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Gig ReviewsReviews

[Review] The Darkness, Festival Hall Melbourne 03/02/2024

Celebrating the 20th anniversary of their debut album Permission to Land sees The Darkness back on Australian soil for an impressive string of dates. With singer Justin Hawkins going down with illness just before their arrival we have all been waiting with bated breath, but never fear The Darkness are here and ready to rock. They are no strangers to Australia being greedily lapped up with every visit, now it was my turn to see what all the fuss is about.

The iconic Melbourne stalwart Festival Hall is back up and running after a dubious period in no mans land, and I for one was glad to get back down to Dudley Street and rock out where so many music legends have graced the stage. The openers were plentiful giving punters great value for money, as Melbourne’s Cry Club and Brisbane’s DZ Deathrays got the party started. It was then up to Sydney lunatics You Am I to give the final warm up session. Treating us to a Spinal Tap set that opened up a world of nostalgic memories from the quintessential piece of fictional history. Tim Rogers was the perfect fit to pull off the The Majesty of Tap, he enveloped the role to perfection along with the perfect accompaniment in You Am I. Their musicianship and theatrics were the key to this set going next level, add to this Tim wearing silver flares and a black hooded cape it really set the tone. Stonehenge was delivered with faux stone appearing from the roof, keeping with the theme of the movie, it certainly enveloped the mocumentary with gusto. Hell Hole was another welcome additional and had the crowd up and about as Tim said “Open you cheeks to the sight and smell of the Tap!” as only he could. A wonderful addition to the show and a perfect fit for The Darkness.

The atmosphere was electric to say the least, green lights resembling a landing strip flashing down each side of the stage as The Darkness took full flight to an erupting Festival Hall. This show was their biggest in Australia to date and Melbourne music fans turned out in droves to witness this most prestigious celebration. Justin donning a red and black jumpsuit in his trademark fashion as they jumped into Black Shuck to get the party started. Working through the album in no particular order the fans were 100 per cent committed to making the show one for the memory banks with phones put away and everyone living in the moment. It felt like stepping back in time just people going nuts, hands in the air, clapping on command, dancing, singing and have a bloody awesome night.  Get Your Hands Of My Woman, Growing On Me, Givin’ Up were all slotted in as they worked through this cracker of an album. The punters singing the ‘oh, oh’s’ and ‘Givin Up, Givin Up Givin a Fuck’ with unabashed enthusiasm. Justin had now stripped the top half of his jumpsuit down saying “I didn’t think it would be this hot up here!”  But we all knew it wasn’t called ‘Festy Hall’ for nothing. Crowd engagement was second to none as Love Is Only A feeling and Stuck In A Rut played out, Rufus Tiger Taylor was smashing the skins to within an inch of their life and kept the set running like clockwork.

Dan Hawkins is really a jack of all trades when it comes to musical instruments, his guitar work is of the highest calibre as he strutted his stuff and worked the stage like a true professional.  Frankie Poullain kept pace with the bass, this four-string slayer did not miss a beat, so at home on the big stage as Friday Night saw the fans ready to sing. A sneaky little snippet of Led Zeps Immigrant Song was a worthy addition as super shredder Justin even noodled the intro of AC/Dc’s Thunderstruck before he launched into I Believe In A Thing Called Love. With Melbourne finally throwing up a summer day, good old Festy Hall started to really feel the heat, living up to its nickname in spades as the sweat drenched punters screamed for the one they had been waiting for. Arms aloft clapping in time it really was a sight to behold, Justin still hitting the high notes with faultless precision of a man many years his junior. With the roof well and truly raised the boys left the stage to cool their jets for five minutes but the Melbourne maniacs were having none of it as they stomped and clapped, and if you have been to Festival Hall before you would know those timber floor do love a good feet hammering. It was no surprise when The Darkness returned that Justin said he could hear the stomping from downstairs. With their outfits changed to bedroom attire, all four sporting silk robes or PJ’s of choice, even guitar tech extraordinaire Ian Norfolk sporting a robe. With Justin having more guitar changes than I have had hot dinners he was certainly kept on his toes, and he did not miss a beat. I can see why they call him the fifth member of the band.  Speaking of the band, Justin went on to do introductions to the tune of In The Air Tonight made famous by Phil Collins, with his brother Dan on the drums, mixing things up a bit. Once again I reiterate, super talented musicians!!

