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DON BROCO To Start World Tour In Australia This September!

“It was a sea of lost phones, crowd surfing, circle pits and items of clothing being swung like propellers — and you won’t catch one person complaining. They left everything out there and it felt like we’d all climbed a mountain together. And it was glorious – glorious, glorious carnage!” TheManc.com

“A better live show you will not see anywhere. It was fun, it was heavy, it was energetic, it was everything you want from a show and that’s exactly what Don Broco is all about.”
May The Rock Be With You; May 2023

” where do I even begin with the absolute powerhouse that is Don Broco? From the first riff to the last note, Don Broco is a rollercoaster of energy, emotion, and undeniable talent… a reminder of why Don Broco is revered not just for their studio albums but for the unparalleled magic they weave, live, onstage.” Metal Planet

“There is no such thing as too much fun when it comes to a Don Broco show. They have carved out a unique perch to sit on, where no matter where they set up camp, chaos will follow. They have the pit in total raptures, spinning and swelling with smiles aplenty.” Rock Sound

PROMISES MADE. PROMISES KEPT!
DON BROCO START WORLD TOUR IN AUSTRALIA!

When they were last here, Don Broco promised the fans they would repay their patience with their long absences and the outpouring of love and adulation at their shows, by playing Australia at the beginning of their next world tour, rather than at the end. They are keeping that promise.

They also promised devastated fans in Adelaide and Perth who missed out last time that they would definitely visit on the next tour. They are delivering on that promise too.
Fresh off a blazing set at the 2025 Download Festival in the UK, Don Broco have confirmed they’re back in the studio crafting their soon tpo be released fifth album.

With Australian dates confirmed for September, we will be among the very first in the world to hear some of those new tracks alongside all the bangers and crowd favourites from their meteoric career.

Thurs, Sept 4: Princess Theatre, Brisbane
Fri, Sept 5: Manning Bar, Sydney
Sat, Sept 6: The Croxton, Melbourne
Mon, Sept 8: Lion Arts Factory, Adelaide
Tues, Sept 9: Magnet House, Perth

Pre Sale: Fri, July 11 @ 9.00am
On Sale: Tues, July 19 @ 9.00am

Tickets from
thephoenix.au

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TESTAMENT: 5 Essential Thrash Metal Anthems To Mosh To Ahead Of Their Australian Tour!

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Bay Area legends TESTAMENT return to Australia this week for their first headline tour since 2010.

Since emerging from the San Francsico Bay Area TESTAMENT have delivered some of the greatest metal anthems of all time.  ‘Over The Wall’, ‘Practice What You Preach’, ‘Rise Up’, ‘Into The Pit’, ‘Brotherhood Of The Snake’, ‘Low’, ‘The New Order’, ‘First Strike Is Deadly’...  The list of absolute classics seems endless as they unleashed one crushing album after another.

With no shortage of critical acclaim, Testament remain one of the select few bands with 2 albums, (both The Legacy and The New Order) inducted into Decibel Magazine’s prestigious Hall Of Fame, alongside Metallica, Black Sabbath, and Motörhead.

Revolver Magazine included The New Order on their list of 14 Thrash Albums You Need to Own. Guitar World recognized Practice What You Preach as one of the Top 10 Shred Albums of all time. Guitar World called Low as one of the Iconic Albums That Defined 1994.  The Formation of Damnation won Best Album at Metal Hammer’s Golden Gods Awards. And released nearly 30 years after the band’s formation, Dark Roots of Earth became their highest-charting album yet!

Get Your Tickets Fromhttps://metropolistouring.com/testament-2025/ or https://thephoenix.au/testament/

We Reveal The 5 Essential Thrash Metal Anthems To Mosh To Ahead Of Their Australian Tour!

