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[Review] Parkway Drive @ Qudos Bank Arena, Sydney 21/09/2024

Parkway Drive transformed Sydney’s Qudos Bank Arena into a melting pot of heavy music and explosive spectacle for their 20-year anniversary tour this past Saturday evening. It was a day of immense activity in Sydney’s Olympic Park, with not only Parkway Drive drawing 21,000 fans to a sold-out show but also the Bledisloe Cup at Accor Stadium and Comic Con in full swing nearby. Despite the logistical chaos outside, the moment fans entered the arena, their focus shifted entirely to the stage, as the band and their fans made it clear that this night belonged to them.

What began as a four-band lineup quickly shifted to a two-band bill, as Void of Vision and The Ghost Inside both had to cancel their sets due to unforeseen production issues. The disappointment was palpable, especially for fans eager to see Void of Vision celebrate their latest release, What I’ll Leave Behind, and those looking forward to The Ghost Inside’s long-awaited return to Australian soil after almost a decade.

However, the night was far from lost. Hailing from Detroit, I Prevail broke in the stage with tracks like There’s Fear in Letting Go and Body Bag quickly getting the crowd warmed up. Their reluctant but well-received cover of Taylor Swift’s Blank Space had the crowd screaming along, while songs like Choke inspired insane mosh pits. Their set was a rollercoaster of emotions, particularly during Hurricane, where frontman Brian Burkheiser touched on mental health struggles. By the time they closed with Gasoline, the arena was crackling with anticipation for what was to come.

Then came Parkway Drive.

The atmosphere shifted to a new level as the big screens flickered to life, showing nostalgic footage from their early days. The moment felt personal, almost intimate, as if the band was letting everyone in on the journey that brought them to this massive stage. The band emerged from the back of the arena, vocalist Winston McCall led the charge, draped in a white hoodie, resembling a boxer making his walk to the ring, flanked by two flag bearers.

They navigated their way through the crowd, building anticipation with every step handing out hugs and hi5’s. As they reached the center, the band assembled on a boxing-ring-sized stage in the middle of the arena, launching straight into their opener, and crowd favourite, Carrion. The small stage gave an intense, close-quarters feel, the band playing almost face-to-face with the audience. The energy was relentless as they followed up with Prey and Glitch, the floor of Qudos Arena heaving with at least 90% of the crowd jumping in unison. Mid-set, the band transitioned to the main stage via a walkway.

And that’s when the pyro kicked in. The sheer scale of the fire and explosions made it clear—the pyro budget for this tour must have been astronomical.

Highlights of the night included Vice Grip, during which a girl in a wheelchair was crowd-surfed from the back to the front, as if one ride wasn’t enough she would return 2 more times throughout the night. It was a pure, unfiltered moment of unity and celebration. The band tore through Boneyards featuring special guest Michael Crafter from Carpathian and I Killed The Prom Queen. A nod to the old school Australian hardcore fans in attendance. Winston’s thorn-adorned mic stand added a touch of symbolism to the visceral emotion in Wishing Wells, I sure hope that becomes a mainstay!

For long-time fans, the true peak came with a medley of tracks from their 2005 album, Killing With A Smile. Dubbed “Killing With A Medley,” the band shredded through Gimme a D, Anasasis (Xenophontis), Mutiny, Romance Is Dead, and Smoke ‘Em If Ya Got ‘Em, delivering an old-school breakdown mashup that left long-time fans grinning from ear to ear. The crushing weight of those early songs still reverberated in us all, even in a massive stadium, taking fans back to sweaty gigs at community centres and Seniors Halls. The old-school breakdowns hit just as hard, proving they’ve lost none of their intensity over the years. Next year will be the 20th Anniversary of Killing With a Smile, excuse me while I manifest a tour to hear that album in its entirety once again!

Midway through Idols and Anchors, Winston plunged into the crowd once more, orchestrating a massive circle pit before crowd-surfing back to the stage. Ben Gordon‘s drum solo tonight was mind blowing. It began with a soft, syncopated beat, perfectly in sync with the dancers’ sharp movements. As the tension built, mock Molotov cocktails flew, igniting the stage. With his rotating drum kit, Ben unleashed a powerful, aggressive solo that left us all in awe, showcasing just how far this band has come. The set flowed seamlessly into Chronos, a breathtaking number that featured a stirring strings intro and a guitar-cello duel, before the lights dimmed for Darker Still. The flaming Parkway Drive logo lit up behind him, casting an almost mythical glow over the stage.

