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SADUS Thrash legends Debut New Lyric Video For ‘The Devil In Me’

In anticipation for their upcoming return to Europe, East Bay thrash metal legends SADUS have revealed a new lyric video for ‘The Devil In Me’, from their latest album, The Shadow Inside, available from Nuclear Blast Records. The band will be performing a hometown warm up show in Petaluma, CA on July 27th before heading across the Atlantic for European festivals.

SADUS is currently touring in support of The Shadow Inside, which was released in November 2023 with Nuclear Blast Records. The band’s 6th full-length was recorded with Juan Urteaga (EXODUS, TESTAMENT, MACHINE HEAD) at Trident Studios and features ominous artwork by accomplished artist Travis Smith (FLESHGOD APOCALPYSE, OPETH). Their first record in 17 years is a contemporary thrash classic with colossal, groove-laden riffs at break-neck rhythm and blistering solos as heard on blistering tracks like ‘Scorched And Burnt,’ ‘It’s The Sickness’ and ‘Ride The Knife,’ that further cement the band’s legacy as one of thrash metal’s most quintessential bands.

Stream/Purchase The Shadow Inside: https://bfan.link/tsisadus.ema

The Shadow Inside Track List:

1. First Blood

2. Scorched And Burnt

3. It’s The Sickness

4. Ride The Knife

5. Anarchy

6. The Devil In Me

7. Pain

8. No Peace

9. New Beginnings

10. The Shadow Inside

About SADUS:

It has been sixteen long years since the monstrous sound of SADUS last bestowed a new record upon the world, but the time has finally arrived. This November, Nuclear Blast Records proudly presents the triumphant return of the unconquerable SADUS with their sixth full-length studio album, titled The Shadow Inside.

Adorned with the compelling artwork of Travis Smith, the album cover depicts an all-consuming demon of the cosmos fiercely enveloping a tortured soul beneath, perfectly encapsulating the vision and duality that the songs on this record deliver. Founder and drummer Jon Allen shares his excitement about working with Travis once again, reminiscing about their collaboration on Elements of Anger. He points out that several tracks on the new album, such as ‘The Devil In Me’ and ‘The Shadow Inside,’ revolve around the idea of an internal entity constantly pushing us. At times, one might find themselves at the edge of reason, attributing their actions to the shadow within, an external force they blame for their choices. While not a concept album per-se, every song deals with life decisions and the importance of taking responsibility for one’s actions to unlock the best life has to offer. The track ‘The Shadow Inside’ boasts a heavier and slower tone, with a touch of classic, gut-wrenching grind, creating a fitting climax to the album.

A formidable darkness flows through tracks like ‘Anarchy’. Evidently influenced by the tumultuous post-Covid times of mass hysteria, looting, and general loss of control, the melody reflects this chaotic environment. Allen describes the track as “more straightforward and in-your-face, hitting listeners right in the gut. ”Despite the intensity, SADUS manages to retain their signature death/thrash blend, staying true to their old-school roots. The aggression remains palpable, allowing their music to speak for itself with raw, unapologetic power.

‘Scorched and Burnt’ follows suit, with its steady beat and chaotic vocals seamlessly intertwining with blistering guitar work. The track gradually transitions into an impassioned melody, igniting a fiery explosion as the song nears its conclusion. Although inspired by the literal wildfires that plagued California during its creation, ‘Scorched and Burnt’ delves deeper into the idea that individuals often feel like someone or something is constantly out to get them. Yet, in the end, the song urges unity, recognizing that every action, even in chaos, ripples through the lives of others.

The process of creating The Shadow Inside was unhurried and unencumbered by unnecessary roadblocks. SADUS allowed their creativity to flow naturally, collecting riffs and writing together in person.The band took their time, nurturing and developing their musical ideas until they evolved into the powerful tracks we hear today. Allen emphasizes that their drama-free and family-oriented approach to making music is one of the reasons their sound speaks so powerfully to their fans. Collaborating with Juan Urteaga of Trident Studios added another layer of refinement to the album, as his expertise in death metal played a vital role in shaping its overall sound.

All that being said, SADUS is not a band that simply stands apart from the crowd for the sake of being different. They stand tall, unswayed by mass hysteria and media influences, choosing to make their own decisions and encourage others to do the same. In a world filled with disinformation and false flags, they emphasize the importance of being smart, using common sense, thinking for ourselves, and remaining aware of our surroundings.

As November approaches, the anticipation for The Shadow Inside is sure to grow. With their uncompromising vision, SADUS continues to stand as a beacon of authenticity and integrity within the heavy metal community, forever forging their path in the ever-evolving landscape of music.

Follow SADUS:

https://www.facebook.com/sadusguy
https://www.instagram.com/sadus_official
https://twitter.com/SADUS_KILLTEAM
https://www.youtube.com/@SADUS6666

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Album ReviewReviews

Suzi Quatro – The Devil In Me

If anything good could come from the circumstances the world continues to face in 2021, the new album from Suzi Quatro, The Devil In Me must surely feature at the top of the list.

COVID-19 continues to bring destruction and despair, and without wishing to make light of any of the horrible circumstances people face the world over, how dare this virus conceive of the notion that it could get the better of the queen of rock n roll herself. It was good news indeed, but little surprise to loyal fans, that Suzi Quatro had indeed overcome the horrible effects of COVID and kicked its arse in true rock style.

