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The Offspring Sell Out Melbourne Rod Laver Arena Show On SUPERCHARGED Worldwide In ’25 Australia Tour With Simple Plan

Punk rock icons THE OFFSPRING are thrilled to announce the Melbourne show on their SUPERCHARGED Worldwide in ’25 Australia tour with SIMPLE PLAN is sold out. Fans who have missed out can sign up to the official waitlist for further potential show updates.

Tickets are selling fast for remaining shows and won’t last long!

A jam-packed arena spectacular from two of the greats, with both THE OFFSPRING and SIMPLE PLAN set to unleash a mountain of hits from across their storied catalogues on the SUPERCHARGED Worldwide in ’25 Aussie tour in May 2025.

Forming in the mid-80s in Garden Grove, California, THE OFFSPRING ultimately became a cultural juggernaut; a band acknowledged as one of the driving forces behind catapulting punk rock into the mainstream in the 1990s, and also regarded as one of the best-selling acts of all time. From their 1989 self-titled debut album which set the scene for the group’s high-octane wiles and infectious melodies, THE OFFSPRING have since unveiled eleven studio albums, with multiple platinum certifications along the way. The band have repeatedly burned up airwaves across the globe while selling over 40 millions records worldwide and are two time members of the Spotify Billions Club (You’re Gonna Go Far Kid / The Kids Aren’t Alright).

A creative tornado of relentless fun and inventive takes on hardcore, skate and pop punk in their broader punk stratosphere, THE OFFSPRING‘s ability to translate their frenetic energy into a live setting is second to none. Boasting an abundance of hits and deeper fan-favourite cuts throughout their catalogue, spanning the sharpened angst of The Kids Aren’t Alright, the fast-paced and uplifting You’re Gonna Go Far, Kid, the anthemic rawness of Self Esteem or, more recently, the frenetic spark of tracks like Light It Up and Make It All Right, THE OFFSPRING remain at the top of their game decades later, colliding the past, present and future of punk rock into a palatable, memorable and insanely enjoyable adventure that shows zero signs of slowing down.

Between selling over 10 million albums worldwide, taking out multiple awards, dominating MTV in its golden era and also recently spawning their own TikTok viral challenge, multi-platinum Canadian rockers SIMPLE PLAN have remained an indelible part of pop culture for over two decades. Forming in Montreal in 1999, SIMPLE PLAN have retained a rare artist-audience dynamic that has only strengthened over time, with the band also actively releasing new music throughout their 20+ years in existence.

From their debut 2002 full-length, No Pads, No Helmets…Just Balls through to their most recent record, the self-released 2022 album Harder Than It Looks, SIMPLE PLAN‘s legacy continues to affirm as does their show-stopping live performances which has seen them tick off festival sets across the globe, tours with Blink-182, Green Day and Avril Lavigne, and, most recently down under, an entirely sold out eight show run in April that squarely brought the house down night after night with endless energy and good vibes.

With THE OFFSPRING‘s ALWAYS Live intimate one-night-only show in Melbourne selling out in 30 seconds, and SIMPLE PLAN‘s Australian headline run earlier this year entirely sold out, tickets definitely won’t last long for The Offspring: SUPERCHARGED Worldwide in ’25 edition down under. Don’t miss your chance to Come Out and Play in 2025 with these two rock titans under one roof; Supercharge your 2025!

Join the Melbourne Waitlist: https://daltours.cc/OffMelWait

Tickets for all remaining shows are on sale now

Tickets from destroyalllines.com

Destroy All Lines & Triple M Present

THE OFFSPRING
SUPERCHARGED WORLDWIDE IN ’25 – AUSTRALIA
WITH SIMPLE PLAN

TOUR DATES:

SUNDAY 4 MAY 2025 – AEC ARENA, ADELAIDE
WEDNESDAY 7 MAY 2025 – ROD LAVER ARENA, MELBOURNE SOLD OUT!
SUNDAY 11 MAY 2025 – QUDOS BANK ARENA, SYDNEY
WEDNESDAY 14 MAY 2025 – ENTERTAINMENT CENTRE, BRISBANE

