fbpx
loader
Post Image
FeaturedNews

Mudvayne & Coal Chamber Australian Tour – Feb 2024

Mudvayne have sold more than six million albums worldwide with 3 Platinum albums in Australia alone. They were honoured with the first ever MTV2 Award and were heavily featured in the pages of Rolling Stone, Revolver, Entertainment Weekly, Newsweek, Blender, Maxim, Spin, Guitar World, USA Today, and countless others media outlets where metal bands fear to tread. They were even written into a pivotal episode of The Sopranos! 

For most artists, such achievements usually mark the summation of an entire career –
if they’re lucky. For Mudvayne, that was just their first 5 years.

The Ill Noise from Illinois unleashed their Lethal Dose in 2000 via their debut album L.D. 50.
The jaw dropping video for Dig and mind bending groove of Death Blooms created legions of fans who would remain forever loyal as evidenced by the 2.5 million monthly listeners that continue to immerse themselves in Mudvayne's soundscape on Spotify. An army of 2.5 million monthly listeners on Mudvayne's Spotify have amassed an astonishing 171 million plays for Happy? from 2005's Lost and Found, a testament to the enduring power of their music.

Mudvayne's musical alchemy defies categorisation, seamlessly blending death metal, jazz, fusion, progressive rock, and world music into an audacious mix that completely sets them apart from their peers; so much so that they are unofficially credited with creating the ‘math metal’ genre.

Coal Chamber were one of the first bands to weave detuned guitars, noisy textures, white knuckle intensity, hardcore punk, and hip hop like they were always meant to be.

Bridging the gap between heavy metal power and industrial groove at an infectious tempo, their self titled debut delivered the classics, Loco, Sway, Big Truck, and Oddity and was included in Kerrang! Magazines’ 'Greatest Nu-Metal Albums of All Time’. 
Their influence is undeniable.

Chamber Music and Dark Days followed respectively with the band dominating every festival and stage they appeared on, before 2015's Rivals which did not so much press the reset button on their career as much as smashed the thing with a hammer.

After an absence of well over a decade, Mudvayne and Coal Chamber have joined forces for an EPIC Australian tour in February.
    
TOUR DATES
February 14: Fortitude Music Hall, Brisbane
February 16: Hordern Pavilion, Sydney
February 17: Festival Hall, Melbourne
February 19: Hindley Street Music Hall, Adelaide
February 21: Metro City, Perth

Register HERE for info and exclusive access to pre sale tickets

Read More
Post Image
Gig ReviewsReviews

[Review] Extreme & Living Colour @ Forum Theatre, Melbourne 04/09/2023

Review By Cassandra Hale

It was a cold Monday night in Melbourne as I joined the masses lined up in the on again off again rain. With Extreme last gracing our shores in 2019 the fans were hyped, the wait has been long for a double header of this magnitude and we answered by selling out night one as only the Melbourne fans can do.  So this being the second show but coming first on the Thicker Than Blood tour schedule I was keen to get inside and stake my claim for a night of musical magic.

Living Colour have been strutting their stuff since 1984, but it was my first time seeing them and god damn I was excited. Being a show with two huge acts the Forum was packed early everyone eagerly awaiting the first song of the night. With glasses charged and the floor packed with die hard fans Living Colour burst on to the stage. Opening with a cheeky cover of the famous Rock and Roll by Led Zepplin it was evident they had a huge fan base as the Forum quickly came to life. Singer Corey Glover looked cool as cat shit in his salmon coloured suit and tie finished off with white trainers. His multicoloured dreadlocks and dark shades the perfect addition to complete his look. But looks aside his voice was an absolute showstopper!! Working through Leave it Alone, Middle Man and Funny Vibe the show was off and running at spectacular pace. Guitarist Vernon Reid showed everyone how it was done as he shredded up a storm, his faultless skills not going unnoticed. Living Colour had the fans bobbing as a collective, heads nodding and bodies grooving, it was such a chill vibe and one I loved being a part of.

