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TURMION KÄTILÖT’ Announce New Album RESET For October 25th + Release First Single ‘Yksi Jumalista’

Following the stand alone single ‘Schlachter’ featuring Chris Harms of LORD OF THE LOST, ‘Yksi Jumalista’ is the first single from TURMION KÄTILÖT’s new album Reset.

MC Raaka Pee comments about Reset: “I would say that Reset is like a bastard son or daughter of previous records – with tasty new spices added to the whole thing. It has everything you could ever want from us and more. One of the special twist of this album is the vocal parts: the fierce screams are counterbalanced by a huge melodiousness – often at the same time.”

He continues about ‘Yksi Jumalista‘: “Especially in difficult situations, I’ve learned to ask both myself and others, ‘What do you want?’ I’ve noticed that when arguments and conflicts arise, people often don’t really know what they truly want. In tense situations, that question is incredibly important to ask – otherwise, the main issue is likely to get lost in all the noise.”

Pre-Save Reset here: https://turmionkatilot.bfan.link/reset

Stream ‘Yksi Jumalista‘ here: https://turmionkatilot.bfan.link/yksi-jumalista

Watch the band’s new video for ‘Yksi Jumalista‘ here:

https://youtu.be/6l_BsWhslkY?si=oNSDnalVCajcj-Xe

Reset Tracklisting:

Yksi Jumalista

Päästä Irti

Pulssi

Sinä 2.0

Musta Piste

Trauma

Otava

Se Mitä Et Näe

Kerran Kuollut

Puuttuva Naula

Schlachter

Reset 7 (not to be continued)

About TURMION KÄTILÖT:
TURMION KÄTILÖT, the Finnish-singing industrial and electronic metal band hailing from the barren wastelands of Savo, is rapidly becoming a new favorite among open-minded metal fans in the mid-2020s. The odds of their rise to prominence are nothing short of great. Known for their ecstatic and theatrical concerts, TURMION KÄTILÖT invites you to dive into their twisted world of “disco metal.” The current lineup features singers MC Raaka Pee and Shag-U, guitarist Bobby Undertaker, bassist Master Bates, keyboardist RunQ, and drummer DQ. Since the early 2000s, this vivid sextet has been delivering a unique blend of electrifying heavy music, characterized by its peculiar, perverted, and catchy style. Their journey includes numerous sold-out concerts, gold and platinum records, and Emma nominations (Finland’s equivalent to the Grammys).

TURMION KÄTILÖT‘s depraved disco ball has also shone beyond Finland. Many fans remember their legendary European tour with PAIN in 2011. In the 2020s, their fame continued to grow, highlighted by their selection as the opening band for NIGHTWISH‘s sold-out European arena tour in 2022. Now, TURMION KÄTILÖT is ready to unveil their latest creation: Reset. Founding member and main songwriter MC Raaka Pee explains, “Reset is simply the perfect name for our new studio album. For us, Reset is more about taking advantage of everything we’ve learned over two decades and then adding new nuances to our metallic disco vortex.” With twenty years and ten studio albums behind them, Turmion Kätilöt continues to push their boundaries. “We have relentlessly raised our own bar with every record,” says the band. “Reset is our best album to date, and we simply couldn’t be more satisfied.”

Reset features all the hallmarks of TURMION KÄTILÖT: twisted synths, underfoot grooves, pounding beats, and cryptic lyrics, all with a stronger musical vision than ever before. The album is described as a “bastard child” of their previous records, with new spices added. The vocal parts, a mix of fierce screams and melodiousness, add a special twist.

We have gained more courage to explore drastic musical and lyrical angles,” the band states. “Sometimes the lyrics and the musical mood seem to come from completely different worlds, but that’s exactly what makes the whole thing fascinating. That’s what Turmion Kätilöt is all about!”


Key tracks from the album include singles “Yksi jumalista,” “Pulssi,” and “Sinä 2.0,” though the band emphasizes that the entire album is a varied entity. “If we had to decide now which new songs to perform at future shows, we would play the whole new album!

The production of Reset benefits from the powerful sound engineered by keyboardist and producer RunQ in his brand-new studio. The album’s sound palette ranges from completely organic to entirely electronic, creating a hugely powerful combination. Reset also offers an interesting opportunity to compare old and new TURMION KÄTILÖT with the song ‘Schlachter,’ a new German version of their classic ‘Teurastaja.’ Originally released on their debut album, this updated version features new arrangements and lyrics. While the band remains committed to singing in Finnish, they remain open to future possibilities. “In the future, we can sing in English, German, Swedish, or we may invent our own language. Let’s see.” MC Raaka Pee concludes with a confident smile, “Trust us, we know what we are doing. For this band, it took twenty years, but we finally know what we are doing. Now we are just going to enjoy the ride. So, if someone is interested in a wild ride on the twisted side, please reset and jump in!”

