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IT’S A WRAP!!! GOOD THINGS FESTIVAL Review & Gallery @ Melbourne 02/12/2022

Review Contributed by Josh Mak and Kynan Arden

Photos Contributed by Shane Henderson

Two long years have passed since the last Good Things Festival blessed the Flemington Showgrounds. Melbourne, you have waited, you have endured and now rejoice for live music is back and festival season is upon us.

I arrived around 11 am and the weather was forecast to be a sunny high of 22 and low of 15. Warm sun and a cool breeze, what more could you ask for? This wasn’t just my first time covering a festival, it was actually the first festival I have ever been to. With five stages and a total of 32 bands, I was going to need a game plan on how to tackle this behemoth. We (Josh and Kynan) drew up a strategy on which bands we would individually cover, this way we could efficiently move from set to set without the need to traverse the Showgrounds and jostle with the crowds as much. 

So, whether you’re a veteran or a virgin of the festival scene, sit back, relax, spark up and join me as I take you through the experience that was Good Things 2022.

The first band of the day was the winner of Good Things Festival’s Battle of the bands, 

Among The Restless. Rhett James (Vocals), Lachie Dunn (Guitar), Seamus Glenn (Guitar), Josh Marra (Bass), and Jaidyn Hale (Drums). These boys had fought hard to be here and were eager to prove why they had earned and deserved this coveted opening slot.

There were some technical issues at the beginning of their set, as a sample that was supposed to introduce the band didn’t play. Frontman, Rhett James made a split-second decision and said “Fuck it, let’s play.” This is highly commendable and showed their professionalism and ability to adapt to challenges. Ripping through a blistering set of six, including their new single Torn, no corner of the stage was left unexplored by Rhett James as he danced and engaged the audience. The band’s brilliant musicianship and energy paid off and the crowd grew with each song that they performed. It’s never easy being the opening band with such giants of the industry on the bill, but Among The Restless certainly impressed me with their ability to draw in and win the crowd. Keep your eyes on these boys because they are definitely going places.

Those Who Dream were another band that kicked off the day, and despite the technical difficulties which continued throughout the day, the young duo worked with what they had and still delivered a killer performance, with Josh’s charismatic engagement with the audience, and Hazel’s contagious enthusiasm that could make even transphobic troglodytes’ grin. The sudden drum battle between the two got the crowd pumped and wanting more

Check Out the Gallery from Stage 5

Stage 2 was adorned in blue and yellow, the colours of the Ukrainian flag. This was going to be an emotionally charged set and those emotions were rage and determination. Jinjer burst onto the stage with all the subtlety of an explosion. The band played with surgical precision and vocalist, Tatiana “Tati” Shmalyuk’s vocals were on point. From deep guttural growls to haunting and melodious lines, she awed us with her range and execution. It was truly powerful and inspiring to see a band from Ukraine perform on the main stage given the current events in their home country. Mid-set, Tati took the time to thank the audience and Australia for their support of Ukraine, and the crowd roared in solidarity. You could feel the magic in the air and I’m sure that I wasn’t the only one with goosebumps from this. Then with the authority of an army general, Tati said “If fucking Putin is listening then let’s tell him with the next song that we want our country back!” War is a terrible thing but music has a power stronger than any weapon. Jinjer showed us how true this statement is.

Swedish punk rockers Millencolin were up next on Stage 1. They had a really fun vibe and got the crowd into party mode. Although their music was punk-based it did have a lot of strong rock and roll elements to it. Millencolin proved that no matter what genre of music the Scandinavians play, whether it's power metal or punk rock, they always do so with a high level of musicianship.

Thornhill, after a year of European and American tours, delivered as always on their home soil with a packed crowd, with a mix of their hits alongside tracks from their recent album Heroine, and the natural performing chops of the individual members themselves, especially the guitarist Ethan whose poses remain unmatched.

The Swedish invasion continued with the mighty Sabaton. I had been very keen to watch their set but the reaction of the crowd caught me completely off guard. People started pouring in and moving closer to the stage just before they were due to appear. Then as if cued by some unseen mystical force they all began chanting “Sabaton, Sabaton!

