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HAMMERFALL Announce First Ever Australian Tour

THE MIGHT! THE POWER! THE GLORY!

ANNOUNCE FIRST EVER AUSTRALIAN TOUR

‘’It’s a spectacular show and encapsulates just how and why HammerFall have become such a beloved band across the world.’’ Headbanging Life

The GODS have listened, and they have heeded your call, Sweden’s Power Metal overlords, the mighty HammerFall will set sail for Australia in January 2025 for their first ever Australian tour.

‘’We all agreed that one measly show in 27 years is not nearly enough. So we’re coming in full force next year. Brace yourselves for a Heavy Metal celebration the likes of which you have never seen!’’ – Oscar Dronjak

‘’We are very excited to bring our particular brand of Heavy Metal to Australia for the first time, and we can’t wait to show you what HammerFall Anno 2025 sounds like!’’ – Joacim Cans

No matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads. Since forming in Gothenburg, Sweden and releasing their debut album Glory To The Brave in 1997, HammerFall have stormed the gates of heavy music’s pantheon and waved the genre’s flag higher and higher with every subsequent release. With multiple international number ones, gold certifications, sold out tours, and over 100 million+ streams and 100 million+ YouTube views, the group upholds a venerable legacy.

But it is in a live setting where they outshine their peers and imitators. In true HammerFall fashion, every element becomes dangerously and dramatically amplified. The riffs hit harder. The rhythms thunder louder. The choruses soar closer to the clouds.

 

The Hammer will strike with force in Australia as HammerFall unleash a setlist full of power drenched anthems such as ‘Heart’s on Fire’, ‘Last Man Standing’, ‘Brotherhood’, ‘Heeding the Call’, ‘Any Means Necessary’, ‘Hail to the King’ and so many more.

Donning their brightest shining armour, HammerFall will leave their mark on Australia forever by delivering an unforgettable live experience for metalheads across the continent.

 

HAMMERFALL January 2025 Australian Tour Dates

Tuesday 14th January PERTH, Metro Fremantle

Wednesday 15th January ADELAIDE, Lion Arts

Friday 17th January MELBOURNE, Northcote Theatre

Saturday 18th January SYDNEY, Manning Bar

Sunday 19th January BRISBANE, The Triffid

Tickets:

On Sale: Friday 14th June 9:00am local

From: https://thephoenix.au/

New Album Avenge The Fallen Out on 9th August via Nuclear Blast Records

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ORGY and COLD Announce 2024 Australian Tour

ORGY Celebrating 25 Years Of CANDYASS

COLD Celebrating 20 Years Of YEAR OF THE SPIDER

Korn's Jonathan Davis was so excited by ORGY that he created his own record label in order to sign them and fund their debut album. Not to be outdone, Limp Bizkit's Fred Durst discovered a very young COLD and threw his considerable weight behind them.

Both Nu Metal giants' intuitions were well vindicated when Orgy's groundbreaking and revolutionary Candyass and Cold's incredible 13 Ways To Bleed and Year Of The Spider albums all became absolute classics of the era, going on to collectively sell five million copies worldwide and putting a few more Platinum and Gold records on the walls of Mr. Davis & Mr. Durst!

Led by charismatic front man Jay Gordon, Orgy earned a well-deserved reputation as one of alt-rock's most forward-thinking and dynamic bands. With a sound defined by catchy hooks, powerful guitar riffs and throbbing electronic beats, Orgy have cultivated a devoted fanbase and remain a major force thanks to their electrifying live performances and irresistible intensity.

Cold achieved major success with the album 13 Ways To Bleed On Stage and the follow up album Year Of The Spider only picked up the pace spawning smash singles ‘Stupid Girl’ and ‘Suffocate’. They are renowned for their emotionally charged lyrics and deep connection with their fans, who are dubbed the “Cold Army’’.

The dynamic collaboration of the two highly influential bands will see them perform in Australia for the first time for three unforgettable shows.

ORGY AND COLD AUSTRALIAN TOUR 2024

MAX WATTS, MELBOURNE

Friday October 25

METRO THEATRE, SYDNEY

Saturday October 26

THE TRIFFID, BRISBANE

Sunday October 27


TICKETS ON SALE FRIDAY APRIL 26 AT 9AM

Pre-sale: Tuesday April 23 at 9am

ThePhoenix.au

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Gig ReviewsReviews

[Review] Avatar @ Metro Theatre, Sydney 26/08/2023

Review By Megan Milner

The enigmatic carnival of chaos known as Avatar has finally graced Australian shores, for the very first time. With a string of three exhilarating performances down the east coast, Melbourne had the privilege of being the inaugural stop on this wild journey. However, tonight, it’s Sydney’s turn to step into the mesmerizing circus. My introduction to Avatar was back in 2016 when I embarked on a heavy metal cruise called Shiprocked, a five-day odyssey from Miami to Mexico. It was within those tempestuous waves of music that I first encountered and fell head over heels for Avatar. Since then, I’ve been fortunate enough to witness their captivating stage presence on four separate occasions, spanning across international stages, including this year’s Download Festival UK. The culmination of this journey finds me here tonight, as I stand on the brink of experiencing the band’s full headline set on home soil—a dream I’ve wished since that initial encounter seven years ago. Thanks to the incredible team at Phoenix, my long-awaited wish has been granted.