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SARAH BLASKO ANNOUNCES NATIONAL ALBUM TOUR AND UNVEILS I JUST NEED TO CONQUER THIS MOUNTAIN ALBUM TRACK LIST

NEW SINGLE + VIDEO ‘BOTHERING ME’ OUT TODAY

Stream ‘Bothering Me’ | Watch the video
Pre-order I Just Need To Conquer This Mountain

Revered 3x Platinum and 3x ARIA Award-winning singer, songwriter, musician and producer SARAH BLASKO today unveils the tracklist for her first full-length studio album in six years I Just Need To Conquer This Mountain (out Nov 1), announces her national album tour this November/December and shares the new single + video ‘Bothering Me’. Tracing the inevitability of painful goodbyes in many forms, and the grief – and acceptance – that follows, I Just Need To Conquer This Mountain sees Sarah Blasko firmly in the present as she searches for the light that comes with new beginnings. ‘Bothering Me’ is out everywhere now – stream/watch HERE – and pre-order I Just Need To Conquer This Mountain HERE.

Tickets to Sarah Blasko’s album tour, on which she’ll perform songs from I Just Need To Conquer This Mountain and her extensive back catalogue across Qld, NSW, SA and WA – in addition to the already announced VIC shows – backed by her live band are on sale 9am local this Thursday 29 August.

On the howling new single ‘Bothering Me’, Sarah Blasko confronts dreams – both the kind we have when we’re asleep and the ones we hold for our future – as she is revisited by her past at night and how her life is not aligned with what her younger self once foresaw. These small but powerful reckonings cut a lot deeper than the track’s title suggests. “Dreams seem to be a way of processing things that happen during the day and so I embraced dreaming as a way of getting over things,” Blasko explains, “Getting older is TOUGH. Sometimes I don’t know who I am anymore and that I’ve lost touch with the person I used to be and the dreams I held. I try to let go but not let go at the same time because dreams are important.”

The ‘Bothering Me’ video captures Sarah Blasko in technicolour as she makes moves through kaleidoscopic scenes; it was created by SPOD, who also edited and provided visual effects, with filming by Wilk and lighting design by Bazz Barrett. On the video, Sarah Blasko shares, “All the video material for the record was created when three people – a lighting person (Bazz Barrett), a videographer (Wilk) and a singer with an album (me) – spent three days in a very nice rehearsal room, not really knowing what we’d come out with or what it would all mean. We played around and laughed a lot, and in the end were proud of the spirit of what we captured.” Spod adds, “Getting this project from Sarah was intriguing as usually I’d be involved from the beginning with a defined idea of what I’m aiming to do, but this is a much more improvised, free form experimental project where I was delivered footage and given free reign. I didn’t want to take it too far but wanted to heighten the momentum and emotion of the song, so I pushed the footage into the abstract noise and colour of analog effects.”

Together with the album’s first single ‘The Way’, ‘Bothering Me’ sets the scene for I Just Need To Conquer This Mountain as an album of late night reflections on goodbyes, grief, new beginnings and an important friendship that underpinned her childhood. It was recorded at Rancom Street Studios in Eora/Sydney with engineer Brent Clark, produced by Sarah Blasko and mixed by Kenny Gilmore (Weyes Blood, Julia Holter, Ariel Pink), and marked a new approach to writing and recording from that of her earlier records: “This album was probably the most relaxed and free feeling record I’ve made,” Sarah Blasko shares.

Sarah Blasko is as expansive as she is prolific, writing songs that strike with rare immediacy, clarity and purpose. Across a discography of six solo albums – Depth of Field (2018), Eternal Return (2015), I Awake (2012), As Day Follows Night (2009), What The Sea Wants, The Sea Will Have (2006) and The Overture & the Underscore (2004) – and two albums with Holly Throsby and Sally Seltmann as Seeker Lover KeeperSeeker, Lover, Keeper (2011) and Wild Seeds (2019) – four albums have reached Platinum Sales Status with six debuts in the ARIA Top 10. Sarah Blasko is a three-time ARIA Award winner, 18x ARIA Award nominee, has won the J Award for Australian Album of the Year, and three-times shortlisted for the Australian Music Prize. Her cover of Cold Chisel’s ‘Flame Trees’ (2004) had a resurgence when it was featured in Season 2 of Netflix’s Heartbreak High, spawning a remix by Cub Sport released this June. Sarah Blasko composed the music for Bell Shakespeare’s productions of Twelfth Night (2023) and Hamlet (2008), Sydney Dance Company’s Emergence (2013), has been praised by the likes of Sir Elton John on his visit to James Corden’s Carpool Karaoke and recently wrapped a national tour with Boy & Bear, where she debuted songs from I Just Need To Conquer This Mountain live for the first time.

