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Bliss n Eso announce mammoth 28-date Party on the Moon Australian Tour for May–Aug 2025

MG Live and Frontier Touring are beyond pumped to announce legendary Australian hip-hop crew Bliss n Eso 28-date Party on the Moon Tour for this May – Aug! Special guest on all shows will be Melbourne rapper, singer and songwriter Ivan Ooze

For over two decades, Bliss n Eso have put on an explosive high-energy live show and the Party on the Moon Tour will be no exception! ​ ​ 

“Making our new album The Moon (The Light Side) was honestly one of the most fun times we’ve had in the studio in years. We wanted to return to the essence of what made us fall in love with Hip Hop when we were kids – that classic golden era party rocking vibe that originally made BnE. We’ve been blessed to have built up an incredible fan base over the years and when making this album we constantly envisioned playing these new songs and the electric energy they would create between us and the crowd. We’re so pumped to take it to the next level on this tour and to bring this album to life for the first time. It’s time to blast off y’all… cause it’s a PARTY ON THE MOON!” – Bliss 

The Party on the Moon Tour will play Toowoomba, Brisbane, Bryon Bay, Gold Coast, Port Macquarie, Coffs Harbour, Adelaide, Perth, Newcastle, Gosford, Barwon Heads, Frankston, Melbourne, Wollongong, Canberra, Sydney, Penrith, Wodonga, Echuca, Moruya, Townsville, Mackay, Hobart, Forth, Jindabyne, Sunshine Coast, Airlie Beach, and Cairns. ​ ​ ​ 

Frontier Member presale commences Tuesday 18 February 11am local time before the on sale on Thursday 20 February 11am local time. Tickets and tour info via: frontiertouring.com/blissneso. 

Limited VIP / Meet & Greet / vinyl / merch bundles available for all shows via: frontiertouring.com/blissneso 

The upcoming ‘Party on the Moon Tour’ supports Bliss n Eso’s recently announced 8th studio album ‘The Moon (The Light Side)’, out April 11th via Flight Deck / Mushroom Music. The first tastes of the album arrived as singles ‘Feeling Fly’, ‘Vacation’ and most recent energetic track ‘Party on the Moon’, a rework of Gang Starr’s iconic ‘Full Clip’ produced by the legendary DJ Premier. The album is available for pre-order now on exclusive Blue Moon & Blood Moon vinyl, alongside limited-edition merch. 

“Bliss n Eso are truly one of the early pioneers of hip hop in Australia. They broke the glass ceiling for many rappers in country.” – Tone Deaf ​ 

“I understand why Bliss N Eso are one of Australia’s favourite hip hop acts and why they have also attracted such a big international following. The packed-out venue, the energy in the room, the participation of punters high on interacting with a live and insanely intense performance, dealing out high doses of dopamine and the elated faces of new and old fans, pretty much paints the picture.” – Scenestr


About Ivan Ooze ​
​After exploding into the spotlight in 2014, acclaimed rapper and industry stalwart Ivan Ooze has built a cult following through tours with Wu Tang ClanIce CubeAzealia Banks and Peking Duk, as well as his own sold-out national tours. He garnered a devoted audience for his infamous live show that would include everything from backflips, freestyles and stage dives and for developing real connections with his fans via social media, where you can always find him rapping over well-known tracks. He’s no stranger to the spotlight having played every major festival stage in the country from Beyond The Valley to Splendour In The Grass, Festival of the Sun to This That festival. Check out ‘Ghosts’, ‘Way Past Them’, ‘FIRE’ and ‘Man Down’. 

Full of Bliss n Eso’s classics, rarities and new album tracks, don’t miss Australia’s finest hip-hop crew with special guest Ivan Ooze as they bring their electrifying live show to life this May through to August! 

BLISS N ESO ​ ​
WITH SPECIAL GUEST IVAN OOZE ​
PARTY ON THE MOON ​
AUSTRALIAN TOUR ​
MAY – AUGUST 2025 ​ ​
​Presented by MG Live & Frontier Touring ​ ​ 

FRONTIER MEMBERS PRESALE  ​ ​
​via frontiertouring.com/blissneso ​
​Runs 24 hours from: Tuesday 18 February (11am local time) ​ ​ ​
or until presale allocation exhausted ​ 

