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Gig ReviewsReviews

[Review] Darkest Hour @ Max Watts, Melbourne 09/02/2023

The hardcore and metal scene has to be one of the most dedicated group of people in the world, people showing up on a school night is great commitment to live music, overhearing in the line up outside “I just come from work straight down” or even the band commenting on how they are playing tonight then going home to get up and go to work, it just shows that we all do what we do for the love of the music and scene.

Starting off this intimate night are Melbourne’s RUN, a heavy hardcore act that came out swinging from the get-go even though there were minimal people at the very start. I feel like dedication and heart is the theme for tonight, for these guys, they had a banner playing behind them of a brain scan, this was in fact an actual scan of the singer’s brain from a couple of years ago after being diagnosed with brain cancer. It was a touching story that gives light into the reasons he does what he does. Back story aside, these guys played their hearts out with one of the guitarists first shows with the band, you wouldn’t have been able to tell, showing off their tight riffs and melodies giving their drummer plenty of room to be a highlight of their set with some unreal drum fills and great energy.

Following up was Primitive, an up-and-coming metal band with the style like Machine Head or Chimaira, heavy and melodic, great twin lead work and solid precision! Yet again with a slow filling room, these guys came out and played like it was a full house, getting people to move in closer and enjoy the show. Primitive played the stage like they owned it and the front man getting down to fist bump crowd in between riffs is a humbling sight, it’s always a good idea to interact with the people who show up and support. The band looked like they had a blast playing off each other’s energies and even from the middle of the venue you could see that the drummer had a massive grin on his face loving every moment.

Finishing up the local supports are The Ascended, bringing in their brand of melodic death influenced syncopated riffage. These guys make great use of their 3 completely different vocal styles with a clean and a more typical death growl style as opposed to the metalcore scream of the other supports. Following along in the melodic sense of the night, The Ascended show off their musical prowess with some unreal leadwork and big sounding choruses with some of the crowd singing along, they’ve got some killer songs. The thing about metalheads is that they are pretty damn humble, “Thank you for coming out and spending your Thursday night with us, we appreciate it!”. They appreciate the chance to support and play live, all bands playing tonight have shown that being humble is also apart of the scene lifestyle, we appreciate the chances we have to play live music once again and have international bands back.

All of these bands have shown aspects of a Darkest Hour influence or at least the scene they represent. Its unreal to see how bands influence a play style throughout generations. 10 years since Darkest Hour have been to Australia, and while their fanbase maybe smaller tonight they make up for in energy and heart for seeing these guys do what they do! From the beginning of the intro music to the final chords the crowds energy is relentless and feeding the band, showing it’s always worth while and amazing to be apart of the live music scene.

Darkest Hour come out showing why they are still doing what they do twenty odd years later, with incredible energy and clearly enjoying how excited the crowd are. The guitarists are fantastic to watch as they bounce of each other’s melodies and solos and I couldn’t help but notice the drummer having an ambidextrous looking set up of his drum kit, it was nearly identical for each hand, watching how he played was unreal. Playing songs that cover their career, the singer stops about midway to ask if anyone was at their tour 10 years ago to a fair few of the crowd responding and then asking if anyone’s got their first record, a couple of people go berserk and the singer is just stoked that there are people here that have been listening for so long “This song is for you few”. 

I love seeing these types of shows, the bands that have only been here once or twice and finding that there are still fans around the world that get into their music and from seeing the age difference in this crowd, its covered a generation of Hardcore/Metal fans! That’s incredible. What is also incredible to see and hear is how bands unconsciously help shape a sound and in the Metalcore world, Darkest Hour would have to be one of them! If they come back on the next album cycle, get out and catch these guys!

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Gig ReviewsReviews

Sleeping With Sirens @ Max Watts, Melbourne 1/12/2022

It was a delightfully cool evening that heralded the start of summer as I arrived at Max Watts, 30 mins before the doors were to be opened. A long queue had already formed and snaked it’s way around the corner and down the alley like a magnificent, black veiled, rainbow serpent.

Emo, Metalcore, Post-Hardcore, none of these labels mattered tonight. All that mattered was that Sleeping With Sirens were in Melbourne and had sold out the venue.

 First up were Melbourne’s very own, Bad/Love. Having just completed a tour in October supporting Stepson, the boys were in fine form and delivered a killer, high energy set from start to finish. Their guitarist appeared to have had some technical issues early in the set but the band smoothly continued while it was sorted out and didn’t miss a beat. The crowd responded enthusiastically towards the band and even got a circle pit going mid set.

After some initial delays due to technical issues, The Beautiful Monument took to the stage and delivered a set that was like a soundtrack to an emotional roller coaster. Songs akin to a cocktail of heartbreak and angst resonated with the audience as vocalist Lizi Blanco managed to simultaneously capture both joy and sorrow in her performance.

While we waited for Sleeping With Sirens to take the stage several ABBA songs were played over the sound system much to the crowds delight. They gleefully sang along, loud and proud to know all the lyrics. I guess no matter what genre of music you are into, we can safely assume everybody loves ABBA.

At 9:40pm the lights dimmed and the crowd screamed as Matty Best took to the drums and gradually built upon the tension in the room with a series of well executed drum fills. As he reached a crescendo the whole band ran out on stage. Kellin Quinn acknowledged the crowd and was rewarded with a raucous reception as the band began playing, Break me down.

Sleeping with Sirens performed with a frenetic energy as Kellin swung his microphone from his neck and bassist Justin Hills ran around giving high fives to members of the audience. By their 3rd song, Leave it all behind, the crowd had transformed into a sea of undulating bodies creating a marriage of synchronicity and chaos.

Circle pits and mosh pits spontaneously erupted and we even got to see the infamous wall of death as they performed Complete Collapse and Crosses off their new album. Aggressive, groove driven verses gave bloom to anthemic choruses that the fans were all too eager to sing along to. From their reaction it seems the fans not only approve but absolutely adore the new material.

Despite all the moshing the crowd seemed respectful of each other at all times and there was a sense of camaraderie among the fans. This sentiment was further reinforced when Kellin made a heartfelt speech about self worth and being there for each other. We were even treated to a little acoustic set performed by Kellin Quinn and guitarist, Tony Pizzuti which included a tasteful cover of Iris by The Goo Goo Dolls.

Ending on a high note they played Bloody knuckles off the new record and the fan favourite If I’m James Dean, You’re Audrey Hepburn. Sleeping with Sirens definitely have some of the most passionate fans I’ve ever seen and it seems to me that to them these aren’t just songs, but Anthems for those who don’t belong. And for them Kellin Quinn isn’t just a vocalist, but the voice of their generation.

If tonight’s performance was anything to go by then I can confidently say that we’re in for one hell of a day at Good Things Festival.

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