Sarah Blasko – I Just Need To Conquer This Mountain
November 1, 2024 | Pre-save + Pre-order

TRACK LIST
The Way
Bothering Me
Goodbye! (feat. Ryan Downey)
I Can’t Wait Anymore
Give You Up
Emotions
In My Head
Dream Weaver
To Be Alone
Divine

TOUR DATES
Tickets on sale 9am (local) Thursday 29 August from sarahblasko.com

Fri 15 Nov – Dashville Nights – Wonnarua Land/Hunter Valley
Sat 16 Nov – Factory Theatre – Gadigal Land/Sydney
Sat 30 Nov – Princess Theatre – Meanjin/Brisbane
Thur 5 Dec – Theatre Royal – Dja Dja Wurrung/Castlemaine
Fri 6 Dec – Northcote Theatre – Naarm/Melbourne
Thur 12 Dec – The Gov – Kaurna/Adelaide
Fri 13 Dec – Freo Social – Boorloo/Perth

CONNECT WITH SARAH BLASKO
Instagram · Facebook · Twitter · TikTok · Bandcamp · Spotify · YouTube · Apple Music
sarahblasko.com

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InterviewsTour Interview

Interview with Stix Zadinia (Steel Panther)

Heavy metal legends set to thrill Aussie 'Fanthers' with tongue-in-cheek musical anthems and
signature humour when they hit the shores later this year.

“Panther Panther Panther, Oi Oi Oi!!!  It’s that time once again, Steel Panther have stolen their mom’s credit cards and bought flights to Australia. On this tour Down Under, we are planning on rocking you so hard, that you will need to make a doctor’s appointment to fix all of the organs that will explode from the deep, penetrating joy of partying with these American heavy metal legends and world-class athletes.”   

The planet’s most notorious, hilarious, and downright outrageous metal band, Steel Panther, are
excited to announce the Australian leg of their riotous On The Prowl World Tour. After a monumental
run of US and European dates, America’s greatest musical export will bring their live show to
Australian cities this October.

With a reputation for over-the-top performances and bawdy humour, the band are set to deliver a
series of epic shows kicking off at Metro City in Perth on October 18, before hitting AEC Theatre in
Adelaide on October 21, Hordern Pavilion in Sydney on October 23 and Brisbane’s Fortitude Music
Hall on October 24, rounding off the tour in Melbourne at Margaret Court Arena on Saturday 26
October.

‘Fanthers’ can get their hands on presale tickets on Thursday 13th June at 10am local time at
steelpanther.com, and general sale is from Tuesday 18th June at 12pm local via teglive.com.au.
For the uninitiated – Steel Panther was formed in 2000. Hailing from Los Angeles, the epicentre for
rock n’ roll in all its debauchery and glamour, they have established themselves as the world’s premier
party band, melding hard rock virtuosity with parody and criminally good looks.

Steel Panther have released six full-length studio albums, sold out shows across the world, achieved
platinum-level YouTube status, and appeared on high-profile television appearances such as Jimmy
Kimmel Live, Larry King Now, Fox NFL Sunday and as semi-finalists on the 2023 Season 18
of America’s Got Talent. The quartet — Michael Starr (lead vocals), Satchel (lead
guitar), Spyder (bass), and Stix Zadinia (drums) — reach another level altogether on their sixth
full-length album. Released in 2023, On the Prowl is a self-produced record, and namesake of their
world tour, that includes singles “Never Too Late (To Get Some Pussy Tonight), “On Your
Instagram,” Friends with Benefits” and the German chart topping smash, “1987.”
Steel Panther’s On The Prowl World Tour has been a runaway success globally, currently making its way
through Europe and heading back the US for final dates before trekking down under for Australia to
join the fun. With their unique blend of humour, musicianship, and lowkey controversial presence,
Steel Panther continues to redefine rock. Get ready, Australia – Steel Panther is coming, and it’s going
to be one wild ride!

Sign up for early access tickets here, and more information and tickets can be found at
teglive.com.au/events/steelpanther/ 

TICKETS FOR STEEL PANTHER’S ON THE PROWL AUSTRALIA TOUR GO ON SALE
AT 12PM (LOCAL TIME) ON TUESDAY 18 JUNE VIA TEGLIVE.COM.AU

Presented by TEG MJR
STEEL PANTHER
AUSTRALIA TOUR 2024

Friday 18 October – Metro City, Perth
Monday 21 October – AEC Theatre, Adelaide
Wednesday 23 October – Hordern Pavilion, Sydney
Thursday 24 October – Fortitude Music Hall, Brisbane
Saturday 26 October – Margaret Court Arena, Melbourne

TEG MJR & TEG Live Pre-Sale

Monday 17th June 2024 10am to Tuesday 18th June 2024 – 9am AEST
arep.co/m/steel-panther-early-access
General On Sale

Tuesday 18th June 2024 –12pm AEST
teglive.com.au/events/steelpanther/

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Good Things Festival 2024 Line-Up Announcement

HAVE WE GONE MAD?
GOOD THINGS IS BACK, AND IT’S ENTIRELY BONKERS!

Are you ready for the madcap chaos of Australia’s largest travelling music festival? Good Things season returns with a head-spinning lineup fit for a fever dream. Across three East Coast dates, this year’s Good Things Festival will deliver a trip down the rabbit hole with a stacked bill of international heavyweights, old favourites, hungry up-and-comers, and Aussie staples. And in a boon for younger attendees, Sydney’s Centennial Park festival date will be a 16+ event for the first time!

