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[Review] Parkway Drive @ Qudos Bank Arena, Sydney 21/09/2024

Parkway Drive transformed Sydney’s Qudos Bank Arena into a melting pot of heavy music and explosive spectacle for their 20-year anniversary tour this past Saturday evening. It was a day of immense activity in Sydney’s Olympic Park, with not only Parkway Drive drawing 21,000 fans to a sold-out show but also the Bledisloe Cup at Accor Stadium and Comic Con in full swing nearby. Despite the logistical chaos outside, the moment fans entered the arena, their focus shifted entirely to the stage, as the band and their fans made it clear that this night belonged to them.

What began as a four-band lineup quickly shifted to a two-band bill, as Void of Vision and The Ghost Inside both had to cancel their sets due to unforeseen production issues. The disappointment was palpable, especially for fans eager to see Void of Vision celebrate their latest release, What I’ll Leave Behind, and those looking forward to The Ghost Inside’s long-awaited return to Australian soil after almost a decade.

However, the night was far from lost. Hailing from Detroit, I Prevail broke in the stage with tracks like There’s Fear in Letting Go and Body Bag quickly getting the crowd warmed up. Their reluctant but well-received cover of Taylor Swift’s Blank Space had the crowd screaming along, while songs like Choke inspired insane mosh pits. Their set was a rollercoaster of emotions, particularly during Hurricane, where frontman Brian Burkheiser touched on mental health struggles. By the time they closed with Gasoline, the arena was crackling with anticipation for what was to come.

Then came Parkway Drive.

The atmosphere shifted to a new level as the big screens flickered to life, showing nostalgic footage from their early days. The moment felt personal, almost intimate, as if the band was letting everyone in on the journey that brought them to this massive stage. The band emerged from the back of the arena, vocalist Winston McCall led the charge, draped in a white hoodie, resembling a boxer making his walk to the ring, flanked by two flag bearers.

They navigated their way through the crowd, building anticipation with every step handing out hugs and hi5’s. As they reached the center, the band assembled on a boxing-ring-sized stage in the middle of the arena, launching straight into their opener, and crowd favourite, Carrion. The small stage gave an intense, close-quarters feel, the band playing almost face-to-face with the audience. The energy was relentless as they followed up with Prey and Glitch, the floor of Qudos Arena heaving with at least 90% of the crowd jumping in unison. Mid-set, the band transitioned to the main stage via a walkway.

And that’s when the pyro kicked in. The sheer scale of the fire and explosions made it clear—the pyro budget for this tour must have been astronomical.

Highlights of the night included Vice Grip, during which a girl in a wheelchair was crowd-surfed from the back to the front, as if one ride wasn’t enough she would return 2 more times throughout the night. It was a pure, unfiltered moment of unity and celebration. The band tore through Boneyards featuring special guest Michael Crafter from Carpathian and I Killed The Prom Queen. A nod to the old school Australian hardcore fans in attendance. Winston’s thorn-adorned mic stand added a touch of symbolism to the visceral emotion in Wishing Wells, I sure hope that becomes a mainstay!

For long-time fans, the true peak came with a medley of tracks from their 2005 album, Killing With A Smile. Dubbed “Killing With A Medley,” the band shredded through Gimme a D, Anasasis (Xenophontis), Mutiny, Romance Is Dead, and Smoke ‘Em If Ya Got ‘Em, delivering an old-school breakdown mashup that left long-time fans grinning from ear to ear. The crushing weight of those early songs still reverberated in us all, even in a massive stadium, taking fans back to sweaty gigs at community centres and Seniors Halls. The old-school breakdowns hit just as hard, proving they’ve lost none of their intensity over the years. Next year will be the 20th Anniversary of Killing With a Smile, excuse me while I manifest a tour to hear that album in its entirety once again!

Midway through Idols and Anchors, Winston plunged into the crowd once more, orchestrating a massive circle pit before crowd-surfing back to the stage. Ben Gordon‘s drum solo tonight was mind blowing. It began with a soft, syncopated beat, perfectly in sync with the dancers’ sharp movements. As the tension built, mock Molotov cocktails flew, igniting the stage. With his rotating drum kit, Ben unleashed a powerful, aggressive solo that left us all in awe, showcasing just how far this band has come. The set flowed seamlessly into Chronos, a breathtaking number that featured a stirring strings intro and a guitar-cello duel, before the lights dimmed for Darker Still. The flaming Parkway Drive logo lit up behind him, casting an almost mythical glow over the stage.

The band brought the night to a momentus close with Wild Eyes, as the crowd united in chanting the “woah ohh ohh ohh” that echoed throughout the arena, cementing the night in memory. Winston reminded the audience that this was their biggest headline show to date, and it felt every bit as monumental.

Parkway Drive’s 20-year anniversary tour was more than a concert—it was a visceral, communal experience that left no fan untouched. The band’s sound remains as heavy and vital as ever, bolstered by production that was nothing short of mind-blowing. From nostalgic nods to their beginnings to the blistering energy of their latest material, Parkway Drive proved why they are still at the forefront of modern heavy music.

Flames, fury, and unforgettable moments—it was a night that will be talked about for years to come.

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Ahoy, Australia! The Longest Johns, Are Bringing Their Sea Shanties To Australia this May.

