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Cold Chisel announce six new shows on The Big Five-0 Tour

Cold Chisel announce six more shows due to unprecedented ticket demand

New shows go on sale to the general public on 18 June

#TheBigFive0

Cold Chisel have listened to their legion of fans by announcing 6 more concerts for their 50th Anniversary Tour … The Big Five-0.

New gigs have been added in Brisbane, Sydney and Melbourne where all tickets sold out in minutes of their release last week (see all dates and venues listed below). Shows have also been added for Canberra and the Hunter Valley following an outcry from fans in those regions. These new dates take the Australian tour to 23 concerts including a hometown appearance at the VAILO 500 in Adelaide which is onsale now.

Tickets for these new shows will be released exclusively for pre-sale to members of the Cold Chisel, Face-to-Face Touring and ticketing company mailing lists from Monday, 17 June at 1.00pm AEST to Tuesday, 18 June at 12.00pm AEST unless sold out earlier.

Final tickets will then be released to the General Public on Tuesday, 18 June at 1.00pm AEST.

“We were completely blown away by the response last week,” said Cold Chisel frontman Jimmy Barnes. “The demand for tickets was bigger than anything we’ve ever seen before.”

“Unfortunately we can’t do gigs everywhere so we’ve tried to get to the places where the outcry was loudest. That’s why we’ve added new shows in Canberra and the Hunter Valley, as well as additional gigs in Brisbane and Sydney plus two more in Melbourne,” says Chisel guitarist/vocalist Ian Moss. “The reaction of our fans has really fired us up – we can’t wait to play for everyone.”

In addition to The Big Five-0 Tour, Cold Chisel is also releasing 50 Years – The Best Of on Friday, 23 August and it’s available on multiple double-vinyl formats, on double-CD and on download and streaming services. The album, like the tour, covers all of their classic songs. It also features one great new track – You’ve Got To Move. To pre-order the album, go here

All shows are listed on the Cold Chisel website (coldchisel.com) and there’s still time to join the Cold Chisel mailing list (sign up here) for preferred access to tickets.

Cold Chisel is:

Jimmy Barnes – Vocals
Ian Moss – Guitars & Vocal
Steve Prestwich – Drums (RIP 2011)
Phil Small – Bass
Don Walker – Piano & Organ
Charley Drayton – Drums (since 2011)

NEW SHOWS

Wednesday, 30 October 2024
Brisbane Entertainment Centre, Boondall QLD
Special guest: Karen Lee Andrews

Friday, 22 November 2024
Sidney Myer Music Bowl, Melbourne VIC
Special guests: The Cruel Sea and Karen Lee Andrews

Saturday, 23 November 2024
Sidney Myer Music Bowl, Melbourne VIC
Special guests: The Cruel Sea and Karen Lee Andrews

Thursday, 28 November 2024
Patrick White Lawns, Canberra ACT
Special guests: The Cruel Sea and Karen Lee Andrews

Saturday, 30 November 2024
Roche Estate, Hunter Valley NSW
Presented by Red Hot Summer Tour
Special guests: The Cruel Sea, Birds of Tokyo, The Superjesus and Karen Lee Andrews

Wednesday, 4 December 2024
QUDOS Bank Arena, Sydney Olympic Park NSW
Special guests: The Cruel Sea and Karen Lee Andrews

General public tickets to the above shows go on sale on
Tuesday, 18 June at 1.00pm AEST.
Go to cold chisel.com/tour-dates for details

* * * * * * * * * * *

PREVIOUSLY ANNOUNCED SHOWS

Saturday, 5 October 2024
Petersons Winery, Mount View, Armidale NSW
Presented by Red Hot Summer Tour
Special guests: The Cruel Sea, Birds of Tokyo, The Superjesus and Karen Lee Andrews
SOLD OUT

Tuesday, 8 October 2024
Gold Coast Convention and Exhibition Centre, Broadbeach QLD
Special guest: Karen Lee Andrews
SOLD OUT

Friday, 11 October 2024
The Entertainment Quarter, Moore Park NSW
Special guests: The Cruel Sea and Karen Lee Andrews
SOLD OUT