Tickets on sale now
Tickets from destroyalllines.com

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[Review] The Killers @ Rod Laver Arena, Melbourne, 12/12/2024

Somebody Told Me… The Killers were in town, so I thought it was about time I go and check out the Las Vegas rock outfit in the flesh for myself. Following a recent trend of bands who want to make their fans feel like we did ‘When We Were Young’, the band have embarked on a tour to celebrate the 20th anniversary of the release of their chart-topping debut album, Hot Fuss. This is an anniversary tour with a twist, however, as the band are touring with 2 different shows on alternating nights. One show celebrates Hot Fuss and they play it in its entirety, whereas the alternate Rebel Diamonds show offers fans a variety of their monster hits across all 7 of their studio albums. Both shows are bound to be as brilliant as one another, but I was lucky enough to catch them on a Rebel Diamonds night.

I was breaking my back just to get in there, so after the Melbourne summer heat called for refreshments at the brewery next door, it was time to join the hordes shuffling into Rod Laver Arena to settle into their positions for the night. Kicking the night off was Australian band Radio Free Alice, and whilst I hadn’t personally heard of them, they certainly had some hardcore fans around me who were singing and dancing along to their upbeat tracks. By this stage the arena was packed wall to wall, and whilst the crowd was predominately millennial and older, it was refreshing to see people bringing their young children along to ensure they were receiving a well-rounded musical education. School was now in as the lights went down, the music fired up, and The Killers appeared on stage with frontman Brandon Flowers appearing in all his messiah-like glory, strutting around the stage adorned in a black sequinned pin stripe suit asking us, can you ‘Read My Mind’.

The distinct fiery intro of ‘Somebody Told Me’ had the crowd going mental, and I was transported back to my 16 year old self as I screamed along the lyrics with the 10,000 others around me. Flowers was on absolute fire with his smooth and powerful vocals blessing my ears, and his intoxicating energy that infiltrated every single cell in my body. ‘Spaceman’, ‘Jenny Was A Friend of Mine’ and ‘Smile Like You Mean It’ had the whole place jumping, and the confetti guns and visually spectacular laser light show that accompanied the entire set could only be described as seizure inducing but was incredibly mesmerising and just really topped off the vibe in the place. One lucky audience member had incidentally bumped into the band at breakfast that morning, and after chatting they discovered it was this guy’s birthday and that he’d be at the show. So that all being said, Flowers kindly dedicated ‘My God’ to the birthday boy who seemed bloody stoked with his 5 minutes of fame.

It was refreshing to look around the arena to see only a handful of mobile phones out during the show in comparison to a Gen Z-heavy gig I went to a few weeks ago where the number of phone screens in hands lit up the entire place up. Each generation thinks they are the most superior generation, but sorry I think us millennials win this round in terms of losing ourselves in the moment of a brilliant live show and not worrying about the little handheld devices that rule our life.

At times during the night, Flowers took on the persona of a passionate gospel preacher at a tent revival trying to ‘devil be gone’ his patrons (you know the ones), demanding responses to questions like “Did you order a good time tonight”? You bet your ageless rock star arse we did, and that’s exactly what was being delivered. Now, I’m not a religious woman by any means, but I would do anything and everything that this man with the gorgeous face and knee weakening smile told me to do. ‘A Dustland Fairytale’ with its intimate piano in the opening verse was just another on the setlist the crowd gobbled up as quickly as the band could dish it out. The emotive melody of ‘Be Still’ temporarily brought the mood to a sombre tone and had everyone’s emotions running high, whilst also showcasing Flowers’ vocal ability as his pipes effortlessly soared over the music. The crowd took over lead vocals for the first verse of ‘Runaways’, before one of my personal favourites from the Hot Fuss album, ‘All These Things That I’ve Done’. Flowers jokingly pointed out that they’ve just been ripping off U2 this whole time, and the gospel chords in ‘I Still Haven’t Found What I’m Looking For’ inspired this track from their debut album. During the bridge the crowd once again took over and were singing the chant, “I’ve got soul, but I’m not a soldier”, and it was honestly one of those spine-tingling moments that nearly gave me an outer body experience and had the goosebumps popping up on every inch of my skin.