With their sound covering many genres of music, bass player Doug Wimbish played homage to 50 years of hip hop with a quick-fire medley which included a snippet of The Message which had everyone singing along. Hip Hop aside you could have been lead to believe you were at a full on metal gig as drummer Will Calhoun unleashed on the skins. While he was hard to see, surrounded by a huge array of cymbals you could certainly hear him! Nothing Compares to You was another fabulous cover with Corey once again showing his vocal range then we were treated to hits such as Glamour Boys, Ignorance is Bliss and Times Up.  Of course, there is one song that Living Colour is famous for and if you don’t know it, what rock have you been hiding under! Cult of Personality had the crowd up and about and it also saw Corey take to the crowd for a sing. Finishing it out from the stands of The Forum the punters respectfully watched as he jumped up high and gave everyone further back the up-close experience. He then stayed on to finish out the night with the classic Clash cover Should I Stay Or Should I Go singing from the crowd with gusto. Living Colour left me well impressed, and I would certainly be lining up to see them if they make the journey to Australia again.

The magnificent Forum Theatre had swelled as Extreme fans turned out in force. The wait has been long but it was worth every day of every year to finally have them back in Melbourne. It was a very respectful fan base, all happy for the opportunity to see this awesome foursome live, it was smiles all round as we waited for the lights to drop. The back of the stage covered in the latest album’s mascot a fierce gorilla glowing under red lights that graces the cover of SIX. Taking their places under the cover of darkness Extreme exploded from the shadows in a wash of lights and colour with the massive opener It(‘s a Monster) followed by Decadence Dance. Everyone was losing their minds as #REBEL rang out, totally in awe of what was unfolding before us. With an opening trifecta of that stature it was going to be one hell of a night!

What can I say about Gary Cherone, his energy is effervescent, bouncing from the drum riser to cover every millimetre of the stage with ease. He delivered some very cheeky poses to the photographers and I swear he was a Cirque De Soleil performer in a past life. His fluidity was mind blowing, his stamina undying, he is the quintessential front man that any band would kill to call their own. Oh and let’s not forget, he can really belt out a tune, sounding as good today as he did twenty-five years ago. 

The hits (and there are many) kept flying out, Rest In Peace, Hip Today and Play With Me next on the list, I am still gobsmacked at how Gary delivered Play With Me live, the lyrics lightning quick and yet he does not miss a beat.  Kevin Figueiredo, affectionally known as KFig gave us a sample of his drumming as he moved up close to the fans as a small drum kit magically appeared in front of my eyes.  The punters singing loud, awash with happiness to have all four members up close and personal. Getting yet another song from the new album SIX with OTHER SIDE OF THE RAINBOW which was exquisite followed by the banger Hole Hearted which had everyone singing along.

Cupid’s Dead was amazing and had the crowd rocking out. Then the needle on my fangirl meter flew to red at warp speed as Nuno Bettencourt took to a stool for Midnight Express. His jokes and banter with the crowd were sensational and, in all honesty, I don’t think it was just the girls who were fangirling! The man-love for Nuno was obvious by the crowd that swelled around his microphone, was it for his astonishing guitar skills or his sexy good looks who knows. His shredding skills are exemplary, his guitar an extension of his body, never showy just musical perfection at its finest. Add to this a voice as smooth as honey and Nuno really is the complete package. A second stool appeared for More Than Words, Gary and Nuno not required to sing, we knew all the words and we sang them loud and proud. It was a special moment, driven with emotion and passion by all in attendance.

Now time to talk Pat Badger, as far as bass players go he is the glue holding this tight knit unit together. Pat is the backbone of Extreme, he is an unbelievably talented musician and has stage presence like no other, not to mention his outstanding vocals. He feeds off the crowd and his enjoyment in performing was evident all night. KFig was a joy to watch, his fluidity on the kit was mesmerising at times. He was born to play drums, a king on his throne, such a talented musician and a master of the skin hitting. We were then rocketed into the stratosphere as BANSHEE was unleashed, this song was next level and a testament to the 13 year wait between albums.  Am I Ever Gonna Change and Take Us Alive/That’s All Right were also welcome additions to the setlist.