Saturday, 12 October 2024
The Entertainment Quarter, Moore Park NSW
Special guests: The Cruel Sea and Karen Lee Andrews
SOLD OUT

Tuesday, 15 October 2024
WIN Entertainment Centre, Wollongong NSW
Special guest: Karen Lee Andrews
SOLD OUT

Saturday, 19 October 2024
Sandalford Wines, Caversham WA
Presented by Red Hot Summer Tour
Special guests: Birds of Tokyo, The Cruel Sea, The Superjesus and Karen Lee Andrews
SOLD OUT

Sunday, 20 October 2024
Sandalford Wines, Caversham WA
Presented by Red Hot Summer Tour
Special guests: Birds of Tokyo, The Cruel Sea, The Superjesus and Karen Lee Andrews
SOLD OUT

Friday, 25 October 2024
Flemington Racecourse, Flemington VIC
Special guests: The Cruel Sea and Karen Lee Andrews
SOLD OUT

Saturday, 26 October 2024
Flemington Racecourse, Flemington VIC
Special guests: The Cruel Sea and Karen Lee Andrews
SOLD OUT

Saturday, 2 November 2024
Victoria Park, Herston / Brisbane QLD
Special guests: The Cruel Sea and Karen Lee Andrews
SOLD OUT

Sunday, 3 November 2024
Victoria Park, Herston / Brisbane QLD
Special guests: The Cruel Sea and Karen Lee Andrews
SOLD OUT

Wednesday, 6 November 2024
Newcastle Entertainment Centre, Broadmeadow NSW
Special guest: Karen Lee Andrews
SOLD OUT

Saturday, 9 November 2024
Victoria Park, Ballarat VIC
Presented by Red Hot Summer Tour
Special guests: The Cruel Sea, Birds of Tokyo, The Superjesus and Karen Lee Andrews
SOLD OUT

Sunday, 10 November 2024
Mornington Racecourse, Mornington VIC
Presented by Red Hot Summer Tour
Special guests: The Cruel Sea, Birds of Tokyo, The Superjesus and Karen Lee Andrews
SOLD OUT

Wednesday, 13 November 2024
MyState Bank Arena, Glenorchy TAS
Special guest: Karen Lee Andrews
SOLD OUT

Saturday, 16 November 2024
QUDOS Bank Arena, Sydney Olympic Park NSW
Special guests: The Cruel Sea and Karen Lee Andrews
SOLD OUT

Sunday, 17 November 2024
VAILO Adelaide 500, Post Race Concert, Adelaide SA
Special guests: The Cruel Sea and The Superjesus

Limited tickets are still available from Ticketmaster

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THE SUPERJESUS NEW SINGLE “WE WON’T LET GO UNTIL IT’S OVER”

THE SUPERJESUS

NEW SINGLE “WE WON’T LET GO UNTIL IT’S OVER”

“Never stop never quit never give it up”

Watch the video HERE // Stream HERE

Fresh from a huge national tour with Live and Incubus, The Superjesus return with their first new music for 2024, “We Won’t Let Go Until It’s Over”. An anthemic rock track delivered in the kick ass style that has won The Superjesus a legion of fans over the last 3 decades, penned by Sarah McLeod and Stuart Rudd; produced, mixed and mastered by Murray Sheridan.

This song is one of my favourites from the record, I wrote it ages ago and submitted it to the band when we were doing the Love And Violence EP back in 2016, for whatever reason it didn’t make the cut. Never one to give up, I tried again in 2023. With our new line up and producer/drummer Murray Sheridan on the dials it finally came to life. I think the lyric line is quite fitting for this!”

– Sarah McLeod

CONNECT WITH THE SUPERJESUS HERE

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Gig ReviewsReviews

[Review] KISS @ Adelaide Entertainment Center, Adelaide 30/8/2022

Without a doubt, KISS was THE band that started it all for me. My obsession with rock music, the way that I dress, even the majority of my friends today…pretty much everything in my life can be traced back to KISS.

As a very young kid when KISS were at their peak of popularity in Australia, they were impossible to miss. They were everywhere! Everyone seemed to be listening to KISS as they were all over the TV, radio, and on the covers of so many magazines! At school, we were all trading KISS cards, eating Kiss ice-blocks and had their posters on our walls at home.