Just to tease us the band looked like they were going to leave us in the lurch as they bowed and thanked us, but they didn’t depart the stage and instead flew straight into another hit from Hot Fuss, ‘When You Were Young’. Whilst Flowers was trying to convince us that “he doesn’t look a thing like Jesus”, I was thinking to myself “Mr Brandon Flowers looks pretty bloody god-like to me”. We were now in for a treat as Flowers introduced Australian rock royalty to the stage, Iva Davies from Icehouse, and the pair did a cracking rendition of ‘Electric Blue’ which once again had the crowd utterly thrilled and singing along. Everyone then left the stage and talk about leave us hanging! Every single person in that arena was frothing at the mouth for more Killers goodness, and after what felt like an absolute eternity waiting for them, they finally hit the stage again, firing up with ‘Your Side Of Town’. ‘Boy’ saw the confetti guns going off once again, before we were asked the big question in life, “are we ‘Human’, or are we dancer?” Well, I can tell you now that given the way everyone’s bodies seemed to moving for the whole night – consciously or not – it’s fair to say we were all the latter.

 I’d had a bet with my friend earlier in the night on whether Richmond player Jack Riewoldt would make an appearance on stage during a certain song (IYKYK), but sadly it was a bet I lost. The song in question, (which if you haven’t screamed it on a dance floor at the pub in your youth in between drinks and random pashes, then have you even lived?) was of course their global hit ‘Mr. Brightside’. This is what everyone was waiting for and once again had the whole arena bouncing and passionately screaming along to every word. After one hell of shit-hot set, The Killers bid us a sad good night, but not before drummer Ronnie Vannucci hung back by himself to throw his remaining drum sticks into the crowd and hilariously scull the remains of his bottle of wine which was met with an encouraging reception.

I’ve always loved Killers’ The music and went in expecting a great show, but my expectations were blown right out of the water at what an absolutely incredible live band they are. The charisma that Brandon Flowers exudes is hypnotising, as a collective they are one musically tight band, and the entire stage show manages to bring the glitz and glamour of Las Vegas but without the tacky. The force of this band is undeniable, and they have well and truly served their time in the industry to prove they are a continuous hit making machine that will continue to do just that for at least the next 20+ years. It’s been a while since I’ve come home that wired after a gig, and it’s such a euphoric feeling that you never want to leave you. If I was a fan before, then the band better get a restraining order out against me now, because I am OBSESSED. This is one band I never want to miss live again, and this was honestly up there with one of the best gigs I’ve ever been too. Open up your eager eyes and put them on your ‘must see live bucket list’, because you will regret it for the rest of your days if you don’t see them live at least once on your lifetime.

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[Review] James Blunt @ Rod Laver Arena, Melbourne, 24/11/2024

A sticky, humid Sunday night didn’t deter crowds from flocking to the city to soak up some live music, to fight off those Sunday Scaries we all tend to suffer from. Tramming my way to Rod Laver Arena, a bunch of people stopped off to go and check out The Offspring, but the rest of the tram crowd and I were headed over the bridge for a completely different experience, to be serenaded by the sweet dulcet tones of James Blunt. The UK singer-songwriter is currently touring the country to promote his latest album, Who We Used To Be. This is the superstar’s first trip back to Australia in 6 years, and it appears we have welcomed him back with open arms that might just never want to let him go again… or maybe that’s just me.

Settling into our seats for the night, my excitement levels hit a giddying high when I realised that we were sitting just 4 rows from the front. So many thoughts were running through my head:

“Am I close enough to reach out and grab his hand?”

“Will he remember me from that 15 second encounter we had 10 years ago where he shook my hand and said hello?”

“Is this the night he asks me to join him on stage to sing?”

Once I stopped living out these ridiculous fantasies in my head and landed back in reality, the lights had gone down and entering the stage was the support act of the evening, Pierce Brothers.

