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Midnite Mitch

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Album ReviewReviews
March 15, 2024
Midnite Mitch

[Album Review] Amaranthe – The Catalyst

Amaranthe, they are modern metal meets pop! It’s heavy, it’s catchy as all hell and I’m 100% sure your metal elitists would hate every second of it, but love them or hate them, they have proved again that they are here to stay. Amaranthe are back with their 7th studio album, The Catalyst and once again they have unleashed the hooks and melodies that will get under your skin and dig into your mind, where you will be singing them all day.

Three years on since the previous album Manifest, which gained them some new fans with the likes of the single Viral, The Catalyst will do that again and more! The old fans will be back for more of what they already love about this band, the 3 different vocal styles, the incredible melodies, and the killer rhythms. While I think newer fans will find these latest singles flavorful, then go and taste their back catalogue full of delectable hooks and sing alongs, always a tasty dish that one.

The singles released are some of the catchiest tunes on the album, but with an Amaranthe album, they still have more hooks and riffs to get stuck in your head, its pop music, it’s part of the charm. They have some killer film clips to go with these singles, Damnation Flame is a Vampire movie and as usual, we head to the future with Insatiable and The Catalyst. I have always enjoyed their art and effects. Outside of the singles, Amaranthe has given us, Interference, probably the heaviest Amaranthe riff I’ve heard. It has this chunky low opening/verse riff with an ever-talented Elize Ryd bringing in some low toned vocals, the girls got some range!

This is the first album featuring new Heavy Vocalist Mikael Sehlin, who has worked with Engel in the past, he comes in keeping the vocals pretty damn close to Hendrik Englund’s style, so it’s a smooth transition for the fans. You can’t go past the vocal dynamics of this band, Clean Female, Clean Male and Heavy Male, it’s part of the key identity for Amaranthe. They utilise it well for The Catalyst with songs like Damnation Flame, Liberated and Resistance, usually keeping a pattern when it comes to their vocal lines but that’s where the Pop element of their song writing comes into it, there’s a formula you use that works and you run with it.

As is tradition, there is at least one clean, slower paced song on the album that lets the clean vocals of Elize Ryd and Nils Molin shine and this time around it comes in the form of, Stay a Little While. This track shows that they work incredibly well together when it comes to vocal prowess and letting them show off their respective range to the full extent in the slower musical pieces. Amaranthe have always had a more positive approach when it comes to their lyrics, Love, Happiness, Strength, Self Confidence, those types of uplifting words, then they can also put out simple tracks like That Song, from the Maximalism album that is just so simple that it then gets stuck in your head for days, good track though!

The Catalyst is nothing overly new from Amaranthe in the ways of song writing, this is still a step in the right direction to becoming more known worldwide. I hope that this is the album that they eventually come to Australia for, it would be unreal to see them live and sing these songs. I am a sucker for catchy choruses and hooks. Go and have a listen for yourself, you will be singing them as well soon enough!

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Album ReviewReviews
November 23, 2023
Midnite Mitch

[Album Review] Helmet – Left

Helmet to me was one of those bands who were always mentioned, songs were played, I got into them but never really deep dived into but after listening to Left, the brand new album, I will be going to change this. It’s clear that Helmets soundscape has influenced a fair amount of music over the years with their brand of alternative Metal, Punk and even aspects of hardcore influence to assist the evolution further still. You’ve got to give credit where it’s due.

Going back to have a listen to some previous albums while writing this review for comparison, Left is nothing new to their already well-established sound but a solid reminder of why Helmet are still relevant and noteworthy. Bringing their classic gritty hardcore DIY sounding production to the table once again, it brings songs like Bigshot, Bombastic and Gun Fluf to the forefront of the album, these 3 tracks were the top ones for me. Gun Fluf has this solid snare beat that just drives that song like a nail in a coffin, its killer but if you are putting on Helmet, then you know what you are wanting and won’t be disappointed in what they are doing.

The opening track Holiday sets the pace for the Left, which is fairly mid – slow tempo with Gun Fluf being the fastest track on here and an incredible moody acoustic, strings attached track titled, Tell Me Again, being the slowest, but don’t let the lack of speed turn you off, that song is worth the listen. The song starts off with some steel guitar work leading into acoustic guitar and strings behind it with melancholy vocals about that lovely narcissistic friend, yeah, you know.. THAT mate!