TICKETS ON SALE ​ ​
​Begins: Thursday 20 February (11am local)  ​ 

Friday 23 May ​
​The Powerhouse | Toowoomba, QLD
 ​
​18+ ​
oztix.com.au 

Saturday 24 May
​The Fortitude Music Hall | Brisbane, QLD

​Lic. All Ages
ticketmaster.com.au 

Friday 30 May
​The Green Room | Bryon Bay, NSW
 ​
​18+ ​
moshtix.com.au 

Saturday 31 May ​
Miami Marketta | Gold Coast, QLD ​
​18+ ​
oztix.com.au 

Friday 6 June
​Panthers | Port Macquarie, NSW
 ​
​18+ ​
ticketek.com.au  

Saturday 7 June ​ ​
Hoey Moey | Coffs Harbour, NSW ​
​18+
oztix.com.au ​ 

Friday 13 June ​
Hindley Street Music Hall | Adelaide, SA
​18+ ​
moshtix.com.au 

Saturday 14 June ​
Metro City | Perth, WA
​18+ ​
megatix.com.au 

Friday 20 June ​ ​
NEX | Newcastle, NSW
​18+ ​
ticketmaster.com.au 

Saturday 21 June ​
Drifters Wharf | Gosford, NSW
​18+ ​
oztix.com.au 

Thursday 26 June ​
Barwon Heads Hotel | Barwon Heads, VIC  ​
​18+ ​
oztix.com.au 

Friday 27 June ​
Pier Hotel | Frankston, VIC  ​
​18+ ​
oztix.com.au 

Saturday 28 June ​ ​
Forum | Melbourne, VIC  ​
​18+ ​
ticketek.com.au 

Friday 4 July
​Waves | Wollongong, NSW

​18+ ​
moshtix.com.au 

Saturday 5 July ​
UC Refectory | Canberra, ACT  ​
​18+ ​
moshtix.com.au 

Friday 11 July
​Enmore Theatre | Sydney, NSW 
 ​
​Lic. All Ages
ticketek.com.au 

Saturday 12 July  ​
EVAN Theatre Panthers | Penrith, NSW ​
​18+ ​
ticketek.com.au 

Friday 18 July  ​
The Cube | Wodonga, VIC ​
​18+ ​
ticketsearch.com 

Saturday 19 July ​
Echuca Hotel | Echuca, VIC ​
​18+ ​
oztix.com.au 

Saturday 26 July ​
Waterfront Hotel Motel | Moruya, NSW ​
​18+ ​
humanitix.com.au 

Friday 1 August ​
FLNDRS | Townsville, QLD ​
​18+ ​
moshtix.com.au 

Saturday 2 August  ​
Harrup Park | Mackay, QLD ​
​18+ ​
oztix.com.au 

Friday 8 August ​
Hobart City Hall | Hobart, TAS ​
​18+ ​
oztix.com.au 

Saturday 9 August ​
The Forth Pub | Forth, TAS ​
​18+ ​
oztix.com.au 

Wednesday 13 August ​
The Station | Jindabyne, NSW ​
​18+ ​
oztix.com.au 

Friday 15 August ​
The Station | Sunshine Coast, QLD ​
18+ ​
moshtix.com.au ​ 

Saturday 16 August ​
Magnums Hotel | Airlie Beach, QLD ​
18+ ​
oztix.com.au ​ 

*Cairns show to be announced soon 

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Hans Zimmer Live – Australian Tour 2025

Award winning film composer Hans Zimmer today announces his first live dates in Australia since 2019, the multiple Academy Award® and Grammy winner bringing his smash-hit tour Hans Zimmer Live to arenas in Brisbane, Sydney and Melbourne in April 2025.

A groundbreaking audio and visual show, Zimmer’s upcoming tour marks the Down Under return of the legendary composer, who rocked Coachella in 2017 and sold out over 20 shows across 17 cities across the US and Canada in 2024. With the support of his outstanding 19-piece live band and a full orchestra, Australian fans will be swept away from the sound of the first note and journey through a selection of the composer’s well-loved scores from some of cinema’s biggest films. Joining Zimmer onstage as part of the Hans Zimmer Live tour is acclaimed Australian singer Lisa Gerrard, who will perform a selection of the most popular songs she co-wrote with Zimmer, such as Mission: Impossible, King Arthur, Black Hawk Down, Tears of the Sun and Gladiator – which won her a Golden Globe and Oscar nomination.

The newly arranged concert suites include music from Gladiator, Pirates of the Caribbean, The Dark Knight, Interstellar, The Lion King, The Last Samurai and Dune, for which Zimmer received his second Academy Award®.

“I’m thrilled to return to Australia with my wonderful band and excited to share this phenomenal show,” said Zimmer. “I love this feeling of uniting my family of extraordinary musicians with you, the audience. Just an unbelievable family of talents that – to me – makes them the best supergroup of musicians in the world. But nothing would have meaning without the good grace and support of you, the other part of the family – the audience. Ultimately, the music connects us all, and I promise you this: we will always play our best, straight from the heart.”

Hans Zimmer’s extraordinary melodies and modern compositions captivate a huge worldwide fanbase across generations. He has already energized countless international cinema blockbusters, in addition to the above: James Bond – No Time to Die, Inception, Dunkirk, Man of Steel, The Dark Knight trilogy, Wonder Woman, Kung Fu Panda, 12 Years A Slave, Top Gun: Maverick, and Dune: Part Two.

Hans Zimmer has scored more than 500 projects across all mediums, which combined have grossed more than $28 billion dollars at the worldwide box office. Zimmer has been honored with two Academy Awards, three Golden Globes, five Grammys, an American Music Award, and a Tony Award.

Frontier Members can get early access to tickets via their presale starting Tuesday 11 February at 11am (local time) – see website for information. Tickets for all cities will go on sale Wednesday 12 February at 12pm (local time) via HansZimmerLive.com or frontiertouring/hanszimmerlive. Visit @hanszimmerlive on social media for more details.