The night kicked off with anticipation and excitement, as fans eagerly awaited the spectacle that was about to unfold. After a late change in the lineup due to an unfortunate injury, Pyrefly took the stage, setting the tone for the night with their energetic and powerful performance. In the brief span of their 30-minute time slot, this group managed to forge a passionate fanbase among those who might not have previously encountered their music. Lead vocalist and charismatic frontman KJ even fearlessly ventured into the midst of the audience midway through their set, seamlessly becoming one with the crowd. Despite the absence of Our Last Enemy, the crowd’s spirits remained high, ready to embrace the main act. 

Avatar’s reputation preceded them as a band that’s crisscrossed the globe, appearing on the largest international music festival stages, leaving a trail of mesmerized fans in their wake. As the lights dimmed, a deafening roar erupted from the crowd, signalling the beginning of an unforgettable night. The two guitarists Jonas “Kungen” Jarlsby, Tim Öhrström and bass player Henrik Sandelin strode onto the stage, commanding attention standing completely still with their hands behind their backs facing the crowd, soon joined by drummer John Alfredsson who distributed their instruments via a masked roadie. 

The concert took off with explosive energy as Avatar launched into Dance Devil Dance and The Eagle Has Landed. A standout of the set for me personally was Bloody Angel from their 2104 masterpiece Hail The Apocalypse. During each song, the four members in front of the drum rise were windmilling with their luscious locks, my neck already in agony after a few songs. I really need to find out the Avatar trick, to doing this night after night! Johannes, the mesmerizing vocalist and ringmaster extraordinaire initiated the evening by establishing an unusual but alluring connection with the audience—consent. It was an unexpectedly enthralling way to kick off the night, a precursor to the eccentric yet electrifying journey that awaited us. 

Johannes left the stage during Puppet Show, only to reappear on the balcony to the left of the mosh pit, entertaining the crowd with balloon animals and a larger-than-life gold trombone performance. The band’s showmanship was nothing short of extraordinary, seamlessly blending music and theatrics. Even with the humorous interludes, Avatar’s musical prowess remained undeniable. The guitarists, Tim and Kungen, engaged in a riveting riff battle that left the audience in awe. Their performance showcased their talents as much as their camaraderie. 

Most metal drummers are hidden with cymbals and dark lighting from beyond. Although this is not the case for Alfredsson as from the very beginning of the night, when he handed out the instruments, he was as much a part of the carnival of madness as those up front. He towers above his kit, eyes wide and staring down the members of the crowd. His still body contrasted magnificently with the frenetic movement of his arms as they navigated the drum kit. 

Colossus turned the tables, with the band freezing in place while the crowd watched in anticipation. The interplay between the performers and the audience created a dynamic and immersive experience, making everyone an integral part of the show. Moments of respite arrived as Johannes took to the piano for Tower, connecting with the audience on a more intimate level and offering a temporary reprieve from the electrifying chaos. He called us family and thanked each one of us from his soul, and we all felt the sincerity. 

Avatar’s latest single, The Dirt in Buried In, already a fan favourite, was met with thunderous cheers. It was later announced Avatar have gained their very first Billboard number 1 with the song in America, congratulations! The setlist skillfully balanced heavy, melodic tunes, showcasing the band’s versatility and dynamic range. 

The concert culminated in a breathtaking crescendo with Hail the Apocalypse and Smells Like a Freak Show. These final two songs encapsulated the essence of Avatar’s music—powerful, heavy, melodic, and anthemic. The synergy between the band and the audience reached its zenith as everyone sang along, forming a harmonious union of sound and emotion. 

As the final notes reverberated through the venue, a palpable sense of fulfillment hung in the air. Avatar had delivered a flawless performance, leaving the audience happy yet yearning for more. The setlist was meticulously curated, a whopping 17 songs, the interaction with the crowd was unparalleled, and the band’s musical prowess and theatrics were on full display. 

Leaving the concert venue, I couldn’t help but feel that something special had transpired. Avatar had not only brought their music to Sydney but had also forged a profound connection with the Australian audience. The hope for a lasting and beautiful relationship between Avatar and Australia seemed not only plausible but inevitable. Avatar’s enchanting performance defied genre stereotypes, inviting everyone to join their captivating circus. It was more than a concert; it was an unforgettable experience that left a lasting imprint, beckoning us to return to the madness, again and again.

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