Due for release on March 26th through SPV/Sledgehammer and available as a CD DigiPak or 2 LP in Gatefold with bonus tracks, (Can I Be Your Girl & Desperado), the cover art of this brilliant collection says it all.  A scorching, smoking, sizzling Suzi Quatro in sensational form, stamping her brilliant brand on page 2021 in the annals of music history.

The Devil In Me…OH MY GOD.  I had unreasonably high expectations after No Control, but Suzi has still managed to blow those lofty anticipations out of the stratosphere.  With the world of live music put on hold for 2020, Suzi and her son Richard Tuckey decided that the year would not go to waste.  After stumblin’ in to their magnificent musical partnership in the creation of No Control, which really started with an idea and a few demo recordings, the team is back, and in magnificent form.  No Control had many stand-out features that made it an overwhelmingly enjoyable album, but the creative partnership and the organic results, made manifest in the music were the true champions of the collection.  With The Devil In Me we bear witness to a maturing of the sound and creativity, all wrapped in a rollercoaster of an album, oozing honesty, diversity, and absolute musical brilliance.  With tracks like Get Outta Jail and Isolation Blues, I feel that Suzi will forgive me for referring to this album as a child of lockdown, but what we discover are the results of time and dedicated efforts. No tour schedules or other outside interference, interrupting the creative process.  One of the most remarkable elements of this album is how Suzi and Richard have drawn from the well of two lifetimes of musical influence and provided us with a veritable kaleidoscope of styles.  From decades of blues-infused stimulation to Motown magnificence, to the magic of classic rock n roll with all the thrill of your first trip down to Devilgate Drive, our dynamic duo have rolled them into such a monumentally brilliant work that has, quite literally, something for everyone. From the first moment, the opening title track envelopes you in the exciting notion that Suzi is far from finished in thrilling the world with her unique and timeless style.  The Devil In Me surreptitiously eases the listener into the new collection.  It’s only later that you realise how seductive this number is with all its nestled elements of hooky guitar, claps, and harmonica. But subsequently Hey Queenie and then Betty Who? continue the journey so brilliantly and together, after only 3 tracks, they're enough to turn any Mama’s Boy into a Daytona Demon. Little wonder with the contribution of the wonderful Cherie Currie providing guest vocals on Betty Who?

The blending of styles in the haunting You Can’t Dream It, followed by the incredibly emotive My Heart and Soul are your evidence that the skillful writing team can provide the Midas touch to any stylisation, they select as best suited to conveying their musical message.  I’m certain that dry eyes would not have been the case when Rainer first heard My Heart and Soul (Need you home for Christmas). Wow!

The diversity and musical mastery continue as the aural journey unfolds before you, and you will certainly have sufficient songs to accompany each passing mood, along with the categorical realisation that this is the culmination of 57 years of The Wild One leading the pack.  With live performances Paralysed by the spread of COVID 19, it's little wonder that our Starlight Lady, with son Richard, would harness the angst of no live shows, and turn all that is lacking into a limitless well of creative genius.  Now particular mention must be made of the penultimate song, In The Dark.  The lyrics, the mood, and the magical musical journey we are taken on are utterly amazing but coupled with the collection finale, we find that unique genius yet again. If some elements of this album were not for you and you keep a knockin’ for the hard rockin’ American Lady, fear not.  As the stroke of pure genius that is Motor City Riders revs up and struts forth from your speakers, you will need to hang onto your hat because this is Suzi Quatro.  Her entire 57 years rolled into one mighty and monstrous, contemporary rock track that drips heritage with every note.  Harking all the way back to her Detroit roots and with all the elements that have maintained her status as the queen of rock n roll over almost six decades, this is the sort of track that brings chart contenders, crumbling to dust with one clear victor standing tall.  A song that sees seasoned songsmiths take a knee and pay homage to the queen, victorious and continuing her reign. Oh my god…I’m not worthy.  Turn the dial to eleven and hang the hell on, because here comes Suzi Quatro as awesome and magnificent as ever before.

From the very first album in 1973 (Can the Can here in Australia), and through her entire catalog, how beautifully Motor City Riders would nestle into any previous album tracklist.  As the final track on this most recent collection, Motor City Riders completes the album more perfectly than anything I can recall.  I spoke to Suzi in order to ensure the quote was correct. “The Devil In Me is the best album in my career to date!”  It was true. You can see for yourself and hear more to accompany such a profound statement. For a range of reasons, I am inclined to humbly agree with Suzi, but mostly because this is the assessment of the person who has been teaching us what rock n roll is all about for almost sixty years. 

The Devil In Me is a masterwork. The work of a musician who had to down tools from live performances, but still sees our adoring faces in the crowd as inspiration. With Richard, Suzi wrote an album from the confines of our COVID plagued existence and produced something that six decades of experience told her would put a smile on the faces of all she has played to before. This is Suzi Quatro at her very finest, and a benchmark album for so many reasons.  As an essential addition to your music collection or the beginning of one, this album is a must-have for 2021.

Bravura Suzi, Richard, and the entire creative team. Thank you for making 2021 more bearable as we bask in the glory of the musical mastery that Is The Devil In Me.

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