About Hans Zimmer
Hans Zimmer has scored more than 500 projects across all mediums, which combined, have grossed more than 28 billion dollars at the worldwide box office. Zimmer has been honored with two Academy Awards®, three Golden Globes®, four Grammys, an American Music Award, and a Tony® Award. His work highlights include Dune: Part One, Top Gun: Maverick, No Time to Die, Gladiator, The Thin Red Line, As Good as It Gets, Rain Man, The Dark Knight trilogy, Inception, Thelma and Louise, The Last Samurai, 12 Years A Slave, Blade Runner 2049 (co-scored w/ Benjamin Wallfisch) and Dunkirk, as well as David Attenborough’s Prehistoric Planet, and Denis Villeneuve’s Dune: Part Two, the follow-up to his Academy Award®-winning score for Dune: Part One. Zimmer most recently created the score for Steve McQueen’s Blitz, which premiered at the BFI London Film Festival. Starring Saoirse Ronan and Harris Dickinson, the film released in theaters on November 1, 2024. Upcoming, he scored Joseph Kosinski’s F1, which is set to premiere on June 27 from Warner Bros. Beyond his award-winning compositions, Zimmer is a remarkably successful touring artist, having recently concluded his first North American “Hans Zimmer Live” tour, after the tour’s second round in Europe. He has also performed in the Middle East at Dubai’s renowned Coca-Cola Arena for two consecutive nights as well as Formula 1’s Singapore Grand Prix.

 

HANS ZIMMER LIVE ​
AUSTRALIA  ​
APRIL 2025 ​
​Presented by Frontier Touring, Semmel Concerts and RCI Global 

HANS ZIMMER + FRONTIER MEMBER PRESALE ​  ​
via frontiertouring/hanszimmerlive  ​
Runs 24 hours from: Tuesday 11 February, 11am (local time) ​
or until pre-sale allocation exhausted ​ 

TICKETS ON SALE  ​
​Begins: Wednesday 12 February, 12pm (local time)  


ALL SHOWS ALL AGES 


Thursday 24 April 
​Brisbane Entertainment Centre | Brisbane, QLD ​
ticketek.com.au 

Saturday 26 April 
​Qudos Bank Arena | Sydney, NSW ​
ticketek.com.au 

Tuesday 29 April 
​Rod Laver Arena | Melbourne, VIC ​
ticketek.com.au ​ 

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[Review] Leon Bridges @ Sidney Myer Music Bowl, 23/01/2025

Do you ever hear a song for the first time and in that moment, you know that this artist is something special and has that extra magic that many don’t? Leon Bridges first appeared on my music radar about 9 years ago and when I heard him sing his hit ‘River’, my body had a complete visceral reaction to the beauty of this tremendous song.

Hailing from Fort Worth, Texas, Leon Bridges is one of their best exports and is currently touring to promote his fourth studio album simply titled, ‘Leon’. This album is a nostalgic journey back to his roots, celebrating the people and places that raised him and the experiences that have shaped him. Bridges brought his neo soul sound to Australian shores captivating audiences all the way down our east coast, with the final night of the tour wrapping up in Melbourne at the Sidney Myer Music Bowl. It was an extremely eclectic crowd strolling through the Botanical Gardens in the direction of Melbourne’s iconic outdoor music venue, but all seemed eager to get inside and find their positions to settle in for the night. Los Bitchos and Glass Beams were the two support acts to get the night started, and both groups did just that. Both offering up an entirely instrumental set with a different flavour from each, the crowd were really digging what they had on offer. Darkness now descended on the bowl as we took our seats to await the soulful sounds of Leon Bridges.

With warming stage lights and a roar from the crowd, a 7-piece band hit the stage and found their positions with Leon not far behind. Kitted out in white flairs and a tan suede tassle jacket, Leon kicked the show off with tracks from his latest album, ‘When A Man Cries’ and ‘Panther City’. Two songs in and I thought an all-in brawl was about to erupt in the groups around us, due to the fact that majority of the crowd felt the need to stand from their seats, completely blocking the view of those behind them. Brawling definitely didn’t fit the vibe check, so once heated words were exchanged everyone eventually cooled their jets and decided just to enjoy what they could see of the show. ‘Flowers’ with it’s upbeat swing feel had the crowd dancing and clapping along, whilst ‘Coming Home’ from the 2015 album of the same name, had us ladies absolutely swooning even more than we already were. ‘Laredo’ was giving off that iconic funky sexy feel that his music seems to continuously emanate, and I have to say ‘That’s What I Love’ about Mr. Bridges. Everyone was getting down to ‘Never Satisfied’, but I can tell you that’s definitely not how the crowd were feeling as they were getting lost in his sultry, hypnotic melodies.

I was personally excited that he did a couple of songs from his collab albums with Khruangbin which included ‘Mariella’ and my all time favourite, ‘Texas Sun’. The latter is one of those songs that can instantly transport you to a time and place and every time I hear it, I swear to God I’m rolling down that highway, with the wind blowing through my hair with that hot Texan sun beating down on my skin. His lyrics truly are something else and provide a completely immersive experience as they seep into your veins when combined with his soothing instrumentals. I got the feeling that despite his vulnerable lyrics and confidence on stage, he seemed quite introverted given his very limited interactions with the audience. He was a man focused on his task for the night which was to entertain us, and that’s exactly what he delivered.

