in for a treat as Flowers introduced Australian rock royalty to the stage, Iva Davies from Icehouse, and the pair did a cracking rendition of ‘Electric Blue’ which once again had the crowd utterly thrilled and singing along. Everyone then left the stage and talk about leave us hanging! Every single person in that arena was frothing at the mouth for more Killers goodness, and after what felt like an absolute eternity waiting for them, they finally hit the stage again, firing up with ‘Your Side Of Town’. ‘Boy’ saw the confetti guns going off once again, before we were asked the big question in life, “are we ‘Human’, or are we dancer?” Well, I can tell you now that given the way everyone’s bodies seemed to moving for the whole night – consciously or not – it’s fair to say we were all the latter.

 I’d had a bet with my friend earlier in the night on whether Richmond player Jack Riewoldt would make an appearance on stage during a certain song (IYKYK), but sadly it was a bet I lost. The song in question, (which if you haven’t screamed it on a dance floor at the pub in your youth in between drinks and random pashes, then have you even lived?) was of course their global hit ‘Mr. Brightside’. This is what everyone was waiting for and once again had the whole arena bouncing and passionately screaming along to every word. After one hell of shit-hot set, The Killers bid us a sad good night, but not before drummer Ronnie Vannucci hung back by himself to throw his remaining drum sticks into the crowd and hilariously scull the remains of his bottle of wine which was met with an encouraging reception.

I’ve always loved Killers’ The music and went in expecting a great show, but my expectations were blown right out of the water at what an absolutely incredible live band they are. The charisma that Brandon Flowers exudes is hypnotising, as a collective they are one musically tight band, and the entire stage show manages to bring the glitz and glamour of Las Vegas but without the tacky. The force of this band is undeniable, and they have well and truly served their time in the industry to prove they are a continuous hit making machine that will continue to do just that for at least the next 20+ years. It’s been a while since I’ve come home that wired after a gig, and it’s such a euphoric feeling that you never want to leave you. If I was a fan before, then the band better get a restraining order out against me now, because I am OBSESSED. This is one band I never want to miss live again, and this was honestly up there with one of the best gigs I’ve ever been too. Open up your eager eyes and put them on your ‘must see live bucket list’, because you will regret it for the rest of your days if you don’t see them live at least once on your lifetime.

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FEEDER Announce April 2025 Australian Tour – Their First in 14 Years

FEEDER Announce April 2025 Australian Tour

“The performance tonight was one of the finest I have EVER seen… truly incredible from first song to last and long may Feeder continue because they are one of the last true great bands from their era… their discography is flawless and their live performance is honest, passionate and enthralling.” – ALT CORNER

“Feeder’s performance was a testament to their timeless appeal. With their infectious energy and undeniable stage presence, they proved once again why they are one of Britain’s most beloved rock bands.” – Razor’s Edge

Much celebrated, multi-platinum selling indie rock icons, FEEDER, announce their triumphant return to Australia – their first in 14 years.

Feeder delivered two monster albums in a row 2001’s Echo Park and 2002’s Comfort In Sound establishing themselves as one of the UK’s biggest and most loved rock acts. But that was merely the beginning. While most of their peers faded away, Feeder cemented their place as one of the most enduring acts in modern rock with over 20 million albums sold, multiple number 1 albums in the UK charts, and a legacy of unforgettable live performances.

Always masters of marrying the light and the dark, illuminating the shadowy corners of their world to uncover something poignant and uplifting, their anthemic alt-rock songs packed with emotional depth and intensity have earned a devoted fanbase around the globe.

Feeder continue to cement their legacy with their latest release Black/Red a double album, which is he final instalment of a trilogy of albums with and the final 2 parts to Torpedo. ‘’ if you’re looking for a band to keep it real in a world of fakes, you could do a lot worse than to put it all on Feeder.’’ – Kerrang

Equipped with an unrelenting barrage of rock anthems such as ‘Buck Rogers’, ‘Feeling a Moment’, ‘Just a Day’, ‘Just the Way I’m Feeling’, ‘Come Back Around’ and ‘High’ Australian fans are set for an incredible treat when the Feeder juggernaut rolls across the country in April.

