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Album InterviewsInterviews+1

Interview with Scott Kirkland (The Crystal Method)

THE CRYSTAL METHOD (USA) return to Australia for the first time since the Big Day Out in 2007!  Considered to be one of “the” Electronic Dance Music pioneers.

Along with The Chemical Brothers, Fatboy Slim and The Prodigy, THE CRYSTAL METHOD are credited with being pioneers of the Big Beat genre and Electronica movement. Together they took electronic music out of warehouses and onto some of the biggest festival fields in the world!

Don’t miss THE CRYSTAL METHOD bringing the energy and excitement with a show stacked with bangers – Name of the Game, Busy Child, Trip Like I Do, Born Too Slow, Keep Hope Alive plus heaps more!

The Crystal Method Tour Dates

DEC9
Factory Theatre
Sydney
 
DEC10
The Triffid
Brisbane
 
DEC14
Lion Arts Factory
Adelaide
 
DEC16
170 Russell
Melbourne
 
DEC17
Rosemount Hotel
Perth

Ticket link here: https://metropolistouring.com/the-crystal-method-2022/

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Gig ReviewsReviews

The Black Crowes @ Enmore Theatre, Sydney 13/11/2022

To say I was a little excited for tonight’s proceedings would certainly be an understatement. Not only have I been a huge fan of hard blues rockers from Georgia since they first formed, but I have always regarded the bands 1990 debut album Shake Your Money Maker as one of my all-time favourite albums, so to hear this gem played in its entirety was something I had been looking forward to witnessing the moment Live Nation announced this tour months ago. I arrived at the venue early to find a large number of fans had the same idea… As the show last night was not only the first on the bands national run, but it was also Sold-out and diehards were there early to make sure they secured the best spots to witness the magic that is a Black Crowes Live Concert experience.

With only minutes left to spare before the show kicked off there was barely standing room left inside the venue and as the lights went down the crowd went wild…. Hitting the stage one at a time and leading the charge was guitarist Rich Robinson who returned to the band in 2019 after a four year absence, next up strutting his stuff across the stage floor was the all rockin ever so charismatic front-man Chris Robinson who you could tell was all revved up and ready to rock. The group which also consists of bassist Sven Pipien; guitarist Isaiah Mitchell best known for his work with San Diego Psychedelic rockers Earthless, drummer Brian Griffin and keyboardist Joel Robinow made for the perfect line-up to present such an iconic album.

The band opened with the killer opening album track Twice as Hard and it was clear instantly that this show was going to be unlike anything I had seen this band do before. Rolling through the album tracks as they play out… Jealous Again, Sister Luck, Could I’ve Been so Blind both the band and crowds sprits were high. Chris worked the stage like to true professional he is.. with more struts than Jagger and rock n’ roll charisma millions would kill to have, Robison performed tonight better than any show I have witnessed in previous years. The band were having a great time onstage, plenty of smiles and laughs and the music…. Well… that’s what it’s all about and on that front the Black Crowes delivered in spades! I must also give props to the backing vocalists onstage with the band, these girls are truly incredible and shine through on gems such as Remedy and Seeing Things which is a personal favourite.

It was clear that the crowd favourites were the smash hits from the debut album She Talks to Angels and the crowd pleasing Hard to Handle, and I must admit witnessing and being part of the sold-out crowd that was singing along to this one was pretty amazing. Thick and Thin, Struttin Blues and the opening album track were among some of my highlights from last night’s show. It is quite hard to pinpoint just one favourite song or moment when the band is on fire the moment, they walk out onstage delivering what I would consider to be an ultimate fan set-list. Outside of playing every track from Shake your Money Maker the band also pulled out some killer tracks that spanned the bands career including By your Side, Thorn in my Pride and Wiser Time to name a few.

The band who are set to perform a second show tonight in Sydney and are going around the country over coming days will no doubt have every punter leaving these shows with a smile on their face and wanting more… The sound was incredible lights beautiful and the entire concert experience just perfect!

