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September

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FeaturedNews
September 3, 2024
Megan Milner

ONE ELECTRIC DAY LINE-UP UNVIELED

ONE ELECTRIC DAY is thrilled to announce this year’s line up with an array of top-notch Aussie acts that include the mighty Noiseworks, Birds Of Tokyo, Wolfmother, Baby Animals, Killing Heidi and Chocolate Starfish. This iconic outdoor show at Werribee Park has become one of Victoria’s favourite one-day music festivals and promises, yet again, to be a super day out for the family and deliver something for everyone!

Noiseworks provided the soundtrack to every big night in the 1980s, with rock anthems No Lies, Take Me Back, Hot Chilli Woman, Touch, and countless others. Original band members Jon Stevens, Steve Balbi, and Kevin Nicol will deliver all their legendary hits including those from their 2022 album ‘Evolution’ whose debut single ‘Heart & Soul’ became a national radio fan favourite and the Noiseworks Evolution National Tour in 2022/23 sold out from coast-to-coast. Get ready for their all killer, no filler, signature style Aussie rock!

Formed in Perth in the early 2000’s, Birds of Tokyo have grown from independent roots to become one of Australia’s most popular contemporary rock bands.

Since their 2008 breakthrough Universes, all five of the group’s albums have reached the ARIA top 3 including two #1 hits: March Fires (2013) and Human Design (2021). Classic songs like “Good Lord”, “Plans”, “Lanterns”, “Two Of Us”, “Brace” and “Unbreakable” have all been top 10 airplay hits and more than seventy of their tracks have featured on Triple J, making them one of the National Youth Broadcaster’s three most played artists of this millennium. The band has also won the APRA Award for “Most Performed Rock/Alternative Work” on a record setting six separate occasions.

Epic live shows have always been at the core of their appeal. Birds Of Tokyo have played major festivals from Splendour In The Grass & Falls to Red Hot Summerand they have appeared as special guests for superstars like Muse, Midnight Oil, Cold Chisel, Incubus and Bon Jovi. In recent years the band has toured across Australia twice, collaborating with the country’s most prestigious Symphony Orchestras including their 2023 Birdsongs tour which drew unanimous critical acclaim and saw them sell out three nights each at the Sydney Opera House and Melbourne’s Hamer Hall.

This band’s broad appeal and anthemic slew of songs-everybody-knows have made them a favourite for all of Australia’s major sporting events. They have headlined the F1 Grand Prix, V8 Supercars, the NRL State of Origin and the AFL Grand Final (twice!).

In August 2024, Birds of Tokyo dropped a rollicking new single called “Heartbreakers Bar” and announced a headlining tour of the same name which will see the band perform an unusual acoustic/electric live show. The first set will be presented in ‘busking mode’ – in keeping with the mood of their new song. After an interval they will deliver a fully plugged electric set in which they dive a bit deeper into a catalogue of hits that no other band of their generation can match.

Led by vocalist/guitarist Andrew Stockdale, Wolfmother has amassed a global fanbase, played to packed-house crowds around the world and delivered showstealing sets at star-studded festivals like Coachella, Isle of Wight, Lollapalooza, Splendour in the Grass, Rock en Seine and Fuji Rock to name a few. They have been invited to share stages with rock icons AC/DC, Guns’n’Roses and for Led Zeppelin’s induction into the UK Music Hall of Fame, Wolfmother was personally invited as their guest performers.

After the colossal success of their debut record, Stockdale wrote and released another four records under the moniker of Wolfmother: Cosmic Egg, New Crown, Victorious and more recently Rock’n’Roll Baby, as well as two solo records Keep Moving and Slipstream. Stockdale has also collaborated on Slash’s first solo effort, ‘By The Sword’ and last year with Chris Cester of Jet on ‘Chase The Feeling’.

It has been 30 years since one of Australia’s most revered rock bands, Baby Animals, burst onto the scene with the release of their 8x Platinum, ARIA Award winning, self-titled debut album, featuring iconic hits ‘Rush You’, ‘Early Warning’, ‘Painless’ and ‘One Word’. The band was touring with Van Halen in the US when they heard the album had topped the charts, ‘Baby Animals’ spending six weeks at number one in Australia and keeping Nirvana’s ‘Nevermind’ out of top spot. The album went eight times platinum and won three ARIA Awards – Best Album, Best Debut Album and Best Debut Single. It was also declared one of the Top 25 albums of 1992 in UK rock bible Kerrang!, and Baby Animals performed ‘Painless’ on Late Night With David Letterman. They later appeared in The 100 Best Australian Albums, and Suze DeMarchi was also featured in the book Rock Chicks, The Hottest Female Rockers from the 1960s to Now.

