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Gig ReviewsReviews

[Review] Of Mice & Men, Metro Theatre, Sydney 24/02/2024

Two nights ago I was in Sydney for another gig and it was hotter than Satan’s armpit. Last night by comparison, I was wearing a hoodie, beanie, scarf and was still shivering! I also decided to brave the public transport system, since the train would be (and was) filled with a slew of Swifties, and also a smattering of Blink 182, Slash and Of Mice & Men fans, I figured it was safe to travel late at night.

Upon arrival at the venue, there was a growing line of black band tee shirts. Security staff came out to gather up those who had booked in for the Meet & Greet while the rest of us waited patiently to be let in.  The clock struck 8pm and doors opened. The floor area filled up quickly and I headed upstairs to find a seat with a view.

Bang on 8.30pm post hardcore 5-piece Sydney-siders, Sienna Skies take to the stage.  The bass guitarist did the harsh vocals, the drummer sang the clean vocals and the lead singer switched between both. Considering the limited amount of space they had on the stage, they played a very high energy 30 minute set which included singles, Even Stronger, brand spankin’ new release, Mess, Divided and finished the set with Let It Burn. They informed us that they are about to drop a new EP later next month and will be back doing their own headline tour in May.

After a timely gear changeover, we welcome alt.rock / metalcore 4-piece Melbourne band, Dream On Dreamer. With over 50 million streams and ARIA nominations, it’s easy to see why these guys were chosen as support band. They performed another high energy set which got the crowd moving and moshing with songs such as, Stay, Don’t Lose Your Heart and the new release, G.O.D. in the set list.  After an invitation to meet them at the merch stand, they leave the stage for the crew to prepare for the main act.

Hailing from So-Cal USA, RIAA gold record certified metalcore band, Of Mice & Men entered the stage to loud cheers and applause and opened their set with two 2014 bangers from their album Restoring Force, Bones Exposed, followed by Would You Still Be There, and then new song,  Castaway by this time the audience were singing along loudly, heads nodding furiously in time with the music. Then they played my personal fave, from their 2021 release, Echo, the single, Obsolete. Vocalist Aaron Pauley stopped to thank the audience for choosing to come to the Of Mice & Men concert stating that he was aware of all the choices available in Sydney that night, so the band are beyond flattered that the audience had chosen them. He then announced that it was time to play something heavy and that the next song was from their latest album, the mosh pit opened up and a circle pit ensued as they played Warpaint. Next up was another new track from Tether, current single, Indigo, then Pauley introduced the next song as a favourite of his from their latest album as they played, Into The Sun and then 2019’s Earth and Sky. Pauley asked if there were people in the crowd who had seen Of Mice play before to loud cheers in response and then he announced that it was time for OG and the audience shuffled back and a space was cleared in the centre of the floor, several people did back flips to cheers and applause, and as the band started playing OG Loko the circle pit began growing into a juggernaut of bodies. They played Instincts from 2018’s Defy album and then Pauley addressed the audience once again dedicating “the next song for anyone who is feeling grief”.  He explains that grief is that pain that’s right between the heart and the lungs, it’s the pain you feel when love has nowhere to go and leads into 2021 single, Bloom.  The set was rounded out by 2012 classic, The Depths.  Pauley thanked the Sydney audience again and the band left the stage for a minute or two, then returned to loud cheers and applause from the crowd as they played fan fave from 2010, Second & Sebring. Setlists, picks and sticks were tossed into the crowd as we all shuffled our way out to George Street.

It’s probably a strange thing to say but I noticed that the Of Mice stage set is so neat and tidy. After the support bands, everything except the OM&M drum kit was cleared off the stage. The drummer is positioned centre at the back and there are three risers placed at the front of the stage. The guitarists tend to stay on their own sides while vocalist Pauley moves around but mostly remains front and centre. In-between songs there is an ambient synth hum track played while guitars are changed and adjustments are made before commencing the next song. It’s like watching a well-oiled machine working. Of Mice & Men put on a well practised, professional performance, no doubt about it.

I mention these things as I’m coming off the back of just seeing another band two nights before in the same music genre but their performance was so different by contrast. Still professional and practised but the approach was far more relaxed and interactive with the audience.

