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[Review] I, Prevail @ Big Top Luna Park, Sydney – 28/06/2022

Every time you visit Luna Park, it is a memorable occasion. The massive Sydney Harbour Bridge stands tall above you, the harbour stretching over the horizon, studded with distinctive ferries, and in the distance, the lights of the CBD glimmer. 

In my opinion, approaching Luna Park’s iconic visage never becomes old. Sadly, there is where the walking comes to an end. Around the merry-go-round and to the foot of the mouth, a line of music lovers forms. We are not given an explanation for why the line is so lengthy and remains so long after the show has begun. 

Due to the delay entering the venue, I miss the only Australian band on the bill, Windwaker. Yet from the volume of their shirts in the crowd, all signs point to them winning over many. I made sure to turn on alerts for their next Sydney show to make up for tonight. 

Scanning the crowd this evening there is a real melting pot of hardcore, goths, cyber girls, metalheads and very normal-looking music fans who more than likely came directly from work due to it being a Tuesday night and Sydney’s battle with train strikes. As this show was originally scheduled for 2020, not a single ticket holder was missing out on tonight finally receiving the green light. 

The first of 2 international artists are Pennsylvanian metal titans Motionless in White. Their blood-splattered backdrop hangs prominently as the floor fills with anticipation, and it is packing tight.

The lights descend as the very ominous intro to Disguise emits through the room.  Lead singer Chris Motionless, already a very tall guy, stands on a case at the front of the stage towering over the crowd inciting a huge sing-along to the chorus.
I am blown away by how close this sounds to the recorded version.

No time is wasted as they catapult into Necessary Evil in which the album version features Jonathan Davis from Korn. Second guitarist Ryan is missing, and after a quick social media scan, I cannot find any reason as to why. We hope he is ok!

The band’s theatrical make-up and clothing lift the performance, creating a more dramatic and sinister feel. I’m a sucker for a goth get-up.

Even with a member down, they have the excited crowd in the palm of their hand and as the floor bounces to Thoughts and Prayers, my jaw drops to the floor as I turn to my partner and exclaim ‘another band has to follow this!!’. At this point, I am not sure it is possible.

After a long 5 years since we have seen Motionless on our shores, they are humble and thankful at the reception as they blast through Cyberhex, Reincarnate, and Voices.

The intensity in which drummer Vinny Mauro is assaulting the skins is astonishing, more so that they’re still in one piece! It ricochets throughout the venue and every organ. Bass player Justin Morrow is a fantastic singer and compliments Chris perfectly.

A mix of technical difficulties and vocal strains hinder the tail end of the performance as Chris is obviously struggling but doing a terrific job keeping the crowd happy. Earlier seamless transitions between screaming and clean vocals take a bit of a dive.

For the second last show on the tour, in winter and being a road dog, we can only sympathize!

Having released an album on June 10th, it was nice and fresh as we Aussies are some of the first to hear the new material live. Scoring the End of the World is the new track selected, with many in the crowd already knowing the words.
Closing out the set with the beloved song Eternally Yours they morph into the Boyz II Men of metal handing out long stem red roses to lucky punters close enough to reach.

It was a fantastic set of crowd-pleasers; I’m looking forward to a headline tour of theirs hopefully one day soon.
From the reception, Motionless In White received I was unsure if everyone would be sticking around for the headliner. I am promptly proven wrong.

The stage has transformed as the members fill the stage; it looks stunning! Lead singer Eric Vanlerberghe storms to the front of the stage to begin powerhouse track Bow Down. I, Prevail are a newly discovered band of mine, and I was not aware there were two lead singers. You can imagine my excitement when Brian Burkheiser, who mostly takes care of the clean vocal’s leaps from the depths for the chorus.

They waste no time kicking off Gasoline from 2019’s Trauma, an album jam-packed with hits, I’m hopeful we’re in store to hear many of this evening.

