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Suze Blacketer

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Gig ReviewsReviews
July 26, 2023
Suze Blacketer

[Review] Pierce The Veil / Bear Tooth@ Adelaide Entertainment Centre, Adelaide 24/07/2023

Review By Suzanne Blacketer

From a venue upgrade to a sold out show I was not surprised to see hundreds of people lined up when I arrived at the Adelaide Entertainment Centre. I’m not the biggest fan of a huge snaking lineup but when it’s for a gig of one of your favourite band’s you suck it up and jump on the end! Starting the week with a Monday night gig featuring Beartooth is about as awesome a start as you can get. Add Pierce The Veil and Dayseeker and you are in for a belter of a night.

Starting off the evening Orange County lads Dayseeker enter the stage to a roar from the crowd as punters continued to fill what little space remained in the venue. Opening with Dreamstate, which is also the opening track off their new album Dark Sun sees heartfelt lyrics delivered amongst melodic guitar riffs and crushing drums. Encouraging us to have a good fucking time the band lead into Crooked Soul as the screams of the female fans go up an octave.  Songs off the new album are peppered in amongst older crowd favourites like Sleeptalk. Rory laughs telling us that even though they are known as a sad song band their song Homesick is about being happy. Taking a moment to reflect Rory spoke about his father, about how he has always written songs about him and his dad’s battle with Parkinson’s disease and cancer, which sadly took his life in 2021. He dedicated Beyond Grave to his dad to which the crowd applauded. Dayseeker had the audience captivated from the first note with Rory Rodriguez’s powerful and emotive vocals taking us on a journey full of highs and lows. An awesome set from the opening act, setting the tone for the rest of the night.

Four years ago, this week I was in Brisbane seeing the very same band that was next on the bill. Beartooth holds a special place in my heart, as many of their fans will attest, their lyrics hit hard but also provide comfort and direction when things become overwhelming. As the first notes of Devastation echoed around the AEC the vibration in the air changed. A shirtless Caleb Shomo pranced and whirled around the stage, as he radiated an energy so high it pulsated out through the crowd elevating and electrifying us. For the next hour Beartooth took no prisoners. Hammering us relentlessly with all our favourites – Disease, The Line, Hated, Body Bag and newer single Sunshine. Caleb reflects on how his life has changed over the last four years, mentioning that anyone familiar with the band will know that the subject matter over four EPs has not been the most positive, leading us into the bands newest single that is only days old – Might Love Myself. He talks about how he has been alcohol free for nineteen months and the positive effects it has had on his life. He also shares with us that even when everything is going well anxiety can still occasionally rear its ugly head, telling us that not long before coming onto the stage he suffered from a panic attack. Connecting with the audience is something that Beartooth do extremely well. Everything about this set was just so damn wholesome and my heart is full.

Seven years’ worth of ear-splitting screams heralded Pierce the Veil’s arrival on stage. The band has obviously been missed by the Adelaide contingent of fans and I think that the band may have just missed us. Exploding into Death of an Executioner my eyes continually darted from one side of the stage to another as three bodies used every spare space they could find. Relief came between songs as the stage darkened while we prepared for the next onslaught. Touring Australia to celebrate the release of their latest album The Jaws of Life, PTV have brought the party spirit with them. Bulls In The Bronx and Pass The Nirvana revved the crowd up no end, helped along be confetti, streams of smoke and a crazy good light show. Vocalist Vic thanked the crowd for selling out the show, telling us it had been way too long, and they had missed us.  Vic thanked us for being there, apparently, we were supposed to ease our way into the gig, but we just turned it all the way up. Yes Adelaide! After a quick check to make sure that we had brought along our Emergency Contact we were back into moving our bodies. One lucky young lady named Charli was invited onto the stage for a sing and dance and was gifted Vic’s guitar leaving her speechless.  Well-rounded after a decade of playing together their energy was infectious and exhilarating. The Boy Who Could Fly, Caraphernelia and finishing with the huge tune King For A Day, music certainly does make the world go around. As the last note echoed through the arena and the lights slowly brightened, a few thousand sated punters meandered on home, hearts full, because music is life.

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Gig ReviewsReviews
April 29, 2023
Suze Blacketer

[Review] Meg Mac @ The Gov, Adelaide 27/04/2023

Review By Suze Blacketer

Adelaide has not been short of musical choice lately. This week, coming to us from The Gov, it was the incredible Meg Mac, touring her latest album ‘Matter of Time’.