When KISS first toured here in 1980, I still recall being devastated that I was too young to go see them and nobody would take me.

Despite Kiss-mania being a relatively short-lived phenomenon in Australia (they were pretty uncool to most people about a year after their first visit here), I remained a fan for life.

Even though I’ve since seen KISS many times over the years, since missing that first visit here, I was very excited to see that they would be returning to the country for their End of The Road Tour. Initially, Australia wasn’t included on the band’s farewell tour schedule, but thanks to that pesky virus you may have heard about, the whole tour was postponed and then rescheduled with Aussie tour dates added! Thanks Covid 19!

Arriving at the Adelaide Entertainment Centre on the night, it was impossible not to feel the sense of occasion! Of course, there were fans dressed up as their favourite member of Kiss, complete with make-up and elaborate costumes, and plenty of fans just sporting the make-up with their casual jeans and rock T-shirts on.

As is often the case, a KISS concert evokes a vibe that’s like a cross between a rock show and a visit to the circus. It’s fantastic!

By the time the doors to the venue were opened, the gig was completely sold out! There were even quite a few people outside the box office holding up signs to let people know they were after tickets. It was good to see KISS were getting a proper send-off in Adelaide.

Inside the lobby everyone seemed to be buzzing with excitement. By the time I got down to the front of the stage with beer in hand, I was really feeling it myself.

Opening the show was Adelaide’s own The SuperJesus. I was very excited for them (and maybe slightly jealous) as I’ve known these guys for years and know how thrilled they were to be playing on the same stage as KISS. Obviously playing to a room full of KISS fans waiting to see their larger-than-life idols on stage could potentially be a tough gig, the band were up for the challenge for sure. They sounded tight and had a big enough sound to win over the crowd early on in their set. They blitzed their way through some of their best-known songs including Down Again, Secret Agent Man, and ending their set with Gravity, with frontwoman Sarah Mc Leod doing a great job of encouraging audience participation and making the most of the large stage. They did a great job of warming up the crowd for KISS.

Not long after this support set, the giant KISS banner was erected in front of the stage, adding to the anticipation in the room. Anyone who’s been to a KISS gig knows that when that curtain drops…a whole new world is revealed.

As time ticked down to the appearance of KISS, classic rock anthems blasted out from the P.A. getting the full room pumped up for the main event. Through AC/DCs Thunderstruck and Led Zeppelin’s Rock and Roll…the anticipation grew, until…those famous words echoed out loudly across the Entertainment Centre…’You wanted the best…you GOT the best…the hottest band in the world…KISS!!!!!!’

The curtain dropped right on queue and BANG!!! It was on! Lights, smoke, giant flames, fireworks…the larger-than-life band members dropping from the ceiling on giant robotic platforms…THIS is why KISS is synonymous with over-the-top rock n roll theatrics! Within the first thirty seconds of the show, you’re bombarded with everything you could expect from a big rock concert and more. 

To be honest, despite being a big KISS fan, before the gig I wasn’t 100% excited knowing what their set list would likely look like. KISS tend to stick to a fairly similar set of their best known hits, songs which I often skip when listening to Kiss as I’ve heard them all a million times over the years.

However, as soon as that curtain dropped and the opening to Detroit Rock City kicked off the show, all thoughts of issues with the set were instantly forgotten. Right after the big opening it was full steam ahead with the massive KISS anthem Shout it Out Loud. This one seemed to have everyone singing along at the top of their voice. From here it was early KISS with Deuce from their first album. During this song, the big screens were showing vintage footage of the band from the early 70s which got me thinking about the beauty of KISS being in full make-up and costumes again. Even though the core band members Paul Stanley and Gene Simmons are in their 70s now, being in character, they still look exactly the same as they did when I worshipped them as a kid! With the face paint on, they are still the star child and the demon, the rock gods they were to me back then! War Machine from the Creatures of the Night album was next, which has become a KISS live staple and fan favourite, despite this coming from a turbulent period in the band’s early 80s history. After this was the first song from the band’s non-make up days, Heaven’s on Fire which has always slotted perfectly into the set as though it was an early year’s classic.

