fbpx
loader
Post Image
FeaturedNews

Alpha Wolf Half Living Things Australian Tour Sells Out. Additional Shows Added And Venue Upgrades. Tickets On Sale Now.

Bringing the noise firmly back in 2024, Australian behemoths ALPHA WOLF sold out their Half Living Things Australian Headline Tour with special international guests, including Ohio metalcore stalwarts THE DEVIL WEARS PRADA, Texan metalcore trailblazers INVENT ANIMATE and Swedish modern heavy wielders THROWN this August in less than a week of tickets on sale.

Due to overwhelming demand, additional shows have been added and venues upgraded with tickets on sale now.

New shows have been added to Melbourne on Friday 2 August at Chelsea Heights Hotel and a 2nd show at Liberty Hall in Sydney on Wednesday 7 August.

Perth's show on Thursday 1 August has now been upgraded to Metropolis, Adelaide on Sunday 4 August will now be at Hindley St Music Hall and Brisbane's venue has been upgraded to Fortitude Music Hall on Saturday 10 August. All existing tickets remain valid for these shows.

Never ones to do anything by halves, ALPHA WOLF have relentlessly sharpened their trademark intensity against the odds over the years, from releasing their critically-acclaimed sophomore album A Quiet Place To Die amid the pandemic in 2020, to releasing a split EP, The Lost & The Longing, with Welsh rockers Holding Absence in 2022, and, as of 2024, ferociously approaching their third full-length album Half Living Things, due out on Friday 5 April via Greyscale Records and SharpTone Records.

Hinting at things to come via the track Bring Back The Noise, a neck-snapping party-starter, as well as the internet-breaking collab single Sucks 2 Suck with legendary rapper Ice-T, last week saw ALPHA WOLF release the emphatic single, Whenever You're Ready. A track soaked in heart-wrenching melodics and pounding instrumentation.

Launching their own curated festival CVLTFEST in 2022, ALPHA WOLF continue to powerfully fly the flag for their own incredible wares as well as the local heavy music scene and exciting international acts, with CVLTFEST returning last month for its second edition to critical acclaim, headlined by ALPHA WOLF themselves alongside friends Emmure (USA), Crossfaith (Japan), Ocean Grove, Paledusk (Japan), Ten56. (France), Diamond Construct, Crave Death and Vilify.

Ticking off their biggest North American run to date with Motionless in White in and tearing up multiple stages as part of the inaugural Knotfest Australia last year, ALPHA WOLF kicked off 2024 touring regionally supporting The Amity Affliction, and will embark later this month on a massive North American headline run, supported by Emmure, UnityTX and Chamber, before heading to the UK to appear at Download Festival alongside Queens Of The Stone Age, Fall Out Boy, Avenged Sevenfold and more.

Forming in 2005, THE DEVIL WEARS PRADA have gone on to become a towering fixture in the metalcore scene, armed with their balanced blend of turbulence, eloquent lyricism and melodic sorcery. From securing six consecutive Top 5 debuts on the Billboard Top Hard Rock Albums Chat through to extensive tours across the globe, THE DEVIL WEARS PRADA most recently showcased their prowess via their 2022 album Color Decay. In 2024, the band will return to Australia in following supporting Polaris on a national sold out tour in 2017, and also marking the band's first tour down under since releasing The Act in 2019 and Color Decay.

Progressive metalcore quartet INVENT ANIMATE certainly know how to turn heads and melt hearts with their deeply empathetic heavy creations. Deeply connective and laced with fluctuating moments of ambience, intensity and technical immersion, INVENT ANIMATE unveiled their fourth studio album, Heavener, in 2023, self-produced by the band alongside The Plot In You's Landon Tewers and praised for its progressive elements and nuanced complexity. 

Releasing their debut single greyout in 2021, Sweden's THROWN have quickly become one of the hottest acts in the modern heavy scene, blending intense guitars with aggressive vocals and infectious arrangements. With a misanthropic sonic spine and a fresh take on the metalcore and surrounding realms, THROWN recently toured alongside Fit For A King and Invent Animate, with 2024 marking the first time ever that the band will tour Australia.

