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Cloud Nothings Release New Album

CLOUD NOTHINGS
RELEASE NEW ALBUM
FINAL SUMMER OUT NOW

SHARE COMMON MISTAKE MUSIC VIDEO

“…the kind of melodic, hard-hitting, no-bullsh*t indie rock that has become Cloud Nothings’ calling card — a sound that has helped them endure through several hype cycles to become one of the most consistently rewarding bands in their scene.” – Stereogum

“Whenever there’s a new Cloud Nothings record, you can rest assured that it will be great.” – Uproxx

“…at their most anthemic.” – BrooklynVegan

“The band’s energy level never slackens throughout Final Summer, and the entirety of the record’s half-hour run time sounds massive…” – FLOOD Magazine

Cloud Nothings‘ highly anticipated new album, Final Summer, is out now from Pure Noise Records! The record has already garnered attention from the likes of Pitchfork, NPR, Stereogum, Rolling Stone, Paste, BrooklynVegan, Uproxx, FLOOD Magazine, and more, and continues the band’s nearly 15 year streak of unimpeachably fantastic guitar rock music.

Final Summer is the kind of album that’s so assured, so instantly satisfying, that it forces you to pause and realize you’re listening to one of the great American rock bands in their prime. Now listeners can hear the record in full and experience the inventive riffing, effortless hooks, and earthshaking guitar tones that prove exactly why every Cloud Nothings release is downright essential. To celebrate, the band have shared their new music video for Final Summer‘s triumphant closer, Common Mistake.

Cloud Nothings – made up of vocalist/guitarist Dylan Baldi, drummer Jayson Gerycz and bassist Chris Brown – have evolved from scrappy lofi upstarts into a guitar music institution, churning out incredible songs at a rate and level of quality that few can compare to. Recorded with Jeff Zeigler (Kurt Vile, The War On Drugs, Torres, Purling Hiss), mixed by Sarah Tudzin (boygenius, Tim Heidecker, Pom Pom Squad), and mastered by Jack Callahan (Ryley Walker, Merchandise, Wolf Eyes), Final Summer offers their finest set of songs to date, perfectly capturing the mix of melody and noise that makes Cloud Nothings so special. Clocking in at a lean 29 minutes, the album is bursting with the unbridled joy that comes from playing guitars and drums loudly. This is not the work of a scrappy new band cramming all of their ideas into a debut album or grizzled veterans grinding through another release: it’s one of the tightest and most invigorating rock bands active today, driven to make the best version of themselves. 

Cloud Nothings will be touring extensively in support of Final Summer, starting with a lengthy North American headlining tour in May.

Stream Final Summer here
Order Final Summer here

FINAL SUMMER TRACK LISTING:
01. Final Summer
02. Daggers of Light
03. I’d Get Along
04. Mouse Policy
05. Silence
06. Running Through The Campus
07. The Golden Halo
08. Thank Me For Playing
09. On The Chain
10. Common Mistake

 

ABOUT CLOUD NOTHINGS:
Some bands never miss. This rare breed consistently puts out great records every couple years, avoiding the lengthy hiatuses or egregious sonic missteps that often come with achieving longevity. It’s an often unsung reliability, as few realize how truly remarkable it is to put art into the world at this rate without letting the quality slip. For nearly 15 years, Cloud Nothings have continued to hit the target, steadily becoming a part of the fabric of modern indie rock as we know it with a run of fantastic albums. This streak continues unabated with their latest full-length, Final Summer–an album that’s so assured, so instantly satisfying, that it forces you to pause and realize you’re listening to one of the great American rock bands in their prime. 

Formed in 2009 by guitarist/vocalist Dylan BaldiCloud Nothings evolved over the years from a one-man lo-fi project into a finely tuned unit also composed of drummer Jayson Gerycz and bassist Chris BrownCloud Nothings, over so many years and so many records (nine or ten “depending on how you look at it,” laughs Baldi), have existed long enough to witness all sorts of musical moments come and go, but the secret to their endurance isn’t about savvily navigating trends. “We’ve just never felt inclined to stop,” Baldi explains. “It’s not like this makes us millions of dollars, but it’s a great gig, it’s what we love to do.” Gerycz adds, “It’s just still so fun every time we do it, every time we go get in the basement and start writing.” 