The entire band commands the stage like pros as they cruise through tracks such as Scars, DOA, and crowd favourite Hurricane. While Eric takes care of the lows, and Brian the highs, I’m amazed to see them lower their mics and allow guitarist Dylan a chance to sing and he’s just as good as they are!
Rise Above It appeals to the fighter spirit within, I see people hoisted onto shoulders to sing it loud. This song also holds another talent of the singers, they can rap!
Brand new single Body Bag was recently released on June 17th, resulting in Australians being lucky firsts (just as we were for Motionless) to hear the track live. It is heavy, it’s fast, and just what the pit needs. A shout-out is needed to the lighting crew, just spectacular!
At this point, the crowd would do anything they are told, the energy is electric! A few songs earlier, one of the souls on a friend’s shoulders smashed a shoey in true Aussie fashion. Eric seeks out this bloke to join him in another. There is nothing we love more than seeing internationals take part in this disgusting tradition. 

Their songs are connecting on a deeper level tonight. While we have all been missing live performances, we forget how much of an impact the last few years have placed upon artists. After a short drum solo by skinsman Gabe Helguera the lights soften as a solo Eric walks slowly on-stage performing Goodbye, which may only be a short interlude on their album, yet it flows perfectly into Breaking Down.  Brian takes a moment to speak from the soul. Detailing how hard the lockdown was on him and that he almost gave up, and it was his family in the band that pulled him through. Not only did he speak from the soul, but he is also singing from the soul, the lyrics are pouring from an honest and pure place. I am truly moved. 

The energy is restored with Deadweight a heavy track with a fantastic chorus that the entire venue joins in before the band exit the stage. Earlier that day I saw a meme that said, ‘encores are peekaboo for adults’, as I tell my friends around me about it, Eric returns to the stage saying ‘PEEKABOO’. I had no words. 

With six sold-out gigs, the band is grateful to everyone who came out. Even as the pit splits in two, they continue to rile us up by shouting, “You need to give us a reason to return.”
Come and Get It is the evening’s closing track. Eric tosses in a cheeky ‘Oh wah ah ah ah’ from Down With The Sickness, which instantly makes everyone in the venue smile. The band flies around, side to side, even flipping each other off; there’s a real sense of camaraderie among them, and they’re taking in every minute just like we are.

Throughout I, Prevail’s set, I took up my phone to take notes for this review. I could only stand and watch, unable to put my experience in words.

I was absolutely blown away.

Even without knowing many songs, I enjoyed every moment and the journey on which the songs took us was unforgettable.

Do not sleep on I, Prevail. They are a force to the reckoned with and cannot return soon enough. 

Their new album True Power will be released on August 19th through Fearless. 

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Gig ReviewsReviews

[Review] Northlane @ Enmore Theatre, Sydney 23/06/2022

While standing in the crowd of Northlane’s sold-out show at Enmore Theatre, you can see how many people's ears’ around Australia pricked up when Northlane announced they would be touring the country again, as brought to us with many thanks to the remarkable team at Destroy All Lines.

You can see how much Northlane has grown as a band over the years, having become a universal band across many different groups of people across all of Sydney with an extremely diverse fanbase, possibly the most diverse fanbase we’ve seen at any metal gig.

The anticipation was building while Plini played as the supporting act right before Northlane came on. Northlane showed their support for Plini in return by bringing out a birthday cake onto the stage for Plini, to blow out his candles as the entire venue sang ‘Happy Birthday’ to both the bands on stage together.

Plini performed a dreamy melodic sound with heavy jent tones building into strong metal riffs and back again into the melodic softness. You could see the crowd really appreciated them with hands in the air and cheers of support throughout their set and ending with a huge cheer from the entire crowd.

As Plini finished up their set you could feel the eagerness growing in the crowd for what was to come next. The venue was buzzing with energy. Fans who didn’t know each other began asking each other about what they hoped would be played as part of the set and you can’t help but sense how sorely missed Northlane has been in the Sydney crowd for the past few years.

The first song played on the night can sum up the vibe of the entire show with the first 89 seconds of the opening song ‘Clarity’ from their new album Obsidian sounding off with building techno music with dreamy melodic vocals before erupting into heavy metal at 90 seconds in; opening the first pit of the night with the pent up energy of every Northlane fan who had been waiting years to see them live since the pandemic and what came through, was wall to wall explosive energy.