This was my second time seeing the Melbourne based brothers, and their set was absolute FIRE!!! The stage presence and energy alone that these 2 brothers emanate is next level, not to mention their incredible talent and sound. Playing and seamlessly interchanging between no less than 6 instruments between them: including, guitar, mandolin, percussion, didgeridoo and harmonica, this powerhouse folk duo really got the room pumping for the night ahead. Their upbeat set included It’s Alright, Genevieve and my personal favourite, Amsterdam, and there was not a body in the house that wasn’t moving along to their infectious beat and energy. From humble beginnings busking in Bourke Street Mall, it was evident how genuinely grateful and overwhelmed the pair were to be playing to a hometown crowd on a stage as big as Rod Laver. Their hearts were on their sleeve as they thanked not only James Blunt, but also the crowd for turning up and showing their support. Pierce Brothers finished their set off to a well-deserved standing ovation before calling it a night to allow us to prepare for the main event.

It was a quick break before the arena was once again drenched in darkness, and the man of the hour was set to take the stage. Ringing out around us was the soundtrack of a heartbeat with the visual of a heart rate monitor on screen, and as the beat was vibrating throughout my entire body, I could feel my own heart rate rising with excitement and I started to wonder if I was going to flatline at any second. I didn’t have time to entertain the thought for much longer as a 4-piece band entered the stage with Mr James Blunt in tow, full of his own excitement and guitar in hand opening his set with ‘Beside You’, a track from his latest album. We were encouraged to get up off our seats and feeding off Blunt’s contagious energy we all moved and sang along. Wisemen from his debut album, Back to Bedlam, was another early song in the set that was a crowd favourite and provided another sing along.

I’m always interested to see the type of demographic an artist attracts, but this was one show where it was impossible to pick given the mixed bag of people there. Blunt joked throughout the night that the only reason there were any men there was because they’d been dragged along begrudgingly by their partners, but I can tell you now from my observations that some of these blokes were bigger James Blunt fans than their partners, belting out his songs louder and prouder.

Despite being a fan and being familiar with his repertoire, I had expected to sit there in a melancholic daze listening to his soul-destroying tracks that have been the soundtrack to many a breakup. WRONG!! Right from the get-go, Blunt emanated this fierce energy in which he demanded that every person be up and clapping, dancing, or doing whatever the hell you wanted. This was the perfect way to emotionally recover from those moments where we were sitting there with tears streaming down our faces as we reminisced about past romances and loved ones no longer earth side. One of those songs that put my heart in my throat with its raw emotion and gut-wrenching lyrics was Dark Thought, another track from his latest album. A fun fact Blunt shared before singing this song was that he was good friends with actress Carrie Fisher (Princess Leia) and had even lived with her for years, and he’d written this about her after she passed. He even went on to explain that Goodbye My Lover – which was next on the setlist – was recorded on the piano that resided in her bathroom (celebrities, huh!). Both these songs brought a poignant stillness over the crowd, with the latter providing all the feels and goosebumps as the crowd once again took over the vocals and sang along to every single word.

Never one to shy away from taking the piss out of himself, before singing his hit High he joked that his singing voice sounds like a dolphin, but he’s the best sounding dolphin I’ve ever heard with his soaring falsetto that kicks in during the chorus. To accompany this song the crowd were instructed to do a Mexican wave when the chorus hit, and damn it was a cool sight to behold. Throughout the set Blunt floated between his guitar, piano, and even ukulele for the upbeat track Postcards, with all instruments appearing to be a comfortable extension of his body. At one point during a cover of Slade’s Cos I Luv You, my heart stopped as he jumped down into the crowd and I thought this was the moment he’d grab me and pull me up on stage. It wasn’t to be, and he opted to run a quick lap of the arena instead, much to everyone’s elated delight. You’re Beautiful was another that put the crowd in a frenzy, and by this stage with the numerous moments of direct eye contact we shared, I just knew he was singing this song directly to me. (Leave me alone, a girl can dream, OK?).