Watch ‘Buck Rogers’: https://www.youtube.com/watch?v=GKMbjxOnymk

“I walked out with a renewed zest. They had totally surpassed my expectations for live music. A fantastic night!” – Joyzine

“The show was everything you could hope for. Feeder’s personality, musicianship and ability to recreate the studio sound of their songs have made them a great live band for such a long time” – Red Brick

“Atmospheric, powerful and intense” – Cult Following

FEEDER April 2025 Australian Tour Dates

Saturday 5th April – PERTH, The Rosemount

Sunday 6th April – ADELAIDE, Lion Arts Factory

Wednesday 9th April – MELBOURNE, 170 Russell

Thursday 10th April – SYDNEY, Manning Bar

Friday 11th April – BRISBANE, The Triffid

Tickets:

Pre-sale: Thursday 21st November @ 9:00am AEDT

General Public On Sale: Tuesday 26th November @ 9:00am AEDT

From: https://thephoenix.au/

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ERRA Announce CURE 2025 Australian Tour With Special Guests Silent Planet (USA) & Resolve (FRA)

ERRA
ANNOUNCE CURE 2025 AUSTRALIAN TOUR

WITH SPECIAL GUESTS
SILENT PLANET (USA) & RESOLVE (FRA)

Fresh off the release of their sixth studio album CURE, prolific metalcore progressives ERRA are set to bring all of their blistering light and shade to Australian stages again next March for their first ever national Australian headline tour, taking their massive CURE run across the country joined by special guests SILENT PLANET (USA) and RESOLVE (FRA).

Opening on Thursday 6 March in Perth, the CURE Australian Tour will journey to Adelaide, Melbourne, Hobart, Wollongong, Central Coast and Sydney, before closing out on Sunday 16 March in Brisbane

Hailing from Alabama and forming back in 2009, ERRA have continuously enamoured with titanic riffs, enchanting melodics and immersive soundscapes, storming their way to #1 on the Billboard Heatseekers Albums chart via their 2014 EP Moments of Clarity, and also taking out the honour once again in 2016 courtesy of their third full-length album Drift. Crystallising their now-trademark sonic complexity and punchy delivery alongside the addition of vocalist J.T. Cavey on Drift, ERRA have unleashed six full length albums to date, including their most recent opus: 2024’s CURE.

Celebrated for its immersive lyricism, cohesion, moody grooves, atmospherics and driving dynamics, CURE also saw ERRA boldly step beyond their own creative confines into a brand new era, expanding on their earlier releases without sacrificing their signature traits. And whether they’re wowing crowds on a festival stage, touring alongside Bad Omens, TesseracT, Ice Nine Kills and Dance Gavin Dance, or headlining their own shows, an ERRA live experience is like no other; and one as explosive and enigmatic as their own mesmerising musical creations.

Renowned heavy luminaries, California’s SILENT PLANET have transfixed a diehard global fanbase via their blend of hypnotic hooks, lush yet raw soundscapes and an irresistible mingling of hardcore, post rock, metal and ambient textures. Taking home Best Underground Band at the 2017 Alternative Press Music Awards, SILENT PLANET have also toured the globe with the likes of Dayseeker, Fit For A King and The Plot In You, generated tens of millions of streams and released five acclaimed full length albums, including 2023’s SUPERBLOOM which was conjured against the odds amid band’s harrowing snowstorm crash in late 2022, and garnered praise for its balanced beauty and brutality.

French metalcore quartet RESOLVE have staunchly embodied the firm determination of their namesake since announcing themselves to the world back in 2017 with their debut single Exposed. Going on to release their debut EP, 2017’s Rêverie, RESOLVE ultimately solidified their sonic direction with 2019’s Pendulum; a collection of three songs that perfectly balanced bludgeoning with alluring and expansive soundscapes. Having gone on to surpass over 3.3. million streams and release two full length albums, 2021’s Between Me and The Machine and 2023’s Human, RESOLVE have also previously shared stages with Architects, Every Time I Die, Underoath and many more.

Early bird pre-sale tickets on sale: Tuesday 26 November @ 5pm AEDT time

To Gain Early Ticket Access Register Here ->https://daltours.cc/25ERRAsignup

General tickets on sale: Thursday 28 November @ 11am local time
Tickets from
destroyalllines.com

Destroy All Lines & UNFD Present

ERRA
CURE 2025 AUSTRALIAN TOUR

WITH SPECIAL GUESTS
SILENT PLANET (USA) + RESOLVE (FRA)

TOUR DATES:

THURSDAY 6 MARCH 2025 – ASTOR THEATRE, PERTH (LIC AA)
SATURDAY 8 MARCH 2025 – LION ARTS FACTORY, ADELAIDE (LIC AA)
SUNDAY 9 MARCH 2025 – FORUM, MELBOURNE (18+)
TUESDAY 11 MARCH 2025 – ALTAR, HOBART (18+)
THURSDAY 13 MARCH 2025 – UNI BAR, WOLLONGONG (18+)
FRIDAY 14 MARCH 2025 – DRIFTERS WHARF, CENTRAL COAST (18+)
SATURDAY 15 MARCH 2025 – METRO THEATRE, SYDNEY (LIC AA)
SUNDAY 16 MARCH 2025 – THE TIVOLI, BRISBANE (18+)

General tickets on sale: Thursday 28 November @ 11am local time
Tickets from destroyalllines.com

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