[Gallery] British Lion @ Croxton Bandroom, Melbourne 05/09/2024
British Lion
Tony Moore's Awake
[Gallery] Make Them Suffer @ Forum Theatre, Melbourne 05/09/2024
Make Them Suffer
Bury Tomorrow
Bloom
Spite
[Gallery] Trophy Eyes @ Forum Theatre, Melbourne 31/08/2024
Trophy Eyes
Boston Manor
Towns
[Review] Amaranthe @ Northcote Theatre Melbourne, 31/08/2024
I have been waiting for this night for a very long time. I first listened to Amaranthe when a friend of mine told me to go and put on The Nexus album way back in 2013 and after 11 years and 5 albums later, they have finally come to Australia!
Amaranthe may have arrived in Melbourne on a miserable cold, windy and no sun kind of day, but that doesn’t deter any fans from showing up early to get in line and wait for a night of singing some incredibly catchy songs and I’m sure there are plenty of people who have been waiting as long as I have for this night to come about. You can’t get a warmer welcome than adoring Aussie fans, right?
Once inside Northcote Theatre, I move straight to the usual spot, right in front of the mixing desk, it’s usually where I find the best mix, where I start to look around and see a line forming at the side of the venue, then suddenly it cuts across the dance floor, mosh pit, middle of the room area and wonder what the hell this is about, then realise, that’s the freaking merch line! I don’t think I’ve seen the line come out like that before in this venue, mind you, I have only been here 3 times before now and this is Amaranthe’s first Australian tour, so, I guess that is fair, but still a welcome surprise.
With a sudden jump start of drum and bass intro music, right smack bang on the 8pm start time, most of the crowd jumped in shock as The Last Martyr walked out on stage. Melbourne local, female fronted metalcore with drum and bass/electro backings, The Last Martyr were a great choice for opening up the night, bringing their A game with plenty of movement, crowd involvement and a tightly played set, although it did take me a song to realise they did actually have a live drummer playing, I could hear an incredibly well mixed drum sound and thought that it must have been part of the electro backing tracks but then, neatly packed away to the side of the stage, there they were sitting, absolutely killing it. The Last Martyr weren’t here to muck around though, they were smashing out songs consistently, with minimal stage banter, even throwing in a great cover of Bombfunk MC’s Freestyler and having a guest vocalist appear from nowhere to add an extra element to one of their tracks. I think the guest vocalist completely smashed it and played his part in their set quite well. (Guest vocalist may or may not have been a certain STM review writer’s younger brother, definitely not a biased opinion).
The lights go down, and a spoken word intro comes on speaking of control, freeing your mind, AI, the general themes these days within the world and most of Amaranthe’s tracks. The opening notes to Fearless are played and the crowd instantly goes nuts. Unfortunately for Australia, Mikael Sehlin, their heavy vocalist had to step off the tour due to personal reasons but Samy Elbanna, who has filled in the part on previous tours is here with them tonight, who holds his own quite well. Elize Ryd was hard to hear to start with during the set but then I also noticed a fair amount of delay being added to her vocals, which then muddied her up a little. Nils Molin sounded absolutely incredible, that guy can sing! Amaranthe smashed out 19 songs in their 90-minute set tonight! That’s some hard work, and quite a selection in songs from their back catalogue. They cover something off all their albums, picking the singles of the era’s.
Finally seeing and hearing these songs played live was an incredible feeling and the band were so energetic. Constantly moving around the stage, jumping up on stage boxes, noticing that they do have a great system in place where whoever is singing has the main center stage, so there is constant movement and each singer gets the limelight, that’s what you call teamwork. Coming into Boomerang, Elize and Nils were standing on opposite sides of the stage tossing a literal boomerang to each other in their sections. Elize took the laydown, couch singer style approach for Crystalline, Nils and Elize do a great back and forth on stage with Strong, which Amaranthe had a guest female vocalist do the recording, but I did enjoy the male counterpart in that song as well.
Amaranthe come back out to an encore of Archangel, That Song and ending on Drop Dead Cynical, with a track like That Song being in there, the crowd completely took over with the drum beat and clapping along, to which the band then dropped in some lyrics to We Will Rock You, they definitely gave the crowd their monies worth in involvement and entertainment. With songs like these where they are pop metal, written with catchy lyrics and melodies so that they will get stuck in your head for days on end, the crowd did their part for the night and were walking out with minimal voices after singing and screaming along all night, me included.
Judging by the grins on Amaranthe’s faces by the end of the set, I would say that it was a successful and long overdue first tour of Australia. I would suggest they already have plans of keeping Australia amongst their touring locations. I would definitely go again.