And it shows. Recorded with Jeff Zeigler (Kurt Vile, The War On Drugs, Torres, Purling Hiss), mixed by Sarah Tudzin (boygenius, Tim Hiedecker, Pom Pom Squad), and mastered by Jack Callahan (Ryley Walker, Merchandise, Wolf Eyes), Final Summer is bursting with the unbridled joy that only comes from playing guitars and drums loudly. This is not the work of a scrappy new band cramming all of their ideas into a debut album or grizzled veterans grinding through another release: it’s one of the tightest and most invigorating rock bands active today, driven to make the best version of themselves. “I just like making things,” says Baldi. “I love having something that I’ve made by the end of the day, even if it’s just one song. It’s like proof that my day happened. I’m just always trying to refine the thing we do, which is to make songs that take you from one place to another.” 

Very few bands take listeners on that kind of journey within a hooky rock song as effectively as Cloud Nothings, and the album’s opening title track proves exactly why. A wash of crackling synths sets the scene before the band roars to life with a cutting riff and Gerycz’s driving beat. From there, it’s layer after layer of interlocking melodies and guitar lines, all rising action while Baldi lays out the album’s overarching lyrical ideas. “It’s about feeling alright in the moment,” Baldi says. “A lot of these songs sort of ended up being about getting by or trying to keep improving despite everything.”

His lyrics often take on a mantra-like quality, using repetition and a one-of-a-kind delivery to dig something deeper out of observations about the mundane or frustrating parts of life. On early Final Summer standout I’d Get AlongBaldi repeats “if something would happen with me…” over and over, each time adding to the tension before the track’s truly massive chorus explodes with a cacophony of fuzzed-out guitars and a howling “I’d get along.” Throughout the record, Cloud Nothings strike their trademark balance of inventiveness and accessibility, with every track full of hooks but also the kinds of details and twists that reward repeat listens. The Golden Halo feels like a two-minute-long chorus, hook after hook careening forward with a motorik beat and ever-growing sea of voices, while elsewhere songs like Mouse Policy or Running Through The Campus take very literal ideas and spin them into something else through walls of thick bass and thunderous distortion. 

On Final Summer closer Common MistakeBaldi sings, “This is your life, it’s a common mistake. We’ll be alright, just give more than you take.” It’s the kind of deceptively direct lyric that he excels at, a clear and real sentiment filtered through a melody that’s stuck in your head before the end of the first chorus. The line could almost be an accidental mission statement for the band itself: a group that creates with a workman-like commitment, providing listeners with something authentic and artful at an unflinching pace. Cloud Nothings don’t miss, and you won’t want to miss them either. 

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SeeYouSpaceCowboy Release New Album

SEEYOUSPACECOWBOY
RELEASES NEW ALBUM
COUP DE GRÂCE

WATCH NEW MUSIC VIDEO
LUBRICANT LIKE KEROSENE (FT. KIM DRACULA)

Photo Credit: Errick Easterday

“…SeeYouSpaceCowboy never fail to deliver…this is a killer release from a killer young band and if SeeYouSpaceCowboy are not on your radar yet, rest assured, they will be soon!”Everblack Media

“Coup de Grâce presents a captivating musical experience, and really is a great album…it’s a thoroughly enjoyable listen that showcases the band’s versatility and creativity.”The AU Review

“This is so fun…man, emo is not dead!”The Break Down With Nath & Johnny

“…It’s a hell of a ride and one that is fuelled by boundless energy, light and shade” The Soundcheck

San Diego, CA – Post hardcore band SeeYouSpaceCowboy have pulled back the curtains on their highly anticipated new album Coup De Grâce. With each new single the band has a welcomed listeners into a neo-noir world of their own creation, culminating in a brand new music video for Lubricant Like Kerosene (ft. Kim Dracula).