As the futuristic light show illuminated the entire venue with coloured lasers flying over heads into the back wall of the venue with coloured smoke floating in the purple lights with flame cannons launching into the air, Northlane led the show forward with their next song ‘Plenty’ and it was exactly just that, plenty. Within the first 30 seconds of the song, the crowd exploded again, feeling into the music as much as the band was.

Northlane gave their all to the crowd for the entire duration of the show and the crowd gave it right back, with Marcus Bridges sounding even better live than he does on the record, with the crispest cleans and deepest growls we’ve heard from him yet.

Echo Chamber” was the third song of the night and it fully delivered on the techno-neon show expectations Northlane shared with fans as their intentions for the tour with impeccable production value delivered throughout the show.

Nic Pettersen was playing the drums tighter than a bank safe even per the new drumming style that their new album, Obsidian, called for him to adopt.

Our favourite Northlane hits such as Bloodline from ‘Alien’ and Quantum Flux from album ‘Singularity’ played into the night and as they did, every fan there lived their old-time favourites that made Northlane the deeply loved band they are today. The crowd also followed the charge into the techno-metal future that Northlane is leading with their latest album Obsidian as they explore and pioneer a new space in the metal genre.

The show finished up with everyone in the venue calling Northlane back out to the stage for an encore and the final song played was ‘Clockwork’.

The entire show consisted of techno elements that were supported by the mind-blowing futuristic neon light show that all seamlessly tied in perfectly with the notes of Jon Deiley and Josh Smith on the jent guitars, rocking the entire venue wall-to-wall.

Each song surpassed the quality of the recordings that made us all love them, making this gig something unmissable for every Northlane fan out there.

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InterviewsTour Interview

Interview with Jaidyn Hale (Among The Restless)

STM:  Hi There Jaidyn, thanks for your time today, firstly congratulations on the new EP Define which is out now.  Clearly, Covid had a huge impact on the recording and timing of the release, how did you find the process? Were there many delays and hurdles you had pop up? 

Always a pleasure and thank you! Covid has most definitely made it hard over the past few years but nonetheless, we have persevered and all made it through. We were lucky enough to have actually already made the venture to Red Engine recording studios in Brisbane and laid down all the tracks last year before that last bad lockdown hit us. In regards to releasing the EP, I think the biggest thing was we wanted to wait and be able to experience it with our fans, friends, and family in person. Without being able to gig and support what we are so proud of it wouldn’t have made sense to us to release.

STM: As a relatively new band forming not long before covid hit you have done extremely well pushing out singles during times when gigs were vetoed, and the music industry was stopped in its tracks. Your determination as a band certainly shines through and has given you the results looking at your Spotify streams. You must be so proud of the band's achievements. 

One hundred percent, not being able to see each other and especially not being able to rehearse wasn’t great and took its toll on us. Considering how much of the early stages of the band were hindered, I think we have really pulled through and shown that nothing can stop us from doing what we love.

STM: You traveled to Brisbane and put yourselves in the safe hands of renowned recording royalty in Steve James (The Sex Pistols, The Jam, The Angels, The Screaming Jets, Airbourne), tell me a bit about working with him and your recording process.  

Without Steve, none of this would have been possible. His guidance and expertise in his craft made recording our first EP a breeze so to speak. Basically, we start by jamming through the songs together and getting a feel in the studio. After this, we all track our parts individually, and then it all gets roughly comped to hear a basic rundown of the mix. Throughout this stage is where a lot of change happens in the songs with new ideas thrown in or parts are taken out. It was such an amazing experience, and we are so looking forward to getting back up there as soon as possible!

STM: Define has a wonderful arc listening to it from start to finish, it has a great flow and concludes with the sublime Growing Pains. The addition of strings lifts this song from bloody great to amazing, was that extra layer always part of the plan?  

When recording that song initially we knew we wanted it to be big. Lachie had this amazing vision from the start and it was just missing something. The addition of the violin really uplifted the whole song and added such a cool atmosphere, and helped to even more encapsulate the sort of direction we were taking the song. 

STM:  Slave Within The Change is like a big slap in the face with its ripping riffs and angsty lyrics, how was the writing process, and who put pen to paper with that one, or was it a joint effort?  

