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InterviewsTour Interview

Interview with Ben Ward (Orange Goblin)

Click above to see Mitch chat with Ben Ward ahead of Orange Goblin Australian Tour!

Cut from the same beer-stained cloth as the greats, UK stoner rock metal act ORANGE GOBLIN are still riding high and leading the pack in 'balls to the wall' heavy metal thunder. Emerging amid the exhilarating melee of the mid-‘90s stoner rock and doom explosion, ORANGE GOBLIN immediately endeared themselves to a generation of metal fans by simply going for it at full, beer-swilling pelt and some twenty five plus years later, nothing has changed! Moving towards 2024 it’s all hell for leather with the release of their tenth studio album, the first one since 2018's 'The Wolf Bites Back' and the first for new label Peaceville Records.

 
Being 11 years since their last trek to Australia, ORANGE GOBLIN are way well overdue for a bone jarring jaunt and have promised to pull out all the stompers for an intense and intoxicating atmosphere that will truly show the power and might these British heavyweights are armed with.
 
Earning a unique place in Australia’s heavy scene is Simpsons themed doom-rock band DR COLOSSUS. Brandishing low tuned guitar riffs and melodically driven songs that then manage to turn the genre on its head by presenting lyrics and an aesthetic based entirely on episodes of The Simpsons. A gimmick as it may be, DR COLOSSUS have earned a reputation as one of the one of the country’s most dynamic heavy acts who wield a dynamic palette of doom infused rock stomping grooves within well crafted, fun and riotously catchy material.
 
Leading the charge of mountainous riffage is Sydney’s two piece feed ASTRODEATH. Possessing a furious and intimidating sound, at a titanic reverberation that far exceeds the sum of its twin parts, ASTRODEATH belt out sludge ridden slices of heaviness that pack a devastating punch.
 
ORANGE GOBLIN with DR COLOSSUS and ASTRODEATH performing at:
 

April 9th – Adelaide, Lion Arts Factory

April 10th – Canberra, The Basement
 

April 11th – Brisbane, The Zoo

April 12th – Sydney, Crowbar
 

April 13th – Melbourne, The Croxton

 

TICKETS ON SALE at:

ADELAIDE – www.moshtix.com.au
 

CANBERRA, BRISBANE, SYDNEY, MELBOURNE – www.oztix.com.au

 
 

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InterviewsTour Interview

Interview with Hugh Cornwell

Click above to see Casper chat with Hugh Cornwell on announcement of Australian Tour!

When future historians of music draw up a list of the movers and shakers who changed the modern musical landscape, there will be no doubt THAT HUGH CORNWELL’s name will be prominent amongst them. As a pioneering musician, songwriter, and performer his pervasive influence persists in the record collections of music aficionados, across the globe’s radio waves and on stages around the world, Hugh’s presence is unquestionable.

As leader of THE STRANGLERS, Hugh was the main songwriter of all the band’s most memorable songs across ten stellar albums all of whom consolidated Cornwell’s stature as a unique songwriter and musician. His lyrics to ‘Golden Brown’, from the La Folie album, and their multiple meanings, is a songwriting masterclass.

Widely regarded as the poet laureate of punk, Hugh Cornwell has also built a substantial and singular body of impressive solo albums.

Don’t miss this British Music Legend as he Performs Iconic Stranglers Hits and Classic Solo Songs with a Full Band!

“His solo work is a joy to listen to, great lyrics and wonderful guitars, and The Stranglers numbers stand the test of time, still sounding great after all this time” (Scottish Music Network)

“Cornwell’s voice is spiky or smooth as required” (Norfolk Rocks)

HUGH CORNWELL August 2024 Australian Tour Dates

Thursday 1st August The Great Club, SYDNEY (Marrickville)

Friday 2nd August Blue Mountains Theatre, BLUE MOUNTAINS (Springwood)

Saturday 3rd August The Croxton, MELBOURNE (Thornbury)

Sunday 4th August Memo Music Hall, ST. KILDA

Thursday 8th August The Triffid, BRISBANE

Friday 9th August The Gov, ADELAIDE

Saturday August 10th Rosemount, PERTH

Tickets

Presale:  Tuesday 13th February, 9am Local time

General Public: Friday 16th February, 9am Local time

From: https://metropolistouring.com/hugh-cornwell-2024/

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InterviewsTour Interview

Interview with Ville Valo (VV)

Click above to see Mitch chat with Ville Vallo ahead of his tour downunder in just a few weeks!