Asked if there were any dancers in the house, the crowd responded with their best moves during ‘You Don’t Know’, as it delivered its funk-flavoured bass line. I loved that instead of the usual stage formation, the band were seated on stage in a semi-circle with Leon at the forefront, which made it feel like we were just hanging out in a friend’s lounge room having an intimate jam session. Floating through his enchanting set, the audience were slurping up every bit of musical goodness exuding from this talented being. Soon enough, it was time to take me back to where my Leon Bridges discovery began with the spine tingling, gospel-like track, ‘River’. Bridges played the first half of the song alone with his acoustic guitar, whilst his bass player swapped out his bass for a cello to give the song a deep resonance that consumes you entirely.

‘Peaceful Place’ and ‘Smooth Sailing’ not only took us on another journey but also rounded out the end of his set. This crowd were salivating and weren’t going to let him get off that easily so luckily, he reappeared to give us a couple more treats that we so desperately craved. Bridges once again hit the stage on his own with only his guitar for company as he sang ‘Lisa Sawyer’, before the band joined him again for the final song, ‘Beyond’. As one of his earlier hits from his ‘Good Thing’ album, the crowd were ecstatic as the band led into this track and the song had never sounded so good with 10,000+ additional back-up singers. It was now time for a real goodbye as Leon departed the stage and left everyone to slowly come out of their hypnotic trance he’d put them in right from the first song.

The perfect recipe of soul, with some funk and gospel influences and the right amount of sexy, Leon Bridges is an incredible talent that puts him up there with some of the greats. His voice is pure magic that gives you all the flutters, and his tone is as smooth as a hot knife gliding through a block of butter. In addition to his musical talent is his stunning lyrical prowess, and debriefing with my friend after the show we both agreed that the way he writes about his muses (whoever they may be…) with such adoration is what girls can only dream of. Oh, to have a man worship and write that way about you. This is one show that will stay with me, and I will continue to have his records on high rotation for my regular Leon fix. If you haven’t heard of Leon Bridges or his music, then it’s high time you add him to your streaming playlist and experience the tingles and flutters for yourself.

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[Review] The Killers @ Rod Laver Arena, Melbourne, 12/12/2024

Somebody Told Me… The Killers were in town, so I thought it was about time I go and check out the Las Vegas rock outfit in the flesh for myself. Following a recent trend of bands who want to make their fans feel like we did ‘When We Were Young’, the band have embarked on a tour to celebrate the 20th anniversary of the release of their chart-topping debut album, Hot Fuss. This is an anniversary tour with a twist, however, as the band are touring with 2 different shows on alternating nights. One show celebrates Hot Fuss and they play it in its entirety, whereas the alternate Rebel Diamonds show offers fans a variety of their monster hits across all 7 of their studio albums. Both shows are bound to be as brilliant as one another, but I was lucky enough to catch them on a Rebel Diamonds night.

I was breaking my back just to get in there, so after the Melbourne summer heat called for refreshments at the brewery next door, it was time to join the hordes shuffling into Rod Laver Arena to settle into their positions for the night. Kicking the night off was Australian band Radio Free Alice, and whilst I hadn’t personally heard of them, they certainly had some hardcore fans around me who were singing and dancing along to their upbeat tracks. By this stage the arena was packed wall to wall, and whilst the crowd was predominately millennial and older, it was refreshing to see people bringing their young children along to ensure they were receiving a well-rounded musical education. School was now in as the lights went down, the music fired up, and The Killers appeared on stage with frontman Brandon Flowers appearing in all his messiah-like glory, strutting around the stage adorned in a black sequinned pin stripe suit asking us, can you ‘Read My Mind’.

The distinct fiery intro of ‘Somebody Told Me’ had the crowd going mental, and I was transported back to my 16 year old self as I screamed along the lyrics with the 10,000 others around me. Flowers was on absolute fire with his smooth and powerful vocals blessing my ears, and his intoxicating energy that infiltrated every single cell in my body. ‘Spaceman’, ‘Jenny Was A Friend of Mine’ and ‘Smile Like You Mean It’ had the whole place jumping, and the confetti guns and visually spectacular laser light show that accompanied the entire set could only be described as seizure inducing but was incredibly mesmerising and just really topped off the vibe in the place. One lucky audience member had incidentally bumped into the band at breakfast that morning, and after chatting they discovered it was this guy’s birthday and that he’d be at the show. So that all being said, Flowers kindly dedicated ‘My God’ to the birthday boy who seemed bloody stoked with his 5 minutes of fame.

It was refreshing to look around the arena to see only a handful of mobile phones out during the show in comparison to a Gen Z-heavy gig I went to a few weeks ago where the number of phone screens in hands lit up the entire place up. Each generation thinks they are the most superior generation, but sorry I think us millennials win this round in terms of losing ourselves in the moment of a brilliant live show and not worrying about the little handheld devices that rule our life.

