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Capstan Share Video For New Song ‘What You Want’

CAPSTAN
SHARE VIDEO FOR NEW SONG WHAT YOU WANT

NEW ALBUM THE MOSAIC OUT MAY 24

Florida five-piece CAPSTANAnthony DeMario (vocals), Joe Mabry (guitar), Harrison Bormann (guitar), Andrew “Boz” Bozymowski (bass, vocals), and Scott Fisher (drums) — recently announced their new album The Mosaic, out May 24 via Fearless Records. Pre-order it here.

The band has just shared the video for the new single What You Want. It’s a fans first anthem, once that captures the band’s soaring, emotional, and supremely catchy sonic style. Capstan indulge in a little ’80s energy with this track, as it has a glorious throwback vibe, all the while maintaining a modern edge.

Perhaps an unexpected tune from Capstan, ‘What You Want’ pokes fun at coming to terms with some surprising and difficult truths about the music industry,” the bad muses. “Still, ever earnest, this song is a commitment to what Capstan is and always will be, and a pledge to our most loyal fans.

To make a mosaic, tiny pieces interlock as a larger picture. In similar fashion, distinct elements coalesce as one in Capstan. The band mixes metallic precision with pit-splitting hardcore grooves and the kind of hooks you can’t shake. Since 2015, Capstan have progressed with each subsequent move. Following Seasonal Depression [2015] and In The Wake of Our Discord [2018], they made waves with their full-length debut, Restless Heart, Keep Running, in 2019. They toured with the likes of Trash Boat, Doll Skin, Silverstein, and many more. After amassing tens of millions of streams and earning acclaim from the likes of KERRANG! and New Noise, the group paint a definitive body of work on their aptly titled third full-length offering, The Mosaic.

PRE-ORDER THE MOSAIC

THE MOSAIC TRACK LISTING:
01. I. Revolve
02. Misery Scene
03. Final Words
04. Undertow
05. An Open Letter
06. Hailey
07. Bloom
08. Empire
09. What You Want
10. II. Revise
11. Dwell
12. Arrows
13. Compendium
14. Bête Noire
15. Moloch
16. What Can I Say
17. Heart to Heart
18. III. The Mosaic

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The Omnific: Australian Instrumental Prog Virtuosos Return With New Single, Matrices

THE OMNIFIC
Instrumental Prog Virtuosos Return With New Single ‘Matrices
New Album, ‘
The Law Of Augmenting Returns‘ To Be Released on June 7
Huge European Tour Happening in July & August

The world’s most prominent bass driven instrumental rock act, Australia’s The Omnific, have unleashed their latest single and music video, the thematic hip-hop-pop infused ‘Matrices’, off their new sophomore album, ‘The Law Of Augmenting Returns’; an audacious and magnificent triumph – to be released on June 7, 2024 via Wild Thing Records.

Pre-Order/Pre-Save ‘The Law Of Augmenting Returns’:
ffm.to/lawofaugmentingreturns

To the contrary, ‘Matrices’ is simplistic in its ideas than the usual thoroughfare of The Omnific, with the majority of the song based off one theme. Influenced by pop and hip hop, the track has many singalong sections, while still incorporating the complexity and technicality that The Omnific are renowned for. The Omnific’s art guru Josh Saunders lends his guitar abilities to the track, but using a Bass VI, sticking true to the fact that The Omnific’s musical realm is yet to feature a guitar. 

Toby Peterson-Stewart (Bass) comments:

Matrices’ weaves modern cascades of thumping and slap, while embracing a futuristic soundscape. This is one of the harder songs to play for all of us respectively, it’s a great example of a song that makes us all better musicians from playing it. Also, many Djent.


Photo Credit: Ekaterina Gorbacheva

The band linked up with long time associate Miki Simankevicius (Director Of Photography – Polaris, They Art Is Murder) to direct the stunning music video. The band’s original wild concept consisted of the group being an MP3 file on a USB stick, with Simankevicius taking things one step further – “We took the whole concept literally by leveraging new Unreal Engine 5 technology. This allowed us to physically have the band performing on a circuit board, and resulted in a completely unique and fun viewing experience.”