What I did miss from OM&M was the presence of a human bass guitarist rather than a track, but so many bands appear to be taking this approach now. Overall though, Of Mice & Men perform their songs with such intensity and passion, taking the listeners along for the journey with them. Their songs inspire some of the most intense and somewhat aggressive looking mosh pits I’ve seen in ages, yet lyrically their vibe is dare I say, emotional and heartfelt. This dichotomy is fascinating to experience in a live setting – from a safe vantage point. I loved this concert for almost totally opposite reasons that I loved the concert from the other band two nights earlier.  If you get the opportunity, go check out Of Mice & Men.

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Gig ReviewsReviews

[Review] Mudvayne @ Hordern Pavillion, Sydney 16/02/2024

After 18 long years between Australian tours, a 12 year hiatus and no new music since 2009 you cannot tell a single person in this venue that the masters of math metal, Mudvayne, are no longer relevant. With the loco ones, Coal Chamber in tow this is a neat little package of nu metal goodness we could only dream of.

After a sold out kick off in Brisbane two nights ago, tonight’s performance in Sydney takes place at the Hordern Pavilion. A line begins to build early, as bars nearby overflow with friends recounting memories of seeing these bands countless years ago. Many old school band shirts came out of the back of the drawer as I spot shirts from Mudvayne tours of the past. Most no longer black, fading to the lighter shade of grey, still adorned proudly.

Before we knew it the lights dimmed, Coal Chambers neon colourful lights shone menacingly around their amps as Mr Sandman plays over the PA, turning into the Halloween theme when the band enters the stage.

From the first note we are treated to a meticulously selected set list from their near 30 year catalogue.

Who ever decided on opening with Loco into Fiend into Big Truck obviously knows what fans want. Each track going harder, louder and more energetic.

We were last treated to fresh Coal Chamber in 2015, the stand out track being IOU Nothing which goes down very well with the crowd mostly here for the early 00s hits.

Dez Fafara proved yet again that he is a in a class of his own, he commands the stage while connecting with the crowd often.

The energy remains strong throughout their set, packed to the brim with hits such as Rowboat, Dark Days and Something Told Me. Drummer Mikey propped up moving like a wind up animal, is difficult to take your eyes off.

The energy reached its peak as Dez asks the crowd to sing along, ‘the roof, the roof, the roof is on fire’ with him. Beckoning in the staple Coal Chamber hit, Sway.

Luckily tonight we had an hour set from Coal Chamber, treated to 14 songs. This paring proved to be perfect, as the nostalgic moments have only begun.

The half an hour between sets, much shorter than anticipated as every turn had an old friend saying hello, still in disbelief that this tour is a reality.

We weren’t sure if Mudvayne would ever reunite, little alone tour Australia, and with Coal Chamber!

Mudvayne come running out of the gate right on 9.30 opening their time with Not Falling. As vocalist Chad Gray kicks things off with his iconic scream, bass player Ryan Martinie takes a tumble. We hope he wasn’t injured! It does not stop him from giving 100% for the rest of the show.

If you asked most Mudvayne fan their seminal album, you’ll more than likely get the answer of 2001’s LD50. It was an incredibly important album of its time and influentials and plethora of bands.

For the next few songs, fans of LD50 were beyond ecstatic with Internal Primates Forever, -1, Severed and Death Blooms were all met with monstrous screams.

Mudvayne have been this reviewers favourite band for more than half her life, hearing these songs tonight is truly special and hearing ones almost 25 years old is a treat!

Chad takes centre stage and asks the crowd to light up the venue for World so Cold. A beautiful song, despite his demonic stage make up! A few tears were shed by myself and those around me during this song.

The New Game was a favourite amongst fans as it was the first Mudvayne album released after the formation of HellYeah, in which both Chad and Greg were part of.

Title track, Fish out of Water and Dull Boy had many singing along although the energy in the room sky rocketed from the first note of Under My Skin from LD50, as we all jump to the sky like we are 18 again.

A glaringly obvious favourite for many came in the form of Nothing to Gein, an iconic track from Mudvaynes history detailing some horrific moments of serial killer Ed Gein.

Towards the end of the song, Chad crouches down at the front of the stage on his riser with minimal music as he shakes, rocks and screams ‘soiled dirty boy’ over and over before the band join back in louder again until Chad is screaming at the top of his lungs and drummer Matt McDonough couldn’t possibly hit those skins any harder. The emotion portrayed by Chad Gray on stage is unlike any other artist. He leaves every last ounce on stage, and gives his heavy metal family all he can.

Mudvayne are no longer the band to make their crowd wait for encores, there are only two more questions left for the evening.