At times during the night, Flowers took on the persona of a passionate gospel preacher at a tent revival trying to ‘devil be gone’ his patrons (you know the ones), demanding responses to questions like “Did you order a good time tonight”? You bet your ageless rock star arse we did, and that’s exactly what was being delivered. Now, I’m not a religious woman by any means, but I would do anything and everything that this man with the gorgeous face and knee weakening smile told me to do. ‘A Dustland Fairytale’ with its intimate piano in the opening verse was just another on the setlist the crowd gobbled up as quickly as the band could dish it out. The emotive melody of ‘Be Still’ temporarily brought the mood to a sombre tone and had everyone’s emotions running high, whilst also showcasing Flowers’ vocal ability as his pipes effortlessly soared over the music. The crowd took over lead vocals for the first verse of ‘Runaways’, before one of my personal favourites from the Hot Fuss album, ‘All These Things That I’ve Done’. Flowers jokingly pointed out that they’ve just been ripping off U2 this whole time, and the gospel chords in ‘I Still Haven’t Found What I’m Looking For’ inspired this track from their debut album. During the bridge the crowd once again took over and were singing the chant, “I’ve got soul, but I’m not a soldier”, and it was honestly one of those spine-tingling moments that nearly gave me an outer body experience and had the goosebumps popping up on every inch of my skin.

Just to tease us the band looked like they were going to leave us in the lurch as they bowed and thanked us, but they didn’t depart the stage and instead flew straight into another hit from Hot Fuss, ‘When You Were Young’. Whilst Flowers was trying to convince us that “he doesn’t look a thing like Jesus”, I was thinking to myself “Mr Brandon Flowers looks pretty bloody god-like to me”. We were now in for a treat as Flowers introduced Australian rock royalty to the stage, Iva Davies from Icehouse, and the pair did a cracking rendition of ‘Electric Blue’ which once again had the crowd utterly thrilled and singing along. Everyone then left the stage and talk about leave us hanging! Every single person in that arena was frothing at the mouth for more Killers goodness, and after what felt like an absolute eternity waiting for them, they finally hit the stage again, firing up with ‘Your Side Of Town’. ‘Boy’ saw the confetti guns going off once again, before we were asked the big question in life, “are we ‘Human’, or are we dancer?” Well, I can tell you now that given the way everyone’s bodies seemed to moving for the whole night – consciously or not – it’s fair to say we were all the latter.

 I’d had a bet with my friend earlier in the night on whether Richmond player Jack Riewoldt would make an appearance on stage during a certain song (IYKYK), but sadly it was a bet I lost. The song in question, (which if you haven’t screamed it on a dance floor at the pub in your youth in between drinks and random pashes, then have you even lived?) was of course their global hit ‘Mr. Brightside’. This is what everyone was waiting for and once again had the whole arena bouncing and passionately screaming along to every word. After one hell of shit-hot set, The Killers bid us a sad good night, but not before drummer Ronnie Vannucci hung back by himself to throw his remaining drum sticks into the crowd and hilariously scull the remains of his bottle of wine which was met with an encouraging reception.

I’ve always loved Killers’ The music and went in expecting a great show, but my expectations were blown right out of the water at what an absolutely incredible live band they are. The charisma that Brandon Flowers exudes is hypnotising, as a collective they are one musically tight band, and the entire stage show manages to bring the glitz and glamour of Las Vegas but without the tacky. The force of this band is undeniable, and they have well and truly served their time in the industry to prove they are a continuous hit making machine that will continue to do just that for at least the next 20+ years. It’s been a while since I’ve come home that wired after a gig, and it’s such a euphoric feeling that you never want to leave you. If I was a fan before, then the band better get a restraining order out against me now, because I am OBSESSED. This is one band I never want to miss live again, and this was honestly up there with one of the best gigs I’ve ever been too. Open up your eager eyes and put them on your ‘must see live bucket list’, because you will regret it for the rest of your days if you don’t see them live at least once on your lifetime.

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[Review] Wallows @ Margaret Court Arena, Melbourne, 9/12/2024

Local Australian artist Grentperez opened the night, and what better way to warm up the young, already energetic and enthusiastic crowd than a lovable goofball whose fresh music was not only a tremendous enjoyment, but also an example or great local Australian indie music. His set was nothing short of fun and friendly, with no shortage of tomfoolery, that made the whole environment feel less like a concert and more of a house party hangout, with juicy grooves to help us love our feet, and banter in between tracks that always included audience participation allowed us to decompress with joy. 

Wallows had the entirety of Margaret Court Arena in a grip of enthusiasm, as their intro rapidly built anticipation later by layer with large sheet casting shadows of the group opening with the slow somber Do Not Wait, all before the classic opening riff of Your Apartment ripped through the venue as the band was revealed. The boys’ laid back energy , as well as the seamless chemistry between them during in their performance was immediately apparent, through this energy delivering a sound that is both nostalgic and fresh simultaneously with a set list of tracks that can resonate with everyone.

Despite the venue being a large arena filled with hundreds and hundreds of screaming fans, the performance felt very intimate, similar to Grentperez in the sense that it felt like hanging out with friends watching mutual mates perform onstage. The charismatic yet chill interaction with the audience showed this enough, yet it skyrocketed when during She’s An Actress, Dylan slowly made his way through the crowd, taking time to high 5 fans in GA and connect with the audience, this followed shortly by Cole and Braeden, waded through the crowd to a smaller stage at the back of the GA, decorated with lamps providing mood lighting, where they performed a short acoustic set of three songs, Pictures of Girls, 1980s Horror Film and OK. Their fans singing along with them and sharing hilarious banter amongst all.