If you have a chance to get along to any of these shows do so. Music lovers across Australia will be speaking about these shows for years to come… do not miss this magical rock n roll experience!

More chances to catch THE BLACK CROWES including tonight back at the ENMORE THATRE in Sydney. 

ENMORE THEATRE, SYDNEY                    MONDAY NOVEMBER 14*

FORTITUDE MUSIC HALL, BRISBANE      WEDNESDAY NOVEMBER 16* SOLD OUT

FORTITUDE MUSIC HALL, BRISBANE      THURSDAY NOVEMBER 17* NEW SHOW

HARVEST ROCK, ADELAIDE                      SATURDAY NOVEMBER 19

PALACE FORESHORE, MELBOURNE       SUNDAY NOVEMBER 20**

TICKETS ON SALE NOW

 

For complete tour and ticket information, visit: livenation.com.au or blackcrowes.com

 

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Gig ReviewsReviews

Enter Shikari @ Forum Theatre, Melbourne 11/11/2022

The Forum in Melbourne would have to be one of my favourite venues, it looks absolutely stunning and I’m yet to hear a bad mix there, it’s magic. It has been a few years since I was last here and it still blows my mind when walking in. For those of you who haven’t been there, think a Greek auditorium inside a venue, an incredibly high ceiling with lights that look like stars, my words won’t do it justice, just go to a show there. It’s the perfect setting for tonight’s upbeat and energetic crowd who are an incredibly mixed bag, there were death metal shirts, the hardcore/punk shirts, the goth chicks, the woo girls and the guys that looked like they just finished work and come straight to the gig! Everyone was keen to be here.

Opening tonight are local up and comers Windwaker, who I found out during the set was the “new” singers first time fronting the band, apparently there was a change of the guard recently. For a first show taking the front, this guy nailed it. There is a reason these guys are getting more and more hype, they deserve it! Straight from the opening notes they came out hard and fast, the energy was high, and they smashed through their set with incredible precision. They had the crowd in the palm of their hands from the start with their catchy as hell riffs and then won over the filling room with an awesome cover of Britney Spears, Toxic. Great choice for opening tonight’s gig!

Creeper, punk, goth, English rockers had a hard time following up Windwakers incredible set but goddamn, they got there, won over and made a room full of fans out of The Forum by the end of their set. Going from energetic electro metal to a mix between Misfits and My Chemical Romance was a massive difference and you could feel it in the crowd, people were unsure but for their first Aussie gig ever, Creeper showed us the reason that they are the main supports for Enter Shikari. Their energy was incredible and regardless of crowd reaction or how little they had at the start, that front man riled them up got them to start a crowd chant and sing along. They have a female keyboard player who stayed to the back most of the time and had backing vocals occasionally but mid set she grabs a mic and comes center stage and sings a duet song with the male lead and they played their parts well, it was incredible to watch. Their set on a grandiose big sounding song that was the perfect ending and switch to the headliners.

Enter Shikari, the reason we all came out tonight, they bring with them a message of human kindness and disgust at the corporate/capitalist ideals, anyone who has listened to them or seen them live know they carry this mantra or outlook in life. Their crowd have the same vibe, the entire night, everyone is friendly and there to experience the ride of the show. Coming out to The Great Unknown, the crowd immediately starts singing and it doesn’t let up until the end of their set. Rou sets the rules, forget the outside world for the time of the show and 2nd rule is dance like nobody is watching, which everyone did. They blast through a great set of classics and latest material like The Pressure’s on, Dreamers Hotel and Juggernauts. When playing Destablise and Anaesthetist, the venue physically shakes when it hits the breakdown sections and the crowd are jumping, a man-made earthquake, there is no other feeling like it. The band take to the crowd towards the end of the set during Mothership, Chris and Rory jump down for a mosh and then Rou goes rogue and runs around the entire venue jumping through the crowd and crowd surfing everywhere. They end their set with a crowd singalong to Live Outside with and amazing coloured light show to match.