“This album was a chance for us to refine some of the melodic elements we had recently introduced to the band while also playing around with all things and bringing back reinvented version of past parts of our identity,” shares frontwoman Connie Sgarbossa. “The hope is that we made something that mixes the innate emotion of post hardcore with the cathartic essence of dancing and allure of cabaret/burlesque in a package reflecting the tale of a city on fire and it’s all to tragic individuals and their indulgence and woes.”

SeeYouSpaceCowboy recently hit the road for their North American tour with Better Lovers, Foreign Hands, and Greyhaven. The tour kicked off earlier this week in Indianapolis, with stops to follow in Albuquerque, San Diego, Seattle, Minneapolis, and more. SeeYouSpaceCowboy will also be performing at this year’s Sound and Fury Festival in Los Angeles this July.

Order and stream Coup de Grâce here

COUP DE GRÂCE TRACK LISTING:

01. Allow Us To Set The Scene
02. Subtle Whispers To Take Your Breath Away
03. And The Two Slipped Into Shadows
04. Red Wine And Discontent
05. Lubricant Like Kerosene (ft. Kim Dracula)
06. Respite For A Tragic Tale (ft. iRis.EXE)
07. Silhouettes In Motion
08. To The Dance Floor For Shelter (ft. Courtney Laplante)
09. Rhythm And Rapture (ft. nothing,nowhere.)
10. Sister With A Gun
11. Chewing The Scenery
12. Curtain Call

ABOUT SEEYOUSPACECOWBOY:
Every single song SeeYouSpaceCowboy have released since forming in 2016 has been deeply rooted in the life experience and trauma of frontwoman Connie Sgarbossa. Whether that’s existential anguish, substance addiction or suicidal ideation (and attempts), Sgarbossa has never been afraid to detail her pain and torment in excruciating detail. She holds nothing back, and combined with the band’s intensely dark (and darkly intense) blend of sasscore, punk, mathcore and metalcore, it’s always made for profound and devastating listening. Coup De Grâce is no exception to that rule. The band’s third album, it follows on from 2019’s The Correlation Between Entrance And Exit Wounds and 2021’s The Romance Of Affliction. But unlike those two records, which were unadulterated, no-holds-barred accounts of her life at the time, Coup De Grâce takes a different approach to its lyrics. Rather than Sgarbossa baring her most private and innermost thoughts for all to hear, on these 12 songs they’re funneled through the lives of fictional characters within a noir-inspired world of the singer’s invention.
 
It makes sense, then, that the record begins with something utterly unlike anything the band has ever made before: a sax-laden, smoky, late night smooth jazz ballad. It immediately draws the listener back to a time and place that exists decades in the past, a Moulin Rouge-esque club that’s not quite in the real world—and it’s within that parallel decadent and dystopian universe, and its various buildings, that everything then plays out. That ‘everything’ is just as personal as anything the band — completed by Connie’s brother Ethan Sgarbossa (guitar/vocals), Taylor Allen (bass/vocals), Tim Moreno (guitar) and AJ Tartol (drums) — have ever released, but it manifests itself across Coup De Grâce’s 12 songs in an entirely different way than before. And with valid reason, too.
 
“The record started as a visual idea,” explains Sgarbossa, “because when it came to lyrics, I didn’t know what the fuck to write at first. I’m not a drug addict junkie anymore, so I’m not going to write another album like The Romance Of Affliction — I can’t, and I don’t want to. So my mind wandered to things that I love, like Frank Miller’s Sin City graphic novels, where there are all these stories interlaced within a city. That led me to think about noir and neo-noir, and then pulp comics and novels from the ’40s and ’50s, which started to make it all come together lyrically and thematically, where each different song can be a different tale of the city.”
 
After the first minute and a bit of that opening song, however, the theatrics stop, their fuzzy, nostalgic warmth shattered by blast beats and screams, pulverizing guitars and exasperated spoken word, as the band deliver the kind of chaotic, violent noise they’re known for. And yet, as that gives way to second song Subtle Whispers To Take Your Breath Away, its ravaged, ferocious edges also reveal a new and surprising development in the band’s sound—a more catchy and accessible sense of melody influenced by what Sgarbossa terms “dancier indie-rock” influences like Bloc PartyFoals and Two Door Cinema Club. That came, she says, after she’d convinced, with some difficulty, the band to go with her proposed visual aesthetics for the record.
 
