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The Used Announce 25 Year Celebration With 3 Albums In 3 Nights Across Australia

FULL ALBUM PLAYTHROUGHS:
SELF-TITLED, IN LOVE AND DEATH & LIES FOR THE LIARS

Rock icons THE USED have announced their Australian 25th Anniversary Tour offering an unforgettable experience for fans, with three nights in each city across Australia featuring a full album playthrough of the music they created that shaped the sound of early 2000s alternative rock. The celebration will highlight their first three albums performed in full: their self-titled record The Used (2002), In Love And Death (2004) andLies For The Liars (2007).

As the band reaches a quarter-century milestone, these records are largely regarded as highly influential, and it is no wonder each of them has been certified either platinum or gold by the RIAA in the US, and sold over 10 million albums worldwide.

The band is eternally grateful for the love and support of their fans throughout the years. Lead singer Bert McCracken, aka robbietheused, is “Overwhelmed! These first three records are what put The Used on the map. I can’t wait to experience the joy in playing all three records from front to back. I know it will be an amazing time. I wouldn’t miss it for the world. Sending love to you all and I hope to see you there!”. Bassist Jepha adds, “We feel extremely lucky and humbled to have been a part of something way bigger than ourselves for the past 25 years. To everyone that has been there from the beginning or is just starting out your adventure with us thank you. Here’s to the next 25!”. Drummer Dan Whitesides shares: “We can’t wait to play all of these songs from the first three albums, they mean so much to us as we know they do to so many people.”

The Australian tour will be kicking off on Wednesday 13 August in Brisbane, before heading to Sydney, Melbourne, Adelaide and closing out in Perth on Wednesday 3 September. Each city will be treated to three back-to-back evenings focusing on THE USED‘s formative first three albums, as well as some extra hits, with night one featuring 2022’s self-titled album, The Used, night two featuring 2004’s In Love And Death, and night three featuring 2007’s Lies For The Liars, all played from start to finish at their respective shows in all five cities.

Regarded as one of the most important albums in the post-hardcore scene, THE USED‘s self-titled 2002 album went on to influence a generation of artists, peaked at #63 on the Billboard 200 charts, and debuted at #34 on the ARIA Australian Albums charts. Certified platinum in the US and gold in Australia, The Used has been continually praised since release for its balanced mix of angst and beauty, towering craftsmanship and instrumentation, and a flawless outing from frontman Bert McCracken. An unfaltering landmark outing for THE USED, resoundingly celebrated for its infectious melodics, powerful beauty and emotion, and eclectic merging of punk, acoustic, metal, rock and beyond, The Used spawned iconic singles The Taste of Ink and Buried Myself Alive, while also kickstarting THE USED‘s prolific legacy.

Off the back of an extensive touring schedule following the release of their debut full-length, THE USED returned to the studio with producer John Feldmann to conjure their sophomore studio album, 2004’s In Love And Death. Balancing crunchy riffs with creative dexterity, In Love And Death explanded on the polished yet primal tendenciesintroduced via The Used, and sent THE USED‘s popularity into an entirely new stratosphere; one lined with heart-wrenching anthems, stirring melodics and plenty of spine-tingling heaviness. Across the board, soaring choruses meld with vulnerable lyrics and virtuosic guitar solos, with In Love And Death debuting at #6 on the Billboard 200, and once again reaching platinum and gold certification in the US and Australia respectively, while also igniting significant mainstream global appeal.

Released in 2007, THE USED‘s third studio album, Lies For The Liars, went on to land at #5 on the Billboard 200 chart, debuted at #5 on the ARIA Albums charts, and also become the group’s fastest-selling album in the UK. A high octane collection of cinematic spectacles and captivating arrangements, Lies For The Liars dives head first into guitar-driven rock, balancing levity with sharp production, horror punk and experimental pop injections. With its single Pretty Handsome Awkward tapped to appear on Michael Bay’s 2007 Transformers soundtrack, which itself debuted at #21 on the Billboard 200 charts, Lies For The Liars burgeoned THE USED‘s cultural impact, while also firmly reminding the world why THE USED were and still remain one of the most influential and important bands to emerge in the 2000s.

Next August and September, join THE USED celebrating 25 years of monumental rock down under, with three back-to-back shows per city offering fans the chance to revisit the three albums that started it all!

