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Gig ReviewsReviews

[Review] Aurora @ Palais Theatre, Melbourne 09/3/2023

Aurora is truly one of the most triumphant artist of our generation, and on the 9th of March I, along with a sold out Palais Theatre audience, were humbled to be in her presence. The best way I can describe Aurora’s performance was that of a re birth, as she used her music to gently guided us to unleash our inner animal, let go of societal judgement, and embrace the raw experiencing of being human. However, I get ahead of myself! Let’s start from the beginning.

I entered the charming Palais venue with deep fondness, as I am well acquainted with its well-worn walls and earthy green carpet. When the support act Blusher made their way onto the stage, I thought their youthful energy paired perfectly with the venue’s vintage aesthetic. Newness was meeting with tradition, and I was loving the ambiance that this was creating. The Palais stage has welcomed countless up and coming artists and the trio of women that make up Blushers certainly left no crumbs; making their mark from the moment their hands touched the mics. Blushers performed with such finesse, confidence, and hypnotic power, that their 30 minute set felt like a delicious glimpse into what a full length Blusher show may look like, and you best believe that I will be in attendance for it. As someone who doesn’t listen to a lot of pop, Blushers truly won me over. Their use of the silky, dream like synth and hard hitting bass became part of what makes their sound so irrespirable. Their performance of Dead End, a song that celebrates that celebrates youth and ‘going out on a Tuesday’, had everyone out of their seats, myself included. Seeing these three powerhouse women grooving on stage with their synchronized dance moves made it impossible to resist doing the same, and I definitely saw a few strangers pull out some moves together. Finishing their set with Softly Spoken, this spicy track sealed Blushers as a band that aren’t afraid to pair their sweet melodies with biting, unafraid lyricism. This duality is clearly a signature aspect of Blushers that is quickly becoming part of their appeal and growing fan base. One of the sweetest moments of the night was when they gave a shout out to their devout fan, who has been at all of their performances. I loved to see the growing relationship they have with their fans, despite this being their debut tour. If the love the crowd had for Blushers is anything to go by, I would say that this trio is on their way to global pop domination.

After a half hour interval, Aurora’s entrance could not have been met with a more captivated attention. All eyes were on the dimly lit, misty stage. Three thousand breaths were being held, as we watched this tiny figure make her way to the front of the stage. I was six rows from the front, and I can safely say that seeing Aurora stare out into the crowd, shrouded in a dark silhouette, was one of the most hauntingly beautiful images I’ve ever seen on stage. And so, just like that, an hour and a half of pure, spellbinding magic was set into motion, with Aurora as our trusted enchantress.    

After having a few second to soak in Aurora’s presence, her dark anthem Heathens kicked off the night; snapping the audience out of their mystified spell, and plunging us into a cosmic darkness that made me want to break free of my human form and become pure matter. Heathens acted as an introduction to what kind of instrumental, vocal, and performative experience we could expect from tonight’s show:

A fusion of angelic yearning, and animalistic chaos.

With each song that Aurora performed, I could not help but notice how her whole body moved to the music. From her ballerina like twirling, to her wolfish crawling and crouching, to the way her fingers delicately danced in response to each note, it was as if she were composing the pieces right in front of us and throwing her whole self into it. It wasn’t hard to see just how much of Aurora’s soul exists in each song.

The majesty of this performance, combined with her reflective talking segments on life, love, and the beauty and the oddities of mankind, made the night felt like a communal un shedding of pain and suffering. To be there in that room, being serenaded by ethereal harmonies and watching people dance their way through songs that deal with respecting nature, and respecting the things we don’t understand, was more than my little brain could comprehend. I think I will be comprehending it for a long time. My favourite performance was definitely Infections of a Different Kind, as it displayed the rawness of Aurora’s vocal abilities on a new level. There was such beautiful range to Aurora’s song choices that left the audience with no idea of where the night was headed. The performance of the dark, cinematic Churchyard shook every persons souls, whilst Exist for Love comforted us in it’s lilting blend of three part harmonies and pristine guitar accompaniment.

 To me, Aurora is one woman who both channels The Sublime, and crafts a performance that is expansive and utopian in it’s message and aesthetic. The way that Aurora appeared to us was almost like an other worldly being; dressed in all white, blessing us with anecdotes that celebrated uniqueness, and stories of acceptance and kindness. Ultimately, Aurora’s show gave new meaning to the title of her latest album called The Gods We Can Touch, for she is our all inclusive and all accepting voice of truth and reason; a vision of the hope, the change, and the courage that this little old world relies on in order to be nurtured and thrive. Finishing off the night with Cure For Me, a song that champions her defiantly positive message of self love, I left that night feeling a little lighter and happier in myself, and optimistic about the world and people around me. I guess that is the power of Aurora, and I cannot wait until she returns to Melbourne.