Prepare to be swept off your feet and into the roaring tides of adventure as the world’s most beloved sea shanty crew, The Longest Johns, make their long awaited voyage to Australia!

This isn’t just any tour – this is a full-blown, barnacle-busting, all-hands-on-deck musical odyssey!

For over a decade, this Bristol based band of buccaneers have been bringing the ‘rock n roll of 1752’ to rooms full of smiling, swashbuckling fans the world over.

Now, after twelve years of charting courses through treacherous waters, from the foggy shores of Europe to the bustling harbours of North America, The Longest Johns are ready to bring their raucous, rollicking sea shanties Down Under.

In May, the crew will dock in a city near you, ready to unleash their four part vocal harmonies with fiddles and drums in tow. With five albums under their hefty belt buckles, including their latest, Voyage, released earlier this year, The Longest Johns are on a mission to turn every Aussie venue into a maritime tavern to be filled with roaring sing-alongs and the clinking of flagons.

The Longest Johns have not only graced the stages of international folk festivals but have also amassed a staggering 400 million streams, half a million YouTube subscribers, and over 200,000 hours of Twitch views. They’ve partnered with some of the biggest names in gaming including Ubisoft, Sea of Thieves, Ship of Fools, Wanderworld and even laid down the soundtrack for No Man’s Wife, a new film from the co-producers of the Fisherman’s Friends films.

The band shot to global fame in 2021 when their rendition of the traditional shanty “Wellerman” became a viral sensation. A 150-year-old New Zealand folk song transformed into a global phenomenon, peaking at #2 on the US Spotify Viral Chart and #5 globally.

The song has since racked up over 67 million plays and continues to grow daily.

Watch the video for Wellerman here
www.youtube.com/watch?v=E_8tAyecj2g

The Longest Johns are more than just a band. They’re a living, breathing piece of history. Their music, steeped in the lore of the high seas, is a voyage through time, inspired by the epic tales and legends that have echoed across centuries. Their performances are nothing short of legendary, from serenading royalty at the late Queen’s birthday party at the British Embassy in Paris to rejecting traditional gold records in favour of environmentally friendly wooden discs made from recycled ship’s timbers.

Australia, is the perfect setting for The Longest Johns’ next chapter.
Don your best swashbuckling attire, fill yourself with rum, and prepare for an evening of unbridled revelry. Expect to be swept away by iconic tunes like “Drunken Sailor,” “Hammer and The Anvil,” “Wellerman,” and even sea-shanty-infused classics like “Proud Mary” and “Santania.”

This is a call to adventure, a journey back to the days of tall ships and salty breezes; So hoist the anchor Australia and join The Longest Johns for a night of roaring choruses, foot-stomping anthems, and memories of those glorious days of yore.

This is one voyage you do NOT want to miss!

TOUR DATES
Tues, May 13: Amplifier Bar, Perth 18+
Thurs, May 15: Lion Arts Factory, Adelaide LIC/AA
Fr, May 16: Corner Hotel, Melbourne 18+
Sat, May 17: Brightside Outdoors, Brisbane 18+
Mon, May 19: Factory Theatre, Sydney LIC/AA

Early Bird Pre Sale Begins, Thursday 19 September 9am local.
Sign up here to access
daltours.cc/the-longest-johns

General Public Tickets On Sale, Friday 20 September 9am local.
destroyalllines.com

**********

Follow The Longest Johns
Web | Facebook | Instagram | YouTube

 

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UK synth-pop band SOFT CELL announce first ever tour of Australia – April 2025

SOFT CELL TO PERFORM IN AUSTRALIA FOR THE VERY FIRST TIME – APRIL 2025

Performing their seminal album Non Stop Erotic Cabaret + Greatest hits

Plus an additional performance by Marc Almond performing all his solo hits and more

Sometimes you feel you’ve got to… run away. And that’s what 80s iconic synth-pop band SOFT CELL will be doing in April 2025 with their first-ever tour of Australia.

With an announcement that will have all fans of the decade donning their fluro and leathers, Brit synth-pop band Soft Cell will be touring Australia for the very first time in April 2025, performing their classic album ‘Non-Stop Erotic Cabaret’ in its entirety, including hits like the iconic ‘Tainted Love’, the fan favourite ‘Where Did Our Love Go’, and more!

In addition to the band’s hits, Marc Almond will perform his solo hits from a career that spans over 40 years.

Thursday 10th April – Riverside Theatre, Perth
Sunday 13th April – Enmore Theatre, Sydney
Tuesday 15th April – Fortitude Music Hall, Brisbane
Thursday 17th April – Palais, Melbourne

TICKETS ON PRESALE FROM 9AM LOCAL TIME – TUESDAY 17 SEPTEMBER
Sign up to early bird presale tickets via https://www.destroyalllines.com/tours/soft-cell

GENERAL ON SALE FROM 9AM LOCAL TIME – THURSDAY 19 SEPTEMBER

The duo will be finger-clicking their way across both coasts of Australia in April, making sure fans in Perth don’t miss out on this much-anticipated series of gigs.

