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Like Moths To Flames Announce New Album ‘THE CYCLES OF TRYING TO COPE’

U.S. metalcore act Like Moths To Flames have announced their new album THE CYCLES OF TRYING TO COPE. It arrives on May 10 via UNFD.

The band has also shared the video for the explosive juggernaut of a new single Kintsugi, which also shows off the melodic and contemplative side of the band. 

Each song that the band has released is like one of the cycles of trying to cope. The term Kintsugi refers to the the “fracture” cycle. Kintsugi is the Japanese art of repairing broken pottery by mending the areas of breakage with a mixture including powdered gold — essentially repairing the cracks with gold.

“When things go wrong, I think we are left to pick up the pieces and forced to choose which piece to leave with,” says singer Chris Roetter. “If it’s not possible to leave with everything the way it was before it broke, how do you know what piece to hold onto?”
 
 As for the album as a whole, Roetter shares, “The record encapsulates the many varying emotions we go through when trying to grow through life. The last few years, I really tried to harness some of those emotions as a catalyst to get through whatever I was going through at the time. I think we all have our own unique ways to cope and these are mine.”
 KINTSUGI – OUT NOW
https://lmtf.lnk.to/TCOTTC

THE CYCLES OF TRYING TO COPE – OUT MAY 10
https://lmtf.lnk.to/TCOTTC

LIKE MOTHS TO FLAMES ARE:
Chris Roetter – Vocals | Zach Pishney – Guitar
Roman Garcia – Drums | Cody Cavanaugh – Guitar

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Gig ReviewsReviews

[Review] Void Of Vision @ Factory Theatre, Sydney 13/08/2023

Review By Megan Milner

It was a night of international mayhem as Thailand’s very own ANNALYNN, the US powerhouses Varials, and Like Moths to Flames joined forces to set the stage ablaze but it was the Australian metalcore titans, Void of Vision, who truly stole the show. After back-to-back sold out shows in Brisbane and Newcastle, the spotlight is on Sydney’s Factory Theatre where the frenzy continues. 

ANNALYNN’s debut Australian tour kicked off with an exciting start, drawing in a crowd eager to catch their set as the opening act of the night. They wasted no time diving headfirst into a high-energy set that had the venue buzzing. A particularly memorable moment saw one of the guitarists jumping in the middle of the mosh pit, kicking the air while delivering a chunky riff! What struck a chord beyond the music was the genuine kindness and gratitude each band member radiated in response to the warm reception from the Sydney crowd. This connection between performers and fans added an extra layer of magic to the night, setting the stage for a hell of a night. 

Varials shattered the silence with heavy vocals that felt like a punch to the gut. The bass in their breakdowns hit so hard, you’d think they were trying to rearrange your internal organs. Hailing from Philadelphia, Pennsylvania, these guys brought the melodic heavy vibes that made you want to throw down. The frontman was a whirlwind, engaging the crowd with infectious energy. Choreographed guitar swings during breakdowns left the audience spellbound, and the closing anthem Stigmata, with its battle cry of “This is a holy war, death to all who fail” was a fitting finale. What truly set them apart was the constant dynamic movement of each band member, a visual treat that matched the auditory onslaught. After the show I learnt their original vocalist, Mitch was involved in quite a serious van crash returning home after a show and was on doctor ordered rest. We wish him a very speedy recovery!  

Then, Ohio’s Like Moths to Flames grabbed the baton and ran with it. The crowd packed in tighter, fuelling the energy as livewire lead singer Chris Roetter moved like he was born on the stage, commanding attention with every move. The backup vocalist, belted out cleans that could rival anyone’s, adding a new layer of intensity. With piercing eye contact and demanding interaction, the crowd did not stand still for their entire set. The lighting might’ve been a bit flat, but the performance was anything but. As their set came to a close with Bury Your Pain it was evident that every band on the bill was elevating their game, leaving us eagerly awaiting what the headliner had in store. 

It was time to brace ourselves for the Aussie ambush, Void of Vision! As they took the stage, the lead singer Jack Bergin sports a spiked balaclava that hinted at the madness to come. The Factory Theatre, the very same venue where I had witnessed Bad Omens’ first-ever headline show in Sydney earlier this year, was now the stage for yet another unforgettable show. The memory of that night, cut short by lead singer Noah Sebastian’s vocal troubles, lingered in my mind as I watched Void of Vision’s lead singer, adorned in a similar mask, command the stage with unstoppable force. 

With tracks like BERGHAIN, they sent us spiralling into a sonic vortex, balancing raw heaviness with melodic finesse. DOMINATRIX came to life, and the energy was off the charts, their choruses were like anthems, by the leather-and-chains-clad band, a sight far from your stereotypical metalcore scene. The drummer showed off with stick-spinning tricks, he may not have been up front with the guitarists and vocalists, but he was showing us he could move just as much and add to the visual element. Their foray into a heavy dance beat, ASMR transformed the atmosphere, showcasing the band’s versatility. HELL HELL HELL and the entrancing GOTHIKA REMIX shook the venue, a testament to their mastery of diverse genres. 

INTO THE DARK emerged as a standout track of the night and an undeniable favourite for many, myself included. The energy was electric, with every soul in the crowd seemingly knowing the lyrics by heart. The chorus ignited a unity of jumping that reverberated through the floor, creating a palpable connection between the band and their dedicated fans. As ALTER and THE LONELY PEOPLE made their appearance, there was a subtle sense that the set was winding down. But just when you thought it was over, Bergin made a triumphant return to the stage with a guitar in hand, signalling the beginning of Angel of Darkness

In the end, this concert was a metalcore lover’s dream, and the resilient Sydney crowd who braved the weather were rewarded with an unforgettable night of musical brilliance. The grins were as wide as the mosh pits, and it was clear that new favourite bands had been discovered. The sea of newly adorned merch was a testament to the connection forged between artists and their fans. As the echoes of the night’s performance lingered, one thing was certain: this wasn’t just a concert; it was an immersive experience that left a lasting mark on everyone fortunate enough to be part of it.  

 

You can still catch Void of Vision at the following dates: 

AUG 16TH • THE BASEMENT, CANBERRA
AUG 18TH • 170 RUSSELL, MELKBOURNE
AUG 19TH • LION ARTS FACTORY, ADELAIDE
AUG 20TH • MAGNET HOUSE, PERTH

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