As previously mentioned, the Enter Shikari message carries some weight to it these days, it’s a reminder that you should be kind to each other, we are each human individuals that should be looking out for each other instead of having this ideal that we are against each other in all aspects of life. To live in the moment of the show and forget the worries of the outside world for 90mins is a small reprieve that they like to remind people. I don’t tend to get preachy in these things, but these guys live by their message, check them out if you haven’t already, well worth the listen.

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An Exclusive Evening with TLC @ Palais Theatre, Melbourne 8/11/2022

Melbourne had delivered a stunning day as I made my way around the bay and into my beloved Palais Theatre. The picturesque sunset was breath-taking and it made you feel good to be alive. It has been a long time and yet I felt like I was being welcomed back by an old friend as I entered the iconic theatre.  There was a buzz back around live music, and it was so exciting to be part of it again.

The wait has been long, but TLC have made it back to our shores and we are absolutely ecstatic to get a dose of hip-hop and R & B with the one of the most influential female artists of all time. You could feel the crackle of electricity as the fans took their seats and hum across the venue was alive. It is such a testament to how badly we have missed this and how delighted everyone is to get back to life again. With over 65 million albums sold worldwide it is suffice to say that the diehards have flocked out for this standalone show after the Fridayz Live juggernaut has been rolling across the country.

Melbourne hip hop artist KYE opened the nights proceedings after a short DJ set from DJ TJ, KYE warmed up the crowd with vigour and had peeps bobbing in their seats within minutes. It was terrific to see the hometown support and KYE lapped it up, still quite stunned to be opening for her idols. Her last two songs saw the arrival of six dancers join her onstage, the crowd loved the new addition and it lifted her set to a new level.  With only a 30 mins slot, time flew by but it was filled with some very cool tunes and killer moves which I really enjoyed, KYE was engaging and worked the stage like a professional, definitely one to check out.

After a brief interval the hum had doubled and the fans were champing at the bit to get their share of TLC. As the DJ worked the tables and the band took their place the screams were ear piercing, and the theatre erupted as T-Boz and Chilli appeared to hands in the air and exciting gasps from every corner. Not a person was left seated as TLC opening with Ain’t To Proud To Beg to whoops of joy, the girls strutted their stuff and boy can they still strut! The stage was a flurry of dancers and lights and a huge screen added to the atmosphere reeling pictures and dazzling displays throughout the show. While TLC are still going strong after 30 years the girls do not seem to have aged a day, still looking young and fresh and cutting the moves with the best of them. Baby-Baby-Baby was a fan favourite, the crowd raising their voices to sing along. There was no time for breaks as the songs flowed on swiftly with some mind-blowing dancing in between filling the gaps while the girls caught their breath.

Creep had everyone up and about and Unpretty was glorious with a stunning montage of butterflies and the like on the big screen. A song that resonates strongly with the judgement being weighed on people constantly. I think we all need to remember to love yourself for who you are and not what people expect you to look like! The stage glistened red as Red Light Special rang out. Then T-Boz took to the decks for a quick spin while Chilli wowed us with her dance moves, jumping in with the four sensational dancers who did not stop the whole night. Their energy was infectious, and their faces glowed with enjoyment, a true sign of a unified group.  

No Scrubs needed no introduction, but Chilli took the time to tell the younger members of the audience to by-pass the boys that are ‘hanging out the passenger side of their best friend’s ride’, and to dream big. It was refreshing words and hopefully ones that are taken under advisement. The crowd was electric and they enjoyed every word, hands in the air swaying from side to side as Waterfalls rang out, a beautiful song and the perfect closer for the night. The water washed from the on-stage screens and the theatre was alive with love singing every word from heart. Our DJ for the night roused the crowd for applause for each member which included the much loved and forever missed Lisa ‘Left Eye’ Lopez. A fitting way to end the night, and the smiles on the faces of the departing fans showed just how much they needed a little TLC in their life.  It was a night filled with nostalgic brilliance and I urge anyone who can get along to the rest of the tour to not delay. You will relive your youth and forget your worries for just a few hours, and you will love every minute.