Starting our evening Ayesha Madon delighted the crowd with her pop peppered songs. A quick Q&A with the crowd revealed that this was Ayesha’s first tour. Even more surprising was that her drummer is actually her brother-in-law, and they were playing together for the first time on this tour.

Starting with one of her earlier releases, Outside of the Party, she bopped around on the stage while engaging with the crowd.  Sucked In saw her relax a bit more and Ayesha looked to relax more as the show went on.

Talking to us between songs, Ayesha was open in how her songs talk about mental health issues and how that is something that she is passionate about. Goldfish and Cloud played as those on the floor moved their bodies. Wanting to play a song that the crowd could get around and sing along to, we were treated to a cover of The Climb by Miley Cyrus. All those Hannah Montanna fans got around this one. Showing her prowess on the keyboard and the guitar, Ayesha Madon is someone to keep your eye on as she continues to produce great tunes.

Gratitude for the crowd that had come early to watch her set, Ayesha finished with Future Kinks.

Wall to wall people packed the venue as Meg Mac glided across the stage enshrouded in a sparkling cape. The opening notes of the title track of her album float across the room, the crowd cheering in anticipation. Meg Mac’s silky, emotional vocals wash over us, and the goosebumps begin. Following on with Turning bodies begin to sway and little pockets of space become the place to dance.

Meg greets the crowd and thanks them for coming, saying how she was sorry that she didn’t get to come here on her last tour. The crowd gave an audible sigh as Meg went on to say how it broke her heart to read the comments and thanked us for selling out this show. This album is a special one as is the tour. As Meg explained she took so long to make this album, writing a complete album only to throw it in the bin and go on to write Matter Of Time.

Something In The Water, which Meg tells us is one of her favourites off the album, is a beautiful powerful song and it is delivered as such. Every face was mesmerized, witnessing something magically spellbinding. Such meaningful and relatable lyrics. Give Me My Name Back and Meg tells a story about how they like to sit on the edge of the stage when singing this one but tonight they couldn’t as we wouldn’t see them! They tried stools but it felt like a Q&A session, so they stood. A beautiful moment at the end of this song was a sisterly hug that had the crowd smiling.

Don’t You Cry was one of my favourite moments from the evening, it is such a beautiful song. Moving on to the Like A Version songs that Meg has done, she tells the story of how she placed a poll on Instagram to see which one we wanted to hear. Sadly, someone booed her on the Sydney leg because they wanted Bridges and got Tame Impala’s Let It Happen which I think was an excellent choice!

Meg tells us how hard it is when you release new music as you need to say goodbye to some of the songs in your setlist and how she had put another poll on Instagram to see what people wanted to hear, surprised that Brooklyn Apartment was requested. She told the story of how she wrote this song while living in an apartment in Brooklyn that had paper thin walls, writing about the people who lived in the building.

Meg’s favourite part of the evening was playing the song Letter, telling us that she spent hours writing the letters to send to all the fans, everyone one of them kissed by her and the constant reapplying of lipstick to make it happen. She also told the story behind the song, of writing a letter to someone no longer in her life and it ended up becoming a song, and how she writes letters to strangers instead!

 Known Better and Roll Up Your Sleeves finishing the evening with the clayton’s encore – Meg telling us she chickened out from leaving the stage in case we didn’t clap for her to come back so she just played them!

Meg Mac in a small intimate venue is a magical experience, sprinkled with stories and anecdotes about the songs. I know every audience member truly appreciated how special our evening was.

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Gig ReviewsReviews
April 22, 2023
Suze Blacketer

[Review] Escape The Fate @ The Gov, Adelaide 20/04/2023

Review By Suze Blacketer

Thursday night saw me heading to The Gov to watch one of my favourite bands, The Beautiful Monument, support a couple of legendary international bands in Escape The Fate and Destroy Rebuild Until God Shows (D.R.U.G.S)

Intense and captivating, The Beautiful Monument open up the evening drawing the crowd in. Vocalist Lizi tells the crowd it’s been a while, but they are very glad to be back. Bewitching us with her moves, which flit from sultry goddess to smackdown queen, we are mesmerized at the same time with the raw and emotive lyrics that TBM are known for.  Adam, Amy and Alex provide impressive musicianship and great chemistry for fan favourite tunes. Opening with Deceiver and following it up with songs like Stay and Invisible, the crowd sing along.  We also go to hear their new metal/electro single Hellbound, which absolutely slapped. The Beautiful Monument delivered an amazing performance that left the audience wanting more.

