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Good Things Festival 2024 Line-Up Announcement

HAVE WE GONE MAD?
GOOD THINGS IS BACK, AND IT’S ENTIRELY BONKERS!

Are you ready for the madcap chaos of Australia’s largest travelling music festival? Good Things season returns with a head-spinning lineup fit for a fever dream. Across three East Coast dates, this year’s Good Things Festival will deliver a trip down the rabbit hole with a stacked bill of international heavyweights, old favourites, hungry up-and-comers, and Aussie staples. And in a boon for younger attendees, Sydney’s Centennial Park festival date will be a 16+ event for the first time!

No one has cultivated a cult of personality quite like KORN. As the coveted headliners for Good Things Festival 2024, the Californian nu-metal pioneers will be celebrating the thirtieth anniversary of their landmark self-titled debut album and a career trajectory that speak volumes: two GRAMMY® Award wins, multi-platinum album certifications, and over 40 million records sold worldwide. Continually pushing the limits of the alternative, metal, and rock across their back catalogue, KORN’s unwavering sonic vision incorporates everything from dubstep and hip-hop to the bagpipe sections of frontman Jonathan Davis. Forever for the freaks, KORN’s Good Things appearance will find them in fine form and off the leash.

Seeing SUM 41 will be a bittersweet occasion for dedicated Aussie fans, as the Good Things Festival acts as the band’s last-ever ‘Tour of the setting Sum’ tour Down Under. Pulling from their formative album trinity—All Killer No Filler (2001), Does This Look Infected? (2002), and Chuck (2004)—along with their recent Heaven :x: Hell double-LP, the Canadian rockers are determined to go out with a bang, one befitting their status as a beacon of millennial domination. Come for the high-energy pop punk, and stay for the heavy metal anthems.

Speaking of anthems, it’s hard to deny the impact VIOLENT FEMMES have had on the broad history of alternative music. The Milwaukee outfit have been festival mainstays throughout their awe-inspiring 40-year career, and direct influences on Pink, John Cusack, Mark Morris, The Pixies, and more. German heavy arena sensation ELECTRIC CALLBOY known for their viral hits like Hypa Hypa, We Got The Moves, RATATATA and their pulsing cover of Cascada’s Everytime We Touch have proven that the group’s blend of retro pop synths, arena rock, and metalcore is both a recipe for chart-topping success and captivating audiences worldwide.

After bringing their own curated The World Is A Vampire Festival to Australia last year, and the recent release of the band’s thirteenth studio album, Aghori Mhori Mei, The Smashing Pumpkins frontman BILLY CORGAN will wow the Good Things Festival crowd with a spirited set supported by The Delta Riggs as his backing band. Festival punters will be treated to tracks from CORGAN’s expansive solo catalogue as well as songs he’s written for The Smashing Pumpkins. MASTODON have racked up numerous accolades that transcend their sludge metal origins. Alongside collaborations with Game of Thrones, Adult Swim, and DC Comics, the Atlanta quartet finally took home a GRAMMY® Award after six career nods. 2021’s Hushed & Grim double-LP took meditations on grief and transformed them into moments of melodic mourning and raging bursts of energy. Guitarist/songwriter KERRY KING will bring a taste of his trademark fury to the Good Things Festival for 2024. With KING’s first solo LP outside of thrash titans Slayer, From Hell I Rise, unleashed on the world, expect a dose of blunt-force riffage and pointed lyrical themes with some Slayer classics thrown in as the kicker.

The long-awaited return of THE GASLIGHT ANTHEM to Australian shores has been almost a decade in the making. With the release of their highly anticipated comeback album, History Books, in October last year, it’s now Australia’s turn to be a part of the band’s rebirth. Newfound ARIA Hall of Famers JET will also get their shine on as they take to the stage to celebrate the recent twentieth anniversary of their multi-platinum debut album, 2003’s Get Born. Fans can expect to hear radio rock hits like Are You Gonna Be My Girl, Rollover DJ, and more. With their reputation as seasoned pros and one of the country’s most incredible live acts, punk rockers THE LIVING END will get the crowd pumping with iconic anthems like Second Solution and Prisoner of Society, making their only live shows for 2024 ones to remember. After playing their seminal Bricks Are Heavy LP on the road last year, 90s punk icons L7 return to give audiences another taste of Californian riot grrrl history including favourites like Pretend We’re Dead, Shitlist, Wargasm and more.