A flash of sparks and flame accompanied by a deafening roar and there they were. Dressed in matching camo print cargo pants and frontman Joakim Brodén with his signature armored vest and sunglasses. The mood had changed and it seemed like every person here was a hardcore Sabaton fan.

I was immediately pulled into the pit as the crowd went into a frenzy. The fans had decided on my behalf that I was staying for this entire set whether I wanted to or not. Not that I wanted to leave, because Sabaton played an absolutely mind-blowing set! Tales of war throughout the ages were told by Joakim in a commanding voice that was equal parts glorious and gritty. Guitarists, Tommy Johansson and Chris Rörland dazzled us with technically precise shredding paired with melodic phrasing that power metal is so well known for. 

We were a brotherhood born in flames, smoke, and war cries. In these moments the crowd became an army of warriors united under the flag of Sabaton.

Check Out the Gallery from Stage 4

I now had a little time before I was due for the next set so my stomach decided for me that it was time to explore the food and other attractions on offer at the festival. I really must commend the organisers of Good Things Festival as there was a plethora of food trucks to choose from. Argentinian steak sandwiches, German bratwurst, Nachos, Burgers, dumplings and the list went on. I could probably write an entire review on the food trucks alone but maybe we’ll save that for next year. The majority of the food was reasonably priced and there were sufficient stalls that made it possible to grab a bite without waiting in line endlessly. Water stations, sunscreen, and even a phone charging station were placed throughout the venue and there was no lack of toilets.

A huge marquee was erected in the middle of the Showgrounds where people could have their lunch or just get out of the sun for a bit and in the marquee, there was a cover band playing the fan favourites.

There were also a few small theme park rides, tattooists, and barbers. Not really my kind of thing at a music festival but judging from the lines, the punters seemed to enjoy it.

I eventually settled on some nachos and now that I was fed it was time to get back to the music.

Nova Twins. What on earth can I say? If these girls don’t reach every corner of the world with their charisma and dominance that could match Cleopatra herself, I will accept that intelligence no longer exists. Even after the lengthy delay due to sound issues, the twins did not hold bad, delivering the baddest, most fiery performance imaginable with their urban punk/grime sound, encouraging the combination of twerking matched with moshing within the crowd

Check Out the Gallery from Stage 3

Queensland’s darlings of the metal core scene, The Amity Affliction were up next. They definitely drew the largest crowd I had seen so far. Moshing and crowd surfing were aplenty despite large banners saying they were forbidden. I guess the fans took it as more of a suggestion than a rule to adhere to. Having said this, it would be remiss of me if I didn’t mention that the overall atmosphere at the festival was very positive. Everyone I saw and interacted with was very respectful and was here to enjoy the music and not cause a nuisance. 

All in all The Amity Affliction was certainly a crowd favourite.

Having had their style described as progressive technical death metal, Gojira certainly did not disappoint. Brutally crushing dropped-tuned goodness was conveyed via insanely fast and violent rhythms. Vocalist and guitarist Joe Duplantier, together with drummer Mario Duplantir played at inhuman speeds. Showing a level of virtuosity I had never seen live. Many people have a stereotypical image of romance, art and croissants when they think of France. Gojira decisively destroys that stereotype and invokes more gritty imagery like a harsher version of Luc Besson’s Banlieue 13.

Sleeping with Sirens had just finished their set at stage 3 and as Soulfly was about to take the stage you could see a noticeable shift in the fan demographics. Gothic attire and brightly coloured hair gave way to leather and denim vests adorned with patches. Soulfly’s performance can be summed up as pure distilled tribal brutality. An intoxicating blend of crushing riffs and strong grooves from the drum and bass. 

A most welcomed surprise for me was seeing Dino Cazares of Fear Factory filling the role of the lead guitarist as a special guest for this tour. His playing was breathtaking. Syncopated rhythms and dissonant lead lines made all the fans hope that this wouldn’t be the last we see of him performing with Soulfly

Max Cavalera one of the actual legends of the metal scene was amazing and everything I imagined him to be live. His experience from decades of touring came through in his playing and showmanship and my God did he have a ferocious roar. The sounds coming out of Max Cavalera’s mouth made you think that he came from a place much further south than Brazil. Zyon Cavalera, Max’s son was a master on the drums, beating the skins with ferocity and feeling. It was heartwarming to see two members of the Cavalera family share the stage once again.