Recorded by Matt Squire at Mixwave Studios, Coup De Grâce is an album in the truest sense of the word. Wholeheartedly ambitious, it’s a graphic novel in musical form that not only succeeds in creating its own deliciously dark, noir universe, but one whose characters truly inhabit the world that SeeYouSpaceCowboy have invented for them. In fact, listening to it is more akin to watching it all unfold onstage. That’s partly due to the narration of Iris.EXE (who also appears on Respite For A Tragic Tale, a kind of intermission in the album’s middle), but also to the masterful execution of these songs.
 
Of course, it’s nothing new for the band to switch up their sound—they do that with every record — but the they’ve taken it to the next level with this one. And just as The Romance Of Affliction proved that art doesn’t always soothe suffering — Sgarbossa attempted to take her life two weeks after finishing that record — so Coup De Grâce proves that you don’t necessarily need to suffer to make great art. The singer is clean now and in a much better place than ever, but her band have also created the most ambitious, epic and accomplished album of its career.
 
“I hope,” she says, “that people can look at this as a complete expression—not just ‘Oh, this song has a good breakdown’, but at the whole story, the whole setting, the visuals of it all and the way the music all ties in. I hope they see the creativity of that and the risk we’ve taken by embedding Cowboy with more weirdo outside influences that you usually wouldn’t see from a band like us. It’s like a full, unified creative venture, and something we put a lot of work into, so I hope they appreciate the weirdness of it. I feel like a lot of times people hear clean singing and more melody from a heavy band and think they’re selling out. But no — we’re actually technically weirder on this record than we’ve ever been.”
 
With that, it’s time to put your best shoes on. You’re going to need them as you dance inside the fire.

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Cicadastone – Melbourne Rockers Release New Single, Last In Line. New Album, Future Echoes, Out May 31

CICADASTONE
Release New Single, Last In Line
New Album, Future Echoes, Out May 31

Melbourne hard hitters, Cicadastone are back with another slab of Seattle infused rock in the shape of Last In Line.

With it’s huge vocal harmonies, driving riffs and emotive guitar fills, Last In Line harks back to a time when songs like this were all over the radio.

Last in line is a song about forms of addiction. “To be last in line of what? The choices we make now dictate the futures we have to come. The song touches on the concept of thinking you’re in control when you’re actually not at all. An outside perspective is important when you don’t have it. Don’t need a reason to deny, only a reason to be last in line.” – Mat Robins, vocals and guitar.

Listen to Last In Line here!
https://lnk.to/BdXIC6

Catch Cicadastone this May!
Friday, May 3: XMusic Live, Workers Club, Melbourne
Saturday, May 4: XMusic Live, Scotties Garage, Seaford
Friday, May 31: Leadbeater Hotel, Melbourne (Album Launch)

Tickets
https://qrco.de/berBMj

Born from the ashes of the grunge rock greats, Cicadastone naturally move within the 90’s rock confines yet still manage to bring a modern fresh edge, developing their own unique sound while staying truly authentic to the genre, a difficult task in a time when it’s all been done before. With two albums under their belt, 2016’s debut, Chance Collide and 2020’s Cold Chamber, the band have been making solid in roads within the ultra competitive rock scene.

2024 sees the band take a huge leap forward creatively and make their biggest statement yet with third album, Future Echoes.

Last In Line is another gritty, grinding song by Cicadastone. It follows first single,
In The Crossfire and is a great indication of what to expect of the new album Future Echoes, due for release on May 31 via XMusic.

Pre Orders are available now
https://lnk.to/IPABwP

Follow Cicadastone
linktr.ee/cicadastone

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Mono – Veteran Shoegaze Act To Release New Album, Oath, on June 14. Release Soaring, First Single, Oath.

MONO
Veteran Shoegaze Act To Release New Album, Oath, on June 14
Release Soaring, First Single, Oath.