1. Rise Up: is a high-energy thrash metal anthem that captures the spirit of rebellion and empowerment. The song bursts with aggressive riffs, pounding drums, and commanding vocals as it urges listeners to rise against oppression and stand strong in the face of adversity. Fuelled by defiance, it embodies the band’s signature style, delivering both raw intensity and a powerful message of resilience. As part of Testament’s discography, Rise Up exemplifies their ability to fuse technical mastery with deeply motivational themes. It’s a rallying cry for strength, unity, and resistance.

2. Practice What You Preach: is the standout track from Testament’s 1989 album of the same name, embodying the raw energy and melodic craftsmanship that defined the thrash metal movement of the late 1980s. The song delves deep into themes of hypocrisy and moral accountability, urging listeners to align their actions with their words — a timeless message wrapped in relentless riffs and powerful vocals. The lyrical narrative is sharp and thought-provoking, questioning the integrity of individuals who fail to live up to their proclamations and ideals. Testament uses the song not merely as a critique but as a rallying call for authenticity in both personal and societal realms.

3. Native Blood: is a powerful thrash metal anthem that delves into themes of cultural pride and resilience. The song speaks to the struggles faced by indigenous people, emphasizing their strength in preserving their traditions and identity despite oppression. Through intense guitar riffs and commanding vocals, the track also serves as a rallying cry, urging listeners to embrace their roots and stand firm against societal challenges. Testament’s lyrical and musical delivery creates a visceral experience, highlighting the deep connection between heritage and the fight for recognition and justice. The song reflects frontman Chuck Billy’s Native American heritage

4. Into the Pit: one of Testament’s iconic tracks, serves as a thunderous testament to the power of thrash metal. Featured on the band’s second album The New Order, released in 1988, this song captures the raw intensity, aggression, and technical prowess that defined the burgeoning thrash metal movement of the 1980s. It remains a quintessential thrash metal anthem, embodying the genre’s spirit of intensity, musical virtuosity, and unyielding rebellion. Testament’s ability to channel raw power into their music ensures that this track continues to inspire and energize metal fans worldwide. Whether in the mosh pit or through headphones, Into the Pit is a timeless testament to the ferocity of thrash metal.

4. Low: is the title track from Testament’s 1994 album Low, marking a stylistic shift for the band. Moving away from their traditional thrash roots, the song embraces a heavier, groove-oriented sound with elements of death metal. Lyrically, Low deals with emotional turmoil, betrayal, and inner rage, expressing a sense of personal darkness and frustration. Chuck Billy’s vocals alternate between aggressive growls and melodic passages, complementing the song’s brooding, down-tuned guitar riffs. As a defining track of Testament’s mid-’90s evolution, Low showcases their willingness to experiment while maintaining their trademark intensity.

TESTAMENT June 2025 Australian Tour Dates
Wednesday 18th June – BRISBANE, The Tivoli
Friday 20th June – SYDNEY, The Metro – SOLD OUT

Saturday 21st June – MELBOURNE, Northcote Theatre – SOLD OUT

Sunday 22nd June – ADELAIDE – The Gov

Tuesday 24th June – PERTH, Metropolis Fremantle

“This night was pure thrash metal from Testament. Just one damn good song after another. This band is one of the all-time greats” – This Day In Metal

“A mind-blowing 1 hr 40 min show” – Loud Flash Magazine

“TESTAMENT are still as deadly as they ever were”.

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ZEBRAHEAD – Orange County Pop Punk Icons Announce October 2025 Australian Tour

“Zebrahead deserve their place amongst the likes of Blink-182, Sum 41 and Green Day as pop punk royalty. Theyhave every aspect of being a great live band absolutely nailed down: stage presence, stunning musicality, and great between-song banter that all converge to make their live show a true musical marvel” – Distorted Sound Magazine

THE ORANGE COUNTY POP PUNK ICONS, ZEBRAHEAD RETURN!

After a 7-year absence, SoCal Pop Punk/rapcore legends ZEBRAHEAD are returning this November to light up lives and stages across Australia.