“I have always wanted to go to Australia. Over my 45 year career (yes that long) fans have always asked me when it might happen, so overjoyed to say that it is happening. And to perform both as Marc Almond with my solo hits, and then transform into Soft Cell on the same night will be another first. Everyone tells me Australians love to party and it promises to be something very special”Marc Almond

Four decades deep into their career, Australian fans will finally be able to hear and experience the music of Soft Cell live.

https://www.softcell.co.uk/
FACEBOOK | INSTAGRAM | SPOTIFY

DESTROY ALL LINES PRESENTS
SOFT CELL

Performing their seminal album Non Stop Erotic Cabaret + Greatest hits
Plus an additional performance by
Marc Almond performing all his solo hits and more

Early bird presale begins Tuesday 17 September 9am
via https://www.destroyalllines.com/tours/soft-cell

GENERAL ON SALE FROM 9AM LOCAL TIME – THURSDAY 19 SEPTEMBER

Thursday 10th April Riverside Theatre, Perth
Sunday 13th April Enmore Theatre, Sydney
Tuesday 15th April Fortitude Music Hall, Brisbane
Thursday 17th April Palais, Melbourne

ABOUT SOFT CELL
Soft Cell, the English synth-pop duo consisting of Marc Almond and David Ball, achieved significant success in the 1980s. They are best known for their 1981 hit “Tainted Love,” which topped the charts in 17 countries and became one of the best-selling singles of the year, including Australia where it reached the Top 10 singles chart. Their debut album, Non-Stop Erotic Cabaret, also went platinum and included other hits like “Bedsitter” and “Say Hello, Wave Goodbye”.

In the UK, Soft Cell had twelve top 40 hits, including “Torch” (number 2), “What” (number 3), and “Bedsitter” (number 4)1. They released four top 20 albums between 1981 and 1984.

After Soft Cell initially split in 1984 Marc Almond pursued a successful solo career. He released several albums that showcased his versatility, including Marc and the Mambas, which delved into more experimental and cabaret-style music1. His collaborations with artists like Gene Pitney on the hit “Something’s Gotten Hold of My Heart” further cemented his status in the music industry.

Almond’s influence extends beyond music. His bold, androgynous image and open discussion of his sexuality have made him a significant figure in LGBTQ+ culture. His work has inspired a generation of musicians and artists who admire his fearless approach to both his music and personal expression.

Over the decades, Soft Cell have come to be known as one of the true pioneers of Brit synch-pop music. With 25 million sales, six UK top 10 singles and a BRIT Award to their name, they’ve cast a huge influence over music culture ever since the 80s, setting the synth-pop standard for Pulp, Erasure and the Pet Shop Boys to follow and inspiring the industrial scene before it exploded in the ‘90s. They have since gone on to be sampled on Rihanna’s smash ‘S.O.S.’ and laying the groundwork for the current alt-pop music scene.

 

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[Review] Make Them Suffer @ UNSW Roundhouse, Sydney 1/09/2024

Make Them Suffer’s Suffer Forever Australian tour hit the UNSW Roundhouse in Sydney on Sunday night, marking their biggest headline tour to date. With Bloom, and two international supports in Spite, and Bury Tomorrow on the bill, this tour has been the talk of the town for some time, and we couldn’t wait a day longer!

After catching Make Them Suffer earlier this year as they supported Bring Me The Horizon and Sleep Token, I was very excited to see them continue the momentum and take the stage for their own headline tour. Sydney’s own Bloom kicked off the night, delivering a stack of tracks that set the tone perfectly. Tracks like Bound To Your Whispers and An Exit got the crowd moving, warming up the muscles for a big night in the pit. The band’s recent regional tour with Polaris has clearly sharpened their live show, and their performance was a brilliant opener, leaving the crowd energized and ready for what was to come.

Spite was up next, and their set was the one I was most excited about, especially after catching them on their last visit to Australia supporting Thy Art Is Murder. The Southern California deathcore band did not disappoint, delivering a ferocious performance. Frontman Darius took command of the stage with an intimidating presence that had the crowd in the palm of his hand from the moment he stepped on stage. Dressed in coveralls with hair obscuring his face, he unleashed a relentless energy that drove the crowd into a frenzy. Tracks like IED, Caved In, and Free for All kept the mosh pit alive and moving, with Spite proving once again why they’re one of the most intense acts in the scene. While it’s been great to see them twice in the same venue, I really hope there is a headline tour for Spite in the near future.

The excitement only grew as Bury Tomorrow took the stage. Having recently visited Australia just last year for their sold-out headline tour, it was great to see them back so soon. The British metalcore giants delivered a powerful set in support of their seventh album, The Seventh Sun, blending heavy vocals with soaring melodies from Tom Prendergast. Tracks like Villain Arc and Boltcutter kept the energy high, and frontman Dani Winter-Bates’ message of positivity touched the audience, as he swapped between praising the crowd for their support and ordering a pit to open up. Choke was a highlight of their set before closing out their onslaught with DEATH (Ever Colder). The band’s stage presence and musicianship were top-notch, making it clear why they have such a dedicated following. 

With the three awesome supports all wrapped up, anticipation for Make Them Suffer was at its peak. The band kicked off their set with Epitaph, and the room erupted. Despite a brief technical glitch that saw Bury Tomorrow’s visuals accidentally displayed on the screen, Make Them Suffer didn’t miss a beat. Their performance was a tirade of power and refined artistry, with the video wall adding a visual dimension that lifted the atmosphere to the next level. Displaying lyrics on screen was a particularly nice touch, allowing fans to sing along, even with newer tracks.