No one has cultivated a cult of personality quite like KORN. As the coveted headliners for Good Things Festival 2024, the Californian nu-metal pioneers will be celebrating the thirtieth anniversary of their landmark self-titled debut album and a career trajectory that speak volumes: two GRAMMY® Award wins, multi-platinum album certifications, and over 40 million records sold worldwide. Continually pushing the limits of the alternative, metal, and rock across their back catalogue, KORN’s unwavering sonic vision incorporates everything from dubstep and hip-hop to the bagpipe sections of frontman Jonathan Davis. Forever for the freaks, KORN’s Good Things appearance will find them in fine form and off the leash.

Seeing SUM 41 will be a bittersweet occasion for dedicated Aussie fans, as the Good Things Festival acts as the band’s last-ever ‘Tour of the setting Sum’ tour Down Under. Pulling from their formative album trinity—All Killer No Filler (2001), Does This Look Infected? (2002), and Chuck (2004)—along with their recent Heaven :x: Hell double-LP, the Canadian rockers are determined to go out with a bang, one befitting their status as a beacon of millennial domination. Come for the high-energy pop punk, and stay for the heavy metal anthems.

Speaking of anthems, it’s hard to deny the impact VIOLENT FEMMES have had on the broad history of alternative music. The Milwaukee outfit have been festival mainstays throughout their awe-inspiring 40-year career, and direct influences on Pink, John Cusack, Mark Morris, The Pixies, and more. German heavy arena sensation ELECTRIC CALLBOY known for their viral hits like Hypa Hypa, We Got The Moves, RATATATA and their pulsing cover of Cascada’s Everytime We Touch have proven that the group’s blend of retro pop synths, arena rock, and metalcore is both a recipe for chart-topping success and captivating audiences worldwide.

After bringing their own curated The World Is A Vampire Festival to Australia last year, and the recent release of the band’s thirteenth studio album, Aghori Mhori Mei, The Smashing Pumpkins frontman BILLY CORGAN will wow the Good Things Festival crowd with a spirited set supported by The Delta Riggs as his backing band. Festival punters will be treated to tracks from CORGAN’s expansive solo catalogue as well as songs he’s written for The Smashing Pumpkins. MASTODON have racked up numerous accolades that transcend their sludge metal origins. Alongside collaborations with Game of Thrones, Adult Swim, and DC Comics, the Atlanta quartet finally took home a GRAMMY® Award after six career nods. 2021’s Hushed & Grim double-LP took meditations on grief and transformed them into moments of melodic mourning and raging bursts of energy. Guitarist/songwriter KERRY KING will bring a taste of his trademark fury to the Good Things Festival for 2024. With KING’s first solo LP outside of thrash titans Slayer, From Hell I Rise, unleashed on the world, expect a dose of blunt-force riffage and pointed lyrical themes with some Slayer classics thrown in as the kicker.

The long-awaited return of THE GASLIGHT ANTHEM to Australian shores has been almost a decade in the making. With the release of their highly anticipated comeback album, History Books, in October last year, it’s now Australia’s turn to be a part of the band’s rebirth. Newfound ARIA Hall of Famers JET will also get their shine on as they take to the stage to celebrate the recent twentieth anniversary of their multi-platinum debut album, 2003’s Get Born. Fans can expect to hear radio rock hits like Are You Gonna Be My Girl, Rollover DJ, and more. With their reputation as seasoned pros and one of the country’s most incredible live acts, punk rockers THE LIVING END will get the crowd pumping with iconic anthems like Second Solution and Prisoner of Society, making their only live shows for 2024 ones to remember. After playing their seminal Bricks Are Heavy LP on the road last year, 90s punk icons L7 return to give audiences another taste of Californian riot grrrl history including favourites like Pretend We’re Dead, Shitlist, Wargasm and more.

Sydney futurists NORTHLANE are global ambassadors for Australian metal, known for their exhilarating live show and unrivalled creative expression. With consecutive ARIA Award wins and #1 chart debuts already in the bag, the band’s latest Mirrors Edge EP is their most daring effort yet. Fans will also see BOWLING FOR SOUP on their first trip Down Under in over fifteen years. The Texan pop punkers are fresh off a pair of 2024 Download Festival performances, and celebrating the twentieth anniversary of their fan-favourite A Hangover You Don’t Deserve LP. While 2024 already belongs to ALPHA WOLF, their Good Things appearance is set to cap off the metalcore crew’s most successful year to date. The Melbourne quintet just wrapped up a completely sold-out Australian headline tour following the release of their acclaimed third full-length, Half Living Things.