The band brought the night to a momentus close with Wild Eyes, as the crowd united in chanting the “woah ohh ohh ohh” that echoed throughout the arena, cementing the night in memory. Winston reminded the audience that this was their biggest headline show to date, and it felt every bit as monumental.

Parkway Drive’s 20-year anniversary tour was more than a concert—it was a visceral, communal experience that left no fan untouched. The band’s sound remains as heavy and vital as ever, bolstered by production that was nothing short of mind-blowing. From nostalgic nods to their beginnings to the blistering energy of their latest material, Parkway Drive proved why they are still at the forefront of modern heavy music.

Flames, fury, and unforgettable moments—it was a night that will be talked about for years to come.

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[Review] Make Them Suffer @ UNSW Roundhouse, Sydney 1/09/2024

Make Them Suffer’s Suffer Forever Australian tour hit the UNSW Roundhouse in Sydney on Sunday night, marking their biggest headline tour to date. With Bloom, and two international supports in Spite, and Bury Tomorrow on the bill, this tour has been the talk of the town for some time, and we couldn’t wait a day longer!

After catching Make Them Suffer earlier this year as they supported Bring Me The Horizon and Sleep Token, I was very excited to see them continue the momentum and take the stage for their own headline tour. Sydney’s own Bloom kicked off the night, delivering a stack of tracks that set the tone perfectly. Tracks like Bound To Your Whispers and An Exit got the crowd moving, warming up the muscles for a big night in the pit. The band’s recent regional tour with Polaris has clearly sharpened their live show, and their performance was a brilliant opener, leaving the crowd energized and ready for what was to come.

Spite was up next, and their set was the one I was most excited about, especially after catching them on their last visit to Australia supporting Thy Art Is Murder. The Southern California deathcore band did not disappoint, delivering a ferocious performance. Frontman Darius took command of the stage with an intimidating presence that had the crowd in the palm of his hand from the moment he stepped on stage. Dressed in coveralls with hair obscuring his face, he unleashed a relentless energy that drove the crowd into a frenzy. Tracks like IED, Caved In, and Free for All kept the mosh pit alive and moving, with Spite proving once again why they’re one of the most intense acts in the scene. While it’s been great to see them twice in the same venue, I really hope there is a headline tour for Spite in the near future.

The excitement only grew as Bury Tomorrow took the stage. Having recently visited Australia just last year for their sold-out headline tour, it was great to see them back so soon. The British metalcore giants delivered a powerful set in support of their seventh album, The Seventh Sun, blending heavy vocals with soaring melodies from Tom Prendergast. Tracks like Villain Arc and Boltcutter kept the energy high, and frontman Dani Winter-Bates’ message of positivity touched the audience, as he swapped between praising the crowd for their support and ordering a pit to open up. Choke was a highlight of their set before closing out their onslaught with DEATH (Ever Colder). The band’s stage presence and musicianship were top-notch, making it clear why they have such a dedicated following. 

With the three awesome supports all wrapped up, anticipation for Make Them Suffer was at its peak. The band kicked off their set with Epitaph, and the room erupted. Despite a brief technical glitch that saw Bury Tomorrow’s visuals accidentally displayed on the screen, Make Them Suffer didn’t miss a beat. Their performance was a tirade of power and refined artistry, with the video wall adding a visual dimension that lifted the atmosphere to the next level. Displaying lyrics on screen was a particularly nice touch, allowing fans to sing along, even with newer tracks.

The setlist was a mix of fan favorites and new material, keeping the energy high throughout. After the powerful opener, Bones had the crowd headbanging in unison, followed by the intense Uncharted and the chaotic Vortex (Interdimensional Spiral Hindering Inexplicable Euphoria). The band continued to showcase their versatility with tracks like Ether and the live debut of Oscillator, both of which demonstrated their ability to blend melody with brutality. Oscillator was released recently on August 9, but that did not stop the crowd from knowing every word.

Ghost of Me and Soul Decay brought the emotion to the set, with Sean Harmanis and Alex Reade’s vocal interplay shining through. The Attendant, another live debut, highlighted Make Them Suffers evolving sound and created a haunting atmosphere, if this is what the new album has in store for us, it’s shaping up to be a great one! The crowd was kept on their toes with the heaviness of Hollowed Heart and the dark, brooding Blood Moon. Each band member on the stage are full of beans, each with their own personal style whether it be the shirtless running man moves, twirls or windmills, tonight had it all! 