Soulfly’s fans were almost rabid and you could taste the tension in the air as Max called for a wall of death. Passion, excitement and just a tiny tinge of danger thrown in for good measure made Soulfly’s performance my favourite of the festival.

Check Out the Gallery from Stage 2

TISM. Oh TISM. Even after 19 years of silence, you drew one of the largest crowds filled with both aged and younger fans, who could scream all day about being a wanker, sexual envy, drugs that killed River Pheonix, and yelling at the cu*t Greg for continuously missing the bloody stop sign. The trash bag suits, plastic masks, and the gimp outfits brought a new but exciting feel to Good Things Festival.

NOFX began their set in the most spectacular fashion by declaring themselves the best band at the festival. Then quickly noting that they were also the oldest band and drew attention to their hairlines. In the best possible way, they treated their headlining festival set like it was a backyard pool party with friends as Fat Mike and El Hefe traded banter with each other and the crowd. The cheekiness and mischief were dialed to 11 and at one point El Hefe who is a trumpet player, mimicked a trumpet line from a song with noises from his mouth while miming the action with his hands. 

The majority of the things that came out of Fat Mike’s mouth are probably too non-PC to put to print in this day and age but here are a couple of highlights. 

“A lot of the bands here today are angry. We’re not angry we’re grumpy.”

“We’re about to play more songs nobody cares about so get ready for more disappointment.”

“My nipples can play a mean didgeridoo.”

There are many bands that claim to be punk but few bands embody the philosophy of punk like NOFX does. Some bands are virtuosos musically but NOFX are the true masters in the art of not giving a fuck.

The time had finally come, Deftones were about to take the stage. Having learned from my earlier experience during the Sabaton set, I opted to not stand too close to the stage in order to avoid getting caught in the pit. However, as soon as the band walked out on stage my plans went right out the window. I had begun standing on the edge looking into the pit and in the blink of an eye, I was in the middle of a new and much larger pit that stretched back further than I could see. The crowd had packed in and there was no room to move at all. The Deftones played a phenomenal set of many of the fan favourites and it was awesome to see that this band from my childhood still had such a big impact on the festival attendees.

Check Out the Gallery from Stage 1

The headliners of Good Things Festival 2022 were the British Kings of the Metalcore scene and it was obvious that the vast majority of the attendees had come to worship at the altar of Bring Me The Horizon. The show began with dazzling visuals on the big screen and the stage had been transformed with different raised levels. A beautiful white electronic drum kit and keyboard perfectly complimented the modern cyberpunk aesthetic. Frontman Oliver Sykes emerged to rapturous applause as a big cloud of confetti blasted into the air. This was an opulent stage show befitting the headline act. Lyrics and neon-colored graphics flashed across different screens as the band performed. The crowd needed no prompting as they sang at the top of their lungs to every single song. Like an orchestral conductor, Oliver Sykes directed the crowd and they were more than eager to please their idol. 

Bring Me The Horizon somehow managed to fuse the party element of an EDM concert together with the aggression of metalcore. This fusion brought forth spectacular visuals against a backdrop of an awesome rock band. At a festival the further you are from the stage the harder it is to connect with a band. It takes something truly special to reach every corner of the crowd and Bring Me The Horizon has that something special in spades. 

As I write this, I am nursing a sun-scorched back as I reflect on all I have experienced in the last 24hrs. A festival is not a casual event, it requires a certain amount of stamina to get through from start to finish. What distracts you from the fatigue are the amazing bands that you get to see live one after another. So, if a sunburnt back and some sore feet are the prices I have to pay then I shall proudly wear my battle scars as medals of honour. For I have now lost my festival virginity and God damn, Good Things Festival was a great place for it to happen. 

Bring on the next one!