Flight Of The Wounded Bumblebee saw Nuno’s hands possessed with the spirit of rock and roll, the fans transfixed as he blew as all away with his blistering speed and precision. Then the sensational Get The Funk Out, the punters losing their minds singing with fervour as the night was winding up in huge fashion. I would have been happy to end the night there feeling completely satisfied, but I felt there were a few left in the tank. After the boys left the stage, they were quickly drawn back by chanting and feet stomping to deliver not one but two more from the new album SIX.  SMALL TOWN BEAUTIFUL which merged into Song For Love and the extraordinary RISE. Holy shit the new stuff sounded amazing, and one would think it was part of the setlist for years, so refined and delivered with perfection. The band waved goodbye and slapped hands across the pit as HERES TO THE LOSERS played out over speakers. Just another taste of SIX to see out the night.

The Thicker Than Blood tour was a show of gargantuan proportions I speak for everyone who was there last night when I say get the FUNK back here real soon, we will be waiting with open arms. I of course will be back there Sunday night for the sold-out show to do it all again, see you in the pit boys!!

You can still catch this great show!

AUSTRALIAN TOUR 2023

THE FORUM, MELBOURNE
Monday, 4 September – NEW SHOW!
Sunday, 10 September – SOLD OUT
Tickets thru Ticketek

THE REGAL THEATRE, PERTH
Wednesday, 6 September
Tickets thru Ticketek

HINDLEY STREET MUSIC HALL, ADELAIDE
Friday, 8 September
Tickets thru Moshtix

ENMORE THEATRE, SYDNEY
Tuesday, 12 September
Tickets thru Ticketek

FORTITUDE MUSIC HALL, BRISBANE
Wednesday, 13 September
Tickets thru Ticketmaster

Read More
Post Image
Gig ReviewsReviews

[Review] We Came As Romans @ Liberty Hall, Sydney 31/08/2023

Review By Nikki Eenink

It was Thursday night but there was still a close to a capacity crowd at Liberty Hall in Moore Park, Sydney. Not bad for a “school night”. 

Liberty Hall has gone through several name changes and incarnations over the past decade, it's been quite some time since I ventured to this part of Sydney, so I am pleasantly surprised to find that there’s now a cool adjoining pub that has a nice selection of burgers and fries and has Newtowner on tap, so bro and I are set for a quick feed and a beer or two before the show  and after our long drive down to the “big smoke”. We enter the venue and everything has big, easy to see signage. Toilets, Bar and Merch. Bro and I head straight to the merch line and then find a good spot on the floor near the stage to watch the bands. It’s an all ages show tonight so the punters include mum, dad, the kids and everything in-between.

At 7.30pm there was a sense of excitement in the air as the first cab off the rank was local support band, Harroway, a metalcore quintet of Sydneysiders, who took the stage. 

Harroway warmed the crowd up with a handful of solid ‘core tracks, including current single, Parasite. Lead vocalist, Matt Banks did a great job of getting the audience involved and gee’d up for the next band on the evenings trio of metal. 

Next up were Texan metalcore heavyweights, Invent Animate

Invent Animate released a killer new album, Heavener, in March 2023 and finally made their first trip to Australia.

Everyone is finally inside the venue and energised for the show. You could feel that this audience came to participate, so after a quick stage change over, Invent Animate made their Sydney debut, opening with the in your face, Shade Astray then a blistering set of Heavener bangers followed with False Meridian, Labyrinthine, Absence Persistence, Elysium, then finally my favourite, Without A Whisper and rounded the set out with Immolation of Night. Every member of the band was wearing all-white outfits, even the lighting effects were lighter and brighter – it was refreshing visually. 