Killing Heidi celebrated an auspicious anniversary in 2020, two decades since the release of their rock-pop debut Reflector. The smash hit singles – including Weir and Mascara – embedded the album in Australian music history, took out four ARIA awards and reached four times platinum status. It also catapulted Killing Heidi and its teen musicians – Ella and Jesse Hooper – into international superstar status. The Hooper siblings were revered for their songwriting prowess and their subsequent albums earned them critical acclaim. 2025 sees them celebrate 25 years since Reflector’s debut.

Chocolate Starfish are the epitome of a concert party! Fronted by the enigmatic Adam Thompson, the band is known for their high energy live performances. With songs like Four Letter Word, Mountain, and You’re So Vain, Chocolate Starfish powered onto the Australian music scene in the 1990s and quickly secured themselves a space as an influential force. They produced two Top 10 albums and six Top 50 singles.

ONE ELECTRIC DAY 2024:

Sunday 17th November

Werribee Park, Werribee VIC

All Ages. Under 18’s must be accompanied by a parent or legal guardian.
Children under 6 are free

One Electric Day, Face to Face Touring & Ticketmaster pre-sale:

Tuesday 3rd September 10.00am (AEST) to Wednesday 4th September 11.59pm (AEST)

General Public on-sale:

Thursday 5th September 10.00am (AEST)

Tickets are available at:

www.ticketmaster.com.au

Artist images available here

Leanne Menard – Menard PR

For all publicity enquiries, please contact:

leanne

0438 233 100 or (03) 9689 0215

For further information, please visit:

www.oneelectricday.com.au

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FeaturedNews
September 3, 2024
Megan Milner

HELLO SUNSHINE TURNS UP THE HEAT FOR MELB +GOLD COAST IN 2025 WITH STONE TEMPLE PILOTS,SMASH MOUTH,WOLFMOTHER,KASEY CHAMBERS,BLUEY&MORE

Say hello to 2025 and get set to soak up some summer vibes; Melbourne’s biggest family-friendly music and food event Hello Sunshine will return next March for an unforgettable celebration of music, tasty treats and endless entertainment. An all-ages event that caters to diehard music fans, parents, kids, foodies and everyone in between, Hello Sunshine’s 2025 edition features a bumper lineup for the ages, including performances from Stone Temple Pilots, Smash Mouth, Wolfmother, Kasey Chambers, Rogue Traders, Drapht, an extra special Bluey live show and meet & greet, Lenny Pearce and Whistle & Trick.

Off the back of two successful years in Melbourne that saw over 10,000 punters each year soaking up live music, amusement park rides, markets and food stalls, next year’s Hello Sunshine edition will not only return to Victoria for a third time; it will also launch into Australia’s very own Sunshine State, with Hello Sunshine 2025 set to kick off at Caribbean Gardens in Melbourne on Saturday March 1, before heading up to the Gold Coast’s Broadwater Parklands on Saturday March 8.

Tickets for Hello Sunshine go onsale to the general public on Friday September 6 at 9am AEST from www.hellosunshinefest.com.au. Fans can register for presale tickets now from www.hellosunshinefest.com.au, with a 24 hour presale kicking off on Thursday September 5 at 9am AEST.

Rock royalty will descend on Melbourne and the Gold Coast in 2025, with legendary California rockers Stone Temple Pilots set to headline both Hello Sunshine events in March. Forming in the late 80s, STP catapulted to fame in 1992 following the release of their debut album Core, going on to be certified 8 x Platinum, snagging the quartet a Grammy Award for the monster hit Plush, and garnering the band the enviable status of being one of the most successful bands of the 90s. Now with eight studio albums in their wake, millions of sales and streams, countless global tours and a legacy for evolution, Stone Temple Pilots return to perform for Australian audiences for the first time in over two decades in 2025 as part of Hello Sunshine.