After the childhood mates made their way back to the main stage, after Braeden ran up and down the reserved sections of the arena screaming the lyrics of Calling After Me passionately, even though you could barely hear the band over the crowd screaming their adoration. Wallows provided an explosive encore to the show that was fuelled by the final volume of energy that the audience had been giving all night. It felt emotional and personal, hearing the boys turning their instruments and vocals both to 11, clearly showing their love of one of thier biggest hits Are You Bored Yet?, and Remember When to cap off the night.  

As I’ve previously stated, in one emotional and triumphant night, Wallows had brought their indie LA sound to a city in which is perfectly fits the grunginess of Melbourne, and for any and all fans of indie rock, of all ages, the three childhood mates are a quintessential ensemble that perfectly captures why the genre is so beloved and relatable. 

Wallows third studio album, Model is available now. They finish their Australian run in Brisbane on the 14th.

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[Review] Take That @ Rod Laver Arena, Melbourne 6/11/2024

The evening at Rod Laver Arena was a spectacle of lights, music, and sheer entertainment.

The audience’s anticipation could be felt as Sophie Ellis-Bextor, dressed like a dazzling disco ball, took the stage with her masked supporting band. The night started on a high note with her hit Crying at the Discotheque setting the tone for what would be an unforgettable performance.

Sophie’s charismatic personality shone through right from the beginning. After her opening number, she connected with the audience on a personal level, sharing a facetime call with her son Ray. She usually walked him to school in London, a routine she clearly cherished. This brief interlude added a layer of intimacy to the performance, making the audience feel like they were part of her world.

With the band now unveiled from their collection of animal masks, the energy only escalated. Sophie launched into another hit Music Gets the Best of Me, her vibrant persona fully engaging the crowd. Her infectious energy was palpable, and she effortlessly got the audience involved, encouraging them to sing along to Get Over You. The arena was alive with voices joining in, creating a sense of community and shared joy.

The musical journey continued with a seamless transition into a disco mashup. Classics like Lady (Hear Me Tonight),If This Ain’t Love, Can’t Fight This Feeling, and ABBA’s Gimme! Gimme! Gimme! (A Man After Midnight) had the crowd out of their seats. The arena turned into a massive dance floor, with fans singing, clapping, and disco-dancing the night away. The nostalgia and the lively beats transported everyone back to the golden era of disco.

Next on the setlist was a new song, Freedom of the Night. The performance was a visual treat, complete with an artistic ribbon display that added to the enchanting atmosphere. The audience took a brief moment to catch their breath, only to be swept up again with a cover of Madonna’s Like a Prayer. The familiar tune brought everyone back to their feet, and the energy in the room soared once more.

As the night drew closer to the main act, Sophie’s penultimate song, Heartbreak (Make Me a Dancer), a 2009 collaboration with the Freemasons, kept the momentum going. The crowd’s excitement was tangible when Sophie asked if they were ready for Take That. The arena erupted into cheers, which grew even louder when the opening chords of her biggest hit, Murder on the Dance Floor filled the venue. The band donned their animal masks once more, bringing the vibrant, bubbly, and energetic opening act to a triumphant close.

Seven years after their last performance in Australia, Take That, now a trio led by lead singer and songwriter Gary Barlow, along with original members Mark Owen and Howard Donald, returned in triumphant fashion.

Entering from the top of the stairs to their 2008 release Greatest Day, the crowd was immediately on their feet, singing along upon Gary’s cue.

With Mark and Howard banging on their bass drums, they seamlessly moved on to Giants. Howard then took the lead vocals for Everything Changes, with Gary moving to the piano and Mark on acoustic guitar, expanding the six-piece backing band.

It was Marks turn to lead as he took over main vocal duties with their 10th number 1 hit, Shine. Gary returned to the lead vocals, accompanying himself on the piano for A Million Love Songs. His powerful and appreciative tone made it evident why he has been the lead vocalist from the very start.

The trio took the audience on a historical Take That musical journey, narrating their story through a medley of hits and earlier songs. Tracks like I Found Heaven, Pray, and the Bee Gees cover How Deep Is Your Love featured original dance moves that elicited screams from fans who had grown up with those iconic routines. The hits kept coming, and the crowd was grateful for both the nostalgic thrusts and the band’s history lesson.

Songs like Patience, The Flood, and Get Ready for It filled the middle of the set before the band moved into some new music with a track called Windows. The entertaining set, which had an air of musical theatre and cabaret, thrilled a wide range of fans, many of whom likely remembered their 1995 concert.

Increasing the energy with a disco portion of the show, in their bright white shimmering outfits, These Days and This Life were some of the crowd’s favourites. However, nothing matched the roar when they went onto their most famous song and only number one hit in the US, Back for Good. The audience sang in unison, their voices filling the arena with an almost palpable sense of nostalgia and joy.

With heartfelt thanks to the band, crew, Sophie Ellis-Bextor, and the enthusiastic crowd, Take That finished off the evening with Rule the World to a phone-lit arena. The glow from thousands of screens created a starry canopy, under which the final notes of the night resonated, leaving fans with memories to cherish until the band’s next return to Australia shores however with the current record it may be awhile off yet.