Lead vocalist, Marcus Vik interacted with the crowd between songs, and  encouraged, in fact, practically demanded jumping, moshing and crowd surfing. He asked if the audience had heard of Invent Animate, to which the audience responded with a resounding “yes” and enthusiastic applause. The crowd sang along loudly and circle-moshed. A handful of people crowd surfed, no need to ask this crowd twice, this is what they came for. The set ended sooner than we all wanted but the crowd remained excited as we awaited the main act, We Came As Romans

It’s been almost 8 years since we've seen Michigan-based metalcore/hardcore outfit, We Came As Romans. A lot has happened during that absence. Aside from the pandemic that shut down touring for 2 years, We Came As Romans suffered a great personal loss with the sudden death of much loved keyboardist, Kyle Pavone in 2018. Even after this great sadness, WCAR chose to push forward and in 2022 they released a total banger of an album with Darkbloom

At 9.15pm, the stage lights dimmed, Mr Brightside by The Killers played through the speakers while everyone sang along, then the lights came up as the band entered the stage to thunderous cheers and applause. We hadn't seen WCAR since 2015 so the audience was beyond thrilled to finally see them return to a Sydney stage. The set opened with the title track and single, Darkbloom and from the opening notes, the room was electric with anticipation. Vocalist David Stephens sang, “ I won’t pretend that I can see the end, the light may fade, but I won’t wither away, ohhhhh, I won’t wither away, ohhhhh, I won’t wither away…..” then the AI voice announces, “I am Darkbloom” … and with that the band and audience exploded into movement, jumping and dancing.  The crowd was headbanging and moshing, singing loudly, I looked to the left of me and there was a young boy with his mother. He was maybe 10 years old and he knew every word and sang loudly with such enthusiasm. It warmed my cold dead heart to see the younger generations loving metal music with such passion. At the end of the song, Stephens stopped to greet the audience and said, “it's so great to be in a country when I can say the word c*nt. If I did that in the States I’d be cancelled” the audience responded with cheers and the band started playing Doublespeak

Next they played Wasted Age. Several members of the band assisted Stephens as he divided the audience on the floor area in half before unleashing the “wall of death” as they play Cold Like War from the 2017 album of the same name. Then it was back to the Darkbloom album’s second track, Plagued. Stephens stoped to converse with the audience again, saying that the next song was Kyle's favourite and dedicated the song to him, the band played Tracing Back Roots, followed up with The Anchor, when David stopped to talk with the audience this time, the mosh pit gets down on the floor and rows together and as the band played Lost In The Moment, from Cold Like War, the moshpit became a juggernaut of circular, swirling movement. During Cold Like War’s Learning To Survive, Stephens jumped down from the stage into the crowd, who held him up as he sang, then surfed back up onto the stage.  At the end of the song, Stephens talked about how he wanted to do a “shoe-y”. The audience cheered him on and chanted “shoey shoey shoey”, Bassist, Andy Glass agreed to do it as well, and both band members proceeded to drink beer from Stephens’ sneaker. It’s gross, its an Aussie tradition and the audience loved it. Then it was time to play the Darkbloom song, Golden, at the end of the song, Stephens calls an audience member to join him up on the stage. He informed the room that this lady had supported the band from the start, had travelled all around Australia and even the world to attend their concerts, then a crew member brought out a broken guitar that the band had signed and Stephens presented it to her as a thank you gift. Everyone cheered and they played Hope from the 2013 album, Understanding What We’ve Grown To Be and finished the set off with another Darkbloom track, Daggers. The band thanked everyone and left the stage for a couple of minutes while the audience cheered loudly and yelled out for “one more song”. The chanting brought the band back and they returned to the stage and performed one final song from Darkbloom, Black Hole, then as they left the stage once again with thanks and waves, tossing out some guitar picks and handing out setlists to the hungry hands of fans up near the front of the stage. The lights came up as the house PA played the Thirty Seconds To Mars hit, The Kill. Phew! What a night!