American rockers Smash Mouth are no strangers to adding sunny retro ska-soaked pop into their alt-rock earworms. First turning heads in 1997 via their infectious debut single Walkin’ on the Sun, Smash Mouth went on to smash headfirst into mainstream success with their 1999 sophomore album Astro Lounge, spawning one of their most iconic tracks All Star that has helped shaped multiple pop culture moments, from films through to TV sync and sporting events. Hailing from San Hose in California, Smash Mouth most recently released their eighth studio album, the Christmas-themed Missile Toes in 2023, and have toured extensively for the past few decades alongside everyone from Macklemore through to Spin Doctors, UB40 and Belinda Carlisle. “Australia has got to be one of the coolest places to play,” says Smash Mouth ahead of returning down under for Hello Sunshine in 2025. “The people there know how to party! We are so excited to head back to Australia to perform at the Hello Sunshine Festival in March. It’s going to be amazing. Summertime! Outdoor Festival! Australia! Yes Please!”

Iconic Australian hard rockers Wolfmother are no strangers to a festival setting, having performed at the likes of Big Day Out, Reading and Leeds and Lollapalooza over the years, and most recently completing a huge festival run in Europe and the UK. In 2025, they will once again grace Aussie festival stages as part of Hello Sunshine, bringing their brand of timeless rock’n’roll that has endured since the band’s inception in 2004. Helmed by Andrew Stockdale, Wolfmother has previously taken home a Grammy Award, as well as three ARIA Awards alongside additional nominations, toured relentlessly and consistently balanced modern and classic rock while proudly flying the flag for Australian music.

One of the country’s most beloved country music artists, Kasey Chambers never fails to enamour with her heartfelt lyricism and world-class artistry. In command of 14 ARIA Awards, Chambers was also inducted into the ARIA Hall of Fame in 2018, making her the youngest female to ever receive the honour. Alongside an astonishing career that has also seen her reach #1 on the ARIA Albums Chart five times and find her performing both her own acclaimed headline shows as well as performances with Cold Chisel, Bernard Fanning and James Taylor along the way, Chambers also recently released a brand new single Backbone (The Desert Child), and is also set to release a new album Backbone on October 4 along with her brand new book Just Don’t Be A D**khead.

Blending pop and rock influenced electronic dance wizardry, Australia’s Rogue Traders changed the game in the early 2000s, generating several top 20 ARIA Singles Charts hits, with their dynamic breakout 2009 album Here Come the Drums gifting the smash single Voodoo Child that also generated international chart success and spawned a national headline tour. Releasing their first new music in over a decade in 2023 via the track To the Disco, Rogue Traders will dazzle Hello Sunshine crowds in 2025 with their infamously high octane live show. “The Hello Sunshine Festival this March is looking AMAZING – and we are so excited to have been asked to join the lineup! Can’t wait to see everyone down the front!”

Renowned Perth hip hop artist Drapht has remained at the forefront of his genre since his early years spent as part of the Syllabolix crew as a teenager as well as the ultimate release of his 2003 debut album Pale Rider. A charismatic creative force, armed with two ARIA Awards and a legion of fans, Drapht has also gone on to collaborate with fellow Aussie icons Hilltop Hoods, Bliss N Eso and Kate Miller-Heidke, with his energetic live show continuously proving to be the stuff of legends. “I’m stoked to be on the Hello Sunshine line up in March! It will the first time doing all-ages shows in Melbourne and on The Goldy with my band, so we’re psyched to share the music with those who may not have heard the songs live yet! Cant wait!”

You don’t have to be a kid to love Bluey, aka the global Australian cartoon phenomenon that has captured hearts of all ages. Following the adventures of the loveable titular Blue Heeler puppy, the Emmy, Logie and AACTA Award-winning Bluey has gone on to resonate with parents and children alike, with 2025’s Hello Sunshine offering punters a chance to meet and interact with their favourite Bluey characters, and you can also take in an extra special live show that will get you up and dancing, playing games and so much more! This is not to be missed for young audiences – and the young at heart!

A multi-platinum and ARIA-nominated artist, Lenny Pearce has performed globally with high profile artists including Janet Jackson, One Direction and Pitbull, shifting from his roots as part of the performing group Justice Crew into a whole new era, armed with hip hop, house and grooving basslines. The twin brother of famed Purple Wiggle John Pearce, Lenny Pearce will be bringing all of the amazing vibes to Hello Sunshine next year. “I’m so keen to play at Hello Sunshine for all the families who party together,” shares Pearce. “2025 will be bigger and better than ever and I’m pumped for it. I’m a family man myself and this event is such a vibe it’s gonna be one not to miss! Bangers for all!”