Rounding out his set with OK, he was back in no time to fulfill his encore duties. Now this, I was not emotionally ready for. The encore opened with his song Monsters, which he wrote as an almost eulogy to his sick father whilst he was (and is) still alive. Some may recall the viral film clip of a vulnerable and openly emotional James Blunt singing into to the camera through tears, only for the camera to pan out and have his father sitting right there next to him in the video. Somebody was cutting onions somewhere because my eyes were profusely leaking all over the place and fogging up my glasses as this song played out. Thank God he then lifted the mood again and followed up with 2 absolute bangers in Bonfire Heart and 1973, that had everyone up dancing and singing once again.

Love him or not, there’s no doubt that James Blunt is an incredible artist, and I think anyone who was here this night would agree that they didn’t want the night to end. His instantly recognisable vocals, heartbreaking melodies, and songwriting wizardry has the ability to make even the blackest of hearts break down in tears, and to me that’s a magical element to possess and one that many artists don’t. He did hint that he would be back to tour next year, in what I suspect will be a Back to Bedlam anniversary tour. You can bet your arse that I will be there front and centre. But for now…

Goodbye James. You have been the one, you have been the one for me.

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[Review] Take That @ Rod Laver Arena, Melbourne 6/11/2024

The evening at Rod Laver Arena was a spectacle of lights, music, and sheer entertainment.

The audience’s anticipation could be felt as Sophie Ellis-Bextor, dressed like a dazzling disco ball, took the stage with her masked supporting band. The night started on a high note with her hit Crying at the Discotheque setting the tone for what would be an unforgettable performance.

Sophie’s charismatic personality shone through right from the beginning. After her opening number, she connected with the audience on a personal level, sharing a facetime call with her son Ray. She usually walked him to school in London, a routine she clearly cherished. This brief interlude added a layer of intimacy to the performance, making the audience feel like they were part of her world.

With the band now unveiled from their collection of animal masks, the energy only escalated. Sophie launched into another hit Music Gets the Best of Me, her vibrant persona fully engaging the crowd. Her infectious energy was palpable, and she effortlessly got the audience involved, encouraging them to sing along to Get Over You. The arena was alive with voices joining in, creating a sense of community and shared joy.

The musical journey continued with a seamless transition into a disco mashup. Classics like Lady (Hear Me Tonight),If This Ain’t Love, Can’t Fight This Feeling, and ABBA’s Gimme! Gimme! Gimme! (A Man After Midnight) had the crowd out of their seats. The arena turned into a massive dance floor, with fans singing, clapping, and disco-dancing the night away. The nostalgia and the lively beats transported everyone back to the golden era of disco.

Next on the setlist was a new song, Freedom of the Night. The performance was a visual treat, complete with an artistic ribbon display that added to the enchanting atmosphere. The audience took a brief moment to catch their breath, only to be swept up again with a cover of Madonna’s Like a Prayer. The familiar tune brought everyone back to their feet, and the energy in the room soared once more.

As the night drew closer to the main act, Sophie’s penultimate song, Heartbreak (Make Me a Dancer), a 2009 collaboration with the Freemasons, kept the momentum going. The crowd’s excitement was tangible when Sophie asked if they were ready for Take That. The arena erupted into cheers, which grew even louder when the opening chords of her biggest hit, Murder on the Dance Floor filled the venue. The band donned their animal masks once more, bringing the vibrant, bubbly, and energetic opening act to a triumphant close.

Seven years after their last performance in Australia, Take That, now a trio led by lead singer and songwriter Gary Barlow, along with original members Mark Owen and Howard Donald, returned in triumphant fashion.

Entering from the top of the stairs to their 2008 release Greatest Day, the crowd was immediately on their feet, singing along upon Gary’s cue.

With Mark and Howard banging on their bass drums, they seamlessly moved on to Giants. Howard then took the lead vocals for Everything Changes, with Gary moving to the piano and Mark on acoustic guitar, expanding the six-piece backing band.

It was Marks turn to lead as he took over main vocal duties with their 10th number 1 hit, Shine. Gary returned to the lead vocals, accompanying himself on the piano for A Million Love Songs. His powerful and appreciative tone made it evident why he has been the lead vocalist from the very start.