Slave Within the Change was an awesome song to record and personally my favourite off the EP. I remember working on it through a couple of rehearsals with Josh and Lachie a few years ago and laying down a rough foundation for what the song became. Lachie and Rhett wrote the lyrics for this one and then it came back to a rehearsal where we refined and made the song what it is now. 

STM: The EP launch and regional tour are kicking off in just a matter of days, you and the boys must be pumped to be out on the road and performing live gigs?  

It’s amazing. I don’t think we could explain how excited we are if we wanted to! Being back on a stage has been an absolute blessing and it’s going to be so awesome to go to places we haven’t played at yet and bring our music around Victoria.

STM: It’s hard to fit everything on your EP was it difficult to leave some of your original singles off? You have some pretty popular ones to choose from. 

I wouldn’t change anything about the EP. I think the way it plays from start to finish really sets in stone the experiences we went through and how we as a band felt over the last few years. For those of you wanting to get your hands on a physical copy of the EP, you may be surprised with a little extra something on the CD!

STM: Rumour has it that you have been behind a drum kit since you were two years old, is there any truth in that?  

That is completely true! Some say I was born with drumsticks in my hands.

STM: Fun question to close out, you are stuck on a desert island and have three bands on repeat, who are they?  

That’s a hard one, but for me, at the moment Ocean Grove would absolutely take the cake. Two others I would pick would be Warrant and Megadeth, although it’s really not an easy choice! 

All the best on the tour and with the new EP Define, I look forward to getting along to a few of your gigs and enjoying live music again. 

‘Define’ serves as a consolidation of character through recent rough times, pouring our heart and soul into our music, thus ‘Defining’ ourselves. – Among The Restless

DEFINE is OUT NOW!

Define Tracklist

Define

Underground

Slave Within The Change

Lucy

Growing Pains

DEFINE is OUT NOW!

Come celebrate with AMONG THE RESTLESS over the next few weeks as they take DEFINE on the road!

June 25th – The Toff in Town, Melbourne

July 1st – Macedon Railway Hotel, Macedon

July 2nd – Golden Vine Hotel, Bendigo

July 7th – On Top Bar, Ormond

July 8th – Barwon Club Hotel, Geelong

July 16th – Pelly Bar, Frankston

July 23rd – Brunswick Ballroom , Brunswick

Tickets on Sale NOW! 

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InterviewsTour Interview

Interview with Travis Everett (Witchgrinder)

Mitch recently had a chat with Travis from Witchgrinder to talk about their upcoming Queensland show “OUR PARTY”

(MC) Long time no chat! The last time we caught up was Aftershock Festival in 2021. How has everyone been since then?

(TE) Since we came out of lockdown and things opened we have been really great. Just getting together to rehearse and go check out other bands and clubs. It’s just been awesome to hang out together again.

Has there been much live playing?

Yes, as soon as restrictions lifted we booked a couple of local Melbourne shows and one in Sydney. With it being a year since we had a played live show we booked these pretty quickly just to get out there and on a stage again. We missed it so much.

I did hear there was a mishap at the Evelyn show a while back?

Yes unfortunately our first show back in Melbourne we had to cut it short. We were about halfway into our set when we noticed something was not right in the mosh pit. One of our fans somehow managed to dislocate his knee while rocking out to the band.

The venue was so packed and short-staffed. There was no way to safely move him until the paramedics arrived so we had no choice but to finish up.

Care to share some background on the setting up of the next big thing, “Our Party” up in QLD?

Vamp Barbie (aka Vee) has been hard-working interviewing hundreds of bands for years. We first met her at a festival in Brisbane back in 2010. When she interviewed us and has continued to support us ever since. Vee and her team have now put all focus on their site/channel Vampedup.tv . and now are ready to move on to running festivals. This is the first festival they are putting together, so when we got the offer we were very excited to be a part of it. They have an awesome mixed bunch of bands on the bill it’s going to be so much fun. Vamped up festivals look like they are going to be an ongoing thing as they have also just announced a boat cruise festival next year.

Have you gigged with or do you know most of the bands on the line-up?

Yes, there are a few bands from Brisbane and a few from Sydney we have either toured with or played with while in their state. It’s going to be great to catch up. Also very excited to meet and play with the bands we haven’t.

Keen for anyone in particular?