The setlist was a mix of fan favorites and new material, keeping the energy high throughout. After the powerful opener, Bones had the crowd headbanging in unison, followed by the intense Uncharted and the chaotic Vortex (Interdimensional Spiral Hindering Inexplicable Euphoria). The band continued to showcase their versatility with tracks like Ether and the live debut of Oscillator, both of which demonstrated their ability to blend melody with brutality. Oscillator was released recently on August 9, but that did not stop the crowd from knowing every word.

Ghost of Me and Soul Decay brought the emotion to the set, with Sean Harmanis and Alex Reade’s vocal interplay shining through. The Attendant, another live debut, highlighted Make Them Suffers evolving sound and created a haunting atmosphere, if this is what the new album has in store for us, it’s shaping up to be a great one! The crowd was kept on their toes with the heaviness of Hollowed Heart and the dark, brooding Blood Moon. Each band member on the stage are full of beans, each with their own personal style whether it be the shirtless running man moves, twirls or windmills, tonight had it all! 

A special moment came when Bury Tomorrow’s Dani Winter-Bates joined Make Them Suffer on stage for Contraband, adding even more excitement to an already raucous crowd. The setlist was rounded out with Erase Me, a fan favourite that had the crowd screaming along, and the ever favourite Doomswitch, which left everyone in the room buzzing with energy.

Make Them Suffer’s Suffer Forever tour has proven to be an incredibly important moment in the bands career, showcasing a band that has worked tirelessly to improve their craft, their visuals, stage presence and song writing. With a new album on the horizon, releasing November 8, and a tour that’s left fans across the country buzzing, it’s clear that Make Them Suffer’s legacy is only just beginning.

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Good Things Festival 2024 Line-Up Announcement

HAVE WE GONE MAD?
GOOD THINGS IS BACK, AND IT’S ENTIRELY BONKERS!

Are you ready for the madcap chaos of Australia’s largest travelling music festival? Good Things season returns with a head-spinning lineup fit for a fever dream. Across three East Coast dates, this year’s Good Things Festival will deliver a trip down the rabbit hole with a stacked bill of international heavyweights, old favourites, hungry up-and-comers, and Aussie staples. And in a boon for younger attendees, Sydney’s Centennial Park festival date will be a 16+ event for the first time!

No one has cultivated a cult of personality quite like KORN. As the coveted headliners for Good Things Festival 2024, the Californian nu-metal pioneers will be celebrating the thirtieth anniversary of their landmark self-titled debut album and a career trajectory that speak volumes: two GRAMMY® Award wins, multi-platinum album certifications, and over 40 million records sold worldwide. Continually pushing the limits of the alternative, metal, and rock across their back catalogue, KORN’s unwavering sonic vision incorporates everything from dubstep and hip-hop to the bagpipe sections of frontman Jonathan Davis. Forever for the freaks, KORN’s Good Things appearance will find them in fine form and off the leash.

Seeing SUM 41 will be a bittersweet occasion for dedicated Aussie fans, as the Good Things Festival acts as the band’s last-ever ‘Tour of the setting Sum’ tour Down Under. Pulling from their formative album trinity—All Killer No Filler (2001), Does This Look Infected? (2002), and Chuck (2004)—along with their recent Heaven :x: Hell double-LP, the Canadian rockers are determined to go out with a bang, one befitting their status as a beacon of millennial domination. Come for the high-energy pop punk, and stay for the heavy metal anthems.

Speaking of anthems, it’s hard to deny the impact VIOLENT FEMMES have had on the broad history of alternative music. The Milwaukee outfit have been festival mainstays throughout their awe-inspiring 40-year career, and direct influences on Pink, John Cusack, Mark Morris, The Pixies, and more. German heavy arena sensation ELECTRIC CALLBOY known for their viral hits like Hypa Hypa, We Got The Moves, RATATATA and their pulsing cover of Cascada’s Everytime We Touch have proven that the group’s blend of retro pop synths, arena rock, and metalcore is both a recipe for chart-topping success and captivating audiences worldwide.

After bringing their own curated The World Is A Vampire Festival to Australia last year, and the recent release of the band’s thirteenth studio album, Aghori Mhori Mei, The Smashing Pumpkins frontman BILLY CORGAN will wow the Good Things Festival crowd with a spirited set supported by The Delta Riggs as his backing band. Festival punters will be treated to tracks from CORGAN’s expansive solo catalogue as well as songs he’s written for The Smashing Pumpkins. MASTODON have racked up numerous accolades that transcend their sludge metal origins. Alongside collaborations with Game of Thrones, Adult Swim, and DC Comics, the Atlanta quartet finally took home a GRAMMY® Award after six career nods. 2021’s Hushed & Grim double-LP took meditations on grief and transformed them into moments of melodic mourning and raging bursts of energy. Guitarist/songwriter KERRY KING will bring a taste of his trademark fury to the Good Things Festival for 2024. With KING’s first solo LP outside of thrash titans Slayer, From Hell I Rise, unleashed on the world, expect a dose of blunt-force riffage and pointed lyrical themes with some Slayer classics thrown in as the kicker.