Brimming with charisma and gothic melodrama, Ville Valo commands your full attention both on and off the stage. Perfectly fusing the melodic and the melancholic, Valo is the embodiment of Johnny Cash, The Sisters Of Mercy, and Elvis with the lyrical elegance of Lovecraft, Poe, and Bukowski. He is truly one of a kind.
 
Being original does not come easy and creating an entire genre is next to impossible, yet with HIM, Valo did just that when he came soaring out of land of the midnight sun, hypnotising the globe with an enchanting mix of dark rock anthems and emotionally charged ballads.
 
With his distinguished baritone five-octave crooner voice, Valo's vocal prowess is unparalleled; equally at home making Chris Isaak and Neil Diamond classics his own or wearing his heart on his sleeve on HIM hymns, Funeral Of HeartsRight Here In My Arms or Wings of A Butterfly. In fact, VVN Music has ranked him as possessing the eighth-highest vocal range of any known singer in popular music and Loudwire ranked Valo as one of the greatest frontman of the 21st century. 
 
Valo’s evolution from the vampiric leader of HIM to the solo artist known today as VV is represented perfectly via HIM’s iconic Heartagram logo. Something Valo gifted the world when he created it on his 20th birthday. The truly iconic image perfectly captures the juxtaposition of the music with the heart representing its softer side, while the pentagram conveys the heavier, darker elements.
 
With VV, the Heartagram has been updated to include two extra lines to form the moniker VV at its centre. Ville playfully comments that, “Artistically speaking, the main difference between HIM and VV is the extra line in the Heartagram, but what an exquisite line it is!
 
VV’s debut solo album, Neon Noir was released in early 2023 and it further exemplifies his storytelling prowess and the ability to contrast darkness and light.
 
VV is performing select shows featuring a perfect mix of solo and HIM songs.

Metal Wani captured the mood of the London show back in March of this year:
When the house lights are killed, the venue is engulfed in a haunting emptiness. As strands of pink and purple begin illuminating the stage, a bright, cold heartagram appears from the darkness – accentuated by the updated VV at its core. Like a lighthouse beacon it cascades across the audience and as Ville Valo appears the reception is akin to a hero’s welcome. Delivering an holistic set that spans the entirety of his career. 
 
Be still our jet black hearts..

TOUR DATES
Wed, March 13: Powerstation, Auckland
Fri, March 15: Northcote Theatre, Melbourne
Sat, March 16: The Metro, Sydney
Sun, March 17: The Tivoli, Brisbane

Tickets on sale Thurs, August 10 @ 9.00am Local Time
ThePhoenix.au

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Interview with Wednesday 13

Press play above to see Cass killer chat with Wednesday 13 recently about the Australian Tour!

WEDNESDAY 13 and his current band – which features former MURDERDOLLS alumni Roman Surman and Jack Tankersley – will be performing a full set of MURDERDOLLS songs, taken from the band’s celebrated 2002 debut album, ‘Beyond The Valley Of The Murderdolls’ and their triumphant 2010 return, ‘Women And Children Last’, which won them the Revolver Golden Gods Comeback Of The Year Award.

Amid a 2002 musical landscape full of baggy pants, backwards caps and tracksuit pants rose a metallic glam punk band that defied the prevailing trends and brought back hard and fast rock ’n roll. Murderdolls dug up the corpse of rock, defiled it and injected pure unadulterated undead life back into it. And it was glorious! 

'Beyond the Valley of the Murderdolls’ and its successor, 'Women and Children Last' were like nothing else. Fast and dirty, raw and macabre. Drawing lyrical inspiration from classic horror, each tracks is full of tongue-in-cheek horror done to perfection. Led by horror-punk icon, Wednesday 13 and the late great Joey Jordison, Murderdolls slithered their way to the top of the horrendous heights of rock amassing a colossal cult-following along the way. 