The Omnific will be trailblazing their way through Europe & the UK, heading on their first ever summer festival run, alongside their most extensive array of headline shows in Europe to date. They’ll be making highly anticipated debut appearances at festivals; Radar (UK), Vagos (PT), Brutal Assault (CZ), Arctangent (UK), and Fekete Zaj (HU). Led by their two other-worldly intertwining bassists, Matt Fack & Toby Peterson-Stewart, and backed by flamboyant drummer Jerome Lematua, The Bass Boys will be bringing a full tank of charisma, showmanship, and unbelievable technical performances from down under.

The Law Of Augmenting Returns – Europe/UK Tour 2024:
28-Jul – United Kingdom – Manchester – Radar Festival
30-Jul – Germany – Oberhausen – Druckluft
01-Aug – Spain – Barcelona – Razzmatazz 3
02-Aug – Spain – Madrid – Wurlitzer
03-Aug – Portugal – Vagos – Vagos Metal Fest
04-Aug – Spain – Portugalete – Groove
06-Aug – Italy – Milan – Slaughter Club
08-Aug – Slovakia – Bratislava – Pink Whale
09-Aug – Czech Republic – Josefov – Brutal Assault Festival
10-Aug – Poland – Warsaw – Chmury
12-Aug – Germany – Hamburg – Hafenklang
14-Aug – Netherlands – Nijmegen – Merleyn
16-Aug – United Kingdom – Bristol – Arctangent Festival
18-Aug – Hungary – Gyöngyös – Fekete Zaj Festival

Tickets On Sale Now
theomnific.com

‘The Law Of Augmenting Returns’ explores the notion that the more effort you invest in your artistry, the greater the rewards you reap. This powerful trinity of bass and drums pushed their creative boundaries to unprecedented heights; a tremendous body of work transpired, traversing the intense, the emotionally charged, and the humorous, appealing to a wide range of musical palates. The production team of critically acclaimed debut record ‘Escapades’ (2021) reassembled for the release, including Adam Bentley (mixing, Arch Echo), Ermin Hamidovic (mastering, Periphery), and Josh Saunders (artwork); with the majority of programming handled by the band’s own Matt Fack.

TRACKLISTING: The Omnific – ‘The Law Of Augmenting Returns’
01.    The Omnific ≈ Bass (Feat. Tim Waurick and Luke Taylor of Heartline)
02.    The Law Of Augmenting Returns (Feat. Kai den Hertog)
03.    Matrices
04.    Base Camp
05.    Will-O’-The-Wisp
06.    Phat Mackerel
07.    Butterfingers
08.    Double Malt Ditty (Feat. Rohan Sharma)

About – The Omnific:
The Omnific is a breathtaking progressive instrumental trio, hailing from Melbourne, Australia. Following the release of three groundbreaking EPs – ‘Sonorous’ (2016), ‘Kismet’ (2017), ‘The Minds Eye’ (2019) – the band attracted interest, and fans from all corners of the globe. Their 2021 debut album ‘Escapades’ achieved international critical acclaim – landing #3 on the Australian AIR Independent Album Charts, and cementing their status as torchbearers of the next generation of progressive rock and metal. Clay Gober of Polyphia featured on the single ‘Antecedent’exceeding a combined 1 million plays on YouTube & Spotify. In 2023, the group went from strength to strength; supporting Polyphia in Australia, and Ne Obliviscaris in Europe and North America, capping off with a landmark 46-date world tour in support of single ‘Phat Mackerel’ – including festivals Euroblast (DE), Reeperbahn (DE), and Bigsound (AU). The group kickstarted 2024 with Mongolia’s The HU in Australia, profiling their outrageous musical versatility – which dives through prog, metal, djent, funk, synth-driven soundscapes, and more. The Omnific have also toured with renowned artists such as Between The Buried And Me, Intervals, Galactic Empire, Twelve Foot Ninja, and Cog.