The trio took the audience on a historical Take That musical journey, narrating their story through a medley of hits and earlier songs. Tracks like I Found Heaven, Pray, and the Bee Gees cover How Deep Is Your Love featured original dance moves that elicited screams from fans who had grown up with those iconic routines. The hits kept coming, and the crowd was grateful for both the nostalgic thrusts and the band’s history lesson.

Songs like Patience, The Flood, and Get Ready for It filled the middle of the set before the band moved into some new music with a track called Windows. The entertaining set, which had an air of musical theatre and cabaret, thrilled a wide range of fans, many of whom likely remembered their 1995 concert.

Increasing the energy with a disco portion of the show, in their bright white shimmering outfits, These Days and This Life were some of the crowd’s favourites. However, nothing matched the roar when they went onto their most famous song and only number one hit in the US, Back for Good. The audience sang in unison, their voices filling the arena with an almost palpable sense of nostalgia and joy.

With heartfelt thanks to the band, crew, Sophie Ellis-Bextor, and the enthusiastic crowd, Take That finished off the evening with Rule the World to a phone-lit arena. The glow from thousands of screens created a starry canopy, under which the final notes of the night resonated, leaving fans with memories to cherish until the band’s next return to Australia shores however with the current record it may be awhile off yet.

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[Review] Kip Moore @ Rod Laver Arena, 03/10/2024

With quite a few cowboy boots and trucker Caps entering the arena Sons of the East began warming up the crowd, just like Melbourne’s warm spring weather outside.

With their smooth indie rock, the Aussie trio consisting of Nic Johnston, Dan Wallage and Jack Rollins, along with their touring band, began the night. For their first time at Rod Laver, let alone on the stage, Sons Of The East brought the energy and performance to get the crowd up and moving along ready for a big night of Kip Moore.

James Johnston hit the stage with a bang. Just like his hit from 2021, his opening number Raised like That raised the energy in Rod Laver another notch and the temperature continued to rise. Cranking out the tunes including Same Songs and Small Town and even throwing in a bit of Post Malone and Morgan Wallens I Had Some Help, James had the crowd signing along and transferring his infectious energy all throughout the arena. Finishing up with My People the people of Melbourne were primed and ready for Kip Moore. It was a perfect warm up.

Eighteen months after Kip last took to the stage in Melbourne at the smaller Margaret Court, he was back at but this time at one of his bucket list venues in Rod Laver Arena. As usual Kip was joined by his band The Slowhearts and they supported him throughout the night, providing him with not just the musical backing of a well-oiled machine, but also the energy, enthusiasm and that extra synergy between the audience and the music.

The concert moved at a steady pace, and you could feel the hits being played including Plead the Fifth, Wild Ones, Tennessee Boy, More Girls Like You and Beer Money were continuing the crescendo rising to something big. Just when you thought it was going to go higher Kip brought back to earth with a stripped back version of Hey Pretty Girl which he had recently reconnected with and began playing again. With a moment to relax and appreciate the tones of Kips voice, he quickly brought the band back as well as the support artists in James Jothnson & Sons of the East and played a really fun version of the The Weight by The Band with everybody sharing the vocals. And with that the concert was up and running again. More hits followed. The Bull, Hearts Desire and Somethin’ ‘Bout a Truck until you reached what we thought was to the final song of the night, and was performed accordingly Come and Get it, with keyboard & guitar solos galore.  You wouldn’t have been disappointed if the concert ended there.

However instead of leaving the stage, Kip and the band played on. Yelling out to everyone to get their lights out, something Kip doesn’t normally do. A fine rendition of Last Shot was played. With a brief exit, Kip returned for one more song. Thanking the crowd for all the support over the years from small side stages at CMC to the Forum and Margaret Court to Finally Rod Laver, he said he would be back again. With so many of his hits been played already you wondered what he was going to finish with and instead of apologising for playing a new song which I have seen many artists do lately, Kip Moore & the Slowhearts smashed a concert worthy ending song in Live Here to Work, his latest single which he only released two weeks ago.

It was an amazing way to finish a very entertaining and enjoyable night. I can’t wait for the new album and for Kip to return to our Australian shores again with the opportunity to appreciate his music live, which I think is the best way to enjoy it.

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