The album ends on this wicked jazz avantgarde style track named Resolution, completely instrumental with some great guitar work, because you know, why the hell not!? With Resolution, Tell Me Again and another track Reprise, the album inherits a decent contrast of sounds from start to finish. You have everything from open punky chorus’ with catchy vocals that will have songs stuck in your head to a chunky palm muted riff that will get you headbanging as well as the previously mentioned, mellow track Tell Me Again, that will have you reflecting on everything you thought you knew.

Left is a great album to give to someone who has never listened to Helmet, it will definitely gain them fans and surely keep the old ones happy. Go out and try a left field album of your own music tastes and find something new! You never know what you will find and like.

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Gig ReviewsReviews
October 17, 2023
Midnite Mitch

[Review] Archspire @ Corner Hotel 14/10/2023

It’s been a fair while since I’ve been to a gig at The Corner Hotel, I think the last time was Bel’akor in 2022. Tonight is sold out and this place is a hell of a lot smaller than I remember but the one thing I do remember is that damn pole in the middle of the pit, anyone that’s been there knows exactly what I’m talking about. As the doors open and people flood the room, the merch line goes across the entire venue floor to the back-end bar, the bar line is then crossing over through the merch line, there are people everywhere and no one knows what line they are in, its chaos, but the sure fire thing is that everyone is keen for the line up tonight and it’s great to see a packed venue from start to finish.

Local Black/Death Metal trio Werewolves walk out on stage to a full crowd, who clearly have the local following behind them, being greeted with a whole room screaming for you as an opener must be an incredible feeling. I’ve now caught these guys 3 times and they are yet to disappoint; they are always tight and I’m sure everyone knows how freaking good Dave Haley is at drumming, the guys is a machine! They run through their set, smashing out track after track trying to fit in as much as possible with the like of Crushgasm, I Don’t Like You and Under The Ground. They get the crowd all riled up and energetic stating they are filming a clip for No More Heroes, to which they get a lot more movement going. Definitely a local band to check out if you haven’t seen them already.

Next up is probably the most talked about band tonight, Ingested. This UK based Death Metal band have come over here for their first time and are clearly loving the trip. I’ve never heard of these guys before tonight, but I walked away a fan. Right from the get-go, the singer had the crowd moving and screaming, there would have been some sore necks the next morning. Ingesteds sound reminded me of Thy Art Is Murder but with a heavier vocal style, it was unreal. They performed a tight and energetic set with the only issues being that some vocals were missing either from a mixing issue or even a vocal style mix. I noticed that some of his highs weren’t coming through and then also some of his faster phrasing work but goddamn, when it came through, it came through! What a scream on the guy! And the other issue being that the low end was a bit lost, but I think that may have been where I was standing, I was moved about a fair bit by just general crowd flow. About three quarters of the way through the set, the singer gets the entire venue floor to cut in half for a wall of death, to which, everyone happily obliged, and I saw some old hardcore moves I have seen in a long time, clearly there are some older style fans here tonight. The announcement of “This is our last song” is met with a chorus of BOOOO’s to which the singer smiles and thanks the crowd for making their trip one to remember.

Archspire, tech death from USA, I have listened to these guys a little bit since the announcement of the tour and I was keen as hell to witness the guitar work and singer live in action, the did not disappoint. Straight off the bat, wicked guitar solos and melodies are being played with the bassist following suit with some incredible handiwork, I wish I had a better view because it sounded incredible! The next thing that hit me was the drummer! This guy just didn’t make sense to me audially, and I wish I could have seen him, he just constantly blasted but the sound of his snare hits was amazing and crisp, cut straight through the mix. The vocalist had me in awe at how quick he was phrasing, it was just rapping but with a death growl style voice, I can’t imagine how hard that is to actually do and I would love to know HOW he actually does it. The whole band are incredibly skilled at what they do, and they are just as funny. In between songs was band banter of crazy introductions of members, an “I love you” snuck in at the end of a song, “First one to kiss the disco ball gets a free shirt!” and damn! I’ve never seen a guy climb up on top of people fast enough to kiss a disco ball. The ultimate thing of the night was watching people play “Twister in the middle of a moshpit! “Right hand Red!” I can’t say I’ve ever seen that in a show.

It’s these kinds of things that make a night great, unexpected, fun, incredible musicianship, packed rooms and a game of twister! It’s also what I love about the metal scene, people just want to come out to have fun and see some incredibly well played and performed music.

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