The sinister, sneering vocals, huge hooks, gang vocal choruses, pounding rhythms and some of the best riffs ever penned, the Murderdolls wrote songs for arenas and played them in theatres, making their adrenaline-fuelled odes to darkness that much more thrilling. 

For the first time in well over a decade, Murderdolls' frontman and songwriter, Wednesday 13, will resurrect his songs from the twisted depths of their dual album discography and unleash an unforgettable set when they descend on Australia, breathing fire into the raucous anthems that have defined an entire subculture. 
 

“After 21 years since its release, and the recent sad and premature passing of Joey, it only feels right to go out and celebrate these songs. We made two amazing albums that I was very proud of, and unfortunately much of the world didn’t get a chance to hear the songs live. In 2018, we all got together at Joey’s house and discussed plans and possibilities for the future, but we both had other immediate plans, We will be performing tracks from both MURDERDOLLS albums on this upcoming tour and celebrating the legacy of the band.” – Wednesday 13
 

TOUR DATES
Friday, Feb 2: The Triffid, Brisbane
Sat, Feb 3: The Metro, Sydney
Sun, Feb 4: Max Watts, Melbourne
Tues, Feb 6: Lion Arts Factory, Adelaide
Wed, Feb 7: Rosemount Hotel, Perth

Tickets on sale Thurs, July 27 @ 9.00am Local Time
ThePhoenix.au

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News

PANDEMONIUM Hits Australia with Alice Cooper, Blondie, Placebo, and Deep Purple!

Some of the most iconic acts in rock and roll will make history at the inaugural
Pandemonium festival as it sweeps across Australia’s east coast this April!

Pandemonium is a rock fans dream come true, with an unparalleled lineup of rock legends including: 

Alice Cooper
Blondie
Placebo
Deep Purple
Wheatus
The Psychedelic Furs
Dead Kennedys
Gang Of Four
Palaye Royale

plus Australian icons
Wolfmother
Cosmic Psychos
Gyroscope

and introducing Thai solo artist Petch;

A dozen bands across two giant stages will be busting out countless hits that have become the soundtrack to our lives over the last half a century.

Schools Out, Call Me, Highway Star, Every You Every Me, Teenage Dirtbag, Love My Way, Holiday In Cambodia, Lonely, Damaged Goods and sooo many more. 

You know the bands, you know the songs. Pandemonium gives you the opportunity to experience some of the worlds' greatest bands – all in one day and night of incredible rock and roll!
A truly unforgettable experience.

PANDEMONIUM 2024
Saturday, April 20: Caribbean Gardens, Melbourne
Thursday, April 25: The Domain, Sydney (ANZAC Day Holiday)
Saturday, April 27: Doug Jennings Park, Gold Coast
Sunday, April 28: Sandstone Point Hotel, Bribie Island*
*Blondie not performing

PRE SALE TICKETS
Monday, January 22 from 9.00am until Monday, January 29 at 12.00pm local time

PUBLIC ONSALE
Tuesday, January 30 @ 9.00am local time

Tickets and Information for all events can be found at
www.pandemonium.rocks 

 

Pandemonium is proud to partner with some very important charities.
Their work with our Veterans and our Youth is essential.

In Sydney, Pandemonium takes place on ANZAC Day and both Legacy and Wounded Heroes will be on site. Top Blokes who work tirelessly in support of the prevention of Youth Suicide will be on site at the Gold Coast event.

Money from each ticket sold will be donated to all three organisations.

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Lord Huron announce second Sydney show

Indie-folk troubadours Lord Huron are bringing their transcendent live show to sold-out rooms across the East Coast this month, today announcing a second Sydney show at the Factory Theatre due to popular demand.

Tickets for the second Sydney show at the Factory Theatre are on sale now, with all other shows now sold out while limited tickets remain for Melbourne’s second show at the Croxton Bandroom.

Performing anthems from across their catalogue, fans will get to soak up favourite gems like “Ends of the Earth”, “Not Dead Yet” and the much-loved hit “The Night We Met”, which currently stands at over 1.6 billion global streams on Spotify.

Making waves with their 2012 debut Lonesome Dreams, Lord Huron have since become a certified platinum selling phenomenon, playing major festivals such as Coachella, Lollapalooza and Austin City Limits, all while garnering a devoted fanbase worldwide.