[Gallery] Greta Van Fleet @ Margaret Court Arena, Melbourne 27/08/2024
Greta Van Fleet
The Velveteers
[Gallery] Triumph of Death @ Croxton Bandroom, Melbourne 17/08/2024
Triumph Of Death
Mammons Throne
In Malices Wake
[Review] Triumph Of Death @ The Croxton Bandroom, Melbourne 17/08/2024
Someone I never thought I would get to see live is Tom G Warrior, one of the pioneers of Black Metal. He started Hellhammer, went on to make Celtic Frost and Triptykon. These bands have influenced so many musicians that I listen to today and are always unlikely to come to Australia, but tonight that all changes!
Heading out to the Croxton Bandroom, all I see is patch vests, the walking advertisements for bands worldwide. People love to show off who they have seen over the years, and I always have a look to note down some bands I’ve never heard before and going to an old school black metal gig, there are a few new names that I need to investigate!
Opening tonight is Melbourne’s Mammon’s Throne. A name I have heard over the years, but never had the chance to see them, after hearing so much about them, they did not disappoint. Straight from the opening note to the closing ring out, these guys had the room headbanging and moving. Mammon’s Throne has a killer stage sound and exceptionally written music, I was an instant fan and once their set finished, I went straight to the merch desk to grab a cd, unfortunately they did not have cd’s, but they do have vinyl, unfortunately, I do not own a record player, readers don’t hate! It’s on the Christmas list, I just haven’t purchased one. Either way, I did not get a CD, but I will be trying to get to another show. For anyone, like me, who hadn’t seen or heard these guys before, they would have walked away a fan being shown an incredibly tight and well played set. Definitely a local band to catch.
Speaking of local bands to catch, In Malice’s Wake, Melbourne born thrash metal, are always incredible to watch, make sure you get out and watch their set whenever you can. These guys make playing thrash metal look easy, all of them are top tier musicians, I don’t see many bassists playing fingers and flying all over a fretboard and their drummer is incredible, sticks everywhere and not a beat missed, even throwing in a killer drum roll for a seamless transition in between songs. In Malice’s Wake comes out with high energy that instantly gets the room moving and coming in closer to the stage. Between In Malice’s Wake and Mammon’s Throne, Melbourne bands have a great representation tonight, showing that there are some incredible talents in the music scene to check out locally.
I never thought I would get the chance to hear or see the set that I saw tonight, ever. These songs are from the 80’s, Hellhammer haven’t been a band since 1984 and yet here I am, not seeing an original line up but one of the original frontmen in the flesh, play songs that he wrote when he was a teenager and still just as passionate now. This is incredibly inspiring for a musician and a general music fan. Tom G Warrior comes out with his band, Triumph of Death and instantly he is met with cheers from the crowd and his signature “oooohhhhh”. They run through most of the classics, like Maniac, Decapitator and Chainsaw. Tom G Warrior gives a little bit of back story to some of the tracks as well, like Blood Insanity, where he states that it was originally written by his old band mate, Steve Warrior and that his lead guitarist will be doing the honour of his vocals tonight. There was another story for Visions of Mortality being the last Hellhammer and first Celtic Frost track. Watching them play these songs that are held dearly by the underground is unbelievable, they still have an old school vibe and sound to them, definitely not as harsh as the original demo’s but they are still rough and raw.
The crowd can see that Tom G Warrior is having a blast on stage playing these tracks and seeing the crowd, but he is also trying really hard not to show it. He can’t help but grin and laugh at the crowd when he is standing in between songs and hears the crowd yell “oooooohhhhh” at him, to which he replies “Ive been writing lyrics for songs for 43 f#$king years and yet the only one you remember is f#$king Ooooooohhhh!!! Well, Ooooohhhh!!!” and he just laughs. Triumph of Death deal well with a short stage issue of Tom G Warrior blowing a cab and the sound techs come and quickly take care of it, he thanks them and says that he wouldn’t be anywhere with out his sound guys, which is something I think every band should recognise! They close the set with the track Triumph of Death and walk of stage with massive grins. No one here leaves unsatisfied, band or crowd.
This is one of those gigs where I went in not really knowing what to expect, I was unsure as to how something that was recorded and kept raw on purpose was going to come out live and in a more modern setting. I was also unsure on how that would then be perceived by the crowd, we all know how die-hard fans can get. Triumph of Death played a tight, clear sounding and crowd-pleasing set. I walked away loving black metal all over again.