Comprising childhood friends Esther Holt and Maddy Kelly, Whistle & Trick are one of Melbourne’s preeminent kids bands with the sole mission to sing, dance and cause a bit of mischief along the way. With clever and thoughtful music designed to spark imaginations, the duo’s 2023 debut album Bananas and Other Delicious Things also featured the likes of Memphis LK, Allday, Vika & Linda and Paul Kelly. “We are super excited to be playing at the Hello Sunshine festival coming up in Melbourne and the Gold Coast in March,” shares Whistle & Trick. “We are thrilled to be performing alongside some spectacular acts and cannot wait to dance and sing at this great family event.”

Nestled at the foot of the Dandenong Ranges, Caribbean Gardens in Melbourne’s east will once again play home to Hello Sunshine following its two consecutive events in 2023 and 2024. Fast becoming Victoria’s new favourite festival grounds, with the picturesque green space providing the ultimate playground, Caribbean Gardens also played host to Melbourne’s Listen Out festival in 2023. And located just north of the Gold Coast’s iconic summer playground Surfers Paradise, the Broadwater Parklands is a stunning outdoor location that includes rockpools, a swimming enclosure and spaces for a plethora of fun activities for the whole family, and will host Hello Sunshine for the first time in 2025. The Parklands also recently played home to a variety of high-profile music events, including Pandemonium Festival, Lookout 2024, Queens of the Stone Age and more.

Tickets for Hello Sunshine go onsale to the general public on Friday September 6 at 9am AEST from www.hellosunshinefest.com.au.

HELLO SUNSHINE 2025
Tickets available from www.hellosunshinefest.com.au

SAT 1 MARCH | CARIBBEAN GARDENS, MELBOURNE, VIC | ALL AGES
SAT 8 MARCH | BROADWATER PARKLANDS, GOLD COAST QLD | ALL AGES

STONE TEMPLE PILOTS
SMASH MOUTH
WOLFMOTHER
KASEY CHAMBERS
ROGUE TRADERS
DRAPHT
BLUEY
LENNY PEARCE
WHISTLE & TRICK

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Gig ReviewsReviews
September 3, 2024
Terri Nas

[Review] Trophy Eyes @ Forum Theatre, Mebourne, 31/08/2024

Trophy Eyes are no strangers to the punk-rock scene in Australia, and their latest tour proves that the Newcastle-based band aren’t going anywhere in a hurry. After wrapping up their Australian Tour in Melbourne over the weekend, they are about to venture to Europe to continue the party. Melbourne’s exquisite Forum Theatre hosted the final show of the tour, and I swear that with every visit to this historic beauty I fall more in love with it and its intricate features. As I waltzed in, the room was already relatively full, and it was obvious that the punters were keen to make the most of their Saturday night out on the town.

Kicking off proceedings were Adelaide duo, Towns, and their upbeat set provided a good foundation for the night ahead. The pair rocked out and seemed genuinely thrilled to be playing in such an iconic venue in front of a big crowd. Boston Manor were next up and they certainly made sure they were going to leave their mark on our country before heading back to their home in the UK. The 5-piece outfit opened their show with the guitar-heavy tune, Container. These guys had an awesome sound and even better energy, and the crowd were feeding off it for their entire set. The eerily haunting guitar riff of Floodlights On The Square got the crowd excited, as did Sliding Doors and Halo. Boston Manor’s set was super tight, and my body couldn’t help but move along to their killer sound.

The theatre was now wall to wall with black-clad bodies who were keen to see Trophy Eyes come alive on stage, and what an entrance they made! Luciano Pavarotti’s arrangement of the breathtaking aria, Nessun Dorma, filled our ears with pleasure and my skin was alive and crawling with goosebumps as the song built into a crescendo in which the band made their appearance once the song hit its peak. This operatic masterpiece certainly made my nerdy little music heart very happy. It was straight into the one-minute wonder, Sydney, which flowed right into Life In Motion with the ecstatic crowd showing their appreciation. Heaven Sent had lead singer, John Floreani, demanding that everyone get off their asses (I assume their metaphorical asses considering it was standing room only), and the song floated around beautifully with fans singing along passionately.