Coinciding with their 25th anniversary, Japanese instrumental rock band MONO will release their 12th album ‘OATH’ on June 14, 2024 via Pelagic Records.

More than an eponymous track, ‘Oath’ serves as the album’s theme. Anyone who is a fan of MONO’s unique songwriting and sound construction is bound to have stars in their eyes with this one. The classical instruments greet the listener with comfort and lightness, while the quartet quietly take their time to join in… until they reach a pinnacle of post-rock splendour, spiced up with a hint of shoegaze as only the band can do!

Guitarist and composer of the band, Takaakira ‘Taka’ Goto, states –
The album ‘OATH’ is about “time and life”. We wanted to express the “limited time in life” and the “meaning of life”. Our time goes by day by day. What is my goal? What is my purpose? What is the reason I live every day? What can we do? What should we do? We wanted to learn what we were feeling about time and life, what we have lost and found, and the questions and the answers we discovered during both our good and difficult times. We live with a vow that hasn’t changed since we were children.

Photo Credit: MONO

The music video for ‘Oath’ was produced in collaboration with one of the band’s endorsers, EarthQuaker Devices, and was filmed during the recording session of the new album, recorded and mixed by one of their longtime collaborators, Steve Albini, at Electrical Audio.

Music Video Credits:
Video by EarthQuakerDevices
Directed and Edited by Chris Tran
Filmed by Chris Tran, Jeff France and Dannesh Moosa

Oath will be released on June 14
Pre orders available now
https://orcd.co/mono

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Nothing More Announce New Album ‘Carnal’ Due June 28. First Track “House On Sand (Feat. Eric V Of I Prevai l)” Out Now

NOTHING MORE
Announce New Album ‘Carnal’ Due June 28 via Better Noise Music
Reveal Music Video For New Track “House On Sand (Feat. Eric V Of I Prevail)”

3X Grammy Award-nominated NOTHING MORE return with their fifth album, CARNAL,
on June 28 via BETER NOISE MUSC.

The album features 15 songs with the San Antonio, Texas born quartet’s most focused, adventurous, and intense music to date, including their current radio single “IF IT DOESN’T HURT”. Recorded with Grammy-nominated producer WZRD BLD (Disturbed, Motionless In White, A Day To Remember) with mixing and mastering by Zakk Cervini (Limp Bizkit, MGK, Bring Me The Horizon), CARNAL unites NOTHING MORE’s trademark introspective philosophical lyrics and unapologetically massive anthems with in-your-face rockers designed for an all-encompassing audience.

“‘CARNAL’ feels like a perfect encapsulation of what NOTHING MORE has always been,” says guitarist MARK VOLLELUNGA. “From progressive introspection to steady-state rock ‘n roll, we felt like we’ve achieved the exact balance wanted for this next installment.”

“It’s a beautiful blend of memorable guitar riffs, illustrious chord progressions and heart wrenching lyrical performances all to the beat of a drum that palpitates with syncopated obsession,” states bassist DANIEL OLIVER. “There’s truly something for everyone on this record.”

(Credit: Dante Dellamore)
Pictured, from L-R: Mark Vollelunga, Jonny Hawkins, Ben Anderson, Daniel Oliver

NOTHING MORE have today unveiled a music video for their new compelling and defiant track “HOUSE ON SAND” featuring I Prevail vocalist Eric Vanlerberghe.

Stream/download “HOUSE ON SAND (feat. Eric V of I Prevail)” across all digital platforms
https://nothingmore.ffm.to/houseonsand

“Sometimes you lose sight of your purpose in life and wander off of the path you were on,” says frontman JONNY HAWKINS on “HOUSE ON SAND”. “Years later you find yourself in a life that does not match the vision you once had for yourself. Trapped, you are left with a choice…betray your inner voice, or trust it; continue on and play it safe, or turn back and start again… I’m starting again.”

In regard to working with VANLERBERGHE, HAWKINS states: “I’m so honored and excited to have Eric screaming his heart out with me on this song!