Sydney futurists NORTHLANE are global ambassadors for Australian metal, known for their exhilarating live show and unrivalled creative expression. With consecutive ARIA Award wins and #1 chart debuts already in the bag, the band’s latest Mirrors Edge EP is their most daring effort yet. Fans will also see BOWLING FOR SOUP on their first trip Down Under in over fifteen years. The Texan pop punkers are fresh off a pair of 2024 Download Festival performances, and celebrating the twentieth anniversary of their fan-favourite A Hangover You Don’t Deserve LP. While 2024 already belongs to ALPHA WOLF, their Good Things appearance is set to cap off the metalcore crew’s most successful year to date. The Melbourne quintet just wrapped up a completely sold-out Australian headline tour following the release of their acclaimed third full-length, Half Living Things.

For the alternative rockers, Orlando emo sensation SLEEPING WITH SIRENS are no strangers to devoted Australian crowds, and their Good Things Festival set will deliver on stratospheric hooks and huge sing-a-longs. Not to be outdone, Brisbane’s THE BUTTERFLY EFFECT will bring their emotionally charged performance to the festival stage, anchored by frontman Clint Boge’s powerful croon. 90s flagbearers 311 were last in the country in 1998 and have since maintained their standing as one of the genre’s most entertaining outfits with a groove-laden sound dipping into rap, reggae, and funk.

Award-winning songwriter, artist, and novelist AViVA will rally her “Outsider” community to the call with her idiosyncratic spin on pop-rock immediacy. Sacramento’s DESTROY BOYS will be eager to unleash tracks from their brand new Funeral Soundtrack #4 LP and expand on their bratty punk origins. With a career spanning half a century, legacy rockers DRAGON will showcase their heavy prog pedigree and penchant for soul-flavoured melodies. Meanwhile, DIY rock troubadour FRANK TURNER AND THE SLEEPING SOULS will mark another return to Australia as part of the Good Things Festival, this time supporting his acclaimed new album, Undefeated.

Pennsylvanian outfit FROM ASHES TO NEW have climbed to the front of the rock vanguard, embracing the freedom of hybridity and experimenting with hard rock, hip-hop, electronic, and alternative sounds. Known for stretching genre descriptors into alluring new forms, alt artist GRANDSON has netted over one billion streams and a dizzying list of high-profile collaborators including Mike Shinoda, Travis Barker, and Tom Morello. Backing up with another trip Down Under following 2023’s ‘The Midnight Demon Club’ tour, Cape Cod iconoclasts HIGHLY SUSPECT will bring their rule-breaking rock philosophy to the festival stage with cuts from their shiny new full-length, As Above, So Below. Swedish heavy purveyors IMMINENCE will introduce Aussie crowds to the uncompromising alt-metalcore vision of their bludgeoning fifth full-length,The Black—this is one set metalheads do not want to miss.

KILLING HEIDI will throw it back to the early 00s when their album debut Reflector became a four-time ARIA winner and mega-smash single Weir was an inescapable earworm, playing the record in full for the Good Things Festival crowd. As one of Britain’s breakout heavy exports, LOATHE have built a reputation for their intense, multi-media live show, as seen on a recent North American tour run supporting Knocked Loose. Mixing metalcore with shades of electronica, pop, and post-hardcore on their stunning debut full-length, Secrets Of The Future, Sydney newcomers RELIQA will dazzle with their intricate take on progressive metal stylings. Influenced by early 90s and 00s pop-punk, TAYLOR ACORN’s sound is imbued with youthful exuberance and relatability, tackling mental health struggles and head-on with catchy hooks and earnest vulnerability.

2024 also marks the return of the talented STAGE 666 Artists and their carnivalesque Freak Show lounge. Witness the knife-throwing, gravity defying stunts of host Captain Ruin, or be amazed by Princess Tweedle Needle’s daring feats of bodily transgression as the “princess of pain” performs the ‘human pincushion’ act, skewering her flesh with glee, swinging a beer keg with her lady bits. Direct from the underground nightclubs of Berlin, you don’t want to miss out on STAGE 666’s guest star!

GOOD THINGS FESTIVAL LINE UP:

Korn
Sum 41
Violent Femmes
Electric Callboy | Billy Corgan | Mastodon | Kerry King
The Gaslight Anthem | Jet | The Living End | L7 | Northlane
Bowling For Soup | Alpha Wolf | Sleeping With Sirens | The Butterfly Effect | 311

In Alphabetical Order:

AViVA | Destroy Boys | Dragon | Frank Turner And The Sleeping Souls
From Ashes To New | Grandson | Highly Suspect | Imminence
Killing Heidi (Performing ‘Reflector’ In Full) | Loathe | Reliqa | Taylor Acorn
Plus the return of Stage 666!