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InterviewsTour Interview

Interview with Josh & Hazel Meyer (Those Who Dream)

​Those Who Dream are an Australian alternative rock duo and multifaceted creative project of siblings Josh and Hazel Meyer. Their captivating energy and revealing lyrics has not only earned them the acclaim of Pop Buzz, Rock Sound and Alternative Press; but more importantly, a cult-like following across the world. The Meyer siblings are as DIY as it gets, citing “YouTube tutorials” as their teachers of filmmaking, 3D animation, design, songwriting and production. The sum of these talents can be best seen in the duo’s extravagant music video for their breakout single #Violet, featuring surreal and eerie visuals reminiscent of psychological-horror films. Growing up perpetually fascinated by art in all of its forms; the siblings quickly learnt to channel their own struggles and emotional turmoil into creative expression. After creating individually and experimenting in bands, it quickly became apparent that their best work was created together. Now, it seems their hard work is paying off, with the group touring this year with Mayday Parade, Real Friends and Short Stack, and set to perform at all three Good Things Festival events in Melbourne, Sydney and Brisbane in December.

GOOD THINGS FESTIVAL LINE UP:
 
Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira | ONE OK ROCK

 
In Alphabetical Order:
 
3OH!3 | Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Fever 333 | Jinjer | JXDN | Kisschasy (Performing ‘United Paper People’ In Full)
Lacuna Coil | Millencolin | Nova Twins | Polaris | RedHook | Regurgitator
Sabaton | Sleeping With Sirens | Soulfly | The Story So Far | Thornhill
 

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Early Bird pre-sale tickets on sale Tuesday 21 June @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au
 
General Public tickets on sale Thursday 23 June @ 10am AEST Time
https://www.oztix.com.au/

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

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InterviewsTour Interview

Interview with Joel Vanderuit (Kisschasy)

Kisschasy are an Australian rock band whose music varies from catchy pop to emo-tinged ballads to hard rock. A fateful meeting took place between Darren Cordeux (vocals, guitar) and Joel Vanderuit (bass) in the crowd at the 2002 Warped Tour. The two youths had both been tinkering with bands of their own, but inspired by the world-class music all around them, they decided to start fresh with a new band: Kisschasy. Two of Vanderuit's friends joined them — Sean Thomas (guitar) and Karl Ammitzboll (drums). Their first recordings were the 2004 EPs Darkside/Stay Awake and Cara Sposa, released on indie label Below Par Records. A year later, they recorded their debut album, United Paper People, a gentle pop/rock record. Over the next two years, songwriter Cordeux worked on two albums' worth of songs for their next release. One set was made of country-tinged songs that he described as “Lemonheads-y,” with the rest being heavier rock numbers. The band decided to go with the louder songs and released Hymns for the Nonbeliever in 2007.

Recently Joel had a chat with STMs Kynan about what we might expect from their appearenne at Good Things Festival next weekend. 

GOOD THINGS FESTIVAL LINE UP:
 
Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira | ONE OK ROCK

 
In Alphabetical Order:
 
3OH!3 | Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Fever 333 | Jinjer | JXDN | Kisschasy (Performing ‘United Paper People’ In Full)
Lacuna Coil | Millencolin | Nova Twins | Polaris | RedHook | Regurgitator
Sabaton | Sleeping With Sirens | Soulfly | The Story So Far | Thornhill
 

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Early Bird pre-sale tickets on sale Tuesday 21 June @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au
 
General Public tickets on sale Thursday 23 June @ 10am AEST Time
https://www.oztix.com.au/

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

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Interview with Max Cavalera (SOULFLY)

At the dawn of the new millennium, Rolling Stone declared, “Soulfly seem built to last.” More than two decades, countless worldwide tours, and a dozen albums later, that prophecy rings true.

Underground icon, extreme metal trailblazer, third world warrior, and leader of a diverse and dedicated tribe, Max Cavalera not only survives but thrives, blasting out riff after killer riff. The same voice, body, and spirit which launched Soulfly in 1997 summons impossibly heavy noise to this day, throwing down ten slabs of monstrous music on Soulfly’s twelfth album, 2022’s Totem.

Produced by Max alongside Arthur Rizk, whom Revolver described as “the secret weapon behind Power Trip, Code Orange, and Cavalera Conspiracy,” Totem attacks without apology. It brims with the blackened-thrash and death metal bite of modern Soulfly classics like Ritual (2018) and Archangel (2015), with nods to the heavy groove of Primitive (2000) and Prophecy (2004).

“I really dig what Arthur does in the underground scene, with records by bands like Outer Heaven, Pissgrave, Black Curse,” Max explains. “Those are crazy productions, man. They’re off-the-wall and crazy-sounding. I wanted a Soulfly record with a sonic character like that, so Arthur was the perfect guy. At one point during the production, he came up to me and he was like, ‘You know Max, we’re not just doing another Soulfly record. We’re doing the best Soulfly record.’ I liked that attitude.”