The first, ‘are you happy?’ To summon in the chart topper Happy? from 2005’s Lost and Found. Many friends throw their arms around one another as they sing the chorus loud! Guitarist Greg Tribbett looms over with his red and black spiked hair and matching make up, remaining still, staring into the crowd although with black goggles you can’t quite make out where he is looking. This may make it even scarier!!

The final track can only be one, and this is where the second and final question remains. Chad waltzes over to the right side of the venue and asks the crowd if they can dig it, doing the same to the left before asking everyone ‘can you dig it’?

My smile reaches my ears (or so it feels) hearing the crowd sing Dig as loud as they possibly can until the final note.

Although it is abundantly clear the show is over, it doesn’t stop the ‘one more song’ or ‘10 more songs’ chants at different points of the venue, all joining into one.

As an avid music fan we all have a few stand out concerts in your life time, tonight will go down as a moment I’ll never forget. Coal Chamber were the perfect addition to this tour and made many happy tonight, with their powerful performance and astounding set list.

Though the headliners left their mark on each person in attendance tonight. Mudvayne have not toured here since 2006, tonight had been a long time coming. All in attendance made sure to embrace every moment and even selling out the merch table! Monitor and sound issues may have dampened a few moments but the band members never let that get in their way of delivering a spellbinding performances

This may very well be the last time we ever see Mudvayne in Australia, and as the only country outside of North America who has seen this reunited Mudvayne for that we are truly lucky.

Thank you to the team at Phoenix for making this tour a reality, I thought it would remain in my dreams.

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[Review] Wednesday 13 plays Murderdolls, Max Watts, Melbourne 04/02/2024

Melbourne had delivered us our first scorcher of summer, the heat radiating from every building and footpath as I made my way to Max Watts Melbourne. The lines were in full force, the colours predominantly red and black, classic Gothic attire reigned supreme. The punters had been on the countdown to Wednesday 13 playing Murderdolls and of course in true Melbourne style it was a sold-out show. Paying tribute to former members Joey Jordison and Ben Graves, touring this show in their honour.

The merch line was at least 50 deep, stretching way back to the stage, everyone keen to nab a memento. So I took the chance to find some air conditioning in a prime position for the night ahead. Death of Art was our opener, and they got the fans well and truly warmed up. With a quickfire set of 30 minutes their dark electronic rock won over the floor. Singer Erin Blackie peppering each song with accessories including a neon whip, ropes, and even donning horns for the final song. Their Gothic costumes and feel suited the night and they were well received by the expanding crowd. If goth is your thing go check them out, you will be glad you did.

The stage was flooded with red and the Wednesday 13 banner firmly in place, it was as if Max Watts had grown its own pulse, the atmosphere was electric. The roar almost deafening as the lights dropped and the red runway lights flashed up and down the roof signalling the craziness was about to take flight.

With the force of 1000 cannons Wednesday 13 blasted onto the stage, an assault on every sense all at once, my adrenaline was instantly racing as Chapel of Blood rang out. It was all fishnet and leather and of course a bit of make-up here and there to complete the look, Wednesday 13 looking the epitome of cool as his gothic persona came to the forefront. Death Valley Superstars had the fans rabid, pulsing as one unit, the excitement at seeing Murderdolls brought to life in front of their eyes more than some could take. Wednesday worked the stage and the fans with vigour only coming up for breath on the briefest of occasion, 197666 took things up another notch and we were only three songs deep.

I knew it was going to be huge but the enormity of this show was only just hitting as Slit My Wrists and Love At First Fright whacked us in the face. Guitarist Roman Surman graced my side of the stage, and holy shit can he shred the shit our of his guitar! He was a pleasure to watch as he enveloped each and every song with every fibre of his being, so invested and so damn cool. She Was A Teenage Zombie, Die My Bride, Blood Stained Valentine, the songs kept coming as Wednesday and his cohorts smashed us from pillar to post, fists pumping on autopilot, clapping on command and the frenzied flipping of birds. This show had an energy force I have not felt at a gig for a long time, it was evident from the get-go the punters have been waiting for this one for a long long time. We came ready to rock and rock we did, as Pieces Of You, and Drug Me To Hell had the sweat dripping. Wednesday on his knees taking advantage of his strategically placed fan as Max Watts became a veritable melting pot, glasses of water hungrily grabbed as quick as the security could pass them out.