DATES AND VENUES:
Friday 6 December – Flemington Racecourse, Melbourne (15+)
Saturday 7 December – Centennial Park, Sydney (16+)
Sunday 8 December – Brisbane Showgrounds, Brisbane (15+)

Early Bird pre-sale tickets on sale Tuesday 27 August @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au

General Public tickets on sale Thursday 29 August @ 10am AEST Time
https://www.oztix.com.au/

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Gig ReviewsReviews

[Review] Electric Callboy @ Hordern Pavillion, Sydney 30/11/2023

Review By Raelee Atkinson

Choo-Choo … climb aboard and let's ride the Tekkno train …

This time last year, Good Things Festival was in full swing and the German band formerly known as Eskimo, now Electric Callboy, took to the stages of Australia, wowing crowds and winning over new fans.  A few months later in February 2023, a headlining tour of Electric Callboy was announced and it was met with much excitement. It took no time to sell out and the venues were upgraded to house more fans, and again the entire tour was sold out quickly.  The buzz around this band has kept going throughout the year as they have been travelling the globe with their Tekkno World Tour.  

I’ll admit, I’ve been so excited for this concert that I’ve been counting down the “sleeps” like a kid waiting for Santa. 

Finally, its a balmy Thursday night and we’ve just fought off the peak-hour traffic and arrived in Sydney’s Moore Park, the location of the Hordern Pavilion, to be met by an eclectic sea of black clothed metalheads and neon attired techno-heads. Electric Callboy’s genre-bending mix of metalcore and EDM attracts an interesting demographic ranging in ages.  

Bro and I nick across the street to the pub for a quick pre-gig feed of French fries and a lager, then passed through the security check to the awaiting hordes. We joined the long line for merch that snaked its way around the outdoor area that enclosed the Hordern, eventually got our tee shirts and entered the venue. We were early so we were able to get up pretty close to the front. 

At 7.30pm it was time for the first support band, Future Static, a five piece band from Melbourne. Future Static are a fusion of alt rock, indie pop, and metalcore with a dash of prog for good measure. They have recently released their first full length album titled, Liminality. After a minor ‘false start’ they hit the stage running with an energy reserved for the young. Spinning like a dervish, lead singer Amariah Cook's clean vocals are lovely, then she surprised with some filthy harsh vocals and injected so much emotion into her performance. Bassist, Kira Neil complimented Cook’s vocals with some sweet harmonies and gave an indie/alt vibe to the performance. There’s three dudes in the band, but to be honest, apart from a random thought that they were good, the focus was on the women, who put on a great show.

Four songs into their set, they played a cover song titled Gasolina and I realised that this was the band that my brother had sent me the link to three times. I turned to him and he's grinning. Future Static entertained the growing crowd with a cracking 30 minute set, which included Waves, Venenosa, Chemical Lobotomy, Gasolina, The Hourglass, Roach Queen and Dead End

The next band up is Stockholm-based, Self Deception. The Swedish foursome enter the stage and it's obvious that there are sound problems. The singer isn’t singing in tune (and I know he's an experienced and talented singer) and every time the bass hits there’s a horrible vibration and popping sound emanating from the speakers which hurts my ears.  Part way through the second song the singer, Gabriel Keyes, better known as the current vocalist for fellow Swedes, Crashdiët, stopped the band and said that they are having ‘technical difficulties’. Roadies scattered on the stage looking busy while the bass player, Patrik, chatted with the crowd and announced that he’d like to do a “shoey”. It’s an obvious distraction that overseas bands seem to think Aussie audiences enjoy. The crowd cheered him on and then the band re-commenced by playing Scandinavian Dream. The sound is still horrible, so again the crew scamper on stage trying to “fix” the problem and this time the bass guitarist suggests that the guitarist, Ronnie, do a “shoey” now, again, the crowd cheer him on but it's getting awkward, thankfully Keyes, the singer took over and explained that they’d had a dreadful day. That their flight from Melbourne had been cancelled and they had been told that they were no longer going to be able to play the gig in Sydney, but the band wanted to come and play so much that they decided to hire a private plane and flew up, having not long arrived. The audience cheered encouragingly,  the technical issues seemed to be resolved and singer Gabriel introduced the next song, Roxette classic The Look. The audience dances and sings along loudly and the Self Deception set continues without the earlier sound problems. They have a heavy rock industrial-electro sound with a Marilyn Manson flavour. Their stage presence was a tad confusing to me as the drummer wears a mask, the man-buned singer prowls the stage semi (and eventually) shirtless and the bassist is dressed in a neon pink cowboy hat, matching Hawaiian shirt and shorts set and long pink socks, looking more like he's on an island vacation rather than playing at a metal gig. It’s definitely a “vibe” I'm just not quite sure which “vibe” though. I enjoyed their songs, the band were tight, and Gabriel Keyes is an enigmatic frontman. Bass player Patrik Hallgren ended up playing in the mosh pit crowd at one point. At the end of the set, they thank the audience for their patience and say that it had been the most memorable night of the tour.  Self Deception played an interesting 30 minute set that included, Six Feet Under, Scandinavian Dream, The Look, Psycho, Holy Water, Fight Fire With Gasoline