You're last chance to catch them is this Saturday in Sydney at Fridayz Live

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RÜFÜS DU SOL Australian Tour Set To Kick Off This Month

Armed with a Grammy, seven ARIA nominations, and over 500,000 tickets sold across their North America, UK and Europe Surrender tour, there is no doubt the world has been experiencing the rise and rise of RÜFÜS DU SOL this year.  And Australia is up next, with the band’s Surrender tour set to touch down in Aus later this month, kicking off at Brisbane Showgrounds on November 26, before taking in Sydney’s The Domain on December 2 and 3, Adelaide’s Ellis Park on December 10 and Melbourne’s Flemington Racecourse on December 15 and 16, before finishing up at Perth’s Langley Park on December 17.

Shaping up to be one of the biggest headline tours of the year, the Aussie Surrender tour will see the band take over festival-sized green sites to present their brand new live show and ARIA #1 album, Surrender, offering the only opportunity for fans to witness the phenomenon that is RÜFÜS DU SOL live in Australia in 2022.

“It’s been three years since we’ve played in Australia, so it feels perfect for these to be the last shows of our world tour this year,” says Tyrone Lindqvist. “We’re really excited to be coming home and performing this new show to our Australian fans, friends and family at the biggest outdoor venues we’ve ever headlined.” 

And this tour on home turf will be the perfect way to cap off what has been a truly memorable and mammoth year, having scooped a coveted Grammy for Best Dance Recording, leading the ARIA nominations charge with seven noms for Best Video, Best Pop Release, Album Of The Year, Song Of The Year, Best Dance/Electronic Release, Producer/Best Produced Album and Best Group, and playing sold out shows at some of the most iconic venues around the world, including The Gorge Amphitheatre (Washington), Hollywood Bowl (LA) and multiple shows at Red Rocks (Colorado) and Forest Hills Stadium (NYC).

RÜFÜS DU SOL have also today announced their partnership with AIME (Australian Indigenous Mentoring Experience) across the Australian tour through their VIKP ‘Very Important Kind Person’ campaign, giving away 5 double passes to some Very Important Kind People. To find out more and to submit your kindness pledge to go in the running to win, visit https://aimementoring.com/rufusdusol

Additionally, fans attending the shows will also have the opportunity to buy a limited edition T-Shirt with all profits going directly towards AIME. 

Equipped with a well-refined, immersive live experience, Australia is in for a guaranteed treat when RÜFÜS DU SOL are finally able to bring their Surrender tour down under in 2022, offering fans a unique opportunity to accompany the band into their world. RÜFÜS DU SOL will be supported nationally by England’s Grammy and Mercury Prize nominated, classicly trained electronic artist, Jon Hopkins, and the band’s Rose Avenue label artists Luke Alessi as additional support in Sydney, Melbourne and Perth, and RONA. in Brisbane and Adelaide.

Tickets are on sale now via Moshtix.
Surrender is out now on  Rose Avenue and Reprise / Warner Records STREAM / PURCHASE SURRENDER

NATIONAL SURRENDER TOUR
Presented by triple j
SAT 26 NOV | BRISBANE SHOWGROUNDS, BRISBANE, QLD | 18+
FRI 2 DEC | THE DOMAIN, SYDNEY, NSW | 18+
SAT 3 DEC | THE DOMAIN, SYDNEY, NSW | 18+
SAT 10 DEC | ELLIS PARK,  ADELAIDE, SA | 18+
THU 15 DEC | FLEMINGTON RACECOURSE, MELBOURNE, VIC | 18+
FRI 16 DEC | FLEMINGTON RACECOURSE, MELBOURNE, VIC | 18+
SAT 17 DEC | LANGLEY PARK, PERTH, WA | 18+

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Sum 41 Announce Intimate Melbourne Club Show With Special Guests

Want some more Sum 41 in 2022? Along with joining The Offspring on the sold out national Australian tour this December, the Canadian punk rock juggernauts are thrilled to announce an intimate club show at Northcote Theatre in Melbourne on Tuesday 6 December.
 