Tickets for new shows & venue upgrades are on sale now
from 
destroyalllines.com

Destroy All Lines, Greyscale Records + SharpTone Records Present

ALPHA WOLF
HALF LIVING THINGS AUSTRALIAN TOUR 2024

WITH SPECIAL GUESTS
THE DEVIL WEARS PRADA (USA)
INVENT ANIMATE (USA) + THROWN (SWE)

THURSDAY 1 AUGUST 2024 – METROPOLIS, PERTH 18+ VENUE UPGRADE
FRIDAY 2 AUGUST 2024 – CHELSEA HEIGHTS HOTEL, MELBOURNE 18+ NEW SHOW 
SATURDAY 3 AUGUST 2024 – FORUM, MELBOURNE 18+ SOLD OUT
SUNDAY 4 AUGUST 2024 – HINDLEY ST MUSIC HALL, ADELAIDE LIC AA VENUE UPGRADE
WEDNESDAY 7 AUGUST 2024 – LIBERTY HALL, SYDNEY LIC AA NEW SHOW 
THURSDAY 8 AUGUST 2024 – LIBERTY HALL, SYDNEY LIC AA SOLD OUT
FRIDAY 9 AUGUST 2024 – KING ST BAND ROOM, NEWCASTLE 18+ SOLD OUT
SATURDAY 10 AUGUST 2024 – FORTITUDE MUSIC HALL, BRISBANE 18+ VENUE UPGRADE

Tickets for new shows & venue upgrades are on sale now from destroyalllines.com

Read More
Post Image
Gig ReviewsReviews

[Review] Slash featuring Myles Kennedy & The Consiprators @ John Cain Arena, Melbourne 27/02/2024

Every once and a while, I have the opportunity to tap back into my rock and metal roots, reliving the nostalgia of listening to Guns N’ Roses, Slash, Myles Kennedy, and even Alter Bridge. At John Cain Arena, all of them combined into one, finally after so many years getting to catch Slash, with Myles Kennedy and the Conspirators, with the star’s special bonus of The Struts and Aussie legends Rose Tattoo.

It seemed only more than fitting to have Angry Anderson and his high-spirited charm open up the Melbourne show, as Rose Tattoo has never fallen short of putting on a solid, classic Aussie rock gig, and boy does Angry come alive with his charisma and never wavering vocals. As if this opening act couldn’t get better, Angry decided to unveil a surprise for us “early people”, and brought out none other than Slash for a few tracks, and you could tell that the frontman and the boys were thrilled to perform alongside such an iconic rock n’ roll figure. The night only got better from there as The Struts arrived to warm us up further, and I was nothing short of blown away. The stage presence of the UK hailing rockers was phenomenal, that at points reminded me of The Who. Whilst the entire ensemble shined in their energy and enthusiasm, Luke Spiller is a one in a thousand frontman. One you can’t take your eyes off of the way he dances and interacts with the crowd, engaging in call and responses and hyping everybody up flawlessly.   If this is an energy The Struts can bring as a warm up act, I can only imagine how incredible a headline show would be.

If I can say anything about a show headed by Slash and Myles backed by the usual incredible ensemble, it’s that it’s exactly what you are expecting walking into it: nothing short of electric. It was a non-stop, 2 hour long stellar delivery that kept everyone moving in their seats and on their feet respectively. Slash never disappoints, for there’s a reason he’s a rock god. With the sheer presence of him and his signature Les Paul and top hat, his moves, and the fingers that never rest, flying across the fretboard like lightning. Myself, and seemingly everyone around me, never broke our gaze upon the inhuman guitarist during his many 10+ minute solos, leaving us with chills. Myles Kennedy shined as always, with an easily recognisable house that is still strong to this day and will be for the foreseeable future. His energy radiates this ‘cool’ that’s always great to watch, whilst also showing his wholesome side performing Fill My World inspired by his dog, encouraging the audience to hold up photos of their furry friends. 

Todd Kerns, an incredible yet criminally underrated performer, was another highlight. His energy on stage is unmatched, and his foul language is as musical to my ears as Slash’s guitar craft, even also surprisingly jumping on the mic for a few covers and making that thing his bitch with his powerful vocals. 

After a thunderous encore with a beautiful cover of Rocketman featuring Slash on the lap steel guitar, followed by the coolest riffs of Anastasia, the night came to a close, and I couldn’t even rest nor sleep even hours after the show, for Slash featuring Myles Kennedy and the Conspirators gave me a buzz unlike any other. My teenage rock n’ roll heart was pumping with excitement.  

Read More
Post Image
Gig ReviewsReviews

[Review] Klash of the Titans @ Forum Theatre, Melbourne 14/02/2024

Picture a legion of heavy metal enthusiasts converging upon our Forum, each adorned in the battle armour of their favourite bands. The air spewing with anticipation as they assemble, a sea of black shirts emblazoned with all the metal bands you could think of and their logos. Some shirts are worn with the pride of a veteran, faded and worn from countless gigs, while others are brand new, freshly acquired for this sacred occasion. Me in my Killers Tee, charged and ready to go.

Opening with an electrifying surge of energy, In Flames and Kreator brought an unforgettable night of metal mastery to an eager Forum packed crowd, awaiting the eruption of metal madness to consume them in a frenzy of sonic ecstasy on a steamy Valentine’s day. With a blend of melodic finesse and raw aggression, these two iconic bands left the audience in awe with their relentless performance.