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Fatboy Slim Loves Australia | Summer’s Biggest Rave | March 2025

Australia’s summer just got hotter! Get ready to Eat, Sleep, Rave, Repeat when legendary dance music pioneer Fatboy Slim makes a triumphant return down under next March with his Fatboy Slim Loves Australiatour, proudly presented by MG Live, Frontier Touring and Roundhouse Entertainment.

“Like the crazy drunk uncle who turns up every Xmas I’m coming back to my Aussie fam once again. Expect the usual inappropriate behaviour and interpretational dancing…” – Fatboy Slim

It’s no secret – Fatboy Slim really loves Australia! And now he’s back to prove it with an epic run of outdoor shows across the country – including a number of special winery dates in majestic locations under the sun – celebrating his long-standing connection with Aussie fans and delivering the ultimate summer rave experience! 

Joining Fatboy Slim on all dates is Swedish electronic music DJ, record producer DJ Seinfeld and Australia’s own, CC:DISCO! and Jennifer Loveless. ​ 

From coast to coast, across major cities and regional locations, the legend of British dance music will perform at some of the most breathtaking outdoor venues across the country including Langley Park, Perth, WA on Friday 14 March; Centennial Vineyards, Bowral, NSW on Saturday 15 March; Peter Lehmann Wines, Barossa Valley, SA on Friday 21 March; Mt Duneed Estate, Geelong, VIC on Saturday 22 March; and Sirromet Wines, Mount Cotton, QLD on Sunday 23 March. ​ 

Frontier Member and Roundhouse Entertainment member presales begin Tuesday 15 October 2.00pm local time before the general on sale starting Friday 18 October from 10.00am local time. ​ Ticket and tour information via frontiertouring.com/fatboyslim 

A strictly limited release of early bird tickets will go on sale today, Friday 11 October from 1.00pm AEDT via ticketmaster.com.au 

For venue, transport and accommodation options for all shows, check out: ​
mg.live/fatboyslim 


​Langley Park, Perth, WA
 ​
​Perth CBD 

Centennial Vineyards, Bowral, NSW  ​
​Approx 1 hr drive from Sydney ​
​Return bus services available from Sydney, Canberra and Campbelltown ​
​Shuttle bus services available from Bowral and Mittagong 

 Peter Lehmann Wines, Barossa Valley, SA
Approx 1 hr drive from Adelaide ​
​Return bus services available from Adelaide CBD ​ 

Mt Duneed Estate, Geelong, VIC
Approx 1 hr drive from Melbourne ​
​Return bus transfers available from Melbourne CBD, Geelong, Laverton, Werribee, Colac and Surf Coast towns 

Sirromet Wines, Mount Cotton, QLD ​
​Approx 30 mins drive from Brisbane ​
​Return buses and shuttles available from Brisbane – various locations ​
​​ Return buses and shuttles available from Gold Coast, Ipswich and Springfield 

These March 2025 dates will be Norman’s first Australian tour since his April/May 2023 headline shows that left fans wanting him back Right Here, Right Now. ​ ​ 

With over 3.2million views, relive Fatboy Slim’s iconic ‘Live at Sidney Myer Music Bowl (Jan 2020)’, filmed by Mushroom Creative House. 

‘Fatboy Slim, aka Norman Cook, delivered an epic slab of electronic dance music in a DJ set that was either one two-hour track or 120-minute-long bops that careened into each other … We became thousands left standing in a field, heading off to eat, sleep or rave on. ​ It was a night I’d be happy to repeat’ – Sydney Morning Herald 
 
‘Despite his mega stardom and intense stage presence Fatboy Slim is quite endearing…he has a goofy persona evident as he delved into his delightful musical scrapbook during his two-hour set … He’s proved he’s still at the top of his game.’ – The West Australian 

About Fatboy Slim ​
​Fatboy Slim, aka Norman Cook, entered the UK acid house scene in the ‘90s. Early success came with the release of hit singles ‘Everybody Needs a 303’ and ‘Going Out of My Head’, taken from Better Living Through Chemistry. Soon after came ‘The Rockafeller Skank’, a precursor for hit album You’ve Come A Long Way Baby, which delivered his first UK #1 in ‘Praise You’, as well as club banger ‘Right Here Right Now’, which peaked at #2. Halfway Between The Gutter And The Stars followed, featuring ‘Weapon of Choice’, with an unmissable video directed by Spike Jonze and starring Christopher Walken dancing in an empty hotel lobby. It’s widely regarded as one of the best music videos of all time, having won several awards, including a Grammy for Best Music Video. ​ 

Cook took things to another level again with the undeniably huge ‘Eat, Sleep, Rave, Repeat’, and more recently with massive singles like ‘Where U Iz’, ‘Boom F**king Boom’, ‘Praise You (Purple Disco Machine Extended Remix)’, Rita Ora ‘Praising You (feat. Fatboy Slim)’ and 2024’s ‘Role Model (feat.Dan Diamond and Luca Guerrieri)’, check out the official video here. ​ ​ 

In 2022, Fatboy Slim released‘Right Here, Right Then’, a celebration of the 20th anniversary of the infamous Big Beach Boutique (album out now via BMG Australia – here) and 2024’s Palookaville (Deluxe)