Popular tracks like My Inheritance, Figure Eight and Friday Forever kept the crowd’s appetite well-fed, and the energy coming from the stage was absolute fire. At one point during the night, we were all told to pull our phones out and open up our music streaming apps so we could follow the 2 talented support acts, and Floreani reminded us how important it is to support art because there is no life without art, and art is expressing life. He couldn’t be more accurate, and it seemed everyone in the room was in complete agreeance with his sentiments. The thrumming bass and drum intro of Kill was reverberating throughout my body, and the crescendo into the heavy chorus made this song one of the standouts for me. The band proved they are all for the fans and explained how much they enjoy seeing the same faces in the crowd of those who’ve been supporting them for decades, and then went on to dedicate one of their older tracks, Choke, to those fans who’ve always supported and believed in them.

We were treated to some killer tracks from their most recent album, Suicide and Sunshine, which included OMW, What Hurts Most, Burden, and Epilogue, and you could be forgiven for thinking that these songs were decades-old anthems, given that the crowd seemed to know every single word and were singing along with all their might. The night was slowly drawing to a close and just when I thought the crowd had been behaved and respectful, I saw three security guards make a mad dash down towards the front of the stage. I love a bit of people watching drama if it doesn’t include me, so I got out my popcorn as I watched a guy being dragged out kicking and screaming for doing who knows what, with his 2 very sheepish friends following behind. See ya, mate! The entire theatre turned into a choir as the crowd screamed “Some of my friends sell drugs, But I just sell sad songs,” and took over the vocals on You Can Count On Me. I’d say this was a sick way to start winding down the show, but these guys were still winding up and their power wasn’t dropping off anytime soon, especially with their popular hit Chlorine being just as energetic and finishing off this epic show.

Trophy Eyes certainly gave the fans their money’s worth and then some, and I can only imagine the excitement they’ll spread once they hit Europe on this tour showing the world their formidable talent. An awesome live show from a brilliant Aussie band!

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Gig ReviewsReviews
September 3, 2024
Midnite Mitch

[Review] Amaranthe @ Northcote Theatre Melbourne, 31/08/2024

I have been waiting for this night for a very long time. I first listened to Amaranthe when a friend of mine told me to go and put on The Nexus album way back in 2013 and after 11 years and 5 albums later, they have finally come to Australia!

Amaranthe may have arrived in Melbourne on a miserable cold, windy and no sun kind of day, but that doesn’t deter any fans from showing up early to get in line and wait for a night of singing some incredibly catchy songs and I’m sure there are plenty of people who have been waiting as long as I have for this night to come about. You can’t get a warmer welcome than adoring Aussie fans, right?

Once inside Northcote Theatre, I move straight to the usual spot, right in front of the mixing desk, it’s usually where I find the best mix, where I start to look around and see a line forming at the side of the venue, then suddenly it cuts across the dance floor, mosh pit, middle of the room area and wonder what the hell this is about, then realise, that’s the freaking merch line! I don’t think I’ve seen the line come out like that before in this venue, mind you, I have only been here 3 times before now and this is Amaranthe’s first Australian tour, so, I guess that is fair, but still a welcome surprise.

With a sudden jump start of drum and bass intro music, right smack bang on the 8pm start time, most of the crowd jumped in shock as The Last Martyr walked out on stage. Melbourne local, female fronted metalcore with drum and bass/electro backings, The Last Martyr were a great choice for opening up the night, bringing their A game with plenty of movement, crowd involvement and a tightly played set, although it did take me a song to realise they did actually have a live drummer playing, I could hear an incredibly well mixed drum sound and thought that it must have been part of the electro backing tracks but then, neatly packed away to the side of the stage, there they were sitting, absolutely killing it. The Last Martyr weren’t here to muck around though, they were smashing out songs consistently, with minimal stage banter, even throwing in a great cover of Bombfunk MC’s Freestyler and having a guest vocalist appear from nowhere to add an extra element to one of their tracks. I think the guest vocalist completely smashed it and played his part in their set quite well. (Guest vocalist may or may not have been a certain STM review writer’s younger brother, definitely not a biased opinion).