Early bird pre-sale tickets on sale: Wednesday 11 December @ 9am local time

To Gain Early Ticket Access Register Here ->https://daltours.cc/25Years

General tickets on sale: Friday 13 December @ 9am local time
Tickets from
destroyalllines.com

THE USED will also be offering VIP packages as part of their Australian 25th Anniversary Tour in 2025. Packages include a band meet and greet, photo opp, signed 12” Record Flat of “Album of the Night,” exclusive “Album of the Night” enamel pin, limited edition disposal camera, tote bag, metal laminate with lanyard with early access to the venue and merch. All tickets will be available on Friday, December 13 at 10 am local time at https://theused.net.

Destroy All Lines Presents

THE USED
25 YEAR ANNIVERSARY TOUR
TOUR DATES:

WEDNESDAY 13 AUGUST – THE TIVOLI, BRISBANE*
THURSDAY 14 AUGUST – THE TIVOLI, BRISBANE^
SATURDAY 16 AUGUST – THE TIVOLI, BRISBANE+
SUNDAY 17 AUGUST – LIBERTY HALL, SYDNEY*
TUESDAY 19 AUGUST – LIBERTY HALL, SYDNEY^
WEDNESDAY 20 AUGUST – LIBERTY HALL, SYDNEY+
FRIDAY 22 AUGUST – NORTHCOTE THEATRE, MELBOURNE*
SATURDAY 23 AUGUST – NORTHCOTE THEATRE, MELBOURNE^
MONDAY 25 AUGUST – NORTHCOTE THEATRE, MELBOURNE+
TUESDAY 26 AUGUST – THE GOV, ADELAIDE*
THURSDAY 28 AUGUST – THE GOV, ADELAIDE^
FRIDAY 29 AUGUST – THE GOV, ADELAIDE+
SUNDAY 31 AUGUST – MAGNET HOUSE, PERTH*
MONDAY 1 SEPTEMBER – MAGNET HOUSE, PERTH^
WEDNESDAY 3 SEPTEMBER – MAGNET HOUSE, PERTH+

* Playing Self-Titled Record
^ Playing In Love And Death
+ Playing Lies For The Liars

General tickets on sale: Friday 13 December @ 9am local time
Tickets from destroyalllines.com

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Gig ReviewsReviews

[Review] Papa Roach / The Used @ Margaret Court Arena, Melbourne 24/04/2023

Review By Lynda Buchanan

It was a warm Monday night in Melbourne, and while most people may have been preparing for a quiet evening at home, the music lovers of the city had other plans. They were flocking to Margaret Court Arena to witness a double headline show with two of the most influential bands in the emo/punk rock genre – The Used and Papa Roach.  

The Used and Papa Roach are veteran names in the industry and have amassed a devoted fan base that has been with them for over twenty years. The fact that they are sharing the stage for a double headline show is a testament to their lasting popularity and remarkable musical talent. As the venue filled up with eager fans, the excitement in the air was thick. 

Taking the stage to kick off the night were the energetic Japanese rockers, coldrain. Making their long-awaited return to Australia after an eight-year hiatus. Having never witnessed coldrain before, I was immediately drawn to lead singer Masato Hayakawa, his vocal range is truly amazing. The band treated the audience to an energetic setlist, showcasing tracks from their latest album, Nonnegative, as well as fan favourites from The Side Effects and The Revelation.  

coldrain’s performance set the perfect tone for the evening, effectively warming up the crowd and leaving a lasting impression. Proving why they were the ideal choice to open the show. Here is hoping we don’t have to wait another 8 years to see these musicians again.  

After a brief intermission, the excitement in the room heightened as The Used, took to the stage. They opened their set with Take It Away, a crowd favourite from their album In Love and Death, and the band was met with an outpouring of cheers. 

McCracken reminded the audience that at a Used emo show, they were allowed to be themselves, and nobody would judge them. He then launched into Blow Me, which had the crowd dancing and singing along. The circle pits were in full swing as the band played their music, and the crowd was more than willing to participate. When the familiar sounds of The Used new single from their upcoming album, Toxic Positivity, called F**k You rang out across the venue, the audience joined Bret and stuck their middle fingers in the air. 

Taste Of Ink was followed by the slower All That I’ve Got, which had the crowd singing along with full vigour. The band took a moment to celebrate the birthday of their lighting guy, Jeff, with a rousing rendition of Happy Birthday, which included a humorous ending with McCracken claiming it was his birthday too! 

The audience was treated to The Used’s latest single, Numb, with Bert giving them an unusual request – to boo instead of cheer at the end of the song. The crowd found it amusing and gladly complied. 