Follow The Omnific
Facebook | Instagram | Spotify | YouTube

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JET TO RELEASE EXCLUSIVE, LIMITED EDITION 7” SINGLE ‘HURRY HURRY’ – COMMENCE WORK ON NEW ALBUM

JET TO RELEASE EXCLUSIVE, LIMITED EDITION 7” SINGLE HURRY HURRY

AVAILABLE AT AUSTRALIAN SHOWS AND VIA IMPRESSED RECORDINGS

BAND COMMENCES WORK ON NEW ALBUM, TO BE RELEASED IN 2025

Photo credit: Jason Sheldon

Today JET have revealed the news that fans have long been waiting for – they have commenced work on a new album, set for release in 2025, their first studio album in more than15 years.

Ahead of this long player comes an exclusive 7” single to whet the appetite – titled Hurry Hurry (Australian Tour Edition). It’s a song that has met with a great response from audiences across the country, the band unveiling it at recent live shows.

The B-side of the single is a song called Un’avventura, a cover of a cover: Wilson Pickett’s version of Un’avventura performed by Lucio Battisti at the 1969 Sanremo Music Festival. It’s sung in half Italian/half English and is a nod to front man Nic Cester’s time spent living in Italy over the last 15 years.

JET said, “It’s time… we’re pretty excited to tell you that we’re working on a new JET album, due for release in 2025. As a little taste of what’s to come, we’re putting out a limited edition 7” vinyl single for our fans, the song is called “Hurry Hurry”.

“These 7” vinyls are super limited and will be available at our upcoming Australian shows, if you can’t make a show, there will be a small number of coloured vinyl available via www.jetofficial.com from May 9.”

Both Hurry Hurry and Un’avventura will be available via streaming services in the near future but in the meantime, JET fans should join the mailing list at jetoffical.com to receive a free digital download of Hurry Hurry at midnight on Wednesday, May 8. This new single will also be available at each of their May/June shows, and can be picked up as limited edition coloured7” vinyl through Impressed Recordings – available to purchase until sold out, via the band’s website from May 9 – head to www.jetofficial.com.

Following sold out GET BORN: 20TH ANNIVERSARY shows last year, the band has launched the Extended Edition – taking in cities and regional centres through May and June, that they couldn’t reach last year. Check them out at a location near you!

JET
20th Anniversary of Get Born: Extended Edition

PRESENTED BY TRIPLE M*, LIVE NATION AND SELECT MUSIC

Tickets at livenation.com.au

THURSDAY 9 MAY – TORQUAY HOTEL, TORQUAY – SOLD OUT

FRIDAY 10 MAY – TORQUAY HOTEL, TORQUAY – SOLD OUT

SATURDAY 11 MAY – UNI BAR, HOBART*

FRIDAY 17 MAY – METROPOLIS, FREMANTLE*

SATURDAY 18 MAY – BASS IN THE GRASS, DARWIN

FRIDAY 24 MAY – HOTEL BRUNSWICK, BRUNSWICK HEADS*

SATURDAY 25 MAY – THE STATION, SUNSHINE COAST*

FRIDAY 31 MAY – SUNKEN MONKEY HOTEL, CENTRAL COAST*

THURSDAY 6 JUNE – THE PAVILION, KIAMA

FRIDAY 7 JUNE – UC REFECTORY, CANBERRA

SATURDAY 8 JUNE – BAR ON THE HILL, NEWCASTLE*

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Can’t Swim Share New Single

New Jersey rock band Can’t Swim have released new single No Backbone.

“One of my favourite songwriters ever said “a good tune should take 30 minutes to write” and No Backbone certainly falls into that category. Once we finished it we went back a few times to see if we should add a part or bring more instrumentation/layers to the mix but whatever we did seemed to take away from the song rather than add to it. As time goes on I think as a band we are more and more drawn to do what excites us creatively in that moment and to do things we haven’t done before. I’m not saying this song is reinventing the wheel by any means but having a tune that feels raw and stripped down with incredibly literal lyrics (haha) is something that feels new and fresh for us to put out. All Killer No Filler as Elton John once said”

Chris LoPorto

Can’t Swim will also embark on a co-headline North American tour with Belmont starting this May.