The long-awaited return of THE GASLIGHT ANTHEM to Australian shores has been almost a decade in the making. With the release of their highly anticipated comeback album, History Books, in October last year, it’s now Australia’s turn to be a part of the band’s rebirth. Newfound ARIA Hall of Famers JET will also get their shine on as they take to the stage to celebrate the recent twentieth anniversary of their multi-platinum debut album, 2003’s Get Born. Fans can expect to hear radio rock hits like Are You Gonna Be My Girl, Rollover DJ, and more. With their reputation as seasoned pros and one of the country’s most incredible live acts, punk rockers THE LIVING END will get the crowd pumping with iconic anthems like Second Solution and Prisoner of Society, making their only live shows for 2024 ones to remember. After playing their seminal Bricks Are Heavy LP on the road last year, 90s punk icons L7 return to give audiences another taste of Californian riot grrrl history including favourites like Pretend We’re Dead, Shitlist, Wargasm and more.

Sydney futurists NORTHLANE are global ambassadors for Australian metal, known for their exhilarating live show and unrivalled creative expression. With consecutive ARIA Award wins and #1 chart debuts already in the bag, the band’s latest Mirrors Edge EP is their most daring effort yet. Fans will also see BOWLING FOR SOUP on their first trip Down Under in over fifteen years. The Texan pop punkers are fresh off a pair of 2024 Download Festival performances, and celebrating the twentieth anniversary of their fan-favourite A Hangover You Don’t Deserve LP. While 2024 already belongs to ALPHA WOLF, their Good Things appearance is set to cap off the metalcore crew’s most successful year to date. The Melbourne quintet just wrapped up a completely sold-out Australian headline tour following the release of their acclaimed third full-length, Half Living Things.

For the alternative rockers, Orlando emo sensation SLEEPING WITH SIRENS are no strangers to devoted Australian crowds, and their Good Things Festival set will deliver on stratospheric hooks and huge sing-a-longs. Not to be outdone, Brisbane’s THE BUTTERFLY EFFECT will bring their emotionally charged performance to the festival stage, anchored by frontman Clint Boge’s powerful croon. 90s flagbearers 311 were last in the country in 1998 and have since maintained their standing as one of the genre’s most entertaining outfits with a groove-laden sound dipping into rap, reggae, and funk.

Award-winning songwriter, artist, and novelist AViVA will rally her “Outsider” community to the call with her idiosyncratic spin on pop-rock immediacy. Sacramento’s DESTROY BOYS will be eager to unleash tracks from their brand new Funeral Soundtrack #4 LP and expand on their bratty punk origins. With a career spanning half a century, legacy rockers DRAGON will showcase their heavy prog pedigree and penchant for soul-flavoured melodies. Meanwhile, DIY rock troubadour FRANK TURNER AND THE SLEEPING SOULS will mark another return to Australia as part of the Good Things Festival, this time supporting his acclaimed new album, Undefeated.

Pennsylvanian outfit FROM ASHES TO NEW have climbed to the front of the rock vanguard, embracing the freedom of hybridity and experimenting with hard rock, hip-hop, electronic, and alternative sounds. Known for stretching genre descriptors into alluring new forms, alt artist GRANDSON has netted over one billion streams and a dizzying list of high-profile collaborators including Mike Shinoda, Travis Barker, and Tom Morello. Backing up with another trip Down Under following 2023’s ‘The Midnight Demon Club’ tour, Cape Cod iconoclasts HIGHLY SUSPECT will bring their rule-breaking rock philosophy to the festival stage with cuts from their shiny new full-length, As Above, So Below. Swedish heavy purveyors IMMINENCE will introduce Aussie crowds to the uncompromising alt-metalcore vision of their bludgeoning fifth full-length,The Black—this is one set metalheads do not want to miss.

KILLING HEIDI will throw it back to the early 00s when their album debut Reflector became a four-time ARIA winner and mega-smash single Weir was an inescapable earworm, playing the record in full for the Good Things Festival crowd. As one of Britain’s breakout heavy exports, LOATHE have built a reputation for their intense, multi-media live show, as seen on a recent North American tour run supporting Knocked Loose. Mixing metalcore with shades of electronica, pop, and post-hardcore on their stunning debut full-length, Secrets Of The Future, Sydney newcomers RELIQA will dazzle with their intricate take on progressive metal stylings. Influenced by early 90s and 00s pop-punk, TAYLOR ACORN’s sound is imbued with youthful exuberance and relatability, tackling mental health struggles and head-on with catchy hooks and earnest vulnerability.

2024 also marks the return of the talented STAGE 666 Artists and their carnivalesque Freak Show lounge. Witness the knife-throwing, gravity defying stunts of host Captain Ruin, or be amazed by Princess Tweedle Needle’s daring feats of bodily transgression as the “princess of pain” performs the ‘human pincushion’ act, skewering her flesh with glee, swinging a beer keg with her lady bits. Direct from the underground nightclubs of Berlin, you don’t want to miss out on STAGE 666’s guest star!

GOOD THINGS FESTIVAL LINE UP:

Korn
Sum 41
Violent Femmes
Electric Callboy | Billy Corgan | Mastodon | Kerry King
The Gaslight Anthem | Jet | The Living End | L7 | Northlane
Bowling For Soup | Alpha Wolf | Sleeping With Sirens | The Butterfly Effect | 311

In Alphabetical Order:

AViVA | Destroy Boys | Dragon | Frank Turner And The Sleeping Souls
From Ashes To New | Grandson | Highly Suspect | Imminence
Killing Heidi (Performing ‘Reflector’ In Full) | Loathe | Reliqa | Taylor Acorn
Plus the return of Stage 666!