Formed in 1996 in La Habra, California, Zebrahead carved a unique niche in the punk rock scene, fusing pop-punk, hip-hop, and raw energy. With hits like ‘All My Friends Are Nobodies’, ‘Playmate of the Year,’ ‘Anthem,’ ‘Falling Apart’. ‘The Perfect Crime’ and ‘Hell Yeah’, they have amassed a dedicated worldwide following that has seen them sell out tour after tour and deliver killer festival sets at the likes of Warped, Summersonic, Download, Reading, Slam Dunk, When We Were Young and so many others.

“Zebrahead were amazing. It’s such a pleasure to see a band have so much fun on stage and it is wonderful to see them care about their fans. They brought the party and the energy” – Genre Is Dead

“One of the most entertaining bands I’ve seen live. Tonight was no different” – Punk News

ZEBRAHEAD October 2025 Australian Tour Dates

Tuesday 7th October – PERTH, Amplifier

Thursday 9th October – ADELAIDE, Lion Arts Factory

Friday 10th October – MELBOURNE, Max Watts

Saturday 11th October – SYDNEY, Crowbar

Sunday 12th October – BRISBANE, Crowbar

Tickets:

Pre-sale: Monday 19th May at 9:00am local

General Public On Sale: Thursday 22nd May at 9:00am local

From: https://thephoenix.au

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PUNK ROCK FACTORY Announce November 2025 Australian Tour

GET READY FOR THE PUNK ROCK PARTY OF 2025!

“Like you rammed a truck full of Red Bull into a bus full of stand-up comedians in the middle of Vans Warped Tour. Joyous!” – Callam Fletcher

“PUNK ROCK FACTORY are a ridiculously enjoyable act to watch perform and the audience had the time of their lives singing and dancing to every single song on their set.” Distorted Sound Magazine

PUNK ROCK FACTORY bring everything you love about 1990s/2000s punk rock and deliver the classics and hit songs we all know the words to; like you’ve never heard them before. The band has redefined pop-culture and built a massive viral fan base worldwide. From Michael Jackson and ABBA to the theme from Bluey and Disney classics, nothing is off limits.

Having played iconic festivals such as Bloodstock, Download and Slam Dunk to rapturous applause, they are selling out venues worldwide and the party is headed back to Australia this November.

PUNK ROCK FACTORY 2025 Australian Tour Dates

Friday 21st November – BRISBANE, Crowbar
Saturday 22nd November – SYDNEY, Crowbar
Sunday 23rd November – MELBOURNE, Max Watts

Tuesday 25th November – ADELAIDE, Lion Arts Factory

Tickets:

Pre-sale: Thursday April 24th 9:00am Local

General Public On Sale: Monday April 28th 10:00am Local

From: https://thephoenix.au

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PALEFACE SWISS + Special Guests NASTY Announce September 2025 Australian Tour

PALEFACE SWISS Announce Headline Tour Across Australia!

Switzerland’s global reputation for being a peaceful and neutral country is in absolute tatters thanks to one band destroying all before them!

A lot has happened since PALEFACE SWISS’ incredibly successful, sold-out run with In Hearts Wake in 2024. Their fan base has exploded exponentially thanks to their now infamous sets at festivals such as Sick New World and the accolades are piling up for their crushing performances on sold out tours of Europe and The U.S.

Now the Swiss wrecking crew return to Australia as all conquering headliners, armed with their brand-new record, Cursed, which entered the Spotify Global Charts at #7, as well as reaching #3 in both the US and UK charts—a testament to their unstoppable rise.

Joining this already monstrous tour is notorious German Deathcore/Beatdown outfit NASTY, who have been aptly self described as “F*cked up music for a F*cked up World’’. With a fierce reputation for volatile live shows, relentless energy and brutal sound, Nasty are a force to behold.