Stream No Backbone here

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THE SUPERJESUS NEW SINGLE “WE WON’T LET GO UNTIL IT’S OVER”

THE SUPERJESUS

NEW SINGLE “WE WON’T LET GO UNTIL IT’S OVER”

“Never stop never quit never give it up”

Watch the video HERE // Stream HERE

Fresh from a huge national tour with Live and Incubus, The Superjesus return with their first new music for 2024, “We Won’t Let Go Until It’s Over”. An anthemic rock track delivered in the kick ass style that has won The Superjesus a legion of fans over the last 3 decades, penned by Sarah McLeod and Stuart Rudd; produced, mixed and mastered by Murray Sheridan.

This song is one of my favourites from the record, I wrote it ages ago and submitted it to the band when we were doing the Love And Violence EP back in 2016, for whatever reason it didn’t make the cut. Never one to give up, I tried again in 2023. With our new line up and producer/drummer Murray Sheridan on the dials it finally came to life. I think the lyric line is quite fitting for this!”

– Sarah McLeod

CONNECT WITH THE SUPERJESUS HERE

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Void Of Vision Share Ferocious New Single ‘Empty’ & Touring Nationally This September Supporting Parkway Drive

Raw, ferocious and oozing with caustic dexterity, come and witness the high octane new single Empty from metalcore mavericks Void Of Vision, officially out today via UNFD.

Following the quartet’s transmutation via the razor-sharp 2023 single Angel Of Darkness, Empty is a sweltering blend of pummeling beats and oscillating melodics, complete with jagged riffs, voracious vocals and a fiery breakdown that all combine to unite the recent journey behind the scenes in particular for frontman Jack Bergin.

“Empty was written halfway through our Australian tour in October last year,” shares Bergin. “We’d just completed our first run of shows back since I had surgery following a brain AVM rupture in April, which left me facing mixed emotions I didn’t expect. On one hand, we were playing our largest ever headline shows to date and selling them all out, and on the other I was facing the fear of getting up on stage every night risking another potential rupture every set I played.”

“Performing under the ‘Angel Of Darkness’ persona for the single campaign, I’d get up on stage and play it down from the usual high energy show we’re known for, leaving every second of gratitude or appreciation to be communicated by a backing track in between songs to communicate with the audience,” Bergin continues. “A protective measure sure, yet I felt vapid and far from the engaging stage persona that had led us to playing these bigger stages in the first place. We were at the peak of our career and I felt nothing but imposter syndrome up where I usually feel most at home.”

“Everything quickly snowballed into more bottled up emotions surfacing, all of a sudden finding myself coming to terms with unprecedented body dysmorphia after my hospital stay. I had never even processed losing all my hair from alopecia until I had to return to societal norms after hiding away for months straight off the back of touring. I’d just been diving into a world of fashion and makeup trying to cover everything up just to hide my face and body in a world where I couldn’t avoid comments and remarks, no matter how I presented myself.”

“Following the Sydney date of tour we found ourselves in the studio on an off day, laying down the foundations of what would by the end of the day, become Empty,” Bergin concludes. “I took the first words off the top of my dome, and screamed that chorus at the top of my lungs, leaving the take from that very demo the exact same as the intro in the final track you hear today. It feels suiting to return now with a song all about perception, not only by the public but also one self.. and it feels like true growth now feeling entirely realized and ready for whatever is to come.”

Photo Credit: Cian Marangos

Melbourne’s Void Of Vision have solidified their standing as one of the most innovative and sonically explosive acts in the modern heavy scene for over a decade. Performing at Australia’s first-ever Knotfest edition, alongside Slipknot, Parkway Drive, Megadeth and more, to collaborating with metal-meets-electronic DJ and producer PhaseOne, Void Of Vision also recently unveiled the amalgamated CHRONICLESseries as a complete album, bringing together the previously standalone EPs LUST, HEAVEN and UNDERWORLD into a gripping snapshot of Void Of Vision‘s relentlessly inventive past, present and future.