Jacoby Shaddix from Papa Roach took the stage by surprise to perform Blood On My Hands alongside Bert, and you could see all the phones go up throughout the audience to capture this surprise appearance forever. The band’s guitarist, Joey Bradford, showcased his skills with an incredible solo during the performance of Pretty Handsome Awkward. A request from the audience that McCracken, do a shoey. To which of course he obliged, catching the shoe that was thrown on stage and filling it with Red Bull before chugging it down. The crowd cheered and laughed in approval, adding to the overall high energy of the night. 

As the set drew to a close, the band rocked out to A Box Full Of Sharp Objects, giving drummer Dan Whitesides the opportunity to show off his drumming expertise. The set culminated in a mashup with Nirvana’s Smells Like Teen Spirit, leaving the audience pumped and energized. 

McCracken finished the show with a bang, hurling himself into the crowd and ending the epic performance on a high note. The audience was now nice and warmed up, ready for the Papa Roach

Excited yells rang though the air as the lights dimmed, and Jacoby Shaddix led Papa Roach onto the stage. A giant white cockroach loomed over the black backdrop behind them, and without missing a beat, the band launched into Kill the Noise from their newest release EGO TRIP, and it was crystal clear that Melbourne had missed Papa Roach dearly. 

As Jacoby launched into Getting Away With Murder, he asked the audience, “Melbourne, how the f**k are you feeling tonight?” and the crowd erupted in cheers. As Jerry Horton shredded out his solo, Jacoby continued, “Let me see those horns in the f**king sky!” Shaddix declared how rock n roll saved him, and it was clear from the crowd’s reaction that many of them felt the same way. 

Another new song Cut The Line from the new album EGO TRIP was next. Jacoby explained that he wrote the song with the mosh pit in mind. “F**k yeah, it feels amazing to play that new shit,” Jacoby exclaimed, grinning from ear to ear as the crowd cheered and began to headbang in unison. 

In  nod to their musical influences, the band played The Prodigy’s Firestarter and the Ramones’ Hey Ho Let’s Go intro before launching into I Wanna Be Loved as Jacoby took the chance to connect with the crowd and ventured out into the seated section of the audience, managing to navigate the entire venue while singing to and along with the crowd.  

Upon returning to the stage, Jacoby took a moment to deliver an uplifting message of hope and resilience, telling the crowd. “Show up for yourselves every day, you are worth it, no matter what your head says to you, no matter what the world says to you. That’s a fact, y’all!” and that pain is only temporary. The audience were clearly moved as the band played Scars while everyone lit up Margaret Court Arena with a sea of phone lights.  

The stage was ignited with energy as Bert McCracken made a surprise appearance during No Apologies. His unique vocal style and vibrant stage presence complemented Jacoby’s seamlessly. However, the collaborations didn’t stop there. Recently, Papa Roach concluded their much-anticipated Amazing Things tour in the UK, where they shared the stage with fellow rockers, Don Broco. As luck would have it, Don Broco will also be touring Australia very soon and had arrived early. So, to the delight of the Melbourne crowd, Rob Damiani joined Papa Roach for Between Angels & Insects. This was an amazing opportunity for Rob to give the audience a taste of what they will be seeing next week, and I have no doubt there were a few ticket sales as “Bobby Damage” left it all on the stage and earnt Don Broco new fans across Melbourne. 

As the sounds of Last Resort echo across the arena, the crowd becomes even more frenzied, if that was even possible. The audience screams the lyrics of the chorus back in unison and Jacoby stands back and takes it all in, basking in the moment. This is the magic of live music, and it’s a beautiful thing to witness. 

In that fleeting moment, as the band took their final bow, the appreciation was thick in the air, both from the performers and crowd. It was an unspoken agreement that each had given their all, leaving nothing behind. The audience departed with hearts brimming with happiness, their souls nourished by the events that they had just witnessed. 

It’s not uncommon for artists who have been around for a while, particularly those who have made their mark in the emo and pop-punk scenes, to be written off as being past their prime. But the performances by The Used and Papa Roach proved beyond any doubt that they still have what it takes to captivate a crowd and leave them wanting more. 

Their new music is just as powerful and relevant as their past hits, proving that these bands are far from being mere nostalgia acts. It was an amazing night that showcased the lasting appeal and talent of these two incredible bands, leaving the Melbourne crowd begging for more. 

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