For the alternative rockers, Orlando emo sensation SLEEPING WITH SIRENS are no strangers to devoted Australian crowds, and their Good Things Festival set will deliver on stratospheric hooks and huge sing-a-longs. Not to be outdone, Brisbane’s THE BUTTERFLY EFFECT will bring their emotionally charged performance to the festival stage, anchored by frontman Clint Boge’s powerful croon. 90s flagbearers 311 were last in the country in 1998 and have since maintained their standing as one of the genre’s most entertaining outfits with a groove-laden sound dipping into rap, reggae, and funk.

Award-winning songwriter, artist, and novelist AViVA will rally her “Outsider” community to the call with her idiosyncratic spin on pop-rock immediacy. Sacramento’s DESTROY BOYS will be eager to unleash tracks from their brand new Funeral Soundtrack #4 LP and expand on their bratty punk origins. With a career spanning half a century, legacy rockers DRAGON will showcase their heavy prog pedigree and penchant for soul-flavoured melodies. Meanwhile, DIY rock troubadour FRANK TURNER AND THE SLEEPING SOULS will mark another return to Australia as part of the Good Things Festival, this time supporting his acclaimed new album, Undefeated.

Pennsylvanian outfit FROM ASHES TO NEW have climbed to the front of the rock vanguard, embracing the freedom of hybridity and experimenting with hard rock, hip-hop, electronic, and alternative sounds. Known for stretching genre descriptors into alluring new forms, alt artist GRANDSON has netted over one billion streams and a dizzying list of high-profile collaborators including Mike Shinoda, Travis Barker, and Tom Morello. Backing up with another trip Down Under following 2023’s ‘The Midnight Demon Club’ tour, Cape Cod iconoclasts HIGHLY SUSPECT will bring their rule-breaking rock philosophy to the festival stage with cuts from their shiny new full-length, As Above, So Below. Swedish heavy purveyors IMMINENCE will introduce Aussie crowds to the uncompromising alt-metalcore vision of their bludgeoning fifth full-length,The Black—this is one set metalheads do not want to miss.

KILLING HEIDI will throw it back to the early 00s when their album debut Reflector became a four-time ARIA winner and mega-smash single Weir was an inescapable earworm, playing the record in full for the Good Things Festival crowd. As one of Britain’s breakout heavy exports, LOATHE have built a reputation for their intense, multi-media live show, as seen on a recent North American tour run supporting Knocked Loose. Mixing metalcore with shades of electronica, pop, and post-hardcore on their stunning debut full-length, Secrets Of The Future, Sydney newcomers RELIQA will dazzle with their intricate take on progressive metal stylings. Influenced by early 90s and 00s pop-punk, TAYLOR ACORN’s sound is imbued with youthful exuberance and relatability, tackling mental health struggles and head-on with catchy hooks and earnest vulnerability.

2024 also marks the return of the talented STAGE 666 Artists and their carnivalesque Freak Show lounge. Witness the knife-throwing, gravity defying stunts of host Captain Ruin, or be amazed by Princess Tweedle Needle’s daring feats of bodily transgression as the “princess of pain” performs the ‘human pincushion’ act, skewering her flesh with glee, swinging a beer keg with her lady bits. Direct from the underground nightclubs of Berlin, you don’t want to miss out on STAGE 666’s guest star!

GOOD THINGS FESTIVAL LINE UP:

Korn
Sum 41
Violent Femmes
Electric Callboy | Billy Corgan | Mastodon | Kerry King
The Gaslight Anthem | Jet | The Living End | L7 | Northlane
Bowling For Soup | Alpha Wolf | Sleeping With Sirens | The Butterfly Effect | 311

In Alphabetical Order:

AViVA | Destroy Boys | Dragon | Frank Turner And The Sleeping Souls
From Ashes To New | Grandson | Highly Suspect | Imminence
Killing Heidi (Performing ‘Reflector’ In Full) | Loathe | Reliqa | Taylor Acorn
Plus the return of Stage 666!

DATES AND VENUES:
Friday 6 December – Flemington Racecourse, Melbourne (15+)
Saturday 7 December – Centennial Park, Sydney (16+)
Sunday 8 December – Brisbane Showgrounds, Brisbane (15+)

Early Bird pre-sale tickets on sale Tuesday 27 August @ 10am AEST Time
Sign up now for early bird pre-sale tickets at www.goodthingsfestival.com.au

General Public tickets on sale Thursday 29 August @ 10am AEST Time
https://www.oztix.com.au/

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Album ReviewReviews

[Album Review] Orpheus Omega – Emberglow

I have been listening to Orpheus Omega for about 9 years now, since the release of Partum Vita Mortem back in 2015, and like a fine wine, this band just gets better with age! Meet Emberglow, the 5th album from Orpheus Omega and yet again, this is one that just gets better each time you hear it, each time I’ve put it on, I’ve found another reason to enjoy it!

From start to finish this album will have you headbanging and singing along, it is chocked full of killer riffs and catchy as hell chorus melodies, like we have come to expect anything less from this band. There are so many songs on this album that I can’t wait to hear live!