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FeaturedNews

AURORA Announces THE GODS WE CAN TOUCH Australian Tour 2023

Secret Sounds is thrilled to announce that powerful Norwegian alternative pop songstress AURORA is returning to Australia, bringing her powerful live performance to stunning venues across the East Coast including Brisbane’s Fortitude Music Hall, Sydney Opera House and Palais Theatre, Melbourne throughout March 2023. The highly anticipated dates will see the enchanting artist grace Australian stages with a host of new songs from her critically acclaimed 2022 album, The Gods We Can Touch.

Since bursting onto the scene in 2015 with her debut EP, Running With The Wolves, AURORA has amassed over 20 million monthly listeners on Spotify, an incredible 2.6 billion overall streams and 1 million+ global album sales. This all started near Bergen, Norway where Aurora Aksnes grew up surrounded by forests and mountains, she was just six years old when she first felt the compulsion to sit alone and create. By the time she was twelve she had written ‘Runaway’, a song that would later receive a full release and would inspire a twelve year old Billie Eilish to make her own music. The song catapulted into the Top 40 Singles Chart in the UK for the first time in 2021, six years after its release and fourteen years after it was first penned, it also peaked in the Spotify Global Top 20 thanks to an unexpected TikTok trend that saw the track reach a whole new global audience, clocking up 300 million views a day.
 
A triple threat, AURORA is renowned for her talents as a singer, songwriter and producer. From performing her contribution to Frozen 2’s pivotal track ‘Into The Unknown’ at the 2020 Oscars, playing Coachella and Lollapalooza to appearing all across US talk shows and featuring on millions of TikToks, AURORA has a diverse legion of fans that admire her multifaceted artistry including peers Troye Sivan, Doja Cat, Katy Perry, Shawn Mendes and the aforementioned Billie Eilish.
 
Having grown up surrounded by nature, AURORA’s first three albums focused on issues like global capitalism, the environmental crisis and what it means to be human amid it all. She has worked with the UN’s CHOOSE programme to lessen her environmental footprint, converting the amount of harmful gases she uses as a touring artist into electricity in Thailand. Through her stark, angular pop AURORA has debated with herself and urged fans to stand up for themselves and each other, while giving us mantras to chant like “you cannot eat money”. Her most recent record The Gods We Can Touch turns that piercing gaze inward, sharing her inner self for the first time.
 
Released in January 2022, The Gods We Can Touch saw AURORA score her first UK Top 10, landing at #8 on the Official UK Album Chart. Inspired by Greek mythology, the euphoric record was the third most streamed new album in the world on Spotify the weekend of its release. The Gods We Can Touch finds AURORA reunited with long term producer Magnus Skylstad, and a carefully-curated cast of collaborators: guitarist Fredrik Svabø, Askjell Solstrand on piano, French singer songwriter Pomme and renowned bandoneon player Per Arne Glorvigen. It sounds like an album that was made in a castle, and that’s because it was. AURORA chose to record much of the record in Barony Rosendal, a structure surrounded by mountains, resulting in a body of work that is elegant but provocative as it explores the concepts of shame, desire and morality.
 
Single from the record, ‘The Woman I Am’ garnered great success on the airwaves in the UK. It was included as BBC’s Radio 1’s coveted Hottest Record, Tune Of The Week and AURORA’s Piano Sessions, where she covered Harry Styles’ ‘Golden’ and performed her own track ‘A Temporary High’, became the most viewed of the past year in just one week. The song also picked up countless plays on BBC Radio 1 and BBC Radio 2. AURORA followed this with sensual track ‘The Devil Is Human’, previously only available on the vinyl version of The Gods We Can Touch. Her most recent single, the dreamy and heartfelt ‘A Potion For Love’ was released in July 2022.
 
AURORA headlined Norway’s Øya Festival in August 2022, alongside Florence + The Machine, Gorillaz and more; she stunned a crowd of 20,000 people as she joined the star studded lineup of London’s BST Hyde Park in July and has been dominating stages across the US on her headline tour. April saw AURORA complete a sold out Spring UK tour where she played a packed 02 Brixton Academy in front of over 5,000 adoring fans. Not long after this she won a highly-regarded Spellemann Award (Norway’s version of the GRAMMYs) for International Success Of The Year. No doubt she will be ready to stun with her ethereal stage presence when she graces Australian shores in 2023.

Tickets to AURORA’s headline shows in Brisbane, Sydney and Melbourne will go on sale from 9am local Tuesday 30 August. Fans can sign up to presale access here.AURORA The Gods We Can Touch – Australian Tour
Sunday 5 March 2023 – Fortitude Music Hall, Brisbane
Tuesday 7 March 2023 – Concert Hall, Sydney Opera House, Sydney
Thursday 9 March 2023 – Palais Theatre, Melbourne

Tickets
Presale available from 9am local Monday 29 August
Tickets on sale to the general public at 9am local Tuesday 30 August


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