Hitting Australia next month alongside the equally formidable punk lords The Offspring, Sum 41 will treat Melbourne fans to a special headline show while they’re down under, with Adelaide duo Teenage Joans and Melbourne alt-rockers Terra set to raise the roof at the Northcote alongside the Ontario icons.
 
Having sold over 15 million records worldwide and scoring a Grammy Award nomination, two Juno Awards, a Kerrang! Award and multiple Alternative Press Awards in their storied career, Sum 41 are undeniably one of the most prolific and hard-working live acts. From the ongoing endurance of their breakout singles Fat Lip, In Too Deep and Motivation to their reputation for performing (pre-COVID) hundreds of times per year, it’s little wonder Sum 41 have been routinely hailed as one of Canada’s most successful and exciting exports; and absence has only made the heart grow fonder, with the band bringing their bigger and better than ever before live prowess down under to close out 2022.
 
Also hailing back to high school days, Adelaide two-piece Teenage Joans took out the triple j Unearthed High crown back in 2020, with the duo going on to release a continuous flow of beloved tunes, appear onstage at festivals including Summer Sounds, Mountain Goat Valley Crawl and Yours & Owls Festival, while also touring alongside the likes of Violent Soho, Ruby Fields, The Hard Aches, Clowns and many others.
 
Beginning life in high school before forays into busking and YouTube covers, a pop rock cover of Vanessa Carlton’s A Thousand Miles cemented the ongoing and resounding adoration for Melbourne five-piece Terra. Since then, the group have gone on to showcase their fresh and immersive take on the alternative and pop-rock realms, with their 2022 EP Reverie firmly flexing the band’s sonic diversity and sharpened songwriting chops.

SUM 41
WITH SPECIAL GUESTS
TEENAGE JOANS
TERRA

 
TUESDAY 6 DECEMBER – NORTHCOTE THEATRE, MELBOURNE
216 HIGH STREET, NORTHCOTETickets on sale now at www.destroyalllines.com

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Album ReviewReviews

Devin Townsend – Lightwork

Strap yourselves in and get ready for another journey across the soundscapes with your friendly and loveable Canadian, Devin Townsend. You’re about to go down into a wormhole of strange and wondrous creativity coming out in aural form. Prepare for Lightwork, aptly named, this album is dynamic, creative, cinematic and above all, epic, it makes for incredibly easy listening, which is great because when it comes to Devin Townsend’s music, there are so many layers to it and you can never get everything on the first listen.

Straight off the bat, this guy’s voice is just phenomenal, the range, the way he uses it to set the mood and tone of a song, just as much as his guitars or synths, is just unreal. Yes, that might sound obvious to some people but there are bands out there who use the vocals as the filler part of the song, it’s all about a riff, definitely not the case when it comes to this guy’s music! He keeps his voice cleaner and more ethereal throughout this album but does also throw in some of his classic screams to change it up and make great use of his dynamics. The track Heavy Burden creates a strange effect with multiple voices being blended and layered over each other to sing one line, it’s incredibly well done to have it so clean, it took a few listens to grasp the full effect and hear the multiple layers, this is the kind of creativity that I appreciate, out of the normal thinking that makes the music much more interesting.