I could probably name all the tracks on the album as to which ones I would like to see played live but tracks like We Were Kings, Emberglow, which I think has been played live before the release of the album and Atomizer are going to be incredible. They have the energy and bounciness in the songs that will get a crowd going nuts, but for me, I would love to see the tracks Destiny Machine and Marionette live, they would probably be harder to pull off just for the vocal efforts required.

Which brings me to the most impressive feature of this album, Chris Themelco’s vocals. He has stepped up to the ring and come in swinging, hard! This album has so many different styles and voices on it that I wasn’t even sure if it was the one person! It is incredibly well done. If you have a listen to the tracks Destiny Machine and Marionette, he has some crisp clean vocals that then tear into his harsh melodeath style, which have only become better over each album recording, in my opinion, it sounds effortless to the listener, but I’m sure it’s not on the singer. Destiny Machine has a Matt Heafy vocal influence, not because of the sound of the vocals themselves but more for the experimentation of the vocals, Chris is showcasing what I’m guessing is his full range of his capabilities here. Throughout this album, you can hear how Orpheus Omega have been experimenting with their song arrangements. This is something that every band should do, it shows that you want to improve and become diverse in your overall sound as a band, in Emberglow’s case, Orpheus Omega have nailed it!

The title track of this album, Emberglow, definitely brings in the Children of Bodom influence, the riff and arrangement sound like it could slide into one of the later COB albums quite well. This track was very Children of Bodom meets Trivium, if Heafy featured on something that Alexi Laiho (RIP You legend) wrote the music to! Which I’m shattered now that I’m writing this, sounds absolute killer and not a real thing BUT we do have this album, which is pretty damn close!

Emberglow is everything we have come to know and expect from an Orpheus Omega album whilst also experimenting and evolving their song writing and sound. If the Gothenburg Scene Melodeath is your jam and if you haven’t caught them live, go and do yourself a favour, chuck this album on, and any of the past albums that matter, I still love Partum Vita Mortum then go and catch them live, this band does not disappoint.

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Gig ReviewsReviews

[Review] Triumph Of Death @ The Croxton Bandroom, Melbourne 17/08/2024

Someone I never thought I would get to see live is Tom G Warrior, one of the pioneers of Black Metal. He started Hellhammer, went on to make Celtic Frost and Triptykon. These bands have influenced so many musicians that I listen to today and are always unlikely to come to Australia, but tonight that all changes!

Heading out to the Croxton Bandroom, all I see is patch vests, the walking advertisements for bands worldwide. People love to show off who they have seen over the years, and I always have a look to note down some bands I’ve never heard before and going to an old school black metal gig, there are a few new names that I need to investigate!

Opening tonight is Melbourne’s Mammon’s Throne. A name I have heard over the years, but never had the chance to see them, after hearing so much about them, they did not disappoint. Straight from the opening note to the closing ring out, these guys had the room headbanging and moving. Mammon’s Throne has a killer stage sound and exceptionally written music, I was an instant fan and once their set finished, I went straight to the merch desk to grab a cd, unfortunately they did not have cd’s, but they do have vinyl, unfortunately, I do not own a record player, readers don’t hate! It’s on the Christmas list, I just haven’t purchased one. Either way, I did not get a CD, but I will be trying to get to another show. For anyone, like me, who hadn’t seen or heard these guys before, they would have walked away a fan being shown an incredibly tight and well played set. Definitely a local band to catch.

Speaking of local bands to catch, In Malice’s Wake, Melbourne born thrash metal, are always incredible to watch, make sure you get out and watch their set whenever you can. These guys make playing thrash metal look easy, all of them are top tier musicians, I don’t see many bassists playing fingers and flying all over a fretboard and their drummer is incredible, sticks everywhere and not a beat missed, even throwing in a killer drum roll for a seamless transition in between songs. In Malice’s Wake comes out with high energy that instantly gets the room moving and coming in closer to the stage. Between In Malice’s Wake and Mammon’s Throne, Melbourne bands have a great representation tonight, showing that there are some incredible talents in the music scene to check out locally.

I never thought I would get the chance to hear or see the set that I saw tonight, ever. These songs are from the 80’s, Hellhammer haven’t been a band since 1984 and yet here I am, not seeing an original line up but one of the original frontmen in the flesh, play songs that he wrote when he was a teenager and still just as passionate now. This is incredibly inspiring for a musician and a general music fan. Tom G Warrior comes out with his band, Triumph of Death and instantly he is met with cheers from the crowd and his signature “oooohhhhh”. They run through most of the classics, like Maniac, Decapitator and Chainsaw. Tom G Warrior gives a little bit of back story to some of the tracks as well, like Blood Insanity, where he states that it was originally written by his old band mate, Steve Warrior and that his lead guitarist will be doing the honour of his vocals tonight. There was another story for Visions of Mortality being the last Hellhammer and first Celtic Frost track. Watching them play these songs that are held dearly by the underground is unbelievable, they still have an old school vibe and sound to them, definitely not as harsh as the original demo’s but they are still rough and raw.