The lights go down, and a spoken word intro comes on speaking of control, freeing your mind, AI, the general themes these days within the world and most of Amaranthe’s tracks. The opening notes to Fearless are played and the crowd instantly goes nuts. Unfortunately for Australia, Mikael Sehlin, their heavy vocalist had to step off the tour due to personal reasons but Samy Elbanna, who has filled in the part on previous tours is here with them tonight, who holds his own quite well. Elize Ryd was hard to hear to start with during the set but then I also noticed a fair amount of delay being added to her vocals, which then muddied her up a little. Nils Molin sounded absolutely incredible, that guy can sing! Amaranthe smashed out 19 songs in their 90-minute set tonight! That’s some hard work, and quite a selection in songs from their back catalogue. They cover something off all their albums, picking the singles of the era’s.

Finally seeing and hearing these songs played live was an incredible feeling and the band were so energetic. Constantly moving around the stage, jumping up on stage boxes, noticing that they do have a great system in place where whoever is singing has the main center stage, so there is constant movement and each singer gets the limelight, that’s what you call teamwork. Coming into Boomerang, Elize and Nils were standing on opposite sides of the stage tossing a literal boomerang to each other in their sections. Elize took the laydown, couch singer style approach for Crystalline, Nils and Elize do a great back and forth on stage with Strong, which Amaranthe had a guest female vocalist do the recording, but I did enjoy the male counterpart in that song as well.

Amaranthe come back out to an encore of Archangel, That Song and ending on Drop Dead Cynical, with a track like That Song being in there, the crowd completely took over with the drum beat and clapping along, to which the band then dropped in some lyrics to We Will Rock You, they definitely gave the crowd their monies worth in involvement and entertainment. With songs like these where they are pop metal, written with catchy lyrics and melodies so that they will get stuck in your head for days on end, the crowd did their part for the night and were walking out with minimal voices after singing and screaming along all night, me included.

Judging by the grins on Amaranthe’s faces by the end of the set, I would say that it was a successful and long overdue first tour of Australia. I would suggest they already have plans of keeping Australia amongst their touring locations. I would definitely go again.

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FeaturedNews
September 2, 2024
Megan Milner

KEITH URBAN ANNOUNCES AUGUST 2025 SHOWS FOR HIS ‘HIGH AND ALIVE WORLD TOUR’

ANNOUNCES AUGUST 2025 SHOWS FOR HIS

HIGH AND ALIVE WORLD TOUR

TICKETS ON SALE FROM 1PM, FRIDAY 13 SEPTEMBER, 2024

NEW ALBUM HIGH RELEASED SEPTEMBER 20 – PRE-ORDER HERE

Five-time ARIA and four-time GRAMMY© Award winner Keith Urban has confirmed his anticipated Australian tour dates, part of the HIGH AND ALIVE WORLD TOUR. Urban’s concerts are once in a lifetime events, that critics have referred to as, “ones not to be missed.” The 9 arena shows for August 2025, featuring opener Chase Matthew, one of country music’s boldest emerging voices, are Urban’s first Australian concerts since December 2022.

HIGH AND ALIVE WORLD TOUR gets underway at Newcastle Entertainment Centre on 13 August 2025 and includes shows in Brisbane, Wollongong, Sydney, Melbourne and Adelaide. Tickets go on sale at 1pm local time, Friday 13 September. Please visit keithurban.com.

This exciting news follows the recent announcement of his new album HIGH, to be released on September 20 via EMI Music Australia. The tour will be the first opportunity for Australia to hear live versions of new songs from HIGH, including “Wildside,” “Straight Line,” “Go Home W U,” with Lainey Wilson and “Messed Up As Me,” as well as #1 hits including “One Too Many,” (with P!nk) “Wasted Time,” “Somebody Like You,” “Parallel Line,” “The Fighter,” (with Carrie Underwood) and “Long Hot Summer.”

Urban is one of Australia’s most coveted live acts. Over the last ten years, he has sold more than half a million concert tickets in Australia. His two-hour plus shows are power packed with an energy and showmanship that makes him one of the music industry’s best live performers.