From their debut EP, 2014’s Broken // Bones through to 2016’s Children of Chrome, 2017’s Disturbia, 2019’s Hyperdaze and the release of CHRONICLES, a new future was heralded in 2023 by the standalone single Angel Of Darkness; an alt metal rager weighted equally by searing heaviness and pulsing pop, helmed by the titular Angel Of Darkness as the band’s representative during the single’s campaign.

Supporting Invent Animate last year as well as touring the UK and Europe supporting Stray From The Path, Void Of Vision closed out 2023 with their biggest Australian headline shows to date. And kickstarting 2024 with an appearance at Homegrown Festival in Melbourne and with a special headline show in Narre Warren, Void Of Vision are firmly poised for an explosive year ahead, touring North America supporting ERRA as of next week, before joining Aussie juggernauts Parkway Drive on their gargantuan 20 Year Anniversary Tour in Australia this September along with I Prevail and The Ghost Inside.

EMPTY – OUT NOW
https://vov.lnk.to/Empty

VOID OF VISION

UPCOMING SHOWS

SUPPORTING PARKWAY DRIVE
20 YEAR ANNIVERSARY TOUR
WITH I PREVAIL (USA) & THE GHOST INSIDE (USA)

FRIDAY 20 SEPTEMBER – BRISBANE ENTERTAINMENT CENTRE SOLD OUT
SATURDAY 21 SEPTEMBER – QUDOS BANK ARENA, SYDNEY FINAL TICKETS
SUNDAY 22 SEPTEMBER – JOHN CAIN ARENA, MELBOURNE SOLD OUT
FRIDAY 27 SEPTEMBER – AEC ARENA, ADELAIDE FINAL TICKETS
SUNDAY 29 SEPTEMBER – HBF STADIUM, PERTH SOLD OUT

Tickets on sale now
Tickets from www.destroyalllines.com

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Cicadastone – Melbourne Rockers Release New Single, Last In Line. New Album, Future Echoes, Out May 31

CICADASTONE
Release New Single, Last In Line
New Album, Future Echoes, Out May 31

Melbourne hard hitters, Cicadastone are back with another slab of Seattle infused rock in the shape of Last In Line.

With it’s huge vocal harmonies, driving riffs and emotive guitar fills, Last In Line harks back to a time when songs like this were all over the radio.

Last in line is a song about forms of addiction. “To be last in line of what? The choices we make now dictate the futures we have to come. The song touches on the concept of thinking you’re in control when you’re actually not at all. An outside perspective is important when you don’t have it. Don’t need a reason to deny, only a reason to be last in line.” – Mat Robins, vocals and guitar.

Listen to Last In Line here!
https://lnk.to/BdXIC6

Catch Cicadastone this May!
Friday, May 3: XMusic Live, Workers Club, Melbourne
Saturday, May 4: XMusic Live, Scotties Garage, Seaford
Friday, May 31: Leadbeater Hotel, Melbourne (Album Launch)

Tickets
https://qrco.de/berBMj

Born from the ashes of the grunge rock greats, Cicadastone naturally move within the 90’s rock confines yet still manage to bring a modern fresh edge, developing their own unique sound while staying truly authentic to the genre, a difficult task in a time when it’s all been done before. With two albums under their belt, 2016’s debut, Chance Collide and 2020’s Cold Chamber, the band have been making solid in roads within the ultra competitive rock scene.

2024 sees the band take a huge leap forward creatively and make their biggest statement yet with third album, Future Echoes.

Last In Line is another gritty, grinding song by Cicadastone. It follows first single,
In The Crossfire and is a great indication of what to expect of the new album Future Echoes, due for release on May 31 via XMusic.

Pre Orders are available now
https://lnk.to/IPABwP

Follow Cicadastone
linktr.ee/cicadastone

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Mono – Veteran Shoegaze Act To Release New Album, Oath, on June 14. Release Soaring, First Single, Oath.