DATES AND VENUES:
Friday 6 December – Flemington Racecourse, Melbourne (15+)
Saturday 7 December – Centennial Park, Sydney (16+)
Sunday 8 December – Brisbane Showgrounds, Brisbane (15+)

Early Bird pre-sale tickets on sale Tuesday 27 August @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au

General Public tickets on sale Thursday 29 August @ 10am AEST Time
https://www.oztix.com.au/

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[Review] Badflower @ Oxford Art Factory, Sydney 10/08/2024

One of the most anticipated shows of the year finally arrived as Los Angeles-bred and Nashville-based alt rockers Badflower are finally visiting their fans down under for the very first time. After years of envying social media clips, it’s our turn to sing along with the four piece as they pull into Adelaide, Melbourne, Sydney and Brisbane. 

From the moment our friends at Destroy All Lines announced the tour, the band have been posting and keeping their fans engaged with Australia top of mind. From ‘Aussie Slang’ tests at skate parks, to trying Vegemite at Luna Park, the feeling of excitement appears to go both ways. 

Joining Badflower at Sydney’s Oxford Arts Factory tonight are Azure and Bad Neighbour. Bad Neighbour, who are on the entire Australian leg of the tour, took to the stage in front of a packed crowd on this chilly winter’s evening. Brandishing themselves as ‘Brisbane Sad Rock’, they sure encouraged a lot of smiles as their style hit home for many, having the crowd bopping along from the onset. Their debut album ‘Millions’ drops September 20th, I’m sure we’re about to hear much more about these local legends. 

As I’m still scanning the venue looking for the perfect viewing spot, the lights dim and our headliner has arrived right on time. Pre recorded audio introducing Badflower as they were wrestlers, fills the room the band members burst onto the stage kicking off the 2018 gem Drop Dead. While some bands save their new singles for later in the set, Badflower dives straight in, treating us to the fresh tracks Detroit and Teacher Has a Gun, both released this year. The fans, already familiar with the lyrics, belt them out with great volume, and guitarist Joey Morrow and bassist Alex Espiritu share knowing smiles as the crowd’s energy only intensifies.

Josh takes a moment to speak with the crowd, exclaiming just how much fun they’re having in Australia and telling us that we’re the best city and will be for the rest of the run. We don’t even mind that he may just say that to all them (even Melbourne!) but we’re cheering along! No time is wasted as we’re singing along again to expertly crafted tracks including Don’t Hate Me, Johnny Wants to Fight and White Noise. 

Drummer Anthony Sonetti beams with a smile from his elevated perch above the crowd, clearly enjoying the moment. The Oxford Arts Factory can be tricky for viewing due to its obstructive pillars, thankfully all members are jumping around during Promise Me and the groove infused Girlfriend, before Josh is left alone bathed in a spotlight for the heart wrenching Move Me. 

Even if he mentioned he is struggling with vocal issues this doesn’t stop him from delivering an emotionally charged, passionate performance before he is joined by his band mates for the grand crescendo.

The night already felt like it was filled with hits, but the big ones were still yet to come in the form of Family, Heroin and the fan favourite The Jester. The Jester may just be one of those perfectly crafted songs that transcend its recorded version when performed live. These four guys sure know how to make a catchy track.

Before Badflower took the stage tonight it was announced that the sold out sign was strewn across yet another date here in Sydney, making that four of seven. Not bad for a debut run! Although I am certain that if those who missed out knew how fantastic this show was tonight, it would’ve been a clean sweep.

When Josh announces that the next song will be the last, the crowd responds with loud disapproval. With a playful grin, he asks, “Could you all just pretend you think this is our last song?” as the band begin to introduce the chart topper Ghost. The range of this band is just incredible, and it’s very apparent that the crowd have been waiting far too long to share this moment with the band.

The part-hilarious, part-terrifying Stalker, Badflower’s modern day answer to Eminem’s super-fan ‘Stan’,  brought them back to the stage although Josh didn’t spend much of it on the stage. He jumped down to be with his new Aussie friends, as he thrashed his guitar, screaming the crazy lyrics in the faces of fans who were holding the microphone for him to truly unleash. Speaking of unleashing, the three band members left of stage took advantage of the space as they jumped around, spun their hair and sung with the crowd before Sonetti and Espiritu got a chance to show off on their respective drums and bass.

30, released in 2020 to mark lead singer Josh’s 30th birthday wraps up the show. A frank, unfiltered outpouring of existential angst in the face of ageing…something we can all connect with. 

As the crowd ebbed and flowed throughout the show I found myself right by the merch desk, where I quickly spent my pay cheque as the final notes rang out. 

I’m at a loss for words to fully capture the sheer astonishment of seeing Badflower’s debut Australian tour—though I’m not sure any words could do it justice. I was completely blown away and thrilled beyond measure to experience it. Their setlist was flawlessly curated and each band member left no crumbs. 

It may have taken them 7 years to visit us, but lets hope this is the beginning of a love affair that can’t keep us apart. 

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Dropkick Murphys Sell Out Sydney Show & Add 2nd Show To Australian Tour With Alkaline Trio.