Devin Townsend is a busy man, Lightwork is the 5th album he has released in the last 2 years. He released the Quarantine Sets he streamed during 2020, then also Snuggles and The Puzzle and now releasing this little gem. Releasing this amount of content or music just goes to show that he is in this for the art and enjoys showing off his creativeness or it could be that he just needs to get all the crazy music out of his head and will just unleash it upon the world, either way, its good fun.  During the creation process there was a drop of Call of the Void that would be named one of the singles for this album, the other being Moonpeople. These two tracks are probably on the lighter sounding side of the album, but they are just as experimental as the rest. They set the tone that the vocals and synth instruments are more the focal point here than the heavier element. It’s all still there and is more the foundation or the gel holding the songs together.

It wouldn’t be a Devin Townsend album without some completely out there sounds and when you get to Dimensions and hear that incredibly in tune guitar solo (he writes in sarcastica font) you will just smile and laugh because, why the hell not!? Dissonant, I think is the term professionals use with these types of things. Heartbreaker shows a bit more of the weirder side of his creativeness with the number of layers to his music, the guitar riff in this song just has a really nice sway to it, you won’t be able to help but get into it. My favourite track on this album is Celestial Signals, this song is epic, it has a massive sound and will make an incredible addition to the live set. I can see a stadium singing and moving to this one.

From start to finish, Lightwork will have you moving and singing along in no time. It is light at times, it is heavy at times, it can also be downright strange at times, but that’s why you come along to the Devin show, something new and different.

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News

EDGECLIFF Share New Single RUNNING ON EMPTY / New EP UPROAR out December 2

Get your motor running with the classic rock stylings of Sydney’s Edgecliff and their brand new tune Running On Empty. Officially dropping into the world today, Running On Empty is a raw and riveting peek into the band’s forthcoming debut EP Uproar, which will officially thunder into the world on Friday December 2. The band will also christen their new single with two shows in Cobar on Saturday 5 November, with an official EP launch party set to take place on Friday 7 January 2023 at Sydney’s Factory Theatre.

Channelling Aussie greats like AC/DC and The Angels, Running On Empty finds Edgecliff firing on all rock’n’roll cylinders, with the track boasting swaggering grooves, fiery guitars and raspy vocals dialled up to 11. A track that has been in the works for the band for a fair while now, Running On Empty may ultimately owe its sonic soul to classic rock, but it also itself evolved after Edgecliff were approached to write a song about the eponymous Running On Empty festival which took place in Cobar, also honouring the 1982 film of the same name. “We were asked to write a song to honour the Running On Empty festival, which took place in Cobar, a town that holds great history within the band,” shares keyboardist Nick Murace. “The festival took place in September for the 40th anniversary of the 1982 Australian film, Running On Empty. We were honoured to be given the opportunity to write this track and to play the festival!”. And of the track’s deliciously rowdy-yet-familiar flair, drummer Jacob Lock explains, “For this one we really wanted to go for an old school rock n’ roll belter to get the people dancin! It’s got that dirty rock groove that you can feel in your bones and reminds you of the old school Aussie rock we grew up on”.

Working alongside Callum Howell on producing and mixing duties, as well as the Grammy Award-nominated Mike Tucci mastering the new tune, Running On Empty is a track brimming with high octane energy and catchy melodies, while also offering an electric follow up to previous singles I’ll Be Gone and Calling For More, which will also feature on the band’s forthcoming EP Uproar. Covering everything from chest-bumping anthems amid prowling basslines (Running Out Of Luck), swooning rock ballads (Broken Album), galloping singalongs (Blackout) and balls-to-the-wall viscosity complete with sizzling guitar solos and infectious choruses (Who Are We To Be Silenced), Uproar is a genuine and ferociously fun collection of tracks that powerfully run the gamut of human experience. We recorded six out of seven songs at the beautiful Grove Studios over a week,” shares bassist Kai Stackhouse. “After many tweaks in the studio and Callum Howell’s touch, we were able to bring these songs to life. The EP is mostly about average human experiences, one of the tracks talks about heartbreak and another track explores protest and outrage. We think there is at least one song in the EP that people will find themselves attracted to as it could summarise a certain time in their lives or the world around them.”