Yes, heaps of bands. Very excited to see Dept. of Gloom as they have just dropped a new single. Our Last Enemy will be amazing as they have said they will be playing new music from their latest ep. There are heaps of bands we have never seen live so we will be making a huge effort to check out as much as we can on the day.

It’s been a little while between releases, are you guys working on any new material?

There are heaps of new material. Over the last few years, there has been so many setbacks that has made it impossible for us to finish writing and hit the studio. We have managed to get a few singles out but the big ones we have saved for the full album. We are just finishing up pre-production and are booking recording dates soon. We were never going to rush this. It has to be right for us and also our fans.

Is there somewhere or someone you would like to record with in the future?

We record a lot of our music with Chris Themelco at Monolith studios and also at our home studio setups. Adrian Windsor has always been a key part when recording keys and extra samples. They both have a great understanding of our sound. I think what we have at the moment is very special and captures what and where we are at at the moment.

I did have a chat with Peter Tägtgren when we toured with his band Pain a few years ago about possibly one-day recording together if we were ever to make it over to Sweden. That would be amazing.

The last thing released was the Through The Never cover, how was that received? Did you guys have fun recording that?

Yes, we released that as it was the 30th anniversary of Metallica's black album. A band that has continued to be a huge inspiration to us. We had so much fun recording it. The tracking was done mostly at home so we had the freedom to take our time with it. We added a bunch of ideas to give it that Witchgrinder feel without straying to much from the original. Which I think is why it worked so well. We received great feedback from both our fans and Metallica fans.

What are next year's plans for Witchgrinder?

Album release, Tours, and more! Don’t want to give too much away

If Witchgrinder was going on tour, what are the essentials?

A phone and charger! A few examples…

  • Using it as a distraction. On tour, you can be stuck in a van for hours and hours, and sometimes it’s good to have a break from talking to each other before you end up killing each other haha.
  • We all like to listen to different music. So good to plug into your phone and listen to what you want at times 
  • We can keep Witchgrinder's social media platforms up to date. Keep people in the loop. Posting photos and stories etc.
  • All the information about the tour is easy to access on your phone. Where to be and what times. Things like that.
  • It’s very important that we can always get in contact with each other. It can be easy to stray off at times. After parties can get pretty wild!

Our Party Festival is fast approaching! 😁🎉

July 30 at The Back Room Brisbane !

Huge Double Headliner! 🤘

Artists from VIC, NSW, & QLD! ⚡️Jelly Wrestling & Jelly Pit After party! ~ VIP tickets Limited & General tickets selling fast!
Doors open 11:45 am til 12am ~ Get your VIP & General tickets now!

http://www.vampedup.tv/party

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InterviewsTour Interview

Interview with JOHN CORABI

Journeyman, stalwart, or just The Mayor of Rock ‘n’ Roll, John Corabi certainly needs no introduction.

As the voice of The Scream, The Dead Daisies, Union, and ESP but perhaps most notably, as the voice of Motley Crue during their brief departure from life with Vince Neil in 1994, anything featuring the raspy vocals of JOHN CORABI cannot be mistaken.

On the eve of the release of his autobiography “Horseshoes and Hand Grenades”, in which he recounts his life from the streets of Philadelphia to the Sunset Strip and beyond, JOHN CORABI brings his intimate solo acoustic show to Australia for the first time in what can be considered a career retrospective of sorts.

Fans can expect to hear Corabi perform music from all stages of his career intertwined with stories and anecdotes that only JOHN CORABI can deliver.

They don’t come more seasoned than Corabi and with a wide repertoire of rock ‘n’ roll at his disposal, this will be a unique insight into one of the biggest and most recognisable voices in rock ‘n’ roll.

JOHN CORABI – Solo & Acoustic, Songs & Stories Australian Tour Dates

Thursday 2nd June – SYDNEY, Crowbar

Wednesday 8th June – BRISBANE, Brightside

Thursday 9th June – MELBOURNE, Northcote Social Club

Friday 10th June – ADELAIDE, Enigma Bar

Saturday 11th June – PERTH, Amplifier Bar

Tickets On Sale Now From: https://www.silverbacktouring.com.au/john-corabi-acoustic-solo/

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