With 10 MTV VMAs, two Brit Awards and a Grammy, numerous high-profile Ibiza residencies, a Beats 1 Radio Show, a record 20 consecutive years playing at Glastonbury, and even a show on The Great Wall of China, it’s no surprise Fatboy Slim has a reputation as one of the most consistently popular DJs and producers on the planet. A party lover through and through, Cook is fuelled by the joy of his audience, which becomes a feedback loop of energy at every show that sends the vibe through the roof. ​ 

20 years after those historic, era-defining gatherings, Norman continues to push the envelope and remain one of the most in demand DJ’s and purveyor of quality beats in the world. ​ ​ 

FATBOY SLIM
​FATBOY SLIM LOVES AUSTRALIA
 ​
WITH SPECIAL GUESTS DJ SEINFELD (SWE), CC:DISCO! (AUS) & JENNIFER LOVELESS (AUS) ​
MARCH 2025 ​
​Presented by MG Live, Frontier Touring and Roundhouse Entertainment 

EARLY BIRD LIMITED RELEASE ​
​via ticketmaster.com.au ​
​Runs from: Friday 11 October (1pm local time) ​ ​
until allocation exhausted 

FRONTIER MEMBERS PRESALE  ​
​via frontiertouring.com/fatboyslim ​
​Runs 24 hours from: Tuesday 15 October (2pm local time) ​ ​
or until pre-sale allocation exhausted 

GENERAL PUBLIC ON SALE ​
​Begins: Friday 18 October (10am local time) 

Friday 14 March, 2025 ​
Langley Park, Perth, WA ​
​18+ ​
ticketmaster.com.au 

Saturday 15 March, 2025
​Centennial Vineyards, Bowral, NSW
 ​
​Lic. All Ages ​
ticketmaster.com.au 

Friday 21 March, 2025 ​
Peter Lehmann Wines, Barossa Valley, SA ​
​Lic. All Ages ​
ticketmaster.com.au 

Saturday 22 March, 2025 ​
Mt Duneed Estate, Geelong, VIC ​
​Lic. All Ages ​
ticketmaster.com.au 

Sunday 23 March, 2025 ​
Sirromet Wines, Mount Cotton, QLD ​
​Lic. All Ages ​
ticketmaster.com.au 

 

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[Review] Kip Moore @ Rod Laver Arena, 03/10/2024

With quite a few cowboy boots and trucker Caps entering the arena Sons of the East began warming up the crowd, just like Melbourne’s warm spring weather outside.

With their smooth indie rock, the Aussie trio consisting of Nic Johnston, Dan Wallage and Jack Rollins, along with their touring band, began the night. For their first time at Rod Laver, let alone on the stage, Sons Of The East brought the energy and performance to get the crowd up and moving along ready for a big night of Kip Moore.

James Johnston hit the stage with a bang. Just like his hit from 2021, his opening number Raised like That raised the energy in Rod Laver another notch and the temperature continued to rise. Cranking out the tunes including Same Songs and Small Town and even throwing in a bit of Post Malone and Morgan Wallens I Had Some Help, James had the crowd signing along and transferring his infectious energy all throughout the arena. Finishing up with My People the people of Melbourne were primed and ready for Kip Moore. It was a perfect warm up.

Eighteen months after Kip last took to the stage in Melbourne at the smaller Margaret Court, he was back at but this time at one of his bucket list venues in Rod Laver Arena. As usual Kip was joined by his band The Slowhearts and they supported him throughout the night, providing him with not just the musical backing of a well-oiled machine, but also the energy, enthusiasm and that extra synergy between the audience and the music.

The concert moved at a steady pace, and you could feel the hits being played including Plead the Fifth, Wild Ones, Tennessee Boy, More Girls Like You and Beer Money were continuing the crescendo rising to something big. Just when you thought it was going to go higher Kip brought back to earth with a stripped back version of Hey Pretty Girl which he had recently reconnected with and began playing again. With a moment to relax and appreciate the tones of Kips voice, he quickly brought the band back as well as the support artists in James Jothnson & Sons of the East and played a really fun version of the The Weight by The Band with everybody sharing the vocals. And with that the concert was up and running again. More hits followed. The Bull, Hearts Desire and Somethin’ ‘Bout a Truck until you reached what we thought was to the final song of the night, and was performed accordingly Come and Get it, with keyboard & guitar solos galore.  You wouldn’t have been disappointed if the concert ended there.

However instead of leaving the stage, Kip and the band played on. Yelling out to everyone to get their lights out, something Kip doesn’t normally do. A fine rendition of Last Shot was played. With a brief exit, Kip returned for one more song. Thanking the crowd for all the support over the years from small side stages at CMC to the Forum and Margaret Court to Finally Rod Laver, he said he would be back again. With so many of his hits been played already you wondered what he was going to finish with and instead of apologising for playing a new song which I have seen many artists do lately, Kip Moore & the Slowhearts smashed a concert worthy ending song in Live Here to Work, his latest single which he only released two weeks ago.

It was an amazing way to finish a very entertaining and enjoyable night. I can’t wait for the new album and for Kip to return to our Australian shores again with the opportunity to appreciate his music live, which I think is the best way to enjoy it.

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