Each band brought so much positive energy to the evening. The setlists were filled with bangers. They each entertained the crowd who were hyped for a great evening of moshing, headbanging, crowd surfing, and singing along loudly, all of which were done with respectful, animated enthusiasm. The atmosphere was electric for a much-loved band's long awaited return. The venue was clean and the staff were friendly and accommodating. I honestly can't find a negative thing to say about the concert. From go to whoa, my expectations were exceeded. If you haven’t checked out Invent Animate yet, then put that on your To-Do List. We Came As Romans were incredible, putting on a highly entertaining, energetic performance with a set list that included new and past faves. I couldn’t recommend this tour more highly.  For remaining dates and further details, check the Destroy All Lines webpage. 

Read More
Post Image
Gig ReviewsReviews

[Review] Midland @ Forum Theatre, Melbourne 01/09/2023

Review By Terri Nas

As I wandered up Flinders Street towards the Forum theatre last Friday night, I was met with a sea of plaid shirts, Stetson hats, rhinestones, cowboy boots and Ringers Western apparel as far as the eye could see. Having not been to many country music gigs, I wondered what kind of night I was in for when I noticed a number of patrons getting refused entry due to pre-gaming a little too hard before hitting up the gig. 

One thing was for sure though, these people were here for a good time, and it was up to Austin-based country trio Midland to provide the goods. The band are currently touring Australia with their headline show, having not been down under since 2019. 

The drinks were flowing and the theatre was abuzz with excitement, awaiting the arrival of the support act in the form of Australian country singer, Travis Collins. Exclaiming that this was his first time playing at the Forum, Collins then proceeded on with his 30-minute acoustic set that included his new song Offended (which his record company weren’t so keen on due to its cheeky lyrics), and an energetic cover of John Denver’s Thank God I’m A Country Boy which had the whole crowd singing and stomping along. Despite Collins explaining that he felt a little lost being alone on stage without his full band, he was still excellent and a great way to start the night. 

Soon enough it was time for the main event. Enter: Midland. The trio comprising of Mark Wystrach (lead vocals & guitar), Jess Carson (guitar & vocals) & Cameron Duddy (bass guitar & vocals) emerged from the stage accompanied by their 4-piece backing back. They kicked off their set with If I Lived Here which got the crowd riled up for the evening. 

Mr Lonely had everyone up and dancing and singing along, followed by the heartbreak tale Out Of Sight. The rocking riff of 21st Century Honky Tonk American Band fired up and it was hard not to move along to its beat. The band explained that they’d been flat out since arriving in Australia, but that they felt right at home here because “in Australia y’all love getting fucked up on a Friday night”. If you’ve ever fallen victim to a big night out in Austin, Texas where the band resides, then you know that these boys definitely would feel at home here and that they would know how to party. This led into their aptly named hit Playboy which featured on their second album, Let It Roll. 

We were treated to a few covers during their set including the Garth Brooks tune, Much Too Young and the 70’s hit The Boys Are Back In Town, made famous by the legendary Thin Lizzy. When the opening bars of Men At Work’s Down Under rang out through the crowd, the audience were singing every word with all of the patriotism they could muster. 

The audience were loving every second as they sang along about living Paycheck To Paycheck and then said Adios Cowboy. We got 2 more covers in the form of Wichita Lineman by Glen Campbell, and then it was “A long way to go and a short time to get there” as we were East Bound And Down (made famous by Jerry Reed). To close off their set we were “watchin’ cigarettes Burn Out”, which the crowd lapped up with every note. 

Of course, the night couldn’t possibly be over after their departure at the conclusion of Burn Out, so an encore was on the cards for this rowdy and fired up crowd. Longneck Way To Go kicked off the encore followed closely by my favourite Drinkin’ Problem. The crowd were on a high when we were then bid adieu with Fourteen Gears

I really enjoyed my first offical country music gig, and with their sweet harmonies and authentic honky tonk sound I felt like I’d been transported back to Austin, Texas and was bar hopping on the “Dirty 6th”. Absorbing the energy from the audience was an experience in itself, and I was thoroughly entertained by some of the shenanigans I witnessed. A great night all round and I think it’s fair to say every single punter there had the best time possible. See you next time, Midland!  

Read More