Another song from the Creatures of the Night album that has become a KISS classic was next. I Love it Loud is one of the best rock crowd singalongs ever and did not disappoint, this one had the whole arena joining the call-and-response war-cry in unison, even those who weren’t familiar with this era of KISS seemed to be singing along loudly.

The one song that I was surprised was in the set was next. From the 2009 album Sonic Boom, came Say Yeah. This would have easily been the least known song from the KISS catalogue on the night but once again, being a typical Kiss anthem, it had everyone singing along by the end of the song. After this, it was back to classic KISS with Cold Gin, followed by an impressive guitar solo by guitarist Tommy Thayer, complete with fireworks shooting from his guitar!

The set continued on with popular songs from the band’s history, featuring all the KISS trademark moves, including bassist Gene Simmons breathing fire and then spitting blood while rising up on a platform to sing God of Thunder while  looking down from the top of the arena, a drum solo from Eric Singer while his drum riser lifted him up above the stage with smoke billowing from below, and then front-man Paul Stanley being carried from the front of the stage on a zip-line where he performed Love Gun up close and personal to those in the back of the room. From here, the band then launched into I was Made for Lovin’ You while Paul flew back over everyone’s heads to the main stage again.

The last song of the main set was Black Diamond, featuring drummer Eric Singer on vocals, with the band then vacating the stage behind a huge display of smoke and fireworks.

Within just a few minutes, the encore began with Eric once again on vocals, this time sitting behind a glittery grand piano for a rendition of Beth, the ballad originally sang by KISS’ original drummer. Peter Criss

As the show drew to a close, it was time for a song that was a huge hit in Australia for KISS but nowhere else in the world, Shandi, from the Unmasked album. As the opening chords rang out, dozens of huge KISS balloons dropped from the ceiling and it became a fun spectacle to watch as they were thrown around the Entertainment Centre, seemingly in time with the music.

Finally, it was time for the show-closing anthem that has ended many KISS shows over the years, and would likely be the last song the band would ever play in Adelaide…Rock and Roll All Nite. With this, the band certainly went out with a bang! As soon as the band said their goodbyes and launched into the opening chords of the song, they threw everything they had at the crowd. There was confetti pumped out into the air, smoke, fireworks, flames…all of the theatrics they had left in the bank were pumped out onto the stage for their final farewell and it was a spectacular finale for sure!

I seriously doubt that anybody who was in attendance for this gig had a bad time. KISS had lived up to the hype that they put on the best rock n’ roll show in the world and this seemed like a very fitting way to say goodbye to Adelaide on this final tour. To me, this gig more than reminded me of what got me into rock music in the first place, and I suspect it may have even inspired some younger audience members to discover it for the first time!

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Gig ReviewsReviews

[Review] Under The Southern Stars @ Margaret Court Arena, Melbourne – 16/03/2022

The stars align after a two-year hiatus to bring three generations of iconic rock and roll back to Melbourne.

With live music venues having the red tape treatment over the last two years finally, rock and roll lovers had the red carpet rolled out with an all-star international line-up gracing the Margaret Court stages in loud and proud performances uniting the enthusiastic Melbourne crowd.

Everywhere you looked the rock nostalgia was strongly represented, a sea of black t-shirts printed Metallica, Matchbox Twenty, Sex Pistols, Rose Tattoo, Rage Against The Machine and my personal favourite ‘Never too old for rock’ brought music lovers of all ages together under the one roof.

Two years out of the arenas and these accomplished musicians did not miss a beat, Bush stormed onto the stage with lead singer and guitarist Gavin Rossdale bounding around the floor with red and white flashing pyrotechnics and pulsating electric guitars and an audience ready to stand their feet and scream. Stone Temple Pilots emerged from the darkness with leading man Jeff Gunn breaking out in song with his thick brown trench coat, dark sunglasses and crouched posture digging deeps for those powerful choruses accompanied by original members Dean and Robert DeLeo showing they still got the goods on the guitar. Then the marvellous final set from Cheap Trick made the audience time travel back to the 80s with lead singer Robin Zander’s voice not losing any of its remarkable range and lead guitarist Rick Nielsen not losing any of his humour.