KEITH URBAN

“HIGH WORLD TOUR”

AUSTRALIAN TOUR DATES 2025

Wednesday 13 August Newcastle, Newcastle Entertainment Centre

Friday 15 August Brisbane, Brisbane Entertainment Centre

Saturday 16 August Brisbane, Brisbane Entertainment Centre

Wednesday 20 August Wollongong, WIN Entertainment Centre

Friday 22 August Sydney, Qudos Bank Arena

Saturday 23 August Sydney, Qudos Bank Arena

Monday 25 August Melbourne, Rod Laver Arena

Tuesday 26 August Melbourne, Rod Laver Arena

Thursday 28 August Adelaide – Adelaide Entertainment Centre

THE VILLE FAN CLUB PRE-SALE

9am Tuesday 10 September – 12pm Friday 13 September (local)

TELSTRA PLUS PRE-SALE

11am Tuesday 10 September – 11am Thursday 12 September [local]

FOXTEL PRE-SALE

12pm Thursday 12 September – 12pm Thursday 19 September [local]

TEG LIVE, TICKETEK, VENUES PRE-SALE

12pm Thursday 12 September – 12pm Friday 13 September [local]

GENERAL PUBLIC ON-SALE

1pm Friday 13 September (local time)

For tickets and further information, please visit keithurban.com

FOLLOW KEITH URBAN

www.keithurban.net

facebook.com/keithurban

instagram.com/keithurban

youtube.com/keithurban

twitter.com/keithurban

ABOUT KEITH URBAN

Keith Urban has spent the better part of his life harnessing a deep-seated passion for music. This, when combined with his authenticity, talent and driving musical inquisitiveness, helps to understand why he is one of the most successful and well-respected artists in the world. He’s won four GRAMMY© Awards, thirteen CMAs (including 2x Entertainer of the Year), fifteen ACMs, three AMAs, two People’s Choice Awards and celebrated nine consecutive gold, platinum or multi-platinum albums.

September 20th will mark the release of Keith Urban’s HIGH – a musical journey, intentionally sequenced through themes of what it is to be alive, human connection, cutting loose, huge hook chorus’, hope, nostalgia, shredding solos, straight-up fun and some personal life revelations. Songs from HIGH debuted in January with the release of “Straight Line,” “Messed Up As Me,” “Wildside,” and the album’s current single, “GO HOME W U,” with Lainey Wilson.

Urban returns to Las Vegas for “KEITH URBAN’S HIGH” in Vegas, ten exclusive shows to take place at the Fountainebleau Las Vegas. The announced shows will take place in October (4, 5, 9, 11 and 12) and February (14, 15, 19 21 and 22) 2025. These performances will include the premiere of many of the new songs set for release, as well as many of his of 24 #1 songs including “Blue Ain’t Your Color”, “Wasted Time”, “Somebody Like You” and “Long Hot Summer”.

Urban consistently reminds music lovers around the globe why he is one of the world’s best live performers. His concerts have become legendary – as unpredictable as they are explosive. An experience of emotion, musical texture, energy and showmanship.

ABOUT CHASE MATTHEW

Warner Music Nashville’s Chase Matthew continues to make his case as one of Country’s boldest emerging voices with his GOLD-certified, Top 10-and-climbing debut single “Love You Again” and brand-new EP Always Be Mine. The rising star began his career by blazing an independent trail, leveraging an infectious country-or-nothing personality, rowdy live performances, and authentic music built around his low-slung vocal twang. Amassing 1 BILLION+ global career streams and his first PLATINUM-certified smash with “County Line,” the Music City native has been named “One to Watch” by HITS and is touring this summer with headline shows, major festivals, and dates supporting Jason Aldean and Luke Bryan.

ABOUT TEG LIVE

TEG Live is a dynamic and diverse promoter of live content operating in many genres, including music, sport, family entertainment, esports, and exhibitions. TEG Live connects millions of fans every year with unique live experiences and adds value to events with hospitality, partnership, and sponsorship services.

TEG Live is owned by TEG, a global leader in live entertainment, ticketing, digital and data which sits at the heart of the live event experience for millions of fans. TEG operates globally and includes TEG Live, TEG Sport, TEG Rugby Live, TEG Experiences, TEG Dainty, TEG Van Egmond, TEG MJR, Laneway Festival, Handsome Tours, TEG Europe, TEG Asia, TEG USA, Qudos Bank Arena, Ticketek, Ovation, Fan+, VIP NOW and SXSW Sydney.

For more information: http://www.teglive.com.au

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