“Almost a year ago, the boys in NOTHING MORE sent me this demo and asked if I’d consider hopping on it,” shares VANLERBERGHE. “I checked it out and for the next few weeks, I had the chorus engrained in my brain. The song really resonated with me. I think this track, as well as the rest of their record, is NOTHING MORE’S best work and I’m honored to be a part of it.”

Since their emergence in 2003, NOTHING MORE have continuously topped the active rock radio charts including nine #1 singles and over a half dozen Top 10 singles including “TIRED OF WINNING” from their 2022 album SPIRITS. To date, the band—Jonny Hawkins (vocals), Mark Vollelunga (guitar), Daniel Oliver (bass), and Ben Anderson (drums)—have amassed a total of 788 million streams and 150 million video views.

NOTHING MORE have won over audiences across the globe with their commanding performances of which Loudwire proclaimed: “it’s their famously vivacious live shows that truly enthrall, especially when they pull out some of bassist Daniel Oliver’s self-made gadgets. For instance, there’s the ‘Scorpion Tale,’ an extremely heavy beast made of metal scraps whose Ableton software permits singer Jonny Hawkins to alter multiple timbres (such as guitar, bass and vocals) while riding it. Then, you have the ‘Drumtron/Bassinator,’ a rotating bass stand connected to drums that allows for three-man bass solos.”

CARNAL Track Listing:
1. Carnal
2. House On Sand (Feat. Eric V Of I Prevail)
3. If It Doesn’t Hurt
4. Angel Song (Feat. David Draiman)
5. Freefall
6. Blame It On The Drugs
7. Head
8. Existential Dread
9. Heart
10. Down The River
11. Give It Time
12. Sight
13. Stuck (Feat. Sinizter)
14. Run For Your Life
15. Sound

Pre-order CARNAL now via digital download, CD, vinyl, and cassette tape at
https://nothingmore.ffm.to/carnal

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Anvil Announce New Album

ANVIL
Announce New Studio Album, ‘One And Only’
Present First Video Single “Feed Your Fantasy”!

Canadian metal legends ANVIL have announced their new studio album, ‘One And Only’, for a release on June 28, 2024 via powerhouse label AFM Records! A first video single, “Feed Your Fantasy”, has just been premiered and is now streaming below.

When it comes to the most influential bands in the history of heavy metal, authorities on the subject regularly vote ANVIL among the top positions. The group from Toronto, Canada, with its two masterminds, Steve ‘Lips’ Kudlow and Robb Reiner, and bassist Chris Robertson, not only looks back at an impressive career with countless highlights – as well as a number of well-documented difficulties – but has also had a lasting influence on lots of internationally renowned musicians, from Metallica to Slayer and beyond.

Their forthcoming, 20th album is aptly entitled ‘One And Only’: ANVIL are and will always be one of a kind and are continuing to shape the contemporary metal scene just as impressively as they did at the beginning of their career. How they achieve this? Thanks to their straightforward metal fuelled by cutting riffs and catchy hooks, which the musicians continue to celebrate with admirable effortlessness and great passion. “We’re more like our old selves than we’ve been in years,”comments frontman Lips Kudlow on the new album, adding: “We’ve dropped all our more modern aspects, particularly the 90s version of Anvil. No sexual topics and no thrash speed songs like they featured on past albums.”

Their first album single, “Feed Your Fantasy”, is out now on all digital streaming providers at
https://anvil.bfan.link/feed-your-fantasy

One And Only’ track listing:

01 – One And Only

02 – Feed Your Fantasy

03 – Fight For Your Rights

04 – Heartbroken

05 – Gold And Diamonds

06 – Dead Man Shoes

07 – Truth Is Dying

08 – Rocking The World

09 – Run Away

10 – World Of Fools

11 – Condemned Liberty

12 – Blind Rage

One And Only’ sees the band provide first-rate ANVIL entertainment: While Guitarist/vocalist Lips is considered to be one of the most creative and interesting storytellers of the metal genre, Chris Robertson and Robb Reiner keep the up the pace with their usual confidence, providing the perfect rhythm section for Lips. Although they have experienced the tough and frequently merciless side of the music industry on a number of occasions, ANVIL never lost their idealism, motivation and energy, which is immediately evident on ‘One And Only’.