Among the most prolific musicians in the genre’s history, Max led Sepultura from Brazil to the world stage, making fans out of Ozzy Osbourne, Deftones, and Dave Grohl along the way. He cofounded Nailbomb, Cavalera Conspiracy, Go Ahead And Die, and Killer Be Killed, issuing album after album to spirited acclaim from critics and fans. But no project is as singularly identified with Max as Soulfly, whose gold-selling self-titled debut arrived with unrivaled determination and spirit.

Soulfly, the moniker Max conjured, is an original portmanteau like “Lookaway” or “Straighthate.” The idea rose from one of the indigenous spiritual practices that inspire Max. “Many South American tribes believe the souls of their ancestors fly around them when they play music. They can even feel the souls of the animals sacrificed to create their instruments. It’s heavy shit.”

Loaded with multiple guests and instrumentation, Soulfly (1998) set a precedent for the records that would follow by managing the almost-magical feat of combining world music with metal without sacrificing the raw, authentic vibe of a band banging out songs in a basement. Twenty years on, Kerrang! included Soulfly’s debut in their 10 Best Nü-Metal Albums Of All Time, alongside massively successful records by System Of A Down, Slipknot, Korn, Papa Roach, and Deftones. “I never felt Soulfly was a nü-metal band,” Max points out. “We had elements of it. But by the time the sound went very commercial with Linkin Park, I didn’t feel part of that. We’re much heavier.”

Melody Maker declared Primitive “the metal album of the year” in late 2000. When 3 followed in 2002, Spin wrote, “There’s something undeniably thrilling about an Ozzfest demagogue who champions dignity as a human right and makes a maxim like ‘Faith is a weapon’ a rallying cry. The band remains a hard-charging, tribal-drumming monster fierce enough to kick the bulldozers out of the rainforest.” Touring in support of 3 included a North American trek with Slayer.

Less than a year after its release, album four found its way into German magazine Rock Hard’s 2005 book, The 500 Greatest Rock & Metal Albums of All Time. Sputnik Music praised Prophecy as “the best Soulfly album to date,” calling it their “heaviest, most experimental, and most mature.” Thrash-fueled power dominated Dark Ages (2005), Conquer (2008), and Omen (2010). Critics hailed Cavalera’s never-ending supply of riffs all over again with Enslaved (2012). They celebrated the fierce vibe of Savages (2013), the first Soulfly album with Max’s son, Zyon Cavalera, on drums.

Archangel pushed the musical bludgeoning to its very limit while injecting the songs with moments of trippy nuance and dissonance. Max revisited the ritualistic and mystical ruminations on Soulfly’s Prophecy while simultaneously doubling down on the most extreme music of his career. Ritual “retained the groove of early Soulfly as well as my love for the heavy, fast stuff,” Max explains. “I think, in the end, we created a cool mix of songs that covered a lot of ground in my career.”

The songs on Totem originated with a back-to-basics songwriting approach inspired by Max’s son, Zyon. Soulfly’s drummer since 2012, Zyon asked Max one day to show him how Sepultura created their early classics. The elder Cavalera describes the process as putting riffs together like pieces in a puzzle, or bricks in a pyramid. “Zyon and I jammed for many weeks, creating the foundation.”

Max first envisioned Soulfly as a band with an evolving lineup, eager to “shake the tree” with an infusion of new creative blood from time to time. Many amazing players and guest musicians appear throughout the discography. Totem is the band’s fourth album with Zyon and second with bassist Mike Leon. It’s also the first Soulfly album without guitarist Marc Rizzo since 2004.

“Some of my favorite records are ones where everything changed, and I had to find a way to make something work,” Max says. “A lot of my best records came from struggles, like Sepultura’s Chaos A.D., the first Soulfly album, and Prophecy.” Chris Ulsh of Mammoth Grinder and Power Trip plays a guitar solo in album closer “Spirit Animal.” John Powers, Rizk’s bandmate in the group Eternal Champion, contributes several solos to the album, and Rizk plays rhythm and lead guitars as well. “Arthur ended up jamming with me a lot on the record. He’s a great guitar player,” Max says.