Every band’s leader showed their gratitude for the mighty Melbourne crowd who made the effort to stick around for the full concert; ‘it’s amazing to be here and trusting the show would go ahead … we’re just grateful to be out here’ Rossdale from Bush echoed to the audience. Gunn continued the appreciation for the audience saying how beautiful the crowd was and how great it was to be in Melbourne. Cheap Trick thanked the crowd by reminiscing about their experiences in Melbourne in times gone by including a rather comical conversation with Nielsen and the band’s young guitarist about never being to Australia, “and this is our youngest members first time in Australia” Nielsen exclaimed until the young guitarist corrected him with his revelation … he’d been here four times before … a stunned Nielsen admitting he was practically a local.

 The curtain raisers Rose Tattoo and Black Rebel Motorcycle Club got the crowd moving and shaking early in the piece, the strong rock and roll enthusiasts at the front swarmed the opening talent and made them feel right at home.

Some of the fans were simply swept up by the stardom on stage, one die-hard fan could be seen racing from pillar to post with a set list handy, hugging fellow fans and getting up close and personal at the edges of the stage in his sparkling golden jacket collecting sweaty guitar picks to add to his very own rock and roll hall of fame. His emotion did get the better of him as he teared up during some of spine-tingling harmonies sung in unison with the whole crowd during the chart breaking hits from Cheap Trick

In the kaleidoscope of great hits the crowd reacted to; Everything Zen performed by Bush had fans screaming the lyrics back at the band whilst Glycerine had audience members holding their phones up like a candle light vigil singing along with the lone Rossdale on stage strumming his electric guitar. The microphone was turned toward the fans as they were united singing the chorus of Comedown in the deep red lights as camera flashes buzzed around the stadium. The sea of phones again were raised as Stone Temple Pilots sang the catchy Interstate Love Song belted out by fans accompanied for flashing golden lights and a deeply crouched Gunn. Heads were shaking and sweat was splattering from the long locks of hair thumping to the chorus of Dead and Bloated which was fitting from those who made a few too many trips to the tuck shop. Cheap Trick teased their greatest hits out to the audience often making jokes about not playing The Flame instead opting to play some of their lesser-known tunes that only the die-hard fans would appreciate. However even the die-hard fans were starting to stamp their feet in protest. The audience that stayed to the very end however were treated to a plethora back-to-back Cheap Trick headline material playing If You Want My Love, I Want You To Want Me, Dream Police, Surrender and yes The Flame did get a run in case you were wondering. The seasoned professionals characteristically ended the show farewelling the audience the only way they know how … in song and bowing to a rowdy crowd appreciating the rock legend’s ability to stay at the top of their game for so long.

 So, for all your rock enthusiasts out there, if you want a concert that’ll have you clapping your hands, banging your head, using your phone as candle sticks and your voice a screaming speaker whilst you’re singing along arm in arm with a random golden jacketed mega fan then Under the Southern Stars is the concert for you to rediscover your love for live concerts. 

You can still catch this spectacular rock music concert series, featuring rock royalty Cheap Trick, global rock superstars, Bush and the legendary Stone Temple Pilots, and Black Rebel Motorcycle Club!!

 As well as Australian rock royalty Rose Tattoo and rock icons Electric Mary.

UNDER THE SOUTHERN STARS 2022

Sat, March 19: Bonython Park, Adelaide, SA
Sun, March 20: Bonython Park, Adelaide, SA
Tues, March 22: WIN Entertainment Centre, Wollongong, NSW
Wed, March 23: Quodos Bank Arena, Sydney, NSW
Fri, March 25: Kings Beach Ampitheatre, Caloundra, QLD
 Sat, March 26: Southport Sharks, Gold Coast, QLD
Sun, March 27: Riverstage, Brisbane, QLD

Presale starts Friday, Nov 26 @ 9.00am AEDT until 5.00pm Sunday, Nov 28 AEDT.
Register for presale access before 5.00pm on Sunday, Nov 28 for discounted early bird tickets.
General Public On Sale Monday, Nov 29 @ 9.00am AEDT
www.underthesouthernstars.com.au

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