In Flames, known for their innovative fusion of melodic death metal and modern metalcore, took the stage with an explosive presence. From the moment the first riff resonated through the venue, it was evident that this was going to be a night. A night due to how cranked the bass mix was that my wobbly bits were going to wobble. Lead vocalist Anders Fridén commanded the stage with ferocious intensity, his vocals soaring over the intricate guitar melodies and thunderous drumming. Tracks like Deliver Us and The Quiet Place captivated the crowd with a frenzy of screaming guitars and a sea of fans screaming into the night.

As the stage was bathed in an eerie red glow, Kreator emerged with a sonic assault that was nothing short of relentless. With their blistering thrash metal sound, the German titans delivered a performance that commanded your attention. Frontman Mille Petrozza’s guttural vocals cut through the air like a razor, while the precision of Sami Yli-Sirniö’s guitar solos left jaws dropping in amazement. From tracks like Hate Uber Alles to tracks like Enemy of God, Kreator’s set was a masterclass in thrash metal excellence.

In Flames and Kreator proved once again why they are two of the most revered bands in the metal scene. With their unparalleled musicianship, commanding stage presence, and unwavering dedication to their craft, they delivered a performance that will be remembered for years to come. As the final notes faded into the night, it was awesome to be amidst the sea of raised devil horns, there’s a sense of camaraderie, a shared bond forged through a mutual love for the music. Strangers become friends in the pit, united by the primal energy coursing through the air.

Read More
Post Image
Gig ReviewsReviews

[Review] Lord Huron @ The Forum, Melbourne 27/01/2024

Trying to find the words to describe Lord Huron is so difficult. They’re so much more than ‘indie-folk outfit’, ‘country sensation’ or any other combination of words rattling around in my brain. The show at The Forum proved to me that Lord Huron are so much bigger than a little box. I haven’t been able to get them out of my head, and that’s exactly what they were going for.

Support act, Asha Jefferies, should be a household name already. Her lyrics are beautifully understated, melancholic, and yearning. Her vocals aren’t like anything else I’ve ever heard. This is the last day of the tour, and yet Asha still soars to these breathtaking heights. If there is a ‘calling’ – this is hers. I stop before the main floor of The Forum, spellbound. She’s like sirens, harpies, or something else that would sink unsuspecting music writers. She feels like something out of a fantasy book. “The sound guys here are like the coolest, funniest guys ever! Give them a round of applause!” There’s just a moment of hesitation from the crowd, we are shaking off a musical spell. But then we cheer and clap and hoot and holler before she launches into one last song. “I have a new album coming out in April, check it out if you can!” I have marked April in my calendar with a big ugly red circle as a reminder, and you should to. “This last song is about loving your friends. I’m dedicating this one to Genie and Isaac, who are here tonight. It’s called Spinning.” I might gasp, or cry, or shuffle off this mortal coil for a minute. Spinning is stunning, it’s angelic and mysterious. How does Jefferies manage to capture nostalgia and aching so well in a 3-minute song? I feel like my heart strings have just strung her guitar. Listen to Asha Jefferies, remember to lie down somewhere soft, and let her take your hand and guide you into a part of yourself long neglected.

After a 30-minute break, admiring the beautiful interior of The Forum, the lights go dim. We know what that means; Lord Huron making their way onto the stage. They’re all wearing suits, in earthy fabrics like tweed or linen or suede. Two of them have bolo-ties, the bassist has a neck scarf. I see two big, black-brimmed hats. They look like relics from a bygone American era. I don’t think the cowboy aesthetic is an act for them, it feels natural. I could be convinced they bought those hats in 1879 from Ye Olde Hat Emporium. There is something timeless, powerful, and enigmatic oozing from the band.  Front man Ben Schneider seems aware of the folkloric, mythic quality the band has. After a haunting opening of Time’s Blur and Love Like Ghosts, Schneider takes the mic gently between his hands – and you could hear a pen drop in a sold-out Forum.

“We’re going to try to sort of take you on a musical journey. There’ll be ups and downs and twists and turns. Heartbreak and redemption, laughter, tears, high-fives, pats on the butt, making out – everything in between, ok? So, if you find yourself bored, or thinking ‘This isn’t for me.’ Just wait a little bit. Something your flavour will come up.”

Immediately, the band comes to life again. The lights on the forum stage dance in sunset reds and oranges and golds. Meet Me in the Woods, Mine Forever and Dead Man’s Hand, all perfectly flow into each other as I am spellbound by those lights. The instrumentals are flawless, they’re better than the album. Intricate guitar work, mesmerising vocals and a perfect dance of drums and bass in the background – it’s musical bliss. There are moments in the songs that follow that feel like homages to Johnny Cash, Bruce Springsteen, Neil Young and countless other classics. Every song is Lord Huron listening, growing, and incorporating. Their entire setlist, their whole discography is a love letter to music. It’s written for those who came before then, and ferociously studied by those coming after them.