A special moment came when Bury Tomorrow’s Dani Winter-Bates joined Make Them Suffer on stage for Contraband, adding even more excitement to an already raucous crowd. The setlist was rounded out with Erase Me, a fan favourite that had the crowd screaming along, and the ever favourite Doomswitch, which left everyone in the room buzzing with energy.

Make Them Suffer’s Suffer Forever tour has proven to be an incredibly important moment in the bands career, showcasing a band that has worked tirelessly to improve their craft, their visuals, stage presence and song writing. With a new album on the horizon, releasing November 8, and a tour that’s left fans across the country buzzing, it’s clear that Make Them Suffer’s legacy is only just beginning.

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Make Them Suffer Announce Suffer Forever Australian Tour With Special Guests Bury Tomorrow (UK), Spite (USA) + Bloom

After captivating audiences supporting Bring Me The Horizon and Sleep Token in sold out arenas across Australia in April, Perth metalcore outfit MAKE THEM SUFFER are set to wow audiences on home soil once again in 2024 with their highly anticipated Suffer Forever Australian headline tour this coming August and September, joined by friends BURY TOMORROW (UK), SPITE (USA) & BLOOM.

Opening proceedings on Friday 30 August in Brisbane, MAKE THEM SUFFER will bring their ferocious live performance to Newcastle, Sydney, Melbourne and Adelaide, before closing out in Fremantle on Saturday 7 September.

Following our European festival circuit, an amazing North American tour and of a life changing Australian tour in support of Bring Me The Horizon, we’ve been aching to follow up all these incredible opportunities with a headliner of our own. We can’t wait to bring our live show back home for all fans, new and old, and we can’t wait to take things to the next level. – Sean Harmanis, Make Them Suffer

Roaring back to life after the pandemic years, MAKE THEM SUFFER emerged in 2022 with their behemoth single Doomswitch, followed by a sold out North American run supporting Bad Omens, as well as their own completely sold out headline tour in Australia in support of the track.

Following on with new material in 2023, MAKE THEM SUFFER unleashed the vibrant and voracious track Ghost Of Me, with the group also appearing the same year supporting fellow Aussie juggernauts Parkway Drive in North America as part of the Monsters Of Oz Tour. And while 2024 has certainly not been quiet for MAKE THEM SUFFER, with a recent almost entirely sold out run supporting Bring Me The Horizon nationally along with Sleep Token and Daine, MAKE THEM SUFFER have also continued their ongoing sonic domination via their potent new 2024 release Epitaph; a single that dazzles in sharp, primal energy and gloss that also celebrates and welds the towering past, present and future in the dynamic MAKE THEM SUFFER legacy.

Set to perform overseas for a run of European and UK festivals this June, including Download Festival, Copenhell, Jera On Air and many more, MAKE THEM SUFFER will return home later this year armed with both new music and their insatiable live show that continues to gain international acclaim.

British metalcore giants BURY TOMORROW return after crushing Australian audiences on their first sold out Australian headline tour in 2023 supporting their seventh album, The Seventh Sun. The Seventh Sun stands as testament to the bonds and belief required to shape themselves a new reality, a new sound, and a new future expanding sonic palette platforms sky-high melodies, layered with textured atmosphere, cloaking an underlying savagery.

BURY TOMORROW‘s 2018 album Black Flame catapulted them into metal’s upper echelons. It was the band’s third consecutive UK Top 40 album, which saw them undertake an imposing tour, which culminated with a huge show at London’s iconic Roundhouse and their follow-up Cannibal, took the band another leap forward and that they can face any circumstances that comes their way.

SPITE, the decibel- and soul-crushing deathcore unit based out of Southern California, return to Australia with their lethal blend of death metal, metalcore, and neo-nu-metal after decimating Australian audiences on their debut shows supporting Thy Art Is Murder in 2022. Their 2017 release Nothing Is Beautiful on Rise Records drew comparisons to contemporaries like Thy Art Is Murder, Acacia Strain, and Suicide Silence. SPITE push against the boundaries of heavy music.

Sydney metalcore outfit BLOOM combine ferocity and impassioned lyricism, with their immersive catalogue centered on grief, love and exile. Releasing their brand new album Maybe In Another Life earlier this year, BLOOM flexed surging rhythms and memorable hooks, unforgettably snapshotting the group’s burgeoning strengths that has also led them to a massive regional tour supporting Polaris and national tours supporting the likes of Thornhill, Holding Absence, While She Sleeps, ERRA and Bad Omens.