Boston’s rock ‘n’ roll underdogs turned champions DROPKICK MURPHYS and CHICAGO’s rock canons ALKALINE TRIO have added a 2nd show in Sydney on Thursday 21 November at the Roundhouse which will see DROPKICK MURPHYS play a completely different set from night one.

Tickets for the 2nd and final Sydney show are on sale now. Tickets for the Brisbane show are running low, so make sure you grab yours today to avoid disappointment.

This marks DROPKICK MURPHY‘s return to Australia for the first time since last appearing at Good Things Festival in 2018 and ALKALINE TRIO‘s first Australian shows in 10 years!

Since 1996, DROPKICK MURPHYS have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s Certified-Gold album The Warrior’s Code featuring the double platinum classic I’m Shipping Up To Boston. DROPKICK MURPHYS’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents.

DROPKICK MURPHYS returned to fully electric performances in late 2023 following a pair of critically acclaimed acoustic albums – 2022’s This Machine Still Kills Fascists and 2023’s Okemah Rising – interpreting the work of Woody Guthrie for a new generation. The albums, recorded in Tulsa with trusted collaborator and producer Ted Hutt, exposed the band to new audiences through airplay on stations like SiriusXM’s Outlaw Country, coverage in outlets such as Rolling Stone Country, Paste, CNN, Americana Highways and SPIN, and via DROPKICK MURPHYS’ first-ever acoustic, reserved-seating theater tour in 2022.

Their touring plans for the remainder of the year include a series of festival dates after a run of European festival dates between now and July. They’ll then return to North America and Canada for Inkcarceration Music & Tattoo Festival, Newport Folk Festival, New York State Fair, Envol et Macadam, Music 4 Cancer, Louder Than Life and Aftershock before their string of Australian shows.

In more than 25 years together, ALKALINE TRIO have delivered urgent punk blasts with a dark, driving edge that helped them remain commercially viable without sacrificing their raucous spirit and created their own little universe in their songs with a few short steps away from armageddon. Their music has been a reliable black mirror of reality. Slowly ascending through the Warped Tour ranks into the early 2000s, they reached the Billboard Top 20 with 2003’s mainstream breakthrough Good Mourning. They hit a peak with their seventh set This Addiction, which topped the US rock, alternative, and indie charts in 2010.

Brought together in late 1996 by heartbreak, angst, and the companionship of drinking. They started making a name for themselves in the Midwest with their emotion-fueled, angst-ridden, dark pop-punk and released their full-length debut in 1998 with Goddamnit!, an album whose heartbreak tales and anti-cop rants earned a modest following.

They kicked off the year with the release of their monumental tenth album, Blood, Hair, and Eyeballs. It’s been five years since the beloved punk stalwarts have released an album and to commemorate hitting the big ten milestone, they went back to basics stripping their sound down to the bare essentials of the sonic identity that endeared them to a generation of punk fans. They enlisted Grammy-winning producer Cameron Webb and spent several weeks holed up at Studio 606 in Northridge, California, the private recording space owned by Dave Grohl and Foo Fighters. With more than two decades and ten records under their belts, ALKALINE TRIO’s legacy in the rock canon, as well as their influence on their genre, is undeniable.

2024 will undeniably declare punk rock is not dead – be sure to see DROPKICK MURPHYS and ALKALINE TRIO this Novemberwhen they bring their explosive, high energy live shows down under.

Tickets on sale now at https://daltours.cc/DKMurphys

Destroy All Lines Presents

DROPKICK MURPHYS
AUSTRALIAN HEADLINE TOUR 2024

WITH ALKALINE TRIO
TOUR DATES:

FRIDAY 15 NOVEMBER – AEC THEATRE, ADELAIDE
SUNDAY 17 NOVEMBER – FORUM THEATRE, MELBOURNE SOLD OUT
MONDAY 18 NOVEMBER – FORUM THEATRE, MELBOURNE 2ND & FINAL SHOW
WEDNESDAY 20 NOVEMBER – ROUNDHOUSE, SYDNEY SOLD OUT
THURSDAY 21 NOVEMBER – ROUNDHOUSE, SYDNEY 2ND & FINAL SHOW
FRIDAY 22 NOVEMBER – FORTITUDE MUSIC HALL, BRISBANE FINAL TICKETS!

Tickets on sale now at https://daltours.cc/DKMurphys

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Dropkick Murphys Announce First Australian Headline Tour In Over A Decade With Alkaline Trio.

Attention Australian punk rockers! We have a huge announcement for you. Two of the most influential and enduring American punk rock bands are heading down under together this November. Boston’s rock ‘n’ roll underdogs turned champions DROPKICK MURPHYS announce their first Australian headline tour in over a decade with Chicago’s rock canons ALKALINE TRIO.

The tour will kick off at AEC Theatre in Adelaide on Friday 15 November before it makes it way to The Forum in Melbourne, Sydney’s Roundhouse before closing their Australian run at Fortitude Music Hall in Brisbane on Friday 22 November.

This marks DROPKICK MURPHYS’ return to Australia since last appearing at Good Things Festival in 2018 and ALKALINE TRIO‘s first Australian shows in 10 years!