Destroy Rebuild Until God Shows prove that live is always better!! This band absolutely slayed. Frontman Craig Owens was an absolute delight to watch, his energy never wavering for the entire set. Hyping up the crowd he demanded that we raise our hands, clap and to get ‘your f$#king feet off the floor’.  The band played a mix of their hits and their newer songs, and every single one was executed flawlessly. Starting with If You Think This Song Is About You, It Probably fans quickly worked themselves into a frenzy, amongst a sea of smiles and sweat. Mr. Owl Ate My Metal Worm, DESTINY, The Longest Road, GOLD and Laminated E.T Animal blasted our ears. The vocals and instruments blended together perfectly, and the energy level and connection between the band and the crowd was off the charts. What an amazing set.

By the time the intro had played out and the band had hit the stage there was a sea of moving bodies in the pit. Escape The Fate had arrived. The first notes of Choose Your Fate ring out and set the tone for the next hour. The energy was palpable, with every person in the room amped up and ready. Craig Mabbitt is a thankful man, telling us how great it is to be touring again. Originally this tour was to celebrate 10 years of their self-titled album but due to circumstances we celebrated 13 years of the album instead!! Passionate in his vocal delivery, balancing the melodic vocals and screams, it is obvious we are here to celebrate. Escape The Fate were on a mission, the mission was to make this the best damn gig ever. Drummer Robert Ortiz played like a man possessed, breaking drumsticks early in the set, while Erik Jensen and Matti Hoffman blew our minds with their guitar prowess. Massacre, Issues, City of Sin, Prepare Your Weapon were played with such fervor, the fans reciprocated with voices and bodies raised. Finishing with Aftermath and then leaving the stage the crowd starts to chant for an encore. Returning to the stage to cheers, the crowd wait to see what the encore will deliver to us. What an encore it was!! Hearing their newest single Low in a live setting was a highlight for me. H8 Myself, Lightning Strike, a mind-blowing guitar solo by Matti and finishing with One For The Money.

Looking around at a sea of grinning faces makes you realise just how powerful music really is. An amazing night, celebrating an amazing album.

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Gig ReviewsReviews
March 1, 2023
Suze Blacketer

[Review] Alexisonfire @ Hindley St Music Hall, Adelaide 27/02/2023

Making my way to the venue I am thankful mother nature has given us a reprieve from the heat. That being said I have a feeling that Hindley St Music Hall is going to be a sweat-pit tonight. It’s been a few years since Canadian five-piece Alexisonfire have played here and talking to people around the place over the last few weeks it seems that their fans are extremely keen for this gig. Releasing their latest album Otherness in 2022, the band have some new material to show us along with all the crowd favourites.

Hailing from Tasmania, Luca Brasi are up first performing their cool style of indie punk. Playing to a reasonably packed room of hardcore fans may have been a daunting experience for some, but it didn’t seem to deter the boys.  Opening with Dying To Be Alive, we got a taste of the bands catalogue through songs like Anything Near Conviction, Aeroplane and Tangled; Content.

A laid-back stage presence, along with their catchy melodies was a pleasant way to start the night. Some one yelled ‘Tassie represent’ which enticed some banter between the crowd and the band. This was a prelude into the boys playing Let It Slip “a song about how fucking sick Tassie is”. Fans grooved along with Party Scene while Tyler Richardson’s vocals smoothly washed over us. One punter was over eager to see the main act yelling “Play some metal” to which the boys obliged with a quick AC/DC riff and a laugh.

I need to be honest here, I know who Alexisonfire are but haven’t really listened to them a great deal, much to the surprise of my gig date. Over the years I have heard the stories of Alexisonfire live shows. Monday night I witnessed it. Honestly, I don’t even know where to start and I don’t think words can even come close to describing it.

The venue is plunged into darkness. You can feel the atmosphere on the ground change. Blue light swathes the stage, some lovely symphonic music plays and five mates wander casually into our view. Grabbing their instruments, they shuffle around and strum a few notes. Screams erupt from the around the venue as George Pettit grabs the microphone. Next minute all hell breaks loose. Drunks, Lovers, Sinners and Saints assails our ears while absolute chaos reigns on the stage. Bassist Chris Steele resembles a man possessed as he twists and grinds his way around the stage, ducking and weaving around the other band members.