“Nasty have established themselves as one of the breakdown greats. There is no doubting who these guys are or what they want to do; make you lose your shit in the pit. Grab some space and get ready to thrash!” – Metal Zenith

PALEFACE SWISS + NASTY

September 2025

Tuesday 2 – Perth, Magnet House

Wednesday 3 – Adelaide, Lion Arts

Friday 5 – Melbourne, Northcote Theatre

Sunday 7 – Sydney, Manning Bar

Tuesday 9 – Newcastle, King Street

Wednesday 10 – Brisbane, Princess Theatre

Tickets: https://thephoenix.au/

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[Review] Cradle of Filth @Northcote Theatre 27/09/2024

It’s been 5 years since Cradle of Filth have haunted these shores, playing their Cruelty and the Beast album in its entirety. The Australian Invasion 2024 tour has nearly sold out across Australia showing how much we love the Filth! Cradle of Filth have sold out 170 Russell the last couple of times and on this tour they are playing at Northcote Theatre, which is a 500 person increase in capacity and it still sold out! This would be my 4th time to the venue, and I decided to change it up and stand upstairs this time around to see if the sound is better or worse, I was not disappointed.

Northcote Theatre fills up quickly, it is already half full at 7:20 when locals Hybrid Nightmares take to the stage. This is the bands 3rd time in supporting Cradle of Filth, having had the chance to tour with them previously, I’ve seen these guys around the scene since they first started and it’s unreal seeing bands hard work pay off. Bringing in their A game tonight for a sold-out show, Hybrid Nightmare’s melodic black metal sound gets the crowd moving and headbanging within their 25-minute time slot, they play phenomenally, and the outfits tonight are on the simplistic approach, as opposed to previous years that I have seen them. It is quite clear that Cradle of Filth are an influence on these guys when it comes to stage performance. It’s always good seeing bands that put effort into their stage craft as well as their music, even if it as simple as wearing uniform colours.

This is Infected Rain’s first time in Australia, playing on a near sold out tour, where you would want to make sure you come in hot and make a great first impression, WELL GODDAMN! Did they ever!? Straight off the bat, they sound great, with heavy groove laden guitars and some electro backing tracks. Lena takes the stage, and everyone stops to watch and listen to her first scream, what a wicked voice! After the first song, a guy yells “WILL YOU MARRY ME PLEASE!?” the crowd laugh and Lena just smiles, laughs, and kicks on, showing that she can take the heckling and then also have the ability to carry the stage talk when tech issues happen after the second or third song, “There’s a problem in the kitchen!”. It is an important skill when being a front person for a band, you need to be able to make chat and you also need to be able to keep it from getting weird and awkward, Lena clearly has no issues in that area. Once they get over the tech issue and the songs are rolling, Infected Rain have the room at their control, bodies are moving, heads are banging, Lena commands and Melbourne responds. The band have an amazing energy, the guitarist is constantly throwing himself about and putting his whole body into his performance, the bassist plays incredibly well, just sitting in the pocket of the songs and creates the perfect heaviness, she then takes center stage at one point and has a little bass melody, as a fellow bassist, I appreciate this moment!  At the end of their set, a massive circle pit opens, it’s a great view from above, and it’s probably the biggest one I’ve seen in this venue, taking up nearly the entire floor. For a first time in Australia, I think they were convinced to come back, I have definitely been convinced to catch them again!