Their fourth and most recent album Long Lost was released in May 2021 and sees the band continue to win hearts with their profound storytelling and songwriting style. The band’s leader Ben Schneider also recently provided the score for the film The Starling Girl, which featured a new Lord Huron song “Ace Up My Sleeve”.

Lord Huron will be gracing stages across the East Coast with support Asha Jefferies, heading up the Croxton Bandroom in Melbourne on Monday 22 January, The Tivoli in Brisbane on Wednesday 24 January, Sydney’s Enmore Theatre on Friday 26 January, Melbourne’s Forum on Saturday 27 January, and the Factory Theatre in Sydney on Sunday 28 January 2024.

A captivating evening too good to miss, catch Lord Huron on a stage near you in January 2024.

LORD HURON 

AUSTRALIAN TOUR 2024

Supported by Asha Jefferies

Monday 22 January 2024 SELLING FAST

Croxton Bandroom

Melbourne, VIC

Wednesday 24 January 2024 SOLD OUT

The Tivoli

Brisbane, QLD

Friday 26 January 2024 SOLD OUT

Enmore Theatre

Sydney, NSW

Saturday 27 January 2024 SOLD OUT

Forum

Melbourne, VIC

Sunday 28 January JUST ANNOUNCED

Factory Theatre

Sydney, NSW

TICKETS

On sale now via Destroy All Lines here

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Gig ReviewsReviews

[Review] Metal Church @ The Croxton Bandroom, Melbourne 14/12/2023

It has been a few years since Metal Church have graced our shores last travelling here in 2019 and quite a few things have changed since then. With the tragic loss of their frontman Mike Howe, which was a massive loss to the music industry and devastating to fans worldwide. After the initial shock Metal Church regrouped and came together with new singer Marc Lopes and a killer new album Congregation of Annihilation in 2023. Fans have welcomed Marc with open arms and embraced the new album excited for the band to be on the road celebrating the new songs and singer. 

It was no surprise to see black t-shirts lined up awaiting entry to The Croxton Bandroom. It has become a stalwart for old school heavy metal gigs and always has a terrific vibe as you are waiting to nab prime position. With lots of excited band banter being had as we counted down to doors, it is always a fun time to reminisce with like minded fans. With a steady stream of people finding their way to the front and beers flowing across the bar opening act Firing Squad started to warm up the crowd. They gave us a quick fire 25 mins of thrash metal, engaging the crowd and getting heads nodding in approval. Some fans wearing their merch and head banging on the barrier with gusto, it was great to see an early turn out and support for them. They had a substantial crowd by the end of their set and one of the guitarists even joined the punters on the floor to shred out the last minute or so.

Next up were thrash five piece Nothing Sacred, a name well known in the scene, these guys have been plugging away for 30 years and their experience showed. They powered through a thirty-minute set delivering some tasty tunes and wicked riffs. Singer Chris Stark has a most powerful set of pipes and I was left in awe just watching. With punters up and about they had a massive audience and the vibes were nothing but positive. Ending the set with Deathwish we were more than warmed up and ready for Metal Church.

The merch desk was kept busy with lots of cool stuff on offer, and things started heating up as the sea of black T-shirts congregated up close to the front. The odd peppering of red or white tops stood out like a sore thumb as the old school rock brigade brought out their finest thrash metal regalia, battle jackets worn with pride and every man and his dog wearing a Metal Church t-shirt.  The demographic was a much older crowd, diehard fans still showing their loyalty to their old thrash favourites.  As the lights dropped a roar rang out as the band took to the stage opening with the blinder Ton of Bricks from The Dark album. It was one of four from the album and was definitely a great way to get the night off and running. Marc Lopes was in fine form belting out the songs with his trademark long screeching on point all night.

Start The Fire did just that as the crowd were up and about, fists punching the air, singing word for word back to Lopes. Kurdt Vanderhoof has shredding up a storm along with Rick Van Zandt, both keeping the big riffs coming all night. Gods of Wrath really got the bandroom pulsing, with a few of the younger attendees on the barrier head banging with fury. The punters chanting back ‘Gods of Wrath’ for the duration. Pick a God and Pray and Congregation of Annihilation followed both off the latest release of the same name. Stet Howland was a machine on the drums, being a part of the band since 2017 he was right at home, providing backing vocals and vicious hitting of skins, on many occasions playing while standing up showcasing his skills. His spanking DW kit was a shining light in the middle of the stage and he used every piece to his advantage, he really was joy to watch.