The crowd can see that Tom G Warrior is having a blast on stage playing these tracks and seeing the crowd, but he is also trying really hard not to show it. He can’t help but grin and laugh at the crowd when he is standing in between songs and hears the crowd yell “oooooohhhhh” at him, to which he replies “Ive been writing lyrics for songs for 43 f#$king years and yet the only one you remember is f#$king Ooooooohhhh!!! Well, Ooooohhhh!!!” and he just laughs. Triumph of Death deal well with a short stage issue of Tom G Warrior blowing a cab and the sound techs come and quickly take care of it, he thanks them and says that he wouldn’t be anywhere with out his sound guys, which is something I think every band should recognise! They close the set with the track Triumph of Death and walk of stage with massive grins. No one here leaves unsatisfied, band or crowd.

This is one of those gigs where I went in not really knowing what to expect, I was unsure as to how something that was recorded and kept raw on purpose was going to come out live and in a more modern setting. I was also unsure on how that would then be perceived by the crowd, we all know how die-hard fans can get. Triumph of Death played a tight, clear sounding and crowd-pleasing set. I walked away loving black metal all over again.

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TINA ARENA & RICHARD MARX ANNOUNCE ADDITIONAL SHOWS

Face to Face Touring are thrilled to announce additional shows with Australian music icon Tina Arena live in concert alongside co-headline Grammy-winning singer, songwriter, producer and cultural touchstone, Richard Marx. They will be performing with special guests including Oz music legends Daryl Braithwaite, Kate Ceberano, Southern Sons, and 1927.

This live music experience will be dazzling, with a star-studded line-up and stacks of beloved hits performed live and under the stars. Get ready for a spectacular endless summer night of live music that will make memories.

Tina Arena is one of Australia’s highest selling artists of all time, selling more than 10 million albums worldwide. Her landmark second solo album Don’t Ask was released in 1994 which included one of her biggest hit singles to date Chains. The song cemented Tina Arena’s status as a powerhouse in the global music landscape with its hauntingly crafted lyrics and emotionally charged vocals that only she can deliver. The album has become one of Australia’s biggest selling of all time. It gained ten x ARIA Award nominations and won five including ‘Album of the Year’.

Richard Marx is a prolific singer, songwriter and producer whose career spans four decades long and boasts an extensive list of accolades. He has sold more than 30 million albums worldwide and to this day, remains the only male artist in history to have his first seven singles reach the Top 5 on the Billboard charts. Over the course of his stellar career, hehas written and produced hits for a roster of artists that include Keith Urban, Hugh Jackman, Josh Groban, Barbara Streisand, Kenny Rogers, *NSYNC and Luther Vandross, of which he and Vandross won a Grammy Award for Song of the Year for Dance With My Father.

Richard Marx’ influence remains steadfast in popular culture today, having written, performed and released countless worldwide No. 1 albums. These include the self-titled debut Richard Marx, as well as Repeat Offender and Rush Street, all of which have spawned massive hits such as Hold On To The Night, Should Have Known Better, Don’t Mean Nothing, Endless Summer Nights, Satisfied, Right Here Waiting, Keep Coming Back and Hazard. Over the decades, these songs became staple tracks that continue to dominate airwaves globally and in turn, have stood the test of time. Marx has achieved a seven-year string of triumphs that rivalled any in pop-rock music history.

Daryl Braithwaite is an iconic Australian singer/songwriter and ARIA Hall Of Fame Inductee. As the frontman and vocalist for the 1970s band Sherbet, Braithwaite rode a wave of local and international success with songs such as Howzat and Summer Love propelling the band to superstar status.

Braithwaite went on to embark on a highly successful solo career which included a No. 1 ARIA Album Chart for his album Edge (1988), featuring the hit singles As The Days Go By and One Summer. Braithwaite’s 1990 follow-up album Rise included the single The Horses which reached No. 1 on the ARIA Singles Chart and to this day remains an anthem for generations of Australians. In 2020, he joined a host of local and international artists to perform at Fire Fight Australia, Concert For National Bushfire Relief in front of an audience in excess of 70,000 at Sydney’s ANZ Stadium.

Iconic artist Kate Ceberano has been electrifying stages with her presence for over four decades. 11 platinum and 8 gold albums, 10 Top 10 albums, 15 Top 40 singles, 3 Countdown awards, 5 ARIA awards from 20 nominations (9 X for Best Female Artist) and over 6000 live performances.

I’m Talking’s platinum debut, Bear Witness, brought Kate‘s jaw-dropping voice to national attention via their five Top 20 singles and is enshrined among Rolling Stone’s Top 200 Australian Albums of all time. There’s her record-breaking run with John Farnham in Jesus Christ Superstar, her triple Platinum smash debut solo pop album Brave, her Platinum selling jazz album You’ve Always Got The Blues, her 2014 induction into the Australian Songwriters’ Hall of Fame, Kate was a force of nature from day one. Kate Ceberano. Australian entertainment royalty and a bona fide national treasure.