I don’t think I have missed a Cradle of Filth tour for the last decade, since turning the Godspeed on the Devils Thunder tour, they are one band that I have consistently made an effort to see live each time they come to Australia, I think I have even done Silver Tiger Media’s live review the last 3 times! I really enjoy Cradle of Filth! The intro to Existence is Futile begins and the crowd go nuts, Zoe Federoff, the latest female vocalist/piano player comes in with her intro note held beautifully and the band kick into Existential Terror. From the upstairs section, the sound is coming through reasonably clear but from the looks of things Dani, is not overly happy with what is coming through his inner ear monitors, there is a quick word with the stage sound tech before kicking into Saffron’s Curse and She is Fire but I don’t know what it is for Him, but he seemed bothered by something. The band are playing tight as always, the leads and twin melodies are cutting through mix as expected but we hit Dusk and her Embrace and something jumps, whether a guitar paused too soon or not soon enough, but something was amiss, but the band recovered so quickly, it was impressive, which is why I wanted to mention it. Yes, bands can play flawlessly and it’s always a good time but for me, after seeing them so many times and probably never seeing a mistake, not that I’m calling this instance a mistake, but seeing how a band you idolize handles a slight on stage and then recover so quickly is remarkable. Cradle of Filth write amazing music, they play incredibly well, and they handle situations with ease. It happened, they recovered, to anyone else, probably not even noticed, but to me, someone who has seen them play a fair bit now, and literally taking dot points on their performance, I thought THAT fact was incredible.

Dani’s stage banter is always a good laugh, he always has some Aussie joke, this time it was a comment about illicit crimes, something that we (Aussie’s) would know all about. He then also made the comment while introducing Necromantic Fantasies “This is a newer one, all you old school fans can go to the bar now, I saw you walking”. The encore kicks in with A Bruise Upon The Silent Moon, which is the intro to probably one of my favourite Cradle of Filth albums, Damnation and a Day, I get super excited to finally hear something off this album and the band kick into Promise of Fever! It was unreal! Finishing up their set with Cruelty Brought Thee Orchids, Her Ghost in the Fog and of course, From the Cradle to Enslave, the crowd are relentless, you can’t help but move around and bang your head to theses songs! When those keys kick in for …Cradle to Enslave, you just get this energy!

Even after years of seeing Cradle of Filth live, they still don’t disappoint, I notice something a little different each time I see them, but I have never left disappointed! I left the show, thinking I will be heading back upstairs for gigs at the Northcote Theatre, it’s a good view and great sound. Also I will go and find another Hybrid Nightmare show, go check out Infected Rain’s back catalog, whilst also remembering how Cradle of Filth have lasted this long in the business. They are damn good at what they do!

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ALIEN ANT FARM and CKY Announce Australian Co-Headline Tour

ALIEN ANT FARM & CKY ANNOUNCE AUSTRALIAN CO-HEADLINE TOUR

Alien Ant Farm has never sounded as massive – and well, confident. Welcome back AAF” – New Noise Magazine

AAF sounds as youthful and hungry as they did back then– The Indy Review

CKY lived up to the hype!– Slant Magazine

Two decades after ALIEN ANT FARM topped the charts worldwide with their singles Movies and Smooth Criminal (#3 and #1 on Australian Charts, respectively), you still cannot visit a rock club or turn on rock radio without hearing those songs blasted; evoking joyful memories of a better time when rock music ruled the world and auto-tuned garbage was far off in the distant future.

As great as chart success may be, however, Alien Ant Farm’s enduring legacy derives from the seemingly endless catalogue of incredibly crafted and equally worthy alt metal anthems such as Yellow Pages, Homage, Godlike, Glow, Forgive & Forget, Last dAntz, etc. and of course, the energy, ferocity and dedication with which they deliver those songs in a live setting.

2025 will see Alien Ant farm make their very long-awaited return to Australia for a co-headline tour with the equally iconic CKY, fresh off of their successful North American and European “CKY 25 Years” celebration touring.

cKy isn’t a band who have ever suffered from a riff deficit– Louder Sound

“cKy have managed to prove they’ve got more to offer than just a soundtrack to idiots jumping off buildings and riding kiddy bikes into frozen rivers. Big ups to the lads, cKy are back, baby!” – Wall Of Sound

CKY delivered the true grit, heart, and soul of live rock n’ roll and conquered this venue with a unrelenting barrage of harmony and groove. Believe me, if one attends a CKY show, be prepared for an onslaught of pure unabashed fun that needs to be experienced in a live setting– The Pop Break

CKY hoists the flag high for big, raw, authentic, earth-shaking music liberated from useless pretence.They burned it all down, with a raucous, anarchic rock sound soaked in the skate-punk culture that birthed them; and a hard-partying lifestyle onstage and off that left decimated relationships and reputations in its wake. CKY’s music is a huge part of the infamous Jackass TV series as well as just about every skate and surf compilation of the era. CKY has toured the world with the likes of Metallica, Guns N’ Roses and Deftones; and have seen artists ranging from The Dead South to Polyphia and Dillon Francis cover their iconic songs.