Like its four predecessors, ‘One And Only’ was produced by Martin ‘Mattes’ Pfeiffer (U.D.O., among others) and Jörg Uken at his Soundlodge studio. As far as Lips is concerned, Pfeiffer and Uken are “… our one and only choice. As usual, Mattes and Jörg did a great job in choosing our best playing and making sure it has top notch sound. Great guys who understand the band and know what suits us best.”

Pre-Order ‘One And Only’, due out on June 28, 2024 via AFM Records

https://shop.afm-records.de/de/search?sSearch=anvil

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POWERWOLF Announce New Studio Album

POWERWOLF New Studio Album, Wake Up The Wicked, to be Released on July 26

POWERWOLF – a band that fills the hearts of every heavy metal fan with joy – will release their highly-anticipated new studio album, Wake Up The Wicked, on July 26, 2024 via Napalm Records!

With several #1 chart entries and multiple gold and platinum records, POWERWOLF is undoubtedly one of the most successful current heavy metal bands worldwide. Headline and premium slots at premier rock and metal festivals like Wacken, Hellfest or Graspop, as well as massive sold-out arena shows have further solidified the Wolfpack’s standing at the very top of the scene. POWERWOLF’s high quality releases are steadily praised by critics and fans alike, building upon the successful reach of their songs and impressive official music videos, which have been streamed tens of millions of times across platforms to date.

Photo Credit: VDPictures

Fans can get a taste of the massive live shows by ordering one of the formats including the bonus album Manhattan Metal Mass – Live in New York City, recorded at their first ever US Show!

Tracklisting Wake Up The Wicked:

Bless ’em with the Blade
Sinners of the Seven Seas
Kyrie Klitorem
Heretic Hunters
1589
Viva Vulgata
Wake Up the Wicked
Joan of Arc
Thunderpriest
We Don’t Wanna Be No Saints
Vargamor

Wake Up The Wicked will be available in various formats:

3LP Vinyl Box incl 1LP Popup Gatefold Vinyl Wake Up The Wicked red/black marbled, 1LP Gatefold Vinyl black Live in New York, 1LP Gatefold Vinyl black orchestral album, 96 pages booklet, DIN A1 poster – exclusively available via Napalm Records Mailorder – strictly limited!

3LP Vinyl Box incl 1LP Popup Gatefold Vinyl Wake Up The Wicked white/black marbled, 1LP Gatefold Vinyl black Live in New York, 1LP Gatefold Vinyl black orchestral album, 96 pages booklet, DIN A1 poster – exclusively available via Powerwolf Shop – strictly limited!

3LP Vinyl Box incl 1LP Popup Gatefold Vinyl Wake Up The Wicked yellow/red marbled, 1LP Gatefold Vinyl black Live in New York, 1LP Gatefold Vinyl black orchestral album, 96 pages booklet, DIN A1 poster – exclusively available via EMP – strictly limited!

2CD Mediabook + bust, incl Wake Up The Wicked and Live in New York, bust, 48 page booklet – exclusively available via Napalm Records Mailorder – strictly limited!

3 CD Earbook, incl Wake Up The Wicked. Live in New York, Orchestral Album, 96 pages booklet – exclusively available via Napalm Records Mailorder, Powerwolf Shop and EMP – strictly limited!

1LP Gatefold Vinyl, oxblood – exclusively available via Napalm Records Mailorder – strictly limited!

1LP Gatefold Vinyl, silver – exclusively available via Powerwolf Shop – strictly limited!

1LP Gatefold Vinyl, gold – exclusively available via EMP – strictly limited!

1LP Gatefold Vinyl, black

2CD Mediabook, incl Wake Up The Wicked and Live in New York, 48 page booklet poster

1CD Jewel Case

Music Cassette, red – exclusively available via Napalm Records Mailorder – strictly limited!

Music Cassette, black – exclusively available via Powerwolf Shop and EMP – strictly limited!

Digital Deluxe Album

Digital Album

Pre-Order your version of Wake Up The Wicked

https://lnk.to/PW-WakeUpTheWicked/napalmrecords

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