As the band left the stage it was time to be educated in the art of drumming as Mike Dupke took charge of the skins and showcased what was one of the finest drum solos I have witnessed. His sticks becoming an extension of his body as he entered beast mode for the duration. Flooded with red light as he played to whoops and cheers, leaving Max Watts in awe of his precision behind the kit. The song list kept coming but Nowhere was when things became emotional, it was dedicated to Joey and chants instantly erupted in his honour, Wednesday looking sky bound with pause for the loss of his dear friend. But this was not a time for sadness it was a time to celebrate Joey and his music so that is what we did. Summertime Suicide set the joint alight, our voices now as raspy as the man himself as we sang ourselves hoarse.  I must also give mention to guitarist Jack Tankersley, what an absolute legend, not only is he an A class musician but so engaging every time he visited my side of the stage. This band is a well-oiled machine and tight as fuck! Wednesday had us under his command from the minute he walked on stage, we were his congregation, he was our preacher, and we were all schooled in Murderdolls by the master himself.

With a quick detour off stage it was not long before the chants of ‘Wednesday’ began and we were rewarded with a return of the band. Wednesday sporting his trademark ‘encore’ hat and red leather jacket, offering us 1-3 songs depending on how loud we were, needless to say the roof was well and truly raised and 3 songs it was. Opening the final trifecta with the mind-blowing cover of Billy Idol’s White Wedding, Troy Doebbler was slapping his bass to within an inch of his life, this guy is a four-string assassin, and the hidden weapon of the band. With his ‘Fuck You’ Umbrella in hand Wednesday had us priming our middle fingers as I Love To Say Fuck blew our hair back and the war cry ‘fuck’ was thrown around with delight. The only way to finish out this mind-bending night was of course with Dead In Hollywood, everyone just hanging on by a thread but still bouncing not willing to relent for one minute. With thanks and waves goodbye it was over and the sore and spent bodies dragged themselves to the water jugs and made the hot sweaty pilgrimage back to the real world.

Joey and Ben would have smiles as wide as the stage after witnessing the show of a lifetime in Melbourne, Australia. If there was a place to forget the outside world existed it was Max Watts last night, thank you to Wednesday 13 for bringing us Murderdolls revisited, you came, you saw and you kicked out mother fucking arses!!

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InterviewsTour Interview

Interview with Ville Valo (VV)

Click above to see Mitch chat with Ville Vallo ahead of his tour downunder in just a few weeks!

Brimming with charisma and gothic melodrama, Ville Valo commands your full attention both on and off the stage. Perfectly fusing the melodic and the melancholic, Valo is the embodiment of Johnny Cash, The Sisters Of Mercy, and Elvis with the lyrical elegance of Lovecraft, Poe, and Bukowski. He is truly one of a kind.
 
Being original does not come easy and creating an entire genre is next to impossible, yet with HIM, Valo did just that when he came soaring out of land of the midnight sun, hypnotising the globe with an enchanting mix of dark rock anthems and emotionally charged ballads.
 
With his distinguished baritone five-octave crooner voice, Valo's vocal prowess is unparalleled; equally at home making Chris Isaak and Neil Diamond classics his own or wearing his heart on his sleeve on HIM hymns, Funeral Of HeartsRight Here In My Arms or Wings of A Butterfly. In fact, VVN Music has ranked him as possessing the eighth-highest vocal range of any known singer in popular music and Loudwire ranked Valo as one of the greatest frontman of the 21st century. 
 
Valo’s evolution from the vampiric leader of HIM to the solo artist known today as VV is represented perfectly via HIM’s iconic Heartagram logo. Something Valo gifted the world when he created it on his 20th birthday. The truly iconic image perfectly captures the juxtaposition of the music with the heart representing its softer side, while the pentagram conveys the heavier, darker elements.
 
With VV, the Heartagram has been updated to include two extra lines to form the moniker VV at its centre. Ville playfully comments that, “Artistically speaking, the main difference between HIM and VV is the extra line in the Heartagram, but what an exquisite line it is!
 
VV’s debut solo album, Neon Noir was released in early 2023 and it further exemplifies his storytelling prowess and the ability to contrast darkness and light.
 
VV is performing select shows featuring a perfect mix of solo and HIM songs.

Metal Wani captured the mood of the London show back in March of this year:
When the house lights are killed, the venue is engulfed in a haunting emptiness. As strands of pink and purple begin illuminating the stage, a bright, cold heartagram appears from the darkness – accentuated by the updated VV at its core. Like a lighthouse beacon it cascades across the audience and as Ville Valo appears the reception is akin to a hero’s welcome. Delivering an holistic set that spans the entirety of his career. 
 