Southern Sons, the iconic band from the 1990s are returning to their roots and revisiting the songs that kickstarted their music careers, bringing music lovers a nostalgic journey through their timeless hits. Original members Jack Jones, Geoff Cain, and Peter ‘Reggie’ Bowman will come together to deliver an unforgettable experience, featuring chart-topping classics like Hold Me In Your Arms and Heart in Danger, among others.

Southern Sons’ debut self-titled album, which received an ARIA nomination, soared to the top of the charts, captivating audiences with hits like Heart in Danger, Hold Me In Your Arms, Always & Ever, and Waiting For That Train. The release of their first single, Heart in Danger, in 1990 solidified their position as a formidable force in the music scene, dominating charts for years to come. Their 1992 album, Nothing But The Truth, continued their streak of success, featuring singles such as Lead me To Water and You Were There. Additionally, three Southern Sons tracks were included in the acclaimed 1993 Sydney Dance Company production of Beauty & The Beast. The band’s third and final studio album, Zone, released in 1996, showcased a guest appearance by Men At Work’s Colin Hay on the lead single, Don’t Tell Me What’s Right.

Way before Australian Idol and The Voice existed, a wily kid named Eric Weideman was talent-spotted after a scorching performance on Red Faces for Hey Hey It’s Saturday! Weideman teamed up with former Moving Pictures songwriter Garry Frost, his brother Bill Frost and James Barton to form 1927.

They gigged until they were tight then landed a hit with smoky, rocking chugger That’s When I Think of You. It was the first single taken from debut album …ish (1989), followed by yearning power ballad If I Could, a song that still blindsides you with its vulnerability. They weren’t done, releasing You’ll Never Know and Compulsory Hero, all from …ish which topped the album charts and helped the band win at the 1989 ARIA Awards for Breakthrough Single and Breakthrough Album.

Next came The Other Side (1990) which went to number three on the ARIA Album charts backed by soaring pop hit Tell Me a Story. 1927 disbanded and things went quiet, but the music remained until 2009 when there was a demand for 1927, people wanted to hear them play those jams live. The demographic of the band has changed and developed. The songs have managed to reach a new generation of music fans – punters who know greatness when they hear it.

TINA ARENA & RICHARD MARX
DON’T ASK…AGAIN TOUR 2024

Saturday 23rd November

Seppeltsfield Wines, Barossa Valley SA

***Full line-up***

Tickets available at Ticketmaster

Saturday 30th November

Sandstone Point Hotel, Sandstone Point QLD

***Full line-up***

Tickets avalable at Ticketmaster

Saturday 7th December

Mornington Racecourse, Mornington VIC

***Show already announced and on-sale***
Presented by ALWAYS S LIVE and Face To Face Touring

Tickets at Ticketmaster

Monday 9th December

Sydney Opera House Forecourt, Sydney NSW

***This show features Tina Arena & Richard Marx only***

Tickets available at Sydney Opera House

Pre-Sale:

Friday 23rd August 10:00am – Monday 26th August 9:00am local time

General Public On Sale:

Monday 26th August 10:00am local time

For all tickets & tour information, please visit:

www.facetofacetouring.com.au

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ALESTORM with guests Nekrogoblikon – Australian & New Zealand Tour February 25 – March 8, 2025

Wowsers! Behold human pirates of the southern lands, ALESTORM have set their compass this way for their next expedition to the other side of the world to regale us all with their super infectious blend of modern folk and power metal. With their well renowned A game PARTY prepped and packed, they’ll be stuffing the galley full of inflatable ducks, kilts, a hurdy gurdy player, maybe even a shark, but most importantly, drums upon drums of beer and rum! Bring your mateys, bring your best drinking hat, bring your lungs and let’s fire up the biggest shindigs of 2025!!

Heeding the call for their first odyssey to Australia and handed the highly important task of hyping up the party hungry are NEKROGOBLIKON. The self-proclaimed “Kings of Goblin Metal”, who deliver a unique blend of melodic rock and gnarly death metal, infused with EDM-style flourishes. Fronted by their ostentatious singing goblin hypeman John Goblikon and new screaming vocalist Dickie Allen (Infant Annihilator) the band takes cues from GWAR, Finntroll, and Dethklok, while maintaining a humorous, self-referential style.

ALESTORM with NEKROGOBLIKON performing at:
Feb 25th – Perth, Metropolis Fremantle
Feb 27th – Adelaide, The Gov
Feb 28th – Melbourne, The Forum
March 1st – Sydney, Roundhouse
March 2nd – Canberra, The Baso
March 4th – Brisbane, Princess Theatre

ALESTORM only performing at:
March 7th – Auckland, Galatos
March 8th – Wellington, San Fran

TICKETS ON SALE 9.00am AEST Thursday August 22nd at:
PERTH, ADELAIDE, CANBERRA – www.oztix.com.au
MELBOURNE – www.ticketek.com.au
SYDNEY – www.moshtix.com.au
BRISBANE – www.ticketmaster.com.au
AUCKLAND – https://galatos.co.nz
WELLINGTON – https://moshtix.co.nz

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