For the next hour we are taken on the most amazing journey, not only musically but visually. Alexisonfire are taking no prisoners tonight. Song after song is shot at us like a machine gun with no chance to catch our breath. Scanning the crowd, punters eyes are darting this way and that as they try to focus on each band member, which I have to admit was damn hard!  Having three vocalists brings an amazing dynamic to listening to Alexisonfire. The voices of George, and guitarists Dallas Green and Wade MacNeil meld to form some of the most manically sublime sounds, which is just crazy when they barely stand still.

Each song took the crowd closer to the pinnacle of ecstasy, inducing a fevered pit where bodies of all ages appeared above the sea of heads. Boiled Frogs, Sweet Dreams of Otherness, Blue Spade and 44. Caliber Love Letter all led us to the first notes of Crisis when the crowd completely lost their minds, yep the pinnacle had been reached. Bodies that had floated became more frenetic in the air as the barrier came alive. This is what live music is all about, exchanging energies and feeding off each other. The Northern’s slower tempo gives momentarily relief, the crowd gather their thoughts and breath briefly. The familiar drum beat starts, and Young Cardinals spirals us back into the vortex. Honestly this is one of the highest energy gigs I have witnessed, this is five mates having the absolute time of their lives and we are privileged to witness it. Summing up our night, Happiness by the Kilowatt is an apt song to take us home. Walking out onto Hindley Street, apart from the odd car horn, the only sound you can hear in the street is the crowd singing the chorus of Neil Young’s Hey, Hey, My, My along with the band. My biggest tip from the night is that an Alexisonfire gig is something that everyone needs to experience once in their lifetime regardless of their taste in music.  

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Gig ReviewsReviews
February 20, 2023
Suze Blacketer

[Review] Architects @ Adelaide Entertainment, Adelaide 17/02/2023

It’s been two albums (For Those That Wish To Exist and the classic symptoms of a broken spirit) and a pandemic since Architect’s graced our shores. Friday night saw them play in Adelaide with Canadian outfit Counterparts and local lads Thornhill.

Outside the venue the vibe was high and judging from the chatter amongst punters this was a post covid gig they had been patiently waiting for. Upon entering there are lots of early punters enjoying a beer in the foyer, but I made a beeline for the stage as to not miss a moment.

It's been a crappy few weeks for Thornhill, and I was happy to see them still on this lineup. For those unaware Thornhill was left devastated recently when close to $100,000 worth of gear was stolen from their rehearsal rooms, leaving the band unsure if they would be able to fulfill their tour commitments. The metal community jumped into action. Fellow musicians offered the use of their gear and music lovers supported a Go-Fund-Me campaign to the tune of 62K.

The talented Melbournians have a huge first half of the year, heading overseas in April so this may be the last time we see them for a while. The opening song pulled the punters in from the bar and the crowd grew considerably. There was no doubt that we were in for a belter of a performance from them. Asking the crowd to step closer we hear the tell-tale riff of Coven; cheers erupt from the crowd. This is a treat because as Jacob tells us, they don’t play this one often and he expects us to move! Prowling the catwalk, getting down low to the crowd Jacob exudes the aura of a superstar. Jacob dedicates Raw to the crowd with a heartfelt thank you “I want to thank every single person that has put any money into saving this band. It’s the only reason that we are here. This song is for you.”

Thornhill never fail to disappoint but tonight, knowing that they are playing with borrowed gear, their musicianship shines.  Drummer Ben Maida moves between hard hits and harder hits! Meticulous in the way he drums I found myself forgetting at times to watch the other guys!!!  Lily and the Moon, Hellfire Club and Where We Go When We Die are loudly welcomed by the fans as bodies sway and heave to guitars that impeccably screech and wail. We get our groove on to the hypnotic trance-like beat of Casanova which is Muse=esque like in its sound. Thornhill’s job is done as not only are we warmed up, we are burning.