The Hordern had now filled with people and everyone was hyped and excited for Electric Callboy to take to the stage. To pass the time, some people had brought a couple of beach balls and a spaceship shaped balloon, which the crowd tossed around ooh-ing and ahh-ing as they rose and fell.

The time had finally come, the excitement from the crowd was palpable as the lights dim and the big screen at the back of the stage is illuminated with a video clip of a woman dressed up as an airline stewardess announcing the beginning of the Electric Callboy set. Towards the end of the announcement, the band entered the stage, the lights came up, a confetti bomb exploded and the audience was bouncing and singing loudly to Tekkno Train. Vocalist Nico Sallach asked the audience to form a “Ninja Wall of Death” for the next song, MC Thunder (Dancing Like A Ninja) then when the song ended, Nico mentioned what we’d all been thinking, “where was Kevin?”. Sallach explained that after the Melbourne show the previous night, Ratajczak had to leave straight away to the airport to return home for “family reasons”. Then Nico asked us all to sing loudly for Kevin as Spaceman played. The Spaceship balloon from earlier flew around during the song. Then they played Love/Hate followed by the Cascade cover, Everytime We Touch, The Scene, Castrop X Spandau and Arrow Of Love.  At this point, the band left the stage leaving the drummer to perform his solo to Darude’s Sandstorm. The band then returned and to the delight of the crowd, and the much loved Hypa Hypa played next, followed by Parasite, then a stripped down acoustic version of the Backstreet Boys cover, I Want it That Way which had the audience singing along very loudly. Sallach explained that the next song is based on German Schlagger music and separated the crowd in the centre to form a space and encouraged everyone to “couple dance” to Hurrikan. They rounded the set out with MC Thunder, leaving the stage as the audience cheered and called out for an encore. They complied and returned to the stage to play Pump It to the excited and energetic crowd as another confetti bomb went off and followed it with Mindreader, leaving briefly once again. With more encouragement, the band returned once more to perform the hit single, We Got The Moves to a final confetti bomb and streamer bomb. At the end, the band lined up for the obligatory band with the audience in the background pic, then Nico spotted a couple of youngsters who had been perched on their dads shoulders during the show, singing along enthusiastically, and called them up on stage to join the band in the pic. The crowd cheered, everyone posed and then there was the scrum for the picks, sticks and set lists. The house lights come up at 10.45pm and everyone is buzzing as they exit the venue. 

What a night! Electric Callboy delivered a high octane set, even without their co-vocalist, Kevin Ratajczak. The sound and lighting were on point, the multiple confetti and streamer bombs added to the party atmosphere and the energy from the audience was like being at a dance club or a rave with everyone dancing, bouncing up and down and singing along loudly. This definitely felt more techno than metal and even though lyrically, the songs imply something a bit “rude”, the absolute silliness of the band and their songs appeals to all ages, so there were parents there with their children. The fanbase is varied to say the least, with the black parade of ‘core and metal fans mixed with the brightly coloured ‘fits of EDM fans. There were a lot of fans dressed up like the characters from their videoclips, with matching  outfits, wigs and headbands. The support bands were high energy and did their job of gee-ing up the audience and firmly established the party vibes. Venue staff were friendly and polite, and security kept everyone safe. Overall, there’s a legit reason why this band totally sold out this tour so quickly, because they bring the dance party 100 percent, even with a missing bandmate. The night was exactly what you would want for an event like this and I’ve walked away feeling like I could very happily do that all over again! I'm definitely up for seeing these bands again, especially Electric Callboy, so who’s coming with?

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