Alien Ant Farm and CKY February 2025 Australian Tour Dates:

Friday 7th February BRISBANE, Princess Theatre

Saturday 8th February SYDNEY, Metro Theatre

Sunday 9th February MELBOURNE, Northcote Theatre

Tuesday 11th February ADELAIDE, Lion Arts Factory

Wednesday 12th February PERTH, Magnet House

PRESALE: Friday July 25 – 9:00am (Local)

GENERAL PUBLIC ON SALE: Tuesday July 29 – 9:00am (Local)

TICKETS FROM: https://thephoenix.au

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[Review] Of Mice & Men, Metro Theatre, Sydney 24/02/2024

Two nights ago I was in Sydney for another gig and it was hotter than Satan’s armpit. Last night by comparison, I was wearing a hoodie, beanie, scarf and was still shivering! I also decided to brave the public transport system, since the train would be (and was) filled with a slew of Swifties, and also a smattering of Blink 182, Slash and Of Mice & Men fans, I figured it was safe to travel late at night.

Upon arrival at the venue, there was a growing line of black band tee shirts. Security staff came out to gather up those who had booked in for the Meet & Greet while the rest of us waited patiently to be let in.  The clock struck 8pm and doors opened. The floor area filled up quickly and I headed upstairs to find a seat with a view.

Bang on 8.30pm post hardcore 5-piece Sydney-siders, Sienna Skies take to the stage.  The bass guitarist did the harsh vocals, the drummer sang the clean vocals and the lead singer switched between both. Considering the limited amount of space they had on the stage, they played a very high energy 30 minute set which included singles, Even Stronger, brand spankin’ new release, Mess, Divided and finished the set with Let It Burn. They informed us that they are about to drop a new EP later next month and will be back doing their own headline tour in May.

After a timely gear changeover, we welcome alt.rock / metalcore 4-piece Melbourne band, Dream On Dreamer. With over 50 million streams and ARIA nominations, it’s easy to see why these guys were chosen as support band. They performed another high energy set which got the crowd moving and moshing with songs such as, Stay, Don’t Lose Your Heart and the new release, G.O.D. in the set list.  After an invitation to meet them at the merch stand, they leave the stage for the crew to prepare for the main act.

Hailing from So-Cal USA, RIAA gold record certified metalcore band, Of Mice & Men entered the stage to loud cheers and applause and opened their set with two 2014 bangers from their album Restoring Force, Bones Exposed, followed by Would You Still Be There, and then new song,  Castaway by this time the audience were singing along loudly, heads nodding furiously in time with the music. Then they played my personal fave, from their 2021 release, Echo, the single, Obsolete. Vocalist Aaron Pauley stopped to thank the audience for choosing to come to the Of Mice & Men concert stating that he was aware of all the choices available in Sydney that night, so the band are beyond flattered that the audience had chosen them. He then announced that it was time to play something heavy and that the next song was from their latest album, the mosh pit opened up and a circle pit ensued as they played Warpaint. Next up was another new track from Tether, current single, Indigo, then Pauley introduced the next song as a favourite of his from their latest album as they played, Into The Sun and then 2019’s Earth and Sky. Pauley asked if there were people in the crowd who had seen Of Mice play before to loud cheers in response and then he announced that it was time for OG and the audience shuffled back and a space was cleared in the centre of the floor, several people did back flips to cheers and applause, and as the band started playing OG Loko the circle pit began growing into a juggernaut of bodies. They played Instincts from 2018’s Defy album and then Pauley addressed the audience once again dedicating “the next song for anyone who is feeling grief”.  He explains that grief is that pain that’s right between the heart and the lungs, it’s the pain you feel when love has nowhere to go and leads into 2021 single, Bloom.  The set was rounded out by 2012 classic, The Depths.  Pauley thanked the Sydney audience again and the band left the stage for a minute or two, then returned to loud cheers and applause from the crowd as they played fan fave from 2010, Second & Sebring. Setlists, picks and sticks were tossed into the crowd as we all shuffled our way out to George Street.