Hardcore kids to the front thanks… I think it was 6 years ago I first saw Counterparts play at The Corner Hotel in Melbourne. Looking back, they may well have been my first taste of live hardcore music. If I was impressed back then future me was in for a whole new level of impressed second time around!!! Counterparts have aged like a fine wine.  Slamming us sonically from the get-go I think it took the crowd a few songs to remember to breath and move. Shouting out a thank you to the crowd for being there, vocalist Brendan Murphy stated, “We have a couple more left, hopefully you dig it, if not my fucking bad!’ before the band launched into Monument. I think there was a collective exhale as bodies started to flay around the pit. Down tuned guitars smashing against blasting beats made it impossible for your body to remain still. And the breakdown…. I wish I was young enough that a pit injury didn’t mean bed rest for a week!!! A quick glance around the crowd confirmed I was not the only person feeling this as we were aurally assaulted again and again. Vocally Brendan’s performance was downright mesmerizing, from the lowest of guttural growls to some insanely powerful screams, the man’s voice is an emotional rollercoaster. Having also released a new album (A Eulogy for Those Still Here) we were treated to a good mix of old and new with tunes like Love Me, Flesh to fill your Wounds, Unwavering Vow, No Servant of Mine and Your Own Knife. Counterparts’ fans are in for a massive treat this tour so don’t miss out.

There is a shift in the vibe of the room as faces scan the stage, searching for any sign of movement. Sam Carter bursts onto the stage amid a deafening roar as the band takes their positions. For the next two hours it’s hard to tell where the band stops, and the fans begin. Being at an Architect gig is like wrapping yourself in your favourite blanket. The connection and interaction the band has with their fans is like nothing I have witnessed before. In a room of thousands, they have a way of making it personal.

From the opening note of Black Lungs, Sam and the crowd become one vocally, such is the volume of the crowd they at times drown him out. Using every inch of the stage the crowd lap up every word they hear, so when Sam tells them to drop to their knees during be very afraid they don’t need to be asked twice.

“We are Architects it is our pleasure to be here in Adelaide, or should I say fucking Radelaide, we travelled 45 hours to be here.” says Sam. After a few technical issues we are pelted with the opening drum beat of Modern Misery. The first notes of These Colours Don’t Run ring out before the band suddenly stops the show and they leave the stage. Confusion as to what is happening only lasts a minute before security guards come running from all directions. The stage side curtain starts to move violently before collapsing to the ground. By this time someone has told me that a guy has stormed the stage, and we watch as he is ejected by security. Concerned, we wait as we are unsure if anyone has been hurt or if the band will take the stage again. Sam returns to the stage visibly shaken to address the crowd. He is angry and rightly so. “We give our energy and our lives and work so fucking hard to turn around and see someone fucking run on stage and run at Josh. That is fucking insane. This isn’t a game this is our fucking lives.” Sam went on to say, “When the guy was screaming in my face, telling me to respect Tom (Searle) and play some old songs we were playing the oldest song in the set you stupid fuck. We respect Tom every single fucking day of our lives” He went on to say that we need to understand the way people talk to each other is not on and that there is no need for violence. He got us to shake that bad vibe off because he was not going to let a piece of shit ruin our night. This is how Kings handle shit, what could have been our night over seemed to fuel the band to give us a once in a lifetime show.

Dedicating the song to Tom, the band began again, and throw everything they have at it. For the next two hours we are given the very best that Architects can give and then some. Royal Beggars, A Match Made In Heaven, Doomsday and Nihilist played alongside when we were young, tear gas and a new moral low ground. You can’t witness Architects live without becoming emotional and tonight was no exception. The intensity of the kaleidoscope of sounds being sent out into the space that we held for the band was mind blowing.  The night was the release that we all needed, and we are forever grateful to Architects for providing us with the music to do just that.

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Gig ReviewsReviews
December 1, 2022
Suze Blacketer

Deftones @ Thebarton Theatre, Adelaide 30/11/2022

Wednesday night saw Adelaide’s Thebarton Theatre packed to the rafters as the Deftones came to town. Fans lined up for hours prior to doors opening to get the much sought-after barrier position. In Australia for Good Things Festival, which starts in Melbourne tomorrow, Adelaide scored their only sideshow which was sold out impressively quickly.

Getting our night underway was Australian ‘Death-pop’ duo Vowws. Standing on opposite ends of the stage and shrouded in smoke Matt James (vocalist/guitarist) and Rizz (vocalist/keyboards) radiated an aura of mystery which was only amplified by their music. Chaotically beautiful comes to mind when trying to describe the performance that followed. Weighty guitar riffs, haunting synth notes and some extraordinary time signatures wrapped around us. Vowws live are a sonic experience to immerse yourself in and I am sure they scored some new followers from this set. The Season, Prague, One by One and Symbol System reverberated around the room as we watched in awe. If you get the chance, I highly recommend checking out a Vowws live show.