Justin launched into I Love You 5 Times, almost a cappella with the fans singing along until he strapped on his guitar and ramped it up a level or two.  Love On The Rocks With No Ice saw out the show and had the rabid crowd in a right frenzy as Justin took to the shoulders of one of his team and made his way in and around the floor of Festival Hall. All while shredding up a storm and not missing a single note, fans very respectful of him with the odd pat on the back as he made his way from one side to the other. After being delivered back on stage he showcased his skills again playing, jumping and even hopping on one leg as he played like his life depended on it.  Forever the showman and a moment forever etched in our hearts. The Darkness really are the complete package and if are yet to see them do not delay, with just a few shows left on this Australian tour it would be a cardinal sin to miss out.

Celebrating 20 years in the biz is no small feat but here’s hoping there will be many more years in the tank for The Darkness. Gauging on tonight’s performance Melbourne Airport will not just grant permission to land but dedicate a runway in their honour. Thanks for the thrills boys, here’s to seeing you back in Aus real soon!

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SKILLET Announce Australian Tour

SKILLET Announce Their First Australian Tour Since 2018!

Not every rebellion gestates in darkness. As one of the best-selling rock bands of the 21st century, SKILLET continue to rebel against conventions, doubts, expectations, and rules with the intent to uplift in light. SKILLET have never compromised their integrity or their faith. Instead, they have travelled their own path to unprecedented heights with an urgent sound, undeniable energy, and unbreakable spirit.

The Wisconsin quartet have embodied rock ‘n’ roll’s evolution from day one, selling 12 million albums worldwide to date. Landmark Triple Platinum album Awake, featuring the 2x-platinum track Awake & Alive, 3x-platinum track Hero and 4x-platinum track Monster (one of the most-streamed rock songs in history with over 4 BILLION global audio streams) went on to pick up the Billboard Music Award. The band’s 2019 album, Victorious, marked the group’s fourth consecutive Top 20 debut on the Billboard Top 200. Their brand-new album, Dominion, is a testament to the band’s enduring appeal, charting strongly and with sales that truly defy the international trend of declining album sales.

John Cooper (lead vocals/bass), Korey Cooper (guitar/keys), Jen Ledger (drums/vocals), and Seth Morrison (lead guitar) —create epic, expansive and anthemic music: the type of rock that is tailor made for a live setting; and Australia will have an all too rare chance to experience the glory that is a Skillet live show this April.

SKILLET April 2024 Australian Tour Dates:

4th April SYDNEY, Metro Theatre (Licensed All Ages)

5th April BRISBANE, Eatons Hills Hotel Theatre (Licensed All Ages)

7th April MELBOURNE, Northcote Theatre

8th April ADELAIDE, Hindley St Music Hall (Mixed Licensed All Ages)

10th April PERTH, Astor Theatre (Licensed All Ages)

* VIP Meet and Great Packages Available

 Tickets

Presale: Wednesday 7th February, 9am Local time

General Public On Sale: Friday 9th February, 9am Local Time

Tickets From: https://metropolistouring.com/skillet-2024/

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Gig ReviewsReviews

[Review] Australian Open Finals Festival, John Cain Arena, Melbourne 28/01/2024

While Sunday’s sweltering heat may have deterred some, it certainly didn’t put a damper on spirits at the final day of the Australian Open’s dynamic music event, Finals Festival. Three full days of local music, international stars, and DJ sets – guaranteed to leave your head moving and your feet tapping at this sporty-summer-ending-bash. This is going to be an electrifying finish to the Australian Open festivities.