It’s probably a strange thing to say but I noticed that the Of Mice stage set is so neat and tidy. After the support bands, everything except the OM&M drum kit was cleared off the stage. The drummer is positioned centre at the back and there are three risers placed at the front of the stage. The guitarists tend to stay on their own sides while vocalist Pauley moves around but mostly remains front and centre. In-between songs there is an ambient synth hum track played while guitars are changed and adjustments are made before commencing the next song. It’s like watching a well-oiled machine working. Of Mice & Men put on a well practised, professional performance, no doubt about it.

I mention these things as I’m coming off the back of just seeing another band two nights before in the same music genre but their performance was so different by contrast. Still professional and practised but the approach was far more relaxed and interactive with the audience.

What I did miss from OM&M was the presence of a human bass guitarist rather than a track, but so many bands appear to be taking this approach now. Overall though, Of Mice & Men perform their songs with such intensity and passion, taking the listeners along for the journey with them. Their songs inspire some of the most intense and somewhat aggressive looking mosh pits I’ve seen in ages, yet lyrically their vibe is dare I say, emotional and heartfelt. This dichotomy is fascinating to experience in a live setting – from a safe vantage point. I loved this concert for almost totally opposite reasons that I loved the concert from the other band two nights earlier.  If you get the opportunity, go check out Of Mice & Men.

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[Review] Mudvayne @ Hordern Pavilion, Sydney 16/02/2024

After 18 long years between Australian tours, a 12-year hiatus, and no new music since 2009, you’d think Mudvayne might have slipped quietly into the annals of metal history. But you try telling that to the thousands who packed Sydney’s Hordern Pavilion on Friday night. From the faded band tees pulled out of the back of drawers to the roar of the crowd before the first note, this wasn’t just a gig. This was a resurrection.
With the loco ones, Coal Chamber in tow this is a neat little package of nu metal goodness we could only dream of.

Fresh off a sold-out show in Brisbane, the Sydney crowd was buzzing from well before the doors opening. A line begins to build early, as bars nearby overflow with friends recounting memories of seeing these bands countless years ago. Many old school band shirts came out of the back of the drawer as I spot shirts from Mudvayne tours of the past. Most no longer black, fading to the lighter shade of grey, still adorned proudly.

Before we knew it the lights dimmed, Mr. Sandman eerily echoed through the PA, melting into John Carpenter’s Halloween theme. Suddenly, Coal Chamber’s neon-lit amps flared to life. From the first note we are treated to a meticulously selected set list from their near 30 year catalogue.

Who ever decided on opening with Loco into Fiend into Big Truck obviously knows what fans want. Each track going harder, louder and more energetic.
We were last treated to fresh Coal Chamber in 2015, the stand out track being IOU Nothing which goes down very well with the crowd mostly here for the early 00s hits. Dez Fafara stalked the stage like a man possessed, somehow managing to be both ferocious and totally in control. Between songs, he connected with the crowd effortlessly, he is in a league of his own!

Tracks like Rowboat, Dark Days, and Something Told Me kept the energy surging, but it was hard to look away from drummer Mikey Cox, who looked like a wind-up toy on overdrive -relentless and captivating. The energy reached its peak as Dez rallied the crowd to chant, ‘the roof, the roof, the roof is on fire’ with him. Beckoning in the staple Coal Chamber hit, Sway. Coal Chamber played 14 tracks over an hour, an absolute gift for longtime fans. But the nostalgia was just getting started.