Burial at Sea, Watch The Children Play and Fake Healer were welcome additions to the setlist and got the crowd up and about. Steve Unger on bass also added backing vocals and looked all parts the rock star in his leather and studs. He had the bass line covered and worked the stage with the ease of a true professional. Badlands is a loved Metal Church song from the album Blessing In Disguise and the punters enjoyed every minute. As the night was coming towards its end you would usually see the odd grogged up wannabe rockstar try and crowd surf over the top, but the seniority of the crowd put that to rest. All in attendance happy to just head bang on the spot and even that was done with reserved spurts to save the chiropractic bill the next day.

Beyond The Black and Metal Church saw out this killer night of thrash metal finery, Lopes digging deep and giving it everything he had.  As he returned with his phone to capture the crowd, arms quickly were held skyward to showcase the love in the room. A quick photo with the crowd and that was it, the show was over with Steve and Rick handing out guitar picks and Lopes pulling up a setlist for one lucky fan. I think many were expecting and encore but at 11pm on a weeknight I was more than happy with the killer performance we had.

Metal Church were so appreciative of their fans with Kurdt taking the time to thank us all for our undying support and I for one would be more that happy to bow down at the altar of Metal Church should they decide to come our way again.

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[Review] Royal Blood @ Hordern Pavilion, Sydney 13/12/2023

The Hordern Pavilion transformed into a rock playground on Wednesday night as Royal Blood, the notorious UK rock duo, graced the stage in support of their latest album, Back to the Water Below. Along for the ride were local acts Psychedelic Porn Crumpets and The Buoys, as supports for the entire Australian run. It’s been a long 5 years since their last headline run in Australia, and releasing two new #1 albums in their absence, fans are chomping at the bit to see them once more.

Psychedelic Porn Crumpets, hailing from Perth, took the night up a notch. As the second support act, sthey brought their unique brand of heavy drums and intense rhythms to the stage. Their setlist, featuring tracks like Tally-Ho, MundungusNootmare (K-I-L-L-I-n-G) Meow!, and Hymn for a Droid, showcased their ability to seamlessly blend heavy and (dare I say) psychedelic elements, the perfect addition to the evening by complimenting the headliners. There is no doubt that they gained many new fans tonight.

Before the show, the audience was treated to a prelude of Rage Against the Machine, Queens of the Stone Age, and Arctic Monkeys, over the venue PA – they sure know their clientele tonight!

As the lights dimmed, Prodigy’s Firestarter signalled the arrival of tonight’s headliners. Purple hues bathed the stage as Royal Blood emerged, front man Mike Kerr sporting sunglasses, and drummer Ben Thatcher, true to form, donning his signature hat. The set kicked off with Out of the Black instantly lighting up the crowd. From the first chorus you can hear the venue singing over the band, and this doesn’t stop for the remainder of the evening. As the first song is wrapping up Thatcher jumps down from his drum kit and motions for the crowd to split in two. He then hops down into the masses and joined his fans, snapping photos.

A brief hello led straight into an enormous set featuring hits like Come on Over, Boilermaker, Typhoons and Lights Out, each met with a louder roar from punters. During moments of banter between Kerr and fans, he says ‘a lot has changed in the years we haven’t been here but one that remains the same are the shoey chants.’ As he has newfound sobriety, he asks for a volunteer from the mosh pit to do one for him as he plays us the next track. One of the highlights of the night was Little Monster, which was met with howls from the crowd so loud that Kerr steps away from the microphone to the front of the stage to allow us to sing.

In a 2017 interview with The AU Review, both members expressed their hatred of encores, Mike Kerr said ‘we’d rather do our thing and destroy the place, and leave’. Although Royal Blood are now an encore band!  Returning with unexpected twist as they were joined by Chris Young from Psychedelic Porn Crumpets for Waves, from their latest album. A collaborative ballad showcased not only the seamless synergy between the two bands but also the exceptional vocal prowess of Kerr. The evening reached its pinnacle with the chart topper Figure It Out, ending on a truly unforgettable moment as fans dug deep and gave every last ounce of energy.