MONO
Veteran Shoegaze Act To Release New Album, Oath, on June 14
Release Soaring, First Single, Oath.

Coinciding with their 25th anniversary, Japanese instrumental rock band MONO will release their 12th album ‘OATH’ on June 14, 2024 via Pelagic Records.

More than an eponymous track, ‘Oath’ serves as the album’s theme. Anyone who is a fan of MONO’s unique songwriting and sound construction is bound to have stars in their eyes with this one. The classical instruments greet the listener with comfort and lightness, while the quartet quietly take their time to join in… until they reach a pinnacle of post-rock splendour, spiced up with a hint of shoegaze as only the band can do!

Guitarist and composer of the band, Takaakira ‘Taka’ Goto, states –
The album ‘OATH’ is about “time and life”. We wanted to express the “limited time in life” and the “meaning of life”. Our time goes by day by day. What is my goal? What is my purpose? What is the reason I live every day? What can we do? What should we do? We wanted to learn what we were feeling about time and life, what we have lost and found, and the questions and the answers we discovered during both our good and difficult times. We live with a vow that hasn’t changed since we were children.

Photo Credit: MONO

The music video for ‘Oath’ was produced in collaboration with one of the band’s endorsers, EarthQuaker Devices, and was filmed during the recording session of the new album, recorded and mixed by one of their longtime collaborators, Steve Albini, at Electrical Audio.

Music Video Credits:
Video by EarthQuakerDevices
Directed and Edited by Chris Tran
Filmed by Chris Tran, Jeff France and Dannesh Moosa

Oath will be released on June 14
Pre orders available now
https://orcd.co/mono

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RUN Release Brand New Single ‘Summer’ Feat. John Floreani & Supporting Svalbard Nationally This May

RUN
RELEASE BRAND NEW SINGLE
SUMMER FEAT. JOHN FLOREANI

SUPPORTING SVALBARD NATIONALLY THIS MAY

The cooler months may be imminent, but things are only heating up for Melbourne band RUN, returning today with a brand new single Summer featuring Trophy Eyes frontman John Floreani.
An emphatic addition to the ever-growing RUN sonic universe, Summer layers cascading drumwork, emotive melodics and searing vocals, with frontman Lochlan Watt trading vehement moments with Floreani.
Also accompanied today by a music video directed by Patrick Kearney, Summer is yet another heart-rending gut punch from the Melbourne five-piece.

It was an honour to have my mate John Floreani clean up the chorus on this song, Most of us have become huge fans of Trophy Eyes in recent years, so once we were actually able to pin him down for recording, the collaborative vibes were unreal.

Lochlan Watt

While RUN’s previous studio collaboration, the 2023 single Everyone’s Cancelled, Everything’s Cancer, introduced a full lineup while spitting out the resentment from prior years to create a fresh slate, the track also saw the band go on to tour around the country with Deafheaven, Hexis, and Earth Caller.

Now completed by fellow veteran musicians guitarists Lewis Noke-Edwards and Arron Parker Richards, drummer Adrian Horsman and bassist/vocalist Benn Gaylor, RUN continues to unveil a new bundle of self-produced, bittersweet crushers that shine bright thanks to the glorious mix of Forrester Savell (Karnivool).

“We have a six track EP coming very soon,” Watt concludes. “It features an intro/title track, four seasonal anthems, and a grand finale. I think it blows the band’s previous material out of the water.”

RUN will return to the stage this May supporting the eclectic and emotionally charged British post-hardcore/metal band Svalbard on their debut Australian tour, with performances lined up in Perth, Sydney, Brisbane and Melbourne.

RUN

UPCOMING SHOWS

SUPPORTING SVALBARD

THURSDAY 23 MAY 2024 – LYNOTTS LOUNGE, PERTH

FRIDAY 24 MAY 2024 – CROWBAR, SYDNEY

SATURDAY 25 MAY 2024 – SOAPBOX, BRISBANE

SUNDAY 26 MAY 2024 – HOWLER, MELBOURNE

Tickets from destroyalllines.com/tours/svalbard

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