The 30-minute intermission barely felt like five, thanks to the sea of old friends and wide-eyed disbelief that this tour was actually happening. Mudvayne and Coal Chamber. In Australia. In 2024. Madness.

Mudvayne come running out of the gate right on 9.30 with Not Falling opening the set like a sucker punch. As vocalist Chad Gray kicks things off with his iconic scream, bass player Ryan Martinie takes a tumble, his riser sliding on the stage floor. No injury could stop him, though. The man is a kinetic force, and for the rest of the night, he gave nothing less than everything.

If you asked most Mudvayne fan their seminal album, you’ll more than likely get the answer of 2001’s LD50. It was an incredibly important album of its time and influentials and plethora of bands.

For the next few songs, fans of LD50 were beyond ecstatic with Internal Primates Forever, -1, Severed and Death Blooms each one a cornerstone of Mudvayne‘s legacy, all met with monstrous cheers.

Mudvayne have been this reviewers favourite band for more than half her life, hearing these songs tonight is truly special and hearing ones almost 25 years old is a treat!

World So Cold brought a sudden hush to the venue as Chad Gray stood in his demonic corpse paint and asked the crowd to light up the room with their phones. It was a moment of surreal beauty amidst the chaos. There were tears – mine included.

The New Game was a favourite amongst fans as it was the first Mudvayne album released after the formation of HellYeah, in which both Chad and Greg were part of. Title track, Fish out of Water and Dull Boy had many singing along. But it was Under My Skin from LD 50 that sent the room into a frenzy. The moment the riff dropped, the crowd bounced like it was 2001 all over again.

Then came the chilling highlight, Nothing to Gein. Based on the life and crimes of serial killer Ed Gein, the song’s climax saw Chad crouched on his riser, rocking and screaming “soiled dirty boy!” over and over. The band built the tension until it exploded in a final, vicious breakdown. Drummer Matt McDonough played like he was trying to crack the Earth in two. The emotion portrayed by Chad Gray on stage is unlike any other artist. He leaves every last ounce on stage, and gives his heavy metal family all he can no matter which band he is playing in.

Mudvayne don’t bother with encore games. They deliver and destroy in one straight shot. Only two questions remained.

The first, ‘are you happy?’ To summon in the chart topper Happy? from 2005’s Lost and Found. Friends threw arms around each other, the pit bounced, and Greg Tribbett loomed stoically over the crowd, spikes in his hair, face paint stark against the lights, black goggles hiding his eyes like some metal crypt keeper.

Chad sauntered from one side of the stage to the other, teasing the question before bellowing it to the whole crowd: ‘CAN..YOU..DIG IT?!’. My smile reaches my ears (or so it feels) hearing the crowd sing Dig as loud as they possibly can until the final note.
Although it is abundantly clear the show is over, it doesn’t stop the ‘one more song’ or ‘10 more songs’ chants at different points of the venue, all joining into one.

Tonight will go down as one of those shows, one you tell stories about for the rest of your life. Coal Chamber were the perfect foil, adding aggression, nostalgia, and charisma in equal measure. And Mudvayne? They proved that not only do they still have it – they never lost it.

Though the headliners left their mark on each person tonight. Mudvayne have not toured here since 2006, tonight had been a long time coming. All in attendance made sure to embrace every moment and even selling out the merch table! Monitor and sound issues may have dampened a few moments but none of it mattered. Mudvayne gave us everything. They left blood, sweat, and soul on that stage.

This may be the last time we see Mudvayne on Australian soil. Outside of North America, we’re the only country lucky enough to witness this reunion live.
That’s not just special – it’s historic.

Thank you to The Phoenix team for making this dream a reality.
I thought I’d only ever experience this in my dreams. I’m so glad I was wrong.

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