The anticipation in the air was palpable as we waited for the Deftones to grace the stage. Tightly wound bodies of all ages swayed then erupted as the band appeared. Frontman Chino Mareno made his way centre of the stage to the opening notes of Genesis from their 2020 album Ohms.  Chino’s alluring vocals wash over us. “We’re climbing out of the ashes” sums up the feeling as live music and international acts return.

Moving swiftly into Diamond Eyes, the melodic beat of the drums instinctively sees the crowd pendulate. An impressive discography provides magical moments but the opening riff for My Own Summer (Shove It) sends the crowd into a frenzy. Airborne bodies floated across the crowd, horned hands raised into the air and the crowd became a choir.

Digital Bath allows us to take a moment to appreciate the musicianship Deftones have in spades and the punters turn the notch back up to eleven as bodies crash and bounce against each other.

Sextape grants a reprieve as we catch our breath albeit for a moment. Rosemary, Be Quiet and Drive (Far Awa) and Change, Chino and the boys didn’t let up with providing something for every fan. Closing with Headup the crowd took the lyrics ‘Fly high, So fly, Fly free’ literally and once again the air was filled with flailing bodies.

Complimenting the night’s performance, an intricate and perfectly orchestrated light show surrounded the band. Beams of light crisscrossed the stage in perfect time whilst shapes faded in and out around the band as the stage backdrop continually changed.

Two hours of music heaven draw to a close as the fans make it known that we do want the night to end. Silhouettes returned to the stage to cheers, as guitars grind the opening riff to Ohms. The words ‘This is our time’ ring true as we forget the world and let ourselves get lost to the moment. Fittingly, for a school night, the band take us home with Back To School. A wall of grinning people, moving to the sounds of one of the best bands around, was a sight to see and an amazing way to end the evening. This was not just a gig but a Deftones experience

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Gig ReviewsReviews
September 28, 2022
Suze Blacketer

The Plot In You @ Lions Art Factory, Adelaide 22/09/2022

It’s not often I go out on a school night these days but when The Plot In You, Erra and Deadlights come to town, Thursday night somehow becomes the beginning of the weekend! It had been far too long since I had last seen any of these bands play live, so with much excitement, I headed into the city.

With the crowd starting to build, the sound of Brisbane’s Deadlights echoed through Lion Art’s Factory. Having not had the opportunity to see this band live since the release of their latest album The Uncanny Valley the opening notes of Schedule 1 are literally, excuse the pun, music to my ears. This band holds a special place in my heart, stumbling across their amazing album Mesma back in 2017 was a major factor in starting my love for metalcore. The set list included a selection of songs from the new album like The King of Nowhere, Contact and Echo Chamber along with favourites Invisible Hands and Bathed In Venom. Vocalist Dylan Davidson addressed the crowd pointing out that we all had one job – to feed off each other and create some energy. Punters took this advice on board and ensured that energy was high for the remainder of the evening.

There are no two ways about it, ERRA are a class act and after a five year wait Adelaide was more than ready for them. The hammering intro of drums kicked us into Gungrave and set the scene for what was a wild ride. ERRA have a magical way of pulling you in and holding you there until they are ready to release you. While JT Cavey’s powerful vocal range took us on a frenetic journey, Jesse Cash’s melodic vocals gathered us in for brief moments of respite before we were catapulted back into the vortex. Gifting us with a varied selection of their catalogue, with songs like Scorpion Hymn, Eye of God, Drift, Snowblood, Breach and my personal favourite Skyline – Erra could do no wrong.

Releasing Swan Song since visiting our shores last you can feel the crowd’s anticipation to witness live some of the songs off this superb album. A lone Landon Towers appears on stage, the crowd erupts as Landon emotionally gives us the first lines of Face Me while being joined on stage by the rest of the band. Prowling the stage while delivering Fall Again, Enemy and Paradigm, Landon encourages the sea of fans to “show me some shit”. Adelaide obliged as the band broke into past hits including NOT JUST BREATHING, THE ONE YOU LOVED, RIGGED, Time Changes Everything and Take Me Away with the crowd helping vocally. Bodies were lifted above the crowd of swirling moshers who couldn’t seem to get enough. For a heavy band Plot deliver every song with such raw emotion that sometimes it’s hard to decide whether you need to mosh or cry. And then just like that the night was over. Fans slowly made their way from the venue emotionally and physically spent, but with the biggest smiles. Damn it's good to have not only live music back but to see international acts touring again.

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