Early bird pre-sale tickets on sale: Tuesday 21 May @ 11am AEST time

To Gain Early Ticket Access Register Here -> https://bit.ly/24MTSsignup

General tickets on sale: Thursday 23 May @ 11am local time
Tickets from destroyalllines.com

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[Review] Thornhill @ Moore Park, Sydney 28/10/2023

I’ve been wanting to see Thornhill for a while now, so last Saturday night, I finally got to tick that one off my list. It was October 28th and at Moore Park, The Entertainment district in Sydney. It was a busy night, with a Halloween dance party at the Hordon Pavilion and Sir Paul McCartney playing next door at Allianz stadium. But at Liberty Hall, Sydney metalheads lined up early and gathered for the final night of the Prom Queen City Tour. Which had the amazing line up that was Bloom (Syd), Thousand Below (USA), Holding Absence (UK) and Thornhill (Melb).

First up were Sydneysiders, Bloom. I wasn’t familiar with them but colour me impressed! They brought the energy and entertained with a 7 song setlist warming up the crowd with Laughing Stock, Bound To Your Whispers, Sink Into The Soil, Daylight, Siren Song, The Service and finished the set off with Cold. At the end of the evening I was chatting with a fellow and he said that Bloom is his new favourite Sydney-based band! Big call considering the bands in Sydney, but I admit, these lads are impressive, so keep an eye out for them on future tours – definitely worth checking out.

Next up were American “homies” Thousand Below, who took to the stage with a powerful 8 song set including, Hell Finds You Everywhere, Venenosa, Tradition, Silent Season, 171 xo, The Love You Let Too Close, No Place Like You and rounding the set out with SabotageThousand Below did a great job of hyping the crowd where Bloom left off. At the conclusion of the set, the singer introduced himself as James and said he was going to be over at the merch stand and wanted to meet everyone. I’d already staked out my favourite spot at this venue, so I wasn’t moving for anyone, not even a friendly American (soz), not even for the line up at the ladies loos, nope, not budging. 

Then it was time for Welsh post-hardcore alt rockers, Holding Absence, who played an energetic 8 song set which had us all singing along to songs like, Like A Shadow, Aching Longing, Gravity, Scissors, A Crooked Melody, Her Wings, Afterlife and ended the set with The Angel In The Marble. The night before, Holding Absence had played a full set in my hometown of Newcastle, but with a “bangover” neck ache from the previous weekend seeing Bury Tomorrow, I’d piked out to save my energy for the trip down to Sydney and this show – but now I’m kicking myself for not mustering up the energy and seeing the full set show cos these guys are fan-bloody-tastic. 

Finally, it was time for the headliners, metalcore / alt rock,  ARIA nominated Melbournites known as Thornhill.  The line up currently consists of guitarist Ethan McCann, Drummer Ben Maida, Bassist Nick Sjogren and Vocalist / guitarist Jacob Charlton. The lads blazed onto the stage with latest single, Viper Room, then led into Heroine favourite, Arkangel,  followed with Views From The Sun, The Haze and Red Summer where Holding Absence vocalist, Lucas Woodland joined them on stage to add some gnarly growls. Next up were Hollywood followed by Casanova, then the band left the stage with no explanation and I still have no idea why, for about a 2 minute interlude, then they returned to the stage to play Something Terrible Came With The Rain. The crowd moshed hard and sang along loudly to The Hellfire Club, and Leather Wings. Next up was the moody All The Light We Don’t See, then the crowd sang along enthusiastically to Lily & The Moon, the audience circle moshed during Coven, and RawThornhill finished the set and the tour with Where We Go When We Die

Frontman, Jacob Charlton’s falsetto vocals are transcendent, taking you on an emotional journey with him, and his dance style and hip movements took me right back to the days where I was on the rail watching a young Michael Hutchence in INXS. The band were tight and played a good mix of songs from both albums. The Sydney audience showed their appreciation as Thornhill put on an impressive performance and definitely lived up to the hype.

All four bands put on a great show and left the crowd happily satisfied and a bit tired from all the moshing and singing. Holding Absence are currently continuing their Noble Art Of Self Destruction tour with Thornhill as their guest support band in Germany and the UK.

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