Like every Soulfly album before it, Totem includes a dedication to God in the liner notes. And as ever, Max follows his spiritual muse into evolving and diverse territory, taking inspiration from multiple traditions and practices. Songs like “Superstition,” “Ancestors,” and the title track lean heavily into one of the album’s themes, which deals with nature as a spiritual force.

“I wanted to make a record connected to spirit animals, forests, environmental stuff,” he says. “I’ve always been fascinated by nature. Traveling so much, I’ve gotten to see some amazing places,” he continues, citing examples like Iceland, the fjords of Norway, and the Badlands of South Dakota. “Superstition” specifically is inspired by Superstition Mountain, located in Arizona. “Far beyond all the things that you know

/ superstition, harder than stone,” Max says in the song.

Each Soulfly album boasts an instrumental, which Max lovingly likens to a “Planet Caravan moment,” the way Black Sabbath’s classic jam created something of a mellow album oasis. Totem is no exception. “Soulfly XII” indulges Max’s love of dark ‘80s goth guitar chords and synths. “I try to get creative with all of them; either with different instruments, like the saxophone on the Ritual instrumental, or I go by vibe. This one is really influenced by The Cure and Sisters Of Mercy.”

Old school heaviness reminiscent of Sepultura’s Beneath the Remains era punctuates the environmentalist anthem “The Damage Done,” which concludes with a crushing decrease in tempo. “Scouring the Vile,” featuring a guest appearance from Obituary vocalist John Tardy, confronts cancer. “The sickening concealed behind my dying eyes / I ripped you from me.”

Roughly 25 years since the band began, essential Soulfly bangers like “Jumpdafuckup,” “Back to the Primitive,” “Downstroy,” “Eye for an Eye,” “Ritual,” and “Dead Behind the Eyes” are celebrated live just like Cavalera classics “Roots Bloody Roots,” “Refuse / Resist,” “Territory,” and “Dead Embryonic Cells.” Bursting with hunger and energy forged by more than three decades as a heavy metal force, Totem is a suitably brutal, vibrant, extreme, and uplifting entry into the Soulfly canon.

Soulfly’s savage anthems of aggression push extreme music to its bludgeoning limits while injecting it with brilliant moments of trippy nuance and dissonance. Like all innovative musical heroes, Max makes anthems for the people. Soulfly is a celebration of family and legacy. Whatever Max Cavalera hammers out on the bridges of his four-string guitars, it always sets souls free.

Order your copy of Totem, here:

https://www.jbhifi.com.au/collections/soulfly-totem

Stream Totem on all streaming platforms: https://bfan.link/soulfly-totem

SOULFLY – Totem (Tracklisting)
01. Superstition
02. Scouring The Vile
03. Filth Upon Filth
04. Rot In Pain
05. The Damage Done
06. Totem
07. Ancestors
08. Ecstasy Of Gold
09. Soulfly XII
10. Spirit Animal

GOOD THINGS FESTIVAL LINE UP:
 
Bring Me The Horizon | Deftones | NOFX (performing ‘Punk In Drublic’ in full + all your favourites) | TISM (Exclusive: First shows in 19 years!) | The Amity Affliction | Gojira | ONE OK ROCK

 
In Alphabetical Order:
 
3OH!3 | Blood Command | Chasing Ghosts | Cosmic Psychos | Electric Callboy
Fever 333 | Jinjer | JXDN | Kisschasy (Performing ‘United Paper People’ In Full)
Lacuna Coil | Millencolin | Nova Twins | Polaris | RedHook | Regurgitator
Sabaton | Sleeping With Sirens | Soulfly | The Story So Far | Thornhill
 

DATES AND VENUES:
Friday 2nd December – Flemington Racecourse, Melbourne (LIC AA 15+)
Saturday 3 December- Centennial Park, Sydney (18+)
Sunday 4 December – Brisbane Showgrounds, Brisbane (LIC AA 15+)

Early Bird pre-sale tickets on sale Tuesday 21 June @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au
 
General Public tickets on sale Thursday 23 June @ 10am AEST Time
https://www.oztix.com.au/

GOOD THINGS FESTIVAL | FACEBOOK | TWITTER | INSTAGRAM | TIKTOK

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