Since 1996, DROPKICK MURPHYS have created the kind of music that’s meant to be chanted at last call, in packed arenas, and during the fourth quarter, third period, or ninth inning of a comeback rally. Their celebrated discography includes four consecutive Billboard top 10 album debuts (Turn Up That Dial, 11 Short Stories Of Pain & Glory, Signed and Sealed in Blood, Going Out In Style), along with 2005’s Certified-Gold album The Warrior’s Code featuring the double platinum classic I’m Shipping Up To Boston. DROPKICK MURPHYS’ music has generated half-a-billion streams, they’ve quietly moved 8 million-plus units worldwide and the band has sold out gigs on multiple continents.

In more than 25 years together, ALKALINE TRIO have delivered urgent punk blasts with a dark, driving edge that helped them remain commercially viable without sacrificing their raucous spirit and created their own little universe in their songs with a few short steps away from armageddon. Their music has been a reliable black mirror of reality. Slowly ascending through the Warped Tour ranks into the early 2000s, they reached the Billboard Top 20 with 2003’s mainstream breakthrough Good Mourning. They hit a peak with their seventh set This Addiction, which topped the US rock, alternative, and indie charts in 2010.

They kicked off the year with the release of their monumental tenth album, Blood, Hair, and Eyeballs. It’s been five years since the beloved punk stalwarts have released an album and to commemorate hitting the big ten milestone, they went back to basics stripping their sound down to the bare essentials of the sonic identity that endeared them to a generation of punk fans. They enlisted Grammy-winning producer Cameron Webb and spent several weeks holed up at Studio 606 in Northridge, California, the private recording space owned by Dave Grohl and Foo Fighters. With more than two decades and ten records under their belts, ALKALINE TRIO’s legacy in the rock canon, as well as their influence on their genre, is undeniable.

2024 will undeniably declare punk rock is not dead – be sure to see DROPKICK MURPHYS and ALKALINE TRIO this Novemberwhen they bring their explosive, high energy live shows down under. Tickets won’t last long.

Early bird pre-sale tickets on sale: Tuesday 2 July @ 9am local time

To Gain Early Ticket Access Register Here -> https://daltours.cc/DKM2024

General tickets on sale: Thursday 4 July @ 9am local time
Tickets from
destroyalllines.com

Destroy All Lines Presents

DROPKICK MURPHYS
AUSTRALIAN HEADLINE TOUR 2024

WITH ALKALINE TRIO
TOUR DATES:

FRIDAY 15 NOVEMBER – AEC THEATRE, ADELAIDE
SUNDAY 17 NOVEMBER – FORUM THEATRE, MELBOURNE
WEDNESDAY 20 NOVEMBER – ROUNDHOUSE, SYDNEY
FRIDAY 22 NOVEMBER – FORTITUDE MUSIC HALL, BRISBANE

General tickets on sale: Thursday 4 July @ 9am local time
Tickets from destroyalllines.com

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HANABIE. Announce Debut Australian Headline Tour This November

Tokyo-based all-girl rockers HANABIE. are proud to announce their debut headline Australian tour in 2024, with the quartet set to stupefy down under this November.

Following their incredible appearances in Australia late last year as part of Good Things Festival, HANABIE. will return this year wielding their Harajuku-core prowess, headlining stages in Brisbane, Sydney, Melbourne and Adelaide.

With their kaleidoscopic fusion of upbeat metalcore, EDM, nu metal, hyper-pop and hardcore, HANABIE. are renowned for contrasting their heavy tones with Harajuku aesthetics, injecting a fresh and extremely fun breath of fresh air into the heavy scene. Forming in high school, the quartet rose to fame via their single Pardon Me, I Have To Go Now, with the accompanying video now in command of over 7 million views on YouTube, and 5 million views and counting on TikTok.

Solidifying their current lineup in 2023, HANABIE. unleashed their most recent album Reborn Superstar! that same year, snagging international acclaim for their innovative take on modern metalcore as well as taking out #24 on the Billboard Japan weekly album charts. Channeling a sparkly disposition along with synths and plenty of heavy moments, Reborn Superstar! joined the group’s debut album, 2021’s Girl’s Reform Manifest, in cementing HANABIE. as bonafide global sensations.

Brandishing a live show as colourful as their sonic output, HANABIE. bring a charming ferocity to every performance, whether touring alongside Limp Bizkit and Galactic Empire, or at high-profile festivals including Aftershock, Louder Than Life Festival and Blue Ridge Rock Fest. And with appearances locked in at Lollapalooza and Mayhem Festival, as well as a North America tour alongside Jinjer later this year, HANABIE. will close out 2024 in sensational fashion with their headline Australian run.

For a guaranteed night of electrifying fun, definitely don’t miss HANABIE.‘s first ever headline shows down under this November.

Early bird pre-sale tickets on sale: Wednesday 26 June @ 9am AEST time

To Gain Early Ticket Access Register Here -> https://daltours.cc/HAN2024

General tickets on sale: Friday 28 June @ 9am local time
Tickets from
destroyalllines.com

Destroy All Lines Presents

HANABIE.
AUSTRALIAN TOUR 2024

FRIDAY 8 NOVEMBER – THE TRIFFID, BRISBANE
SUNDAY 10 NOVEMBER – LIBERTY HALL, SYDNEY
TUESDAY 12 NOVEMBER – 170 RUSSELL, MELBOURNE
WEDNESDAY 13 NOVEMBER – THE GOV, ADELAIDE

General tickets on sale: Friday 28 June @ 9am local time
Tickets from destroyalllines.com

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