Edgecliff will be busting out their brand new track live in action this Saturday 5 November, with a special all ages show at the Cobar Youth Centre, as well as an 18+ event the same day at the Cobar Golf Club. And that’s not all the live Edgecliff goodness on the cards, with the band locked and loaded to officially launch their new EP Uproar early in the new year on Saturday 7 January at Sydney’s Factory Theatre. As to what fans can expect at these upcoming shows, lead guitarist and vocalist Will Howell reveals, Anyone that catches one of our shows can expect a loud and energetic performance. We strive to make live shows an experience for everyone. We want everyone to leave our shows craving more.”

Bringing together five best mates hailing from Sydney’s Northern Beaches, the beating Edgecliff heart ultimately thrives on a love for songwriting, hard edge rock and the desire to create original music. With all band members currently completing apprenticeships in their respective trades, Edgecliff have creatively continued to turn heads via their upbeat and modern take on more vintage rock territory. Influenced by the likes of Powderfinger, Wolfmother and the Foo Fighters, Edgecliff have been hard at work in the studio and the jam room to ultimately deliver Running On Empty, which also marks the final single fans will hear before the release of the debut EP Uproar. And all signs are pointing to pure rock, as Will concludes “Rock’n’roll is our passion and we want to share that energy with as many people as we can!”.

Running On Empty is out today, Friday November 4.

Uproar is out Friday December 2.

EDGECLIFF – UPCOMING TOUR DATES:

SAT 5 NOV | COBAR YOUTH CENTRE, COBAR NSW | ALL AGES

SAT 5 NOV | COBAR GOLF CLUB | 18+

SAT 7 JAN | FACTORY THEATRE, SYDNEY NSW | 18+

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George Thorogood @ Forum Theatre, MELBOURNE 28/10/2022

When you’ve been on the road for 50 years there’s sure to be generations of fans, and the snaking line of punters down Flinders St waiting to get into the Forum was a testament to the appeal George Thorogood and the Destroyers have had over the decades.

That eagerness to get into the sold-out venue and plant feet with a cold drink was rewarded with Aussie blues guitarist Hamish Anderson set the tone with some groovin’ blues.

His three-piece band’s 45-minute set was enough to whet the appetite of the full house and gathered new fans along the way.

But everyone was waiting for George, and Barry McGuire’s Eve Of Destruction was cranked up and started a sing along to bring out the band.

The aging blues star and his bandmates shuffled rather than leapt on to stage, and there was an early moment where one could be justified in thinking the old fella, wearing aviators and a bandana, might need a chair.

It was a few minutes into Rock Party before the sunglasses were flung overhead and the bandana was flicked off, and he let his fingers do the heavy lifting with his trademark blues and frequent banter.

He ripped into the band’s latest release, a cover of Bo Diddley’s Who Do You Love?, followed by Shot Down and Night Time.

The Destroyers pay homage to drinking and youthful rebelliousness, which at times seemed comedic seeing they’re all aged either side of 70, but it was lapped by an audience clearly reliving their party days.

From House Rent Blues they slid into One Bourbon, One Scotch, One Beer. Fortunately, the classic was finished before what was supposed to be a jam, while George took a break off stage, but was muffled as a sound glitch left the band jamming away oblivious to the fault.

With that finally fixed, the band were back at it and the house were all shouting Get A Haircut.

Born To Be Bad was always going to be the highlight and the band stretched out this classic before slipping into a Tequila.

Hamish Anderson joined the band on stage for Hank Williams’ Move It On Over, which was a guitar love-in before they all left stage.

The band re-emerged to ice the night with Born To Be Bad and farewell a satisfied audience.

Oddly the curtains drew with Advance Australia Fair and George saluting the crowd.

The Destroyers were back at the Forum the next night for another sell-out, which is testament the band’s longevity and fan base here.

For a wet and miserable Melbourne night, some grooving dirty blues was perfect.

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