Royal Blood’s performance tonight, was nothing short of spectacular. The duo demonstrated an unparalleled mastery of their craft only honed by years of dedication and touring. From the power of Troubles Coming and How Did We Get So Dark? to the emotionally charged encore featuring hits like Waves and Ten Tonne Skeleton, the night was proof of their evolution as musicians. The energy, the flawless execution of their extensive setlist, and the unexpected collaboration with Psychedelic Porn Crumpets created an impression that stayed with the audience long after the last note had faded. I lost count of how many times I exclaimed after hearing the first note of the next song, the hits did not stop coming all night. With an absolutely stacked 18 song set list, this was easily the best I have ever seen Royal Blood and it only makes me hungrier to see them again.

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[Review] Slaughter To Prevail @ Liberty Hall, Sydney 5/11/2023

As the dust is still settling from Good Things Festival, there are a handful of bands remaining in Australia for side shows. Tonight, I return to Moore Park, although not the parklands but to Liberty Hall for a headline performance by Slaughter to Prevail. The Russian deathcore act was a notable highlight for many at the festival over the weekend, and we are lucky to see them for a full set, this time out of the sun.

Adjacent to the venue, Mary’s serves as a prelude, spinning tracks from bands like Parkway Drive, Make Them Suffer, Spiritbox, and, of course, tonight’s headliners. With no prior announcement of set times, the crowd gathers early, forming a serpentine line that winds its way around the venue, past the basketball courts, and down the road at Fox Studios. With no support, the main event arrives right on 9pm with New Orders Confusion remix (famously associated with the blood rave scene from the film Blade) fills the packed room making the metal heads dance.

The set kicks off with the relentless Bonebreaker, immediately signalling that Slaughter to Prevail is here to deliver an unapologetically heavy night. The crowd responds with a surge of energy as bodies collide in the mosh pit, embracing the controlled chaos that characterizes the deathcore scene. The intensity only escalates with each subsequent track, including the bone-chilling Agony and Bratva which begins with an enormous wall of death as those from the safety of the balcony above cheer on.

Zavali Ebalo and Viking showcase the band’s versatility, seamlessly blending guttural vocals with intricate guitar work and thunderous percussion as we all again hold our breath to hear vocalist Alex Terrible perform the alligator growl. The band take a moment to introduce themselves, all but one member (British guitarist Jack Simmons) hailing from Russia. After many thank you’s for allowing them to travel the world and play their music, we are treated to Made in Russia, of their 2019 album Kostolom.

As the set progresses, Slaughter to Prevail continues to unleash their hits and frontman Alex Terrible is all smiles despite the demon vocals throughout his songs. Before they kick off, I Killed a Man Terrible says the band have never done this before, while it is semi common in the heavy music scene, he would like Sydney to be his first, requesting the entire venue to sit down on the floor. We all know this is a ‘Jump the F*ck Up’ made famous by Slipknot in live renditions of Spit it Out. As I join the venue crouching down, we are all smiles as we hold onto one another from falling over and laughing about our aching knees, though once the music hits we jump to the skies! A highlight of their set for many is the ominous Baba Yaga, creating an atmosphere that mirrors the dark folklore from which the song takes its name. The venue pulsates with energy as the band unleashes their signature track Demolisher, prompting a collective eruption from the crowd.

For the encore, the band returns to the stage with unwavering intensity, each member wearing the ‘Kid of Darkness’ masks, delivering a final blow with Hell. The crowd, now a sea of sweat and exhilaration, savours every moment, knowing that this night marks a historic chapter in Slaughter to Prevail.

We all pour over to the water station and notice the walls of the venue dripping with condensation. In their Australian debut, Slaughter to Prevail has not only conquered the stage but has left a lasting mark on the hearts of their fans, no doubt gaining a fair few after this week! The performance is a testament to the band’s ability to translate their raw, unbridled energy from the festival grounds to a headline show, solidifying their status as a force to be reckoned with in the world of deathcore. As the final notes fade away, Liberty Hall stands as a battleground, bearing witness to the assault that was Slaughter to Prevail’s inaugural Sydney headline performance.

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