Wait by the River feels like a sermon. Schneider’s hands go above his head and he calls for us to do the same. Without thinking, my body obeys. But it isn’t just for this song, it’s the whole night. Every time they say clap, I slam my hands together involuntarily. They control every hair on my head, every muscle in my body. I’m not resisting the spell Lord Huron are casting. The band have themselves under a spell at times, like they’re mere vessels for something greater. The three guitarists in the back left drop their heads and sway, but somehow still play these beautifully intricate melodies. My jaw is still on the floor, if someone could pick it up as they passed – that would be great.

Towards the end of the night, is where we hit our high. Schneider leaves for a minute, and comes back wearing a comically large skeleton mask – el Día de los Muertos style. The World Ender and Ancient Names are both sung, played and demolished by skeleton-led Lord Huron. The mask adds to the feeling that these guys might be reincarnated, straight out of the Wild West. That they are mythical and mysterious and not of this world. The guitars are screaming, Schneider is strumming so fast his hands a blur. The vocals are the strongest they’ve ever been. I really struggled to describe this momento. It was so unexpected, so spooky, so perfect. A live-music best-of reel momento, for sure.

Something I never thought I’d see, was a theremín being played live. The stage goes black as Schneider changes out of his skeleton mask, and a single spotlight illuminates the neck-scarf wearing bassist; Miguel Briseño. He stands perfectly still, moving his hands into the instrument, and playing the most heartbreaking introduction to Way Out There. My heart almost can’t take it. I thought it would just get this solo at the beginning – oh, how wrong was I. For 4 beautiful minutes, we are treated to haunting theremin. His hands move with precision, melancholy, and appreciation for the strange instrument. He is a master. My friend keeps whispering “omg a theremin.” Over and over. Words can’t do the moment justice, yet again.

And of course, The Night We Met. One of the biggest songs of recent memory. This song is beautiful. It’s perfect, really. It’s so heartbreaking, so hopeful, so hopeless, so human. Listen to it. It makes my heart feel like it’s been chewed up, spat out, reinflated, and sent to find me. Everyone is singing at the top of their lungs. For that final chorus.

I had all and then most of you. Some and now none of you. Take me back to the night we met.

We sing and we scream, and we cry a little, and so do they. This was a special, intimate moment for everyone there that night. No notes, perfection. Now excuse me while I go cry and yearn in peace.

Schneider leaves us with some closing words, and a promise to come back soon. I’ll leave you with them, too.

See you next time, folks. Until then, live until you die.

Read More
Post Image
FeaturedNews

Lord Huron announce second Sydney show

Indie-folk troubadours Lord Huron are bringing their transcendent live show to sold-out rooms across the East Coast this month, today announcing a second Sydney show at the Factory Theatre due to popular demand.

Tickets for the second Sydney show at the Factory Theatre are on sale now, with all other shows now sold out while limited tickets remain for Melbourne’s second show at the Croxton Bandroom.

Performing anthems from across their catalogue, fans will get to soak up favourite gems like “Ends of the Earth”, “Not Dead Yet” and the much-loved hit “The Night We Met”, which currently stands at over 1.6 billion global streams on Spotify.

Making waves with their 2012 debut Lonesome Dreams, Lord Huron have since become a certified platinum selling phenomenon, playing major festivals such as Coachella, Lollapalooza and Austin City Limits, all while garnering a devoted fanbase worldwide.

Their fourth and most recent album Long Lost was released in May 2021 and sees the band continue to win hearts with their profound storytelling and songwriting style. The band’s leader Ben Schneider also recently provided the score for the film The Starling Girl, which featured a new Lord Huron song “Ace Up My Sleeve”.

Lord Huron will be gracing stages across the East Coast with support Asha Jefferies, heading up the Croxton Bandroom in Melbourne on Monday 22 January, The Tivoli in Brisbane on Wednesday 24 January, Sydney’s Enmore Theatre on Friday 26 January, Melbourne’s Forum on Saturday 27 January, and the Factory Theatre in Sydney on Sunday 28 January 2024.

A captivating evening too good to miss, catch Lord Huron on a stage near you in January 2024.

LORD HURON 

AUSTRALIAN TOUR 2024

Supported by Asha Jefferies

Monday 22 January 2024 SELLING FAST

Croxton Bandroom

Melbourne, VIC

Wednesday 24 January 2024 SOLD OUT

The Tivoli

Brisbane, QLD

Friday 26 January 2024 SOLD OUT

Enmore Theatre

Sydney, NSW

Saturday 27 January 2024 SOLD OUT

Forum

Melbourne, VIC

Sunday 28 January JUST ANNOUNCED

Factory Theatre

Sydney, NSW

TICKETS

On sale now via Destroy All Lines here

Read More