As soon as I step through the gates of the Australian Open, I am met with an immediate wave of music. A trio of guys armed with a trumpet, saxophone and trombone are tearing through a rendition of Mambo No. 5. As tennis skirts, white visors and wedge heels move past me; I really start to drink it all in. Walking through this Mecca To Sport, I pass tall green muscled men on stilts, more free sunscreen samples than I can carry, and a really convincing Mike Posner cover act. Jamming out to Cooler Than Me, I find the entrance to John Cain Arena and the open-air spectacular that is Finals Festival.

Before I go inside and join the swarms of people inside a de-roofed John Cain, I lounge on the grass listening to the electro-pop tunes of Latifa Tee. A triple j radio host and DJ, she is a summer day with friends and strangers. An exclusive, new remix of Cupid is the perfect pairing with a cold drink, hot chips and prescription sunglasses to people watch. Latifa is so beautiful, completely smooth and in her element onstage. The heat seems to roll off her and she stays upbeat, hair curls perfect and unbothered as she works her magic on the decks.

Next up to the literal hot seat, is Melbourne’s own, Sunshine & Disco Faith Choir. They self-describe themselves as: A true ode to dancefloor salvation, Sunshine and Disco Faith Choir serve to share the gospel of disco faith with those whose enthusiasm lives in the hands of the music. These genre-benders feel almost too cerebral for so early in the day, but regardless I am completely enamoured by them. A disco lover to my very core; this is music for anyone who loves Nu-Disco, Fleetwood Mac, and an unbridled feminine ecstasy. This is a huge group. I’m talking, 12-piece choir big. From the opening minute of Welcome to the Dancefloor, one of the biggest earworms of the last 5 years, I knew these guys were going to be a grand slam. The sounds washing over the crowd are just incredible. There are moments that feel identical to a musical sermon. 10,000 people all holding their breath as Dreams floats over us, until an EDM beat rises inconspicuously into airspace. Then it’s a mess of swishing hair, rolling wrists and fan-flapping. Sunshine is dressed in these long flowing sleeves, with lace and feathers and a hat – of course. They are aesthetically and musically a marvel, and if they were taking on groupies – I’d have found my calling.

British drum and bass heavyweights Rudimental are the penultimate act at the Australian Open on this fine day. Festival staples, the three-piece are playing to a revved up crowd. 10,000 of us fight for the half of the arena that has shade. My years of training (going to emo and hardcore shows) have meant I have a great spot with view of the stage. While Rudimental are known for some Rhythm and Blues softness, today it’s time for daylight depravity. An extra heavy version of 2024 release Alibi is a highlight for me. The screens behind the stage are bright yellow, and red and pulsating. Smoke billows out onto the crowd and lights shine down onto us as we let loose into the sound. We are truly dancing the day away. As quick as they start, they’re off. They’ve even curated a great section of ‘hold music’ – including an EDM remix of 1965 The Temptations hit, My Girl. An entire crowd is screaming along to the words; My girl! / My giiirl for at least 3 minutes. And it’s beautiful. There is such a lively, upbeat and energetic vibe in John Cain this Grand Final.

Groove Armada come on and the arena is suddenly packed to the brim. So, I stand off to the side and watch Andy Cato and Tom Findlay run through a super high-energy DJ set. The two have such a great comradery with each other. They smile as though they’re making a joke none of us are in on. And to be honest? They could be laughing at us. We don’t care. As long as they keep the beats going. Personal favourite, reggae/ska infused electronica banger, Superstylin’ is one of the first cabs off the rank. Even though it’s still so sunny outside, it suddenly feels like night-time. Bright lights flash and I can feel the bass in my fingers. My bones are shaking with every rhythm change and beat drop. It’s awesome. There is something late-night about Groove Armada. They feel timeless, placeless – like if oblivion was a new club that we were all dying to be on the waitlist for. They’re effortlessly cool, low-stakes and perfect for grooving. You could not ask for a better closing act.

This was a day of sweat, icy drinks and teeth chattering levels of bass. An electric finish is putting it mildly. This was a trip through so many genres, people, drinks, laughs, songs, sets – I’m sad to have landed back on the tarmac. I still haven’t undone my seatbelt though, I’ll be here, hoping for one more lap around the court, just to get a fraction of those vibes again.

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