Be still our jet black hearts..

TOUR DATES
Wed, March 13: Powerstation, Auckland
Fri, March 15: Northcote Theatre, Melbourne
Sat, March 16: The Metro, Sydney
Sun, March 17: The Tivoli, Brisbane

Tickets on sale Thurs, August 10 @ 9.00am Local Time
ThePhoenix.au

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InterviewsTour Interview

Interview with Johannes Eckstrom (Avatar)

We are just over a week out from AVATAR's Australian shows and the pace of the band's ascendency has not bated since the tour was announced. As well as a sold out European arena tour with friends, Gojira and a tour of South America with the mighty Iron Maiden, the band have delivered stunning sets across Europe's biggest festivals (Download, Grasppop, etc) and to top it all off their new album, Dance Devil Dance has made the list of the Best Albums Of 2023 in both Loudwire and Metal Hammer where they appear at the very summit of the list!
  
 Renowned for legendary performances, ludicrous levels of skill as musicians and a seemingly endless catalog of killer songs, many of which will be on display during three unmissable performances this month, the band are pleased to announce 3 outstanding Australian supports for the upcoming shows.
 
As Avatar are expected to perform a near 2 hour Best Of set at these shows, there will be only 1 support artist per show. 
 
Melbourne’s Teramaze have solidified their reputation as one of the country's most consistent and distinctive progressive heavy acts. They deliver cutting edge, modern metal built around the fretwork of two world class guitarists and dual powerhouse vocals.
 
Sydney’s Our Last Enemy are the embodiment of apocalyptic industrial metal. Methodical riffs embellished with synth overtones; dark, hypnotic rhythms and down and dirty vocals  with big singalong choruses that are primed for the live arena.

Brisbane’s Krave are a truly unique cross section of hard rock and alt metal with musical influences as diverse as Zeppelin, Sabbath and Pantera with a vocal delivery from frontwoman Siana Davis that’s somewhere between Paramore, Evanescence and Halestorm. Definitely ones to watch.
 
 
TOUR DATES
Friday, August 25: 170 Russell, Melbourne
Saturday, August 26: The Metro, Sydney
Sunday, August 27: The Triffid, Brisbane

Tickets available from

thephoenix.au

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FeaturedNews

Avatar Finally Comes Down Under: The Decade-Long Wait Is Over!

It’s official folks! The wait is finally over! After a decade of anxious waiting, multiple fan petitions, and a support group for Australian fans, AVATAR is finally making their way down under. And let’s be real here, we’re not just talking about any old band. We’re talking about one of the greatest live bands in the history of heavy music! These guys are renowned for their legendary performances, ludicrous levels of skill as musicians, and a seemingly endless catalog of killer songs.

AVATAR has been the favorite metal band of just about every metal band out there. Iron Maiden even invited them on tour, and Vinnie Paul claimed Dimebag would have been jealous of their riffs. That’s some serious praise right there! And let’s not forget the mega-star cameos on their albums, including Halestorm’s Lzzy Hale on the new one. These guys have never lacked for adoration from their peers.

And they’re not just talented musicians either. When Matt Heafy of Trivium had to skip a few shows on their tour for the birth of his twins, his choice to fill in for him was none other than Avatar’s Johannes Eckstrom. That’s some serious friendship goals right there!

Avatar has amassed over 100 million plays on Spotify and an incredible 163 million views on their YouTube channel. Their songs Bloody Angel, Hail The Apocalypse, Torn Apart, The Eagle Has Landed, and many more are absolute bangers that have had metalheads headbanging for years. And their recent single, The Dirt I’m Buried In, currently on 3.2M views, reached 1M views in only 2 days. That’s some serious love right there!

With their stunning new album, Dance Devil Dance, debuting at #1 in Metal, #1 in Rock, and #6 for All Albums on the Australian iTunes Charts, it’s clear that Australia will no longer be denied! So if you’re a metalhead living down under, get ready to witness the pure joy and spectacle that is AVATAR live in concert. And let’s hope they bring their A-game, because we’ve been waiting for this moment for a long, long time!

TOUR DATES
Friday, August 25: 170 Russell, Melbourne
Saturday, August 26: The Metro, Sydney
Sunday, August 27: The Triffid, Brisbane

Tickets onsale